00:00:01
here's a question for you because I have
00:00:03
a few of my own personal thing but uh in
00:00:06
the studio with a sketch what were the
00:00:09
ones that just killed the hardest or
00:00:12
made you laugh the hardest and it's
00:00:14
probably dozens of them but I have one
00:00:15
in mind that I was in that I didn't
00:00:18
write but it went to a level of laughter
00:00:20
and involved an animal ah massive head
00:00:24
to inheritance
00:00:25
because an animal you know a dog was
00:00:28
lick the thing Bedlam but also the
00:00:31
headline of it massive head movement
00:00:33
that's an odd sitcom you know and Jack
00:00:37
Handy said that's such an odd title but
00:00:39
I think it was it was a Schneider's
00:00:40
video I think I think it was Schneider
00:00:42
and probably a few other people
00:00:46
but that was just one of those things
00:00:48
that they said between dress and Air
00:00:51
like Robert asked the Handler of the dog
00:00:54
what would make him really voracious
00:00:56
well so they didn't feed him he was
00:00:57
hungry and then put more stuff on my
00:01:00
Prosthetics so the dog went crazy
00:01:02
because I was trained by you I didn't
00:01:04
want to be about the prosthesis coming
00:01:07
off so I went like that and just held it
00:01:09
but it was such a long battle between me
00:01:12
and the dog that you and you kept in it
00:01:14
yeah I stayed in I didn't want it to be
00:01:16
about that and you didn't milk it no and
00:01:18
I think that's the discipline of it you
00:01:21
know that they you transcended you're
00:01:24
still playing
00:01:26
um yeah you don't want when it's killing
00:01:27
that heart it was like pepper boy it was
00:01:29
Sandler and that was killing so hard on
00:01:32
air it just came out in San Lori were
00:01:34
just in a rhythm together yeah and then
00:01:36
Farley had one line and on the dress
00:01:39
show whoa pepper boy so then the air
00:01:42
show and of course we're coming around
00:01:43
to like a Pepper or whatever he's like
00:01:46
well thank you but ten times louder than
00:01:49
I just said it Sandler turns purple is
00:01:52
turning away from the camera to me and I
00:01:54
whisper I keep the Italian accent and I
00:01:56
go don't the break oh yeah and he didn't
00:01:59
break because I thought the sketch was
00:02:01
going so good that I didn't want to ruin
00:02:02
it yeah yeah yeah if it's not going good
00:02:04
okay it can break but not not a physical
00:02:06
but also a sketch like canteen boy with
00:02:09
Alex
00:02:11
yeah I wouldn't get too far these days
00:02:13
oh my God then it was resistance oh yeah
00:02:17
totally so when you get uh obviously it
00:02:21
gets
00:02:22
it's probably still exciting and would
00:02:25
you ever want to stop or is there or if
00:02:27
Dana and I can't take over I think
00:02:29
there's times when it's so frustrating
00:02:30
and so whatever that you think uh but
00:02:34
you know when that the warm-up is over
00:02:37
you know and it's just you're hearing
00:02:39
those last two saw just the band and you
00:02:42
know those songs because they don't
00:02:43
change much and then you start to
00:02:46
realize
00:02:47
you're you're kind of excited and that
00:02:49
that's never changed for me no I don't I
00:02:52
think you just you're like anyone who's
00:02:53
driven you you take the slings and
00:02:55
arrows yeah but I didn't really
00:02:57
understand what you did until I guess
00:02:58
hosted and was just kind of you hang out
00:03:01
with you kind of more yeah and even if
00:03:03
you're going to dinner or whatever
00:03:04
you're constantly producing and
00:03:06
constantly thinking and suggesting and
00:03:09
you're really bleeding over every show
00:03:11
emotionally so how do you decompress I
00:03:14
mean are you it's like well I think it's
00:03:17
different when you have kids because
00:03:19
that thing you know you go to the party
00:03:20
you come back and then somebody's
00:03:22
jumping on your chest and you can still
00:03:24
taste the beer and uh but they're the
00:03:27
priority and you're not and that you get
00:03:29
through that period I I think
00:03:32
for me uh and particularly in the
00:03:36
pandemic uh and with and for the whole
00:03:38
of the 68 election and afterwards you
00:03:42
sort of went oh people are counting on
00:03:44
us
00:03:46
talking about it and being there and
00:03:47
that was like a a huge thing and when we
00:03:50
did those at home shows in the pandemic
00:03:52
yeah you know the idea that would and it
00:03:55
always is it's just the DNA of the show
00:03:57
we show up so you sort of feel you with
00:04:00
9 11 or whatever that you have to and
00:04:03
you know when uh
00:04:06
oh when Sandy Hook happened
00:04:08
you know and McCartney was on the show
00:04:11
and uh and Marty Short
00:04:14
and it happened on the Friday
00:04:17
that's the toughest and I go we don't
00:04:20
have to do that I don't know why we have
00:04:22
to do that and then
00:04:25
Friday night uh you can't not do it you
00:04:29
can't somehow figure it out
00:04:31
and
00:04:34
there was a a choir a boy's choir oh yes
00:04:37
that was on for Wonderful Christmas Time
00:04:39
With McCarty I remember that sketch yeah
00:04:41
yes Marty
00:04:45
is this what Paul talked about this yeah
00:04:47
yeah and we were uh it also happened to
00:04:52
be the Friday night that they were
00:04:53
shooting the last scene of 30 Rock Alec
00:04:56
on a boat down South Street Seaport and
00:05:00
I promised Tina and Robert and Alec did
00:05:03
I be there for that so I'm driving down
00:05:06
the West the uh
00:05:08
Westside highway now we're and I'm still
00:05:12
trying to figure out and what I'm going
00:05:15
to do because we don't have an opening
00:05:16
and Paul had said McCartney had said uh
00:05:20
I'll do I can sing you know but I
00:05:22
thought it's kids you just can't do any
00:05:24
show business right do you know what I
00:05:26
mean you could do let it be whatever but
00:05:27
it would it would be somehow raw and I
00:05:32
called Lindsay and said will you call
00:05:34
the the choir master and see if he's got
00:05:36
a chart on
00:05:39
on silent night and uh and Chicago said
00:05:42
they do I and they have the car they
00:05:45
have the car yeah and so it became like
00:05:48
we're gonna just do that I knew Phil
00:05:51
Hobbs where put the camera lining
00:05:54
designer yeah and it was like so
00:05:58
uh they do it and then they uh
00:06:02
and then they say live for New York and
00:06:04
it did not work address
00:06:07
and I went
00:06:08
okay now this is where you have to right
00:06:11
and Marty told me to start because he
00:06:14
was watching me and he said
00:06:17
you weren't you were so puzzling with it
00:06:20
while you're giving notes like what is
00:06:21
it and then
00:06:24
dipped black
00:06:26
just dip the black that ends and then
00:06:28
the kids being happy
00:06:30
and saying live for New York was
00:06:32
completely understandable and forgivable
00:06:34
it was you couldn't bleed the one into
00:06:36
the other thing and so it was like Oh
00:06:38
and it worked and you kind of go you
00:06:41
don't know but you're like when you're
00:06:43
mixing tragedy and all right you need
00:06:46
jokes but also it just is you're
00:06:50
supposed to do it so I'm finding that
00:06:52
line you know
00:06:56
[Music]
00:06:57
Paul McCartney I thank you for
00:07:00
introducing us
00:07:03
you know I think he doesn't get credit
00:07:05
for being a rocker Joe I mean I think
00:07:08
the cliche was that John was and he was
00:07:10
you know yeah but half the rock you know
00:07:14
JoJo that's Paul yeah it helped her
00:07:16
Skelter Yeah Yeah but um
00:07:19
I think that he suffers from uh a good
00:07:23
problem in a way too many great songs
00:07:24
yeah people here let it be in Hey Jude
00:07:28
they don't hear Here There and
00:07:29
Everywhere yeah and and she's leaving
00:07:31
home he has so many Melodies that you
00:07:34
can't even remind people yeah and when
00:07:36
people criticize him because I you know
00:07:38
you're very good friends yeah uh I go no
00:07:41
he's Mozart
00:07:42
just stop it yeah it's great Melodies
00:07:45
that's who he is yeah and uh and someday
00:07:48
you'll get a perspective on it but it's
00:07:50
really and I saw his last concert at the
00:07:53
metal loans uh and what was interesting
00:07:56
it was like three hours yeah and uh you
00:08:02
know I mean things you thought you'd see
00:08:04
for sure weren't in the show right it
00:08:07
was really well thought out and and
00:08:09
fresh and Brilliant and about 10 15
00:08:13
minutes before it ended it started to
00:08:16
rain but this is it you know the
00:08:18
Meadowlands no one moved
00:08:20
you know everybody just SATs every once
00:08:23
in a lifetime and you go and it was the
00:08:25
last time he was going to perform and in
00:08:27
America anyway and it was just magical
00:08:29
and for me it was I mean love me dues
00:08:33
I'm a freshman yes you know what I mean
00:08:35
so that's part of entry and I think
00:08:38
it's all uh you know in the stones I saw
00:08:42
in London this summer too are just
00:08:45
phenomenal love them and it's just that
00:08:48
thing of their
00:08:50
you want them to be that yeah you don't
00:08:53
need them to you know and if Sinatra was
00:08:56
saying yeah you want to hear Summer Wind
00:08:58
yeah yeah but I do think they'd get back
00:09:01
the documentary kind of couch Paul
00:09:04
in a better light I think there's a
00:09:06
little bit more understanding because he
00:09:07
could sing all the harmonies he could
00:09:09
play all the instruments and he could
00:09:10
write songs so it makes sense as you
00:09:13
might say fingerprints would be he'd be
00:09:15
collaborating with Ringo and I used to
00:09:17
do that as a joke oppression so the girl
00:09:19
goes in and he goes he's walking along
00:09:21
and then he's doing it and get back to
00:09:23
George Harrison
00:09:26
and so the boy Genius kind of thing and
00:09:29
Landon was off on his own Journey at
00:09:31
that point but and also uh
00:09:34
that in the concert now Peter Jackson
00:09:37
gave him yeah a clip so he could sing
00:09:39
with Lenin yes so you realize how Young
00:09:44
led him was I know he's just 28. I know
00:09:47
and you just go oh it's heartbreaking
00:09:49
yeah and Paul was when I was watching on
00:09:53
the rooftop when John was doing you know
00:09:56
his song don't let me down Paul is so
00:09:59
engaged not cynical at all and he's
00:10:01
doing this incredible bass line and
00:10:03
they're smiling and laughing and for all
00:10:04
of us romantically because of what they
00:10:07
meant to us we want John and Paul and
00:10:09
for Paul his favorite part of the thing
00:10:11
was them joking around and laughing
00:10:12
because that's what he was yeah he said
00:10:14
that's why yeah
00:10:15
but you know time heals all wounds
00:10:18
people don't you have that with the cast
00:10:20
that you were with I mean a thousand
00:10:22
percent
00:10:23
um there you could we could run into
00:10:25
anybody of our time well also Sandler is
00:10:28
in the middle of it churning them out
00:10:30
you know what I mean and as always and
00:10:32
you just go Rob Schneider is living on a
00:10:34
on a couch there you know yeah
00:10:36
suddenly he gets into you know
00:10:39
yeah Rob talked about them getting
00:10:41
famous and we and then all of a sudden
00:10:43
we had girlfriends you know and there
00:10:46
was some thing or who thought of Cantore
00:10:48
the one where I had Victoria's legs over
00:10:50
my hell can't who really wrote that but
00:10:53
you're right it is like being in the
00:10:54
Marines or something not literally no
00:10:56
don't don't send me letters but yeah you
00:10:58
see a cast mate even running into Tracy
00:11:01
Morgan he goes hey Alum you know there's
00:11:04
a a spree decor I also think I think
00:11:07
Bill Murray said it once you just can't
00:11:09
explain what it's like being out there
00:11:12
looking into the eyes of somebody else
00:11:14
who's in that same scene that is it's
00:11:16
maybe not working
00:11:17
baby
00:11:20
yeah yeah and or working way better than
00:11:23
you thought the sparkle just that
00:11:25
contact of being in that heightened
00:11:28
reality uh with that level of intensity
00:11:31
you can't really explain and I'm sure
00:11:34
pro athletes have that I think it's you
00:11:37
know dancers have it which is another
00:11:39
great thing about the show is that you
00:11:41
start having non-performers uh host the
00:11:44
show I I guess you had pro athletes in
00:11:46
the 70s but that's a reality show in
00:11:48
itself if the pro athlete is bombing or
00:11:50
killing it's just a pro you know Michael
00:11:52
Jordan's gonna try to be a sketch player
00:11:55
friend Tarkenton yeah you had his 70s
00:11:58
but also I had Ralph Nader I had a lot
00:12:01
of people that I just admired and so it
00:12:03
was very smart for his entrance uh he
00:12:06
was getting off the elevator on eight
00:12:08
and I said I think if you were eating a
00:12:12
hot dog that will help because he was so
00:12:15
but I don't need no drugs I know I know
00:12:18
that's that's why I think it'll work
00:12:21
ultimate and he got the laugh and it was
00:12:24
like he lit up it's exciting oh yeah
00:12:27
they compete I mean Peyton Manning I
00:12:30
mean they give each other they're like
00:12:31
Russell and he you know oh he had one
00:12:33
yeah he was he was fantastic I was a
00:12:36
huge fan but it was just like you could
00:12:39
call people and they'd say okay
00:12:41
I didn't even know Bill Russell I didn't
00:12:44
know who watched the show because we
00:12:46
were mostly in eight age and then you go
00:12:48
oh they're they're watching yeah yeah
00:12:50
and Wayne Gretzky was so Charming I had
00:12:54
Broderick Crawford was in some FBI movie
00:12:57
oh yeah the robbery Crawford and I go I
00:13:00
called him and I said he was living in
00:13:02
Ohio and I I called him and I said we're
00:13:04
doing the show and his coach said yeah I
00:13:06
think I know it yeah uh so you'd have to
00:13:08
be here on the Monday and that you know
00:13:11
be this and uh I'm trying to reassure a
00:13:15
man who does not need to be reassured
00:13:16
and uh he said all right send me the
00:13:19
ticket
00:13:26
what I'm getting at is people just
00:13:29
volunteered to come ah you know from
00:13:31
Robert Mitchum Charlton Heston Robert
00:13:35
Mitchum had one of my favorite monologue
00:13:37
lines yes uh about live and it's so
00:13:40
dangerous and and or you don't know what
00:13:42
could go wrong and he said I thought
00:13:44
what's the worst that could happen I
00:13:46
won't get that 119th movie
00:13:49
and he landed it perfect and he was so
00:13:52
old school he had a half gallon of Jack
00:13:54
Daniels in the dressing room this is an
00:13:56
old-fashioned movie star yeah incredible
00:13:58
to be here I couldn't have that too
00:13:59
walking is Magic yeah walking that you
00:14:03
know with cowbell I think I was just
00:14:05
there doing a guest shot and that thing
00:14:08
hearing walk and come out and need more
00:14:10
cowbell I mean it was so the castle I
00:14:13
mean I knew that will had done it before
00:14:15
but once you got walking and then we'll
00:14:17
that's why it's just iconic yeah no and
00:14:21
also the Continental which he used to do
00:14:23
yeah it was an actual show that he would
00:14:26
see it was a local local New York
00:14:28
15-minute show where this guy was on and
00:14:31
he wanted to do it so he knew it
00:14:33
perfectly and that single camera
00:14:35
like a white glove you remember bear
00:14:38
suits are funny and bears as well was
00:14:40
that a fake Christopher walking at the
00:14:43
meeting yeah and we all went around
00:14:45
pitching him and he's kind of staring up
00:14:46
in Christopher Walken and then you said
00:14:48
uh Chris and I remember him saying this
00:14:51
in specific if you remember he just said
00:14:53
non-sequitur best suits or funny and
00:14:57
bears as well bear suits are funny and
00:15:00
then he thought and bears as well I just
00:15:02
thought that was the greatest
00:15:05
write it up
00:15:08
write it up let's put you in a bear suit
00:15:09
but that was the thrill of being around
00:15:11
him he was yeah there were a lot of
00:15:13
people that you
00:15:14
were either surprised or couldn't wait
00:15:17
to meet or whatever and John Goodman
00:15:19
could do no wrong Alec Baldwin it was
00:15:22
like my third show was Alex first show
00:15:23
and that was the green hilly and it was
00:15:25
he did the mimic he did all these one of
00:15:29
the things that I loved great but this
00:15:30
is a Wayne's World thing which you'll
00:15:32
remember uh he was doing green hilly
00:15:36
you guys were in the conference room
00:15:39
waiting to see me about something and uh
00:15:42
and Franklin was there waiting and I
00:15:44
can't remember what I was doing but
00:15:46
Franken said out loud can you imagine
00:15:50
what would be like if we had a really
00:15:51
good looking guy remember this one oh
00:15:54
boy yeah
00:15:57
both Dan and Mike were like I looked at
00:16:00
each other well I know I thought Mike
00:16:03
was more team but maybe I was too I
00:16:05
never said I mean I didn't have a chin I
00:16:07
can't be I have a limit on how good
00:16:08
looking I can be without a chin now I've
00:16:10
got this the ladies like oh he that he
00:16:12
got up for an Emmy for the first show
00:16:14
Alec was kidding every sketch and it was
00:16:16
uh he came out of Hunt for Red October
00:16:19
and I was just like I went in the
00:16:20
meeting going oh this guy's a movie star
00:16:22
like I always do yeah I remember Victor
00:16:24
did I interrupt you just said Victoria
00:16:27
would say the second time Alec came in
00:16:30
non-sequitur Victoria like on a Tuesday
00:16:32
I'm not gonna do it again not this week
00:16:36
I'm not gonna do it and I go what are
00:16:38
you gonna do I'm not gonna fall in love
00:16:40
with him I'm not gonna fall in love with
00:16:43
him and then by Friday I fell in love
00:16:46
yeah but he just gives these eyes and he
00:16:48
you know he's just he was yeah and um
00:16:50
you know there was so many home run
00:16:52
hitters on that when I got there and all
00:16:54
the writing and uh the smiggles and
00:16:56
handies and we talk about it all the
00:16:57
time but it was just hard to uh Lauren
00:17:00
actually hung in there with me because
00:17:01
it took a while to get my footing I was
00:17:02
trying to write and trying to write for
00:17:04
you it's hard right for other people I
00:17:07
was just a stand-up so it's just to get
00:17:08
it going and then got a little Hollywood
00:17:10
minute then got some stuff and it just
00:17:12
thank God I got in there because it took
00:17:15
me longer than most and yeah because one
00:17:18
he was in there too yeah so you were
00:17:21
going to get those parts let's go
00:17:23
through my diary I'll show you they
00:17:24
would sit behind me
00:17:26
David's on deck if you ever David ready
00:17:29
Dana looks tired you're like no I look
00:17:32
back Kevin Reed's reading something from
00:17:34
Huxley David's ready whenever you're
00:17:35
ready David you were funny the first
00:17:37
year I met you truly thank you never a
00:17:40
moment where I didn't think it was gonna
00:17:41
work yeah
00:17:44
have you seen cast members I mean
00:17:47
there's so many that audition yeah I
00:17:48
mean you couldn't say I guess if you
00:17:50
felt like
00:17:51
someone you missed on or someone I'm
00:17:53
sure there's some that just obviously
00:17:55
what happens is if there's no slot do
00:17:58
you know what I mean yeah we don't think
00:18:00
what you do then it's really hard
00:18:02
actually I think Nick Kroll we talked to
00:18:05
him and he he auditioned and he's he was
00:18:08
the first one that made sense to me
00:18:10
where he goes they had me because they
00:18:12
had every move I do and there's just I'm
00:18:15
an extra so I'm an extra guy from
00:18:17
Samberg and Bill Hader and he locked him
00:18:19
off and he goes and we talked about the
00:18:20
pack it wasn't personal it was just
00:18:22
those three years earlier it would have
00:18:24
worked three years later but he was like
00:18:26
I mean really really funny so that's
00:18:29
just the way it is there and and when
00:18:31
we're auditioning we don't think that
00:18:32
we're just saying oh we want to be on
00:18:35
and when Rob and I came on kind of
00:18:37
writer performers or maybe just writers
00:18:40
I mean no one tells anybody anything so
00:18:41
Bernie just said they just go there and
00:18:44
also Rob was doing making copies oh yeah
00:18:48
you know yeah and this was somehow that
00:18:50
just caught on yeah yeah and you don't
00:18:52
know why it captures on but yeah and
00:18:54
then you're running into the ground and
00:18:57
then we
00:19:02
the jealousy hit an all-time high when
00:19:05
sting came on looking like a stud and
00:19:08
then we were sting like a ding dong and
00:19:09
then you go you want to be in cop
00:19:10
machine he's like yeah I'm like God damn
00:19:12
so it's just you have to sit on
00:19:14
Sidelines and go good job and you go
00:19:16
what am I doing here making coffee yeah
00:19:20
but you know what and you can't argue it
00:19:22
it's funny it was original yeah
00:19:25
I was a great writer too he's a musical
00:19:28
and he can write and uh it was so fun to
00:19:31
be around these movie stars that are
00:19:34
nervous and scared about going or
00:19:36
musicians or you're sting I remember we
00:19:39
were doing the elevator sketch and he's
00:19:41
in we're in between he goes how's my
00:19:42
hair how's my hair he's asking me you
00:19:44
know it's like and they're really
00:19:45
vulnerable and they got the you know I
00:19:48
told Michael Jordan if you space out
00:19:49
just read it off the card it's a very
00:19:51
fascinating part of this whole flailing
00:19:53
they don't know what to do there yeah
00:19:54
I'm scared and if you get to talk to
00:19:57
them they don't know that we're lowly
00:19:58
writers is like what do I do here and
00:19:59
I'm like are you talking to me I don't
00:20:01
know what the [ __ ] going on Jeremy
00:20:03
Irons I remember his show
00:20:06
was on Saturday but the Oscars were the
00:20:10
Sunday
00:20:11
and he was nominated for best act oh wow
00:20:14
and I I knew him from a play he'd done
00:20:18
with Mike Nichols and up you know he was
00:20:20
a great actor obviously yeah and they
00:20:24
were doing a Sherlock Holmes uh sketch
00:20:27
and a woman named the writer but they're
00:20:30
like in their teaching him an English
00:20:32
accent right you know like no no it's
00:20:35
more this and you just go you know and
00:20:38
uh you just go what you know he's I mean
00:20:42
he wasn't best actor yeah but you just
00:20:44
go are you think but the passion and
00:20:47
blindness of comedy writers yeah you
00:20:50
know what I mean of like no you don't
00:20:51
get it it's like this and you go and so
00:20:54
confident but performers have witnessed
00:20:57
and felt death yeah so they never were
00:21:00
confident because they actually know the
00:21:02
job but writers are like no come on you
00:21:05
know and I remember George Meyer when he
00:21:08
was on the show
00:21:09
dying and he he would just you'd sort of
00:21:13
see himself throwing his body against
00:21:14
the ball addressed here so when someone
00:21:16
blew a line yeah and that's why
00:21:19
animation works better
00:21:21
you know because they because they they
00:21:23
open exactly what they're told but
00:21:24
performers can either give you that
00:21:27
exhilaration of like they took it off
00:21:29
the paper and now it's this other thing
00:21:31
that will always be that yeah as opposed
00:21:34
to you got to laugh at the end of the
00:21:36
lot you know I think I was doing a
00:21:38
courtroom thing as Johnny Carson as
00:21:40
Johnny Cochran or something and Michael
00:21:42
written it and he's put in all these
00:21:44
birds and things on me like and it's
00:21:47
five four three and it's a cockatoo I
00:21:49
know Robert enough
00:21:51
come on Robert is Relentless that way
00:21:54
yeah which we love him for he's yeah he
00:21:56
wants to be performing or he loves
00:21:58
reform yeah but we had some great
00:22:00
collaborations together he was he was
00:22:02
good with rhythms and you know yeah um
00:22:05
so so this new season uh-huh excited how
00:22:09
was your yeah I mean uh you're pulling
00:22:11
up your socks you're feeling good you're
00:22:13
just eyes wide open uh I think we you
00:22:17
know uh it was
00:22:19
you know we had we ended the season with
00:22:22
goodbyes you know particularly on cage
00:22:26
and Pete and so dealing with that it
00:22:30
just had that valedictory thing uh which
00:22:33
we did with Christian wig as well we've
00:22:35
done a bunch of times yeah uh and it
00:22:38
just you just slipped out of the dead of
00:22:40
night I agreement on Bernie you gotta go
00:22:43
now or you'll never go no I don't know
00:22:46
why I did that I you know a lot of
00:22:48
people on this just anecdotally without
00:22:50
naming names kind of like go why did I
00:22:52
leave because some of them left
00:22:54
voluntarily yeah and why was I so angry
00:22:57
yeah and what was I thinking and for me
00:22:59
personally I had so many inputs coming
00:23:01
at me yeah I got too hot too big it's
00:23:03
like Mickey Rooney in the Twilight Zone
00:23:04
because of Wayne's World and all the
00:23:06
political stuff so I was sort of lost
00:23:07
but yeah but I I was envious and thought
00:23:09
it was sweet when Kate and people got a
00:23:13
little send off his sweet yeah and also
00:23:15
I think there's something about
00:23:17
uh
00:23:19
it can't be everything to show and it is
00:23:23
for so long and then then you could but
00:23:26
if you're ever gonna leave you know and
00:23:27
so you have to leave at some point yeah
00:23:30
but also that uh
00:23:33
they're you're never gonna feel that
00:23:35
intensity
00:23:37
of that because it's it's its own sport
00:23:39
you know what I mean and you're in
00:23:41
Hollywood yeah I went to sitcom and it
00:23:44
was great people great actors and I go
00:23:46
this is just not the same it's just not
00:23:48
as tough and people writing for me and I
00:23:50
go this is unbelievable and also it's
00:23:52
all as it was all risk you know like
00:23:55
there's no safety net and there's also
00:23:57
no uh guarantee there's a good work on
00:24:00
it or you're gonna are you gonna be
00:24:02
honest like you're walking through the
00:24:03
hallway and it's like 20 to one and they
00:24:05
go and you're in your offer and they go
00:24:06
Gap girls is cut
00:24:12
go back to your rooms immediately yeah
00:24:14
anything that's cut on it that's the
00:24:16
tuft because that's that's again there's
00:24:17
no guarantees and now we tend to play
00:24:20
some of those
00:24:21
oh yeah again
00:24:24
Saturday Night Live I I think I read
00:24:26
this gets like I don't know two almost
00:24:29
two billion YouTube views isn't it
00:24:32
number one YouTube foreign
00:24:39
uh Lewis Hamilton the race car driver
00:24:41
was at a party last season and he
00:24:43
thought he said well I grew up watching
00:24:45
the show and I go here in England how do
00:24:46
you watch the show you know you forget
00:24:48
that it's it's all online and people and
00:24:51
then I think when they see the
00:24:52
Contemporary stuff then they go back and
00:24:54
look at the you know the shows from yeah
00:24:58
and there was a period about 15 years
00:25:01
ago when writers coming in who would not
00:25:04
been alive for the first you know five
00:25:06
or ten years would we had a server where
00:25:09
they could just go on so sometimes
00:25:11
people would watch two or three shows
00:25:12
before on Tuesday night before they
00:25:14
started but I'll use an example I'll say
00:25:17
well I think we did that with Bill
00:25:18
Murray and then now I look out into a
00:25:20
room of look okay all right
00:25:23
I'm talking about 45 years ago like so
00:25:28
it's a I think peacock probably has all
00:25:30
the old ones maybe it's all everyone has
00:25:32
it on their laptop I mean every sketch
00:25:34
right because when I was there meeting
00:25:35
John Mulaney and Bill Hader yeah I'm
00:25:37
like oh what do you guys want to do they
00:25:39
go we like Mickey Rooney when I did
00:25:40
Mickey Rooney really and they they
00:25:43
brought it up immediately so and and
00:25:45
Bill you know what I've talked to Bill
00:25:48
somewhat seriously about his time there
00:25:50
he he was frightened he talked about the
00:25:55
panic I go it's so interesting because
00:25:58
I'm pretty good at reading that stuff
00:26:00
yeah but he was so good on error and so
00:26:03
original and I mean he auditioned with
00:26:06
Vincent Price yes and who does that
00:26:10
and James Mason now I they were in my
00:26:13
childhood
00:26:14
and things got shot got to Oklahoma
00:26:18
later but it was just a uh so original
00:26:22
and right away do you know what I mean
00:26:25
and Vinnie paderci and all all of that
00:26:28
stuff and you go so such an original
00:26:31
comedy voice yeah you know we know what
00:26:33
else he can do but he was truly funny so
00:26:36
good yeah his rhythms and the Vincent
00:26:38
Price thing it didn't even matter if you
00:26:40
knew Vincent Price just said his party's
00:26:42
being ruined and he's being very trying
00:26:44
to pull it together well okay thank you
00:26:47
and it was totally I don't know who was
00:26:48
coming to it feels but he said he was
00:26:51
just you know almost in tears in the
00:26:53
bathroom and yeah on 8h yeah you know
00:26:57
um I had you could if anyone wanted to
00:26:59
see Church chat my hand was drenched in
00:27:01
sweat yeah you know there's a lot of
00:27:03
controlling of course adrenals and you
00:27:06
don't know
00:27:07
five seconds before you still don't know
00:27:10
whether it's going to work or whether
00:27:11
but there is that thing of like it
00:27:13
brings out the best in you and and when
00:27:16
you win
00:27:17
you really can feel it well you can't
00:27:19
there's nothing like the first big laugh
00:27:22
to relax you you're just not relaxed and
00:27:25
the very first time I said well isn't
00:27:27
that special I got such a big laugh I
00:27:29
finally went ah but also there's a
00:27:33
period in which they like you know you
00:27:36
probably have three or four years where
00:27:38
they they just get a laugh at whatever
00:27:39
you do because they they think you know
00:27:41
more than they do and uh and they're
00:27:44
just so excited to see you and that that
00:27:47
been happening for the last 10 years or
00:27:49
so you just kind of feel in the room and
00:27:53
I'm going I don't think that's going to
00:27:54
play and they're going of course it's
00:27:55
going to play yeah it's those people
00:27:57
doing it
00:28:00
[Music]
00:28:02
there was once when we were in the
00:28:05
Monday meeting and I thought
00:28:07
I don't know if we had like a dry spell
00:28:09
but I was in the money meeting and the
00:28:11
hosts who shower and remain nameless but
00:28:13
I go I think Mike and Dana are more
00:28:15
famous than the host and you know the
00:28:18
casket's so big sometimes like that and
00:28:21
they're so well known and we always I
00:28:23
mean you always have
00:28:25
to this day huge hosts and great people
00:28:28
that come in from all areas and Kim
00:28:31
Kardashian did a great job and that was
00:28:33
sort of out of the blue and uh just
00:28:35
that's great that you keep doing that
00:28:36
and something's working there with a
00:28:38
they all want to do it still and get
00:28:40
that one thing because they hear about
00:28:42
it and they all walk away going it went
00:28:44
too fast and it was too great and if I
00:28:46
do it again I know what I'm doing this
00:28:47
time but also hosting
00:28:50
everybody you know there's 150 people
00:28:53
they're all there to make you look good
00:28:55
yeah so you're the center of it and it's
00:28:57
just a different experience unless
00:28:59
you're Steven Seagal you believe that um
00:29:01
my favorite host so one that you know
00:29:04
like you guys started uh which was kind
00:29:06
of interesting having the women play men
00:29:09
because that wasn't happening yeah uh in
00:29:12
in the in the and that just sort of
00:29:13
happened organically in Kate mcginnon
00:29:15
did a lot of men and other things was
00:29:18
that just uh just sort of happen you
00:29:19
went with it it's just a new flavor I
00:29:22
mean if if you're me you're always going
00:29:23
to go with the funniest take so does
00:29:26
gender isn't the issue it's just like
00:29:28
who's got that voice well Kate had the
00:29:30
audience in the Palmer hand I think it
00:29:31
was so great he played uh yeah yeah she
00:29:34
played Sean spice Trump was Furious
00:29:37
about it
00:29:38
yeah because it's like they're having a
00:29:42
woman play you
00:29:48
I think at some point he liked what Alec
00:29:51
was doing he did no I think at the
00:29:54
beginning maybe in the first five
00:29:56
seconds yeah well it was just unique
00:29:58
because we knew that Alec obviously
00:30:00
didn't favor his politics and then he
00:30:02
started to not like Alec and it was a
00:30:03
public thing yeah and before it was sort
00:30:06
of hidden if Daryl Hammond's doing Al
00:30:08
Gore no one really knows his politics or
00:30:10
whatever so that was a new new kind of
00:30:12
flavor as well yeah and also we did
00:30:15
things that we wouldn't do now you know
00:30:17
with John Goodman playing the trip or
00:30:19
whatever you know like so it was just uh
00:30:22
yeah you know and I think
00:30:25
you sort of
00:30:27
standards and boundaries change
00:30:30
and yeah you know things that you could
00:30:33
do you know uh
00:30:35
Franken did a
00:30:37
Franken always stretched the envelope
00:30:39
yeah I think it was with Garrett Morris
00:30:41
and Julian Bond and it was about uh
00:30:46
it was
00:30:47
a black talk show and it had a line
00:30:50
about uh
00:30:53
that light-skinned black people are are
00:30:56
you know smarter than dark oh God that's
00:31:00
just frankly hello
00:31:03
you know like what and but what I'm
00:31:06
getting at is we could then there was no
00:31:09
malice in it it was just like that thing
00:31:12
of what can't you say right in regular
00:31:15
TV world yeah yeah I like when anyone
00:31:18
gained seven pounds the next week Farley
00:31:20
was playing them yeah I was like his job
00:31:23
was like it was always brutal and I used
00:31:26
to say this thing about when you guys
00:31:28
were filming uh because you were up in
00:31:30
Toronto we I was down there doing the
00:31:31
show and then I'd come up and whatever
00:31:32
but I'd say I'd see dailies and you your
00:31:37
web handling stress was you know you'd
00:31:39
have a banana and whatever and it would
00:31:41
be like that and part of these would
00:31:43
just be to continue you'd lose weight
00:31:45
and he'd gain weight but the weight in
00:31:47
the frame stayed the same yeah yeah it
00:31:50
was always a concert and I'd always
00:31:53
looked normal yeah oh yeah we'd go back
00:31:55
and forth from Toronto yeah Eric Newman
00:31:58
on the flight with us yes where's his
00:31:59
are you going to ever write a book
00:32:01
Lauren because Meghan Markle did no no I
00:32:05
I think the hard part
00:32:07
is uh
00:32:09
you can't tell the truth or you don't
00:32:11
want to bury me yeah yeah yeah
00:32:14
then would you have to be married did
00:32:17
that actually happen
00:32:18
do you know what I mean you know you
00:32:20
have to cross-check yourself too well
00:32:22
it's just your memory right I have a
00:32:25
good memory it's not that incredible
00:32:26
just like well what
00:32:29
did that actually happen 100 because
00:32:31
Dana and I even would tell stories and
00:32:33
we would disagree and I'm like
00:32:36
God you're right and I go I remembered
00:32:37
this whole time a certain way and it was
00:32:39
not and it's just something that happens
00:32:42
like that so you just don't know yeah
00:32:43
and and that's why they do all that
00:32:45
stuff in murder trials it's like the
00:32:47
people swear they saw this person leave
00:32:49
and no they didn't and you just go and
00:32:53
yeah then they execute you yeah yeah and
00:32:56
you go nowhere
00:32:58
when it comes to taking credit I think
00:33:00
it's a normal human thing to kind of
00:33:02
trend your memory towards favoring
00:33:04
yourself yeah a little bit but you want
00:33:06
to cross check it with other people am I
00:33:08
remembering this right like was there
00:33:10
was there ever a horse on the show or a
00:33:13
horse
00:33:14
yeah lots of horses because during
00:33:17
during dinner I questioned was over in
00:33:20
my cubicle arranging things and I saw
00:33:23
Keith Richard walking by himself walking
00:33:26
up to the horse and he held the horse's
00:33:28
head in his hand he said look at you
00:33:31
you're a [ __ ] horse that's I swear to
00:33:34
God that's what he said and then he just
00:33:35
went back
00:33:37
did I remember that correctly there was
00:33:39
of course the first time it was uh when
00:33:42
Mr Ed died
00:33:44
there was a news story and uh Chevy
00:33:47
could do Mr Ed's voice and so
00:33:51
he yeah exactly Wilbur yeah and uh he we
00:33:56
got the horse in the studio and then
00:33:58
he's interviewing the horse at the last
00:34:00
interview you know and he'd be doing
00:34:02
both parts so when when the horse was
00:34:06
talking yeah
00:34:10
horses giraffes we had monkeys
00:34:15
we had a camel about four years ago no
00:34:19
maybe longer now
00:34:21
uh and it got off every camel works at
00:34:25
Christmas
00:34:29
there was they they lied about how big
00:34:33
it was
00:34:34
scary so he came off the elevator
00:34:39
and then the hump
00:34:41
uh you can call it a Humper yeah yeah uh
00:34:45
the hump sure gotten stuck in the tiles
00:34:48
because it was so tall yeah so it was
00:34:51
just stuck there was no getting it there
00:34:53
and then but we're on the air we have to
00:34:55
get yeah so I think they got
00:34:58
a donkey made it look like a camel it
00:35:00
was like that kind of uh interesting
00:35:02
thing it's an amazing it's Bill Murray
00:35:05
punched Chevy or is that a fake story
00:35:07
from the old days they got into a fight
00:35:08
that was uh and John I think provoked it
00:35:12
a little bit I love John it was probably
00:35:16
my mistake because I was bringing Chevy
00:35:18
back to host but it was three it was two
00:35:21
a season and a half after he left
00:35:23
and uh it just made sense the musical
00:35:27
guest on that show was the very young
00:35:29
Billy Joel and uh they got into a
00:35:34
skirmish just in front you know one of
00:35:37
the doors
00:35:38
desk yeah and uh and then come out and
00:35:43
do the monologue oh wow so it was like
00:35:46
uh both six foot four basically so and
00:35:49
it was just a the show was sort of white
00:35:52
hot and it was
00:35:56
John
00:35:58
always felt in Lemmings which is the
00:36:01
time they'd worked together before the
00:36:03
show John was the star and Chevy was
00:36:06
taught and so and was like sort of third
00:36:09
building and Chris you know uh
00:36:12
is involved in that show too Chris guest
00:36:15
and you're going to go so there was
00:36:17
already like this is how we see you and
00:36:21
then uh yeah
00:36:24
also because he said his name
00:36:27
you know an update right I'm Chevy Chase
00:36:30
and you're not yeah great yeah yeah well
00:36:33
and he's a big dude great looking dude
00:36:34
movie star by then right
00:36:37
coming back I always tell me when I run
00:36:39
into chip we're gonna have chubby on the
00:36:40
podcast I try to compliment him but
00:36:42
sometimes he doesn't know he's a little
00:36:44
but I I tell people if you want to know
00:36:47
how great he was is as a film actor look
00:36:49
at Caddyshack where Bill Murray is in
00:36:52
his full Prime groundsman character with
00:36:55
the mouth off of the side and they're
00:36:57
together going through this scene and
00:36:58
Chevy does his
00:37:00
Buster Keaton or whatever you want to
00:37:01
call how still his face was and then his
00:37:04
physicality it's like a master class in
00:37:07
comic film acting he got he gets uh beat
00:37:11
up a lot and people forget what it seems
00:37:14
like a movie future yeah and Starry you
00:37:17
know I mean just it's it's a thing it
00:37:19
was it was like uh such a huge thing
00:37:23
yeah you know by the end of the first
00:37:26
season and it was like way too much to
00:37:28
handle and uh it became
00:37:32
particularly hard for he and I because
00:37:34
we wrote together and so we were very
00:37:36
close and so it was
00:37:39
heading in two different directions and
00:37:41
then he became a movie star sure he's
00:37:43
insane ever since he kind of even when
00:37:46
he would come to host he'd say don't
00:37:47
don't leave too soon he felt he wished
00:37:50
he'd done more seasons because that was
00:37:51
that it was a yeah emotionally he wasn't
00:37:54
ready to leave and also he was
00:37:57
that other thing really proud of what
00:38:00
we've done yeah with the show so we had
00:38:03
to see it still be huge yeah and grow my
00:38:05
Blues Brothers and yeah right and when
00:38:07
listen when
00:38:09
at the end of the first season
00:38:12
uh
00:38:14
I win three Emmy Awards one for Lily Tom
00:38:16
and Richard Pryor thing I'd done the
00:38:18
year before nice and uh
00:38:21
uh Richard Pryor who I'd worked with we
00:38:23
had dinner
00:38:25
uh at Dan Thomas so you know we were you
00:38:28
know feeling pretty good about ourselves
00:38:29
and uh he was offered a three picture
00:38:33
deal
00:38:34
at University and he said this is what
00:38:36
we wanted
00:38:38
do you know what I mean comedians did
00:38:39
not get movies yeah right you know and
00:38:42
it was like uh
00:38:44
and I thought I've just been through my
00:38:47
Championship season it's not Courtney I
00:38:49
wrote everything I ever wanted to write
00:38:51
all you know at least twice in that
00:38:52
season so it was like
00:38:54
oh you could you could get off stage now
00:38:57
and you know wow
00:39:00
I don't know what I can't do that
00:39:01
everybody else has to stay for five
00:39:03
years you know what's that but uh I
00:39:06
think
00:39:06
that if you said to me then that
00:39:09
I would be still doing it and that I
00:39:12
would have found so many other things
00:39:13
that were there that I didn't know at
00:39:16
the beginning not part of the original
00:39:17
design or whatever things that it grew
00:39:20
into or that it that it does or that its
00:39:23
influence would be just as strong
00:39:24
politically as it is
00:39:27
and music keep discovering uh super
00:39:30
talented people yeah and being launched
00:39:34
from your show to have careers also they
00:39:37
kind of find us no yeah you know
00:39:40
in the 70s you had to go out and recruit
00:39:42
but I think people yeah sure I mean I
00:39:45
like that staying alive because there
00:39:46
was there was a time there like
00:39:48
obviously when you're on if you missed
00:39:50
the show you had to get the rerun six
00:39:52
months later and if you missed that you
00:39:53
had to catch it was luckily on the best
00:39:55
of yeah in the summer but there was a
00:39:58
time there when
00:39:59
people hadn't seen some of the old ones
00:40:01
and then it was on the E channel and
00:40:03
then now you can see it all so it's it's
00:40:06
interesting it's like Emma Stone grew up
00:40:08
on best of Gilda Radner wow and those
00:40:11
sort of best you know what all those
00:40:13
best if you're in them I mean but we
00:40:15
stopped doing them because the VCR thing
00:40:18
yeah it wasn't really yeah and they're
00:40:20
all on YouTube yeah pretty much but
00:40:22
people wore those out I think Kate
00:40:24
McKinnon had one of those
00:40:27
three movies
00:40:33
[Music]
00:40:35
well Lauren we'll take a 20 minute break
00:40:37
and then start the podcast I just uh we
00:40:41
just want to thank you for that I don't
00:40:42
know we didn't talk about anybody dying
00:40:44
we didn't there's a lot no do you want
00:40:46
to no no I'm I'm good I mean but that we
00:40:49
were there for a lot of that a lot of
00:40:51
big ones yeah two of my band mates for
00:40:53
sure yeah and I was just saying Catalina
00:40:55
Island and that's where Phil's ashes are
00:40:58
do you remember
00:40:59
remember John at the memorial
00:41:03
John Lovitz yeah kind of what do you do
00:41:13
I just talked about Phil oh yeah
00:41:16
yeah well uh but they couldn't have been
00:41:18
closer yeah you know that sketch which
00:41:21
was a growling sketch that we finally
00:41:22
did yeah what's the word on the street
00:41:25
they were doing the gangster thing so
00:41:27
much before we premiered with the first
00:41:29
show yeah I remember Dynamite did they
00:41:32
do anything else he was like how you
00:41:33
doing I want you what are they saying
00:41:34
what are they saying you know they just
00:41:36
did it uh spastically I love it still so
00:41:39
funny I see him and then Three Amigos I
00:41:41
did it with them that was yes
00:41:43
that's right yeah but John is yeah he's
00:41:45
he's supernaturally funny
00:41:47
you see him you see John I do see John
00:41:50
yeah I talked to him a lot he's he's on
00:41:52
the road or he's had a hotel with Jerry
00:41:54
his dog Jerry Bruckheimer and you know
00:41:56
he's just there's only one John he still
00:41:59
is
00:42:01
one of the most naturally funny he is
00:42:04
really and where did that come from
00:42:06
people like when they see him they all
00:42:08
know him he looks exactly the same they
00:42:09
all come up
00:42:11
he came back to play somebody like three
00:42:14
four years ago I had a cold opening and
00:42:17
he destroyed the dress
00:42:19
and I said John you got to make sure
00:42:21
you're on your mark before you go you
00:42:25
don't like that and he was just off
00:42:28
camera just just the live audience was
00:42:31
going nuts but you know what I thought
00:42:33
heartbreaking because he's it's still
00:42:37
all natural do you know what I mean so
00:42:40
that's the moment he felt to do it as
00:42:42
opposed to three two one get to my spot
00:42:44
and then do it yeah
00:42:45
a cart room would have been on camera
00:42:47
for sure who Hartman oh Phil was I mean
00:42:50
his binder was so meticulous his office
00:42:52
meticulous he was in so many sketches
00:42:54
and then he would just in between takes
00:42:57
her when we're rehearsing he would just
00:42:59
be looking at it I couldn't believe he'd
00:43:01
look at something else you're not
00:43:02
looking at boats and his plane yeah he
00:43:04
was a Renaissance person yeah yeah but
00:43:08
smart yeah all right well thanks buddy
00:43:11
it's been great getting to know you guys
00:43:13
yes it's nice to meet you I really feel
00:43:15
like I know you now and uh no thank you
00:43:17
for doing this Lauren goodbye
00:43:20
hey what's up flies what's up fleas
00:43:23
what's up people that listen we want to
00:43:24
hear from you and your dumb questions
00:43:26
questions ask us anything anything you
00:43:29
want you can email us at fly on the wall
00:43:32
at cadence13.com
00:43:35
we have a question here great who will
00:43:38
take over for Lauren how will the show
00:43:40
adjust and move forward 75 people ask
00:43:45
this question yeah 75 plus from the same
00:43:48
we get a lot of this is a question we
00:43:49
get a lot okay I would say we did touch
00:43:53
on it I don't think he's going to want
00:43:55
to talk about it because no it means
00:43:58
retiring and I don't think anyone wants
00:44:00
to retire I don't know if right he can
00:44:02
handle the stress or if he wants to give
00:44:04
it away or if people will say oh ever
00:44:05
since Lauren left it's just a great
00:44:06
excuse to say oh the show we did and it
00:44:08
was kind of a joke but sort of serious
00:44:10
we offered ourselves up to take over as
00:44:12
co-producers and Lauren's eyes got real
00:44:15
big and he just went right right and I
00:44:18
said or we could just take the money we
00:44:19
do nothing
00:44:20
just get the credit yeah and then stir
00:44:22
that credit and then work at the podcast
00:44:24
and just see if it does I'll say it on
00:44:26
its own philosophically off top of my
00:44:28
head I do think it's tough to replace
00:44:30
Lauren because he works in so many
00:44:32
invisible ways and that is the
00:44:34
relationship with the bosses because I'm
00:44:37
for years and we touched on this but I
00:44:39
don't complicated they're always when
00:44:40
the show's range Raiders are down sorry
00:44:43
I had a little nip when the show's
00:44:44
ratings are down they want to change it
00:44:46
they want it's got to be taped or you
00:44:47
can't Lauren was so Vigilant about
00:44:50
keeping it exactly the same that's why
00:44:52
you go back and it's a little bit creepy
00:44:54
in there because it's like going back to
00:44:56
high school it's cool now the the only
00:44:58
thing different now when you go back is
00:44:59
all the photos when you walk down that
00:45:01
first Hall are all so historical because
00:45:04
it's every Big Star doing a big sketch
00:45:06
and you're like whoa all right here yep
00:45:08
all the history of almost 50 years so I
00:45:11
don't know you know there's names
00:45:12
there's Tina Fey they're perfectly
00:45:14
capable if she wanted it um Steve
00:45:16
Higgins there's Higgins there's Downey
00:45:18
there's uh who wants the job who who can
00:45:21
handle it remember Apatow talked about
00:45:23
it yeah he's a producer I mean you know
00:45:27
Apatow could do it
00:45:29
um maybe he wouldn't be as close enough
00:45:30
to the show so he'd get some resistance
00:45:32
but but yes he knows what he's doing
00:45:34
Lauren took over as such a young man it
00:45:36
feels like it needs young and yet uh the
00:45:40
show is already adjusting just
00:45:41
culturally it's it's evolving you know
00:45:43
when I was on there was like six cast
00:45:45
members now there's there has to be 620
00:45:47
or 25 well they were 600 for a while
00:45:51
um okay I'll ask you a question David
00:45:53
who would be the biggest surprise you
00:45:55
could think of that would take over for
00:45:57
Lauren I have I have my answer but
00:45:59
serious
00:46:00
[Laughter]
00:46:02
[Music]
00:46:07
oh they're offensive why are they
00:46:09
offensive because it sounds like they
00:46:12
don't have a good career advice although
00:46:14
they're becoming an executive producer
00:46:16
okay what's yours then I'll decide yeah
00:46:19
I did say now you you're in the cold
00:46:24
opening do you know what a cold opening
00:46:27
is it's the beginning no oh that was my
00:46:30
joke maybe you should try acting
00:46:33
so that would be my surprise one but the
00:46:35
truth is nobody knows it's three years
00:46:37
from now
00:46:38
and uh but the 50th is we did talk about
00:46:41
the 50th and Lauren has not announced
00:46:43
his retirement officially at all no it
00:46:46
just feels like 50s like you know it's
00:46:49
halfway to 100. why are you pushing me
00:46:51
out the door
00:46:53
I just want your couch that's why I told
00:46:55
him no he's got popcorn he's a popcorn
00:46:58
guy uh Tootsie Tootsie Rolls
00:47:05
we don't like to stop talking so thank
00:47:08
you for asking and the answer is we
00:47:10
don't know we could have said three four
00:47:11
minutes ago we don't know instead we
00:47:14
we're narcissists and we like the sound
00:47:15
of our own voice so thank you 75 plus we
00:47:18
want to cram one all from the same email
00:47:20
address you know who you are
00:47:22
it's Lauren himself
00:47:24
what did they say Lauren lauren.com
00:47:28
okay thanks guys
00:47:30
[Music]
00:47:32
this has been a podcast presentation of
00:47:34
cadence 13. please listen then rate
00:47:36
review and follow all episodes available
00:47:39
now for free wherever you get your
00:47:41
podcast no joke folks
00:47:45
fly on the wall has been a presentation
00:47:46
of cadence 13. executive produced by
00:47:49
Dana Carvey and David Spade Chris
00:47:50
Corcoran of cadence 13 and Charlie finan
00:47:53
of brillstein entertainment the show's
00:47:55
lead producers Greg Holtzman with
00:47:57
production and Engineering support from
00:47:58
Serena Regan and Chris Basil of cadence
00:48:00
13.
