00:00:00
So, I went backstage and I saw Queen
00:00:01
Latifah and I was like, "Oh my god,
00:00:03
Queen Latifah." And she spoke Spanish to
00:00:05
me and um I was like, "You speak
00:00:07
Spanish?" And she was like, "Of course."
00:00:08
Like, you know, she's just she's that
00:00:10
she's the coolest.
00:00:11
>> Look at me. No impression. I speak.
00:00:13
>> I pulled it.
00:00:14
>> That's your queen.
00:00:17
>> And he was he was Mexican. I can't
00:00:19
believe I'm sitting here.
00:00:20
>> No, I said that so fast.
00:00:21
>> I can't believe it.
00:00:23
>> Wow.
00:00:23
>> I heard it.
00:00:24
>> You heard it right here. I'm next to I'm
00:00:25
next to Dana Carvey.
00:00:27
>> I don't know what he was doing. Oh,
00:00:29
sorry. David P. There he's
00:00:32
>> like I think Oh, wow.
00:00:33
>> Jesus.
00:00:33
>> That's Sebastian.
00:00:35
>> I just got booked on a bigger podcast.
00:00:38
>> What a loser.
00:00:40
>> So, we've got Marcelo Hernandez.
00:00:43
>> Marcelo Hernandez.
00:00:46
Um,
00:00:46
>> he's he's a spark plug from Saturday
00:00:50
Night Live
00:00:51
>> Saturday Night Live. Yeah.
00:00:53
>> Yes.
00:00:54
>> And we did a sketch with him. We did a
00:00:56
sketch church lady with him and David
00:00:59
did his now infamous
00:01:01
>> and Hunter Biden. Paula, my wife loved
00:01:04
your hair by the way as Hunter Biden. So
00:01:07
whatever that was, do that.
00:01:08
>> You know, it's funny because my almost
00:01:09
my hair like this, but it was still a
00:01:11
wig. Uh because they really want to nail
00:01:13
it perfectly and get the hairline
00:01:15
everything. Uh and Sarah Sherman was in
00:01:18
that with us as Matt Gates. So anyway,
00:01:20
Marcelo, we don't know him that well. Uh
00:01:23
we watch his stuff. He has a special out
00:01:25
on Netflix, but I I really get along
00:01:27
with him. He's a fun dude. He stayed
00:01:30
after
00:01:32
we went to lunch and then last night he
00:01:34
was at the comedy store. We all went
00:01:35
over there and just goofed around. Super
00:01:37
fun.
00:01:38
>> Talk about when I was there last fall, I
00:01:41
did a sketch for, you know, because I
00:01:43
was asked to be in this weird show. Oh,
00:01:45
he does like a telephone
00:01:47
and and I came out and I went all out
00:01:50
and played a dead silence and he he
00:01:52
talked about we talk about that. It's
00:01:54
funny.
00:01:54
>> I like how you say it haunted you for
00:01:56
months.
00:01:57
>> You know, you're just sort of it's just
00:01:58
sort of a strange feeling, you know,
00:02:01
when you commit that hard, but the the
00:02:03
sketch is really funny because it's so
00:02:05
bizarrely abstract like anything could
00:02:07
happen any second in it. Um,
00:02:10
>> I like you broke it down to camera
00:02:12
angles and writing and where everyone
00:02:13
was and the placement.
00:02:15
>> It's so interesting to hear that stuff
00:02:17
about a sketch and then you and then you
00:02:19
go watch it. People watch on
00:02:20
>> YouTube uh hang out with him. You know,
00:02:22
he's he's a man with a plan. He's he's
00:02:24
uh you know, he's just kind of uh at a
00:02:28
point where he's starting to get really
00:02:31
famous, so on. So,
00:02:32
>> new movie with Kevin Hart coming out.
00:02:34
He's got a lot of stuff happening.
00:02:35
>> Very humble, nice guy. Yeah.
00:02:37
>> Here he is. Marcelo,
00:02:40
>> I want to go for a long time and then
00:02:41
and then we're having lunch, right?
00:02:42
You're buying me lunch.
00:02:43
>> Oh, Jesus.
00:02:44
>> We're going out for lunch. You said
00:02:45
>> we can if you want.
00:02:46
>> Is this your kind of mic drop? You've
00:02:48
been running running. Are we recording?
00:02:50
>> Yeah.
00:02:51
>> Did you do anything canceled on this?
00:02:53
>> No.
00:02:54
>> Okay. Cuz I can't wear it if you decide.
00:02:56
>> It was called a hit show across there.
00:02:58
>> I'll do my Koi Hans for you.
00:03:01
>> Whoops.
00:03:02
>> What are you going to do?
00:03:02
>> Yeah. Well, just a Koi Hans. Uhoh.
00:03:07
We have We have to hope he knows all of
00:03:09
our old [ __ ]
00:03:10
>> Someone is getting famous.
00:03:14
>> I can't turn on the TV and not see him
00:03:19
crushing on SNL and the Grammy.
00:03:23
>> Oh yeah,
00:03:24
>> it's a twofer.
00:03:25
>> So anyway, our guest today, I had to do
00:03:28
it, but we know each other a little.
00:03:31
>> I know nobody applauded, but we don't
00:03:32
usually
00:03:34
>> We'll put it in later.
00:03:34
>> No one ever applauds. Yes. Great. Well,
00:03:38
I will say you have two guys in here
00:03:39
that can only be described as what?
00:03:42
What? You know, they both look like they
00:03:44
say
00:03:45
>> this one's had co since I met him. And
00:03:46
this one
00:03:47
>> got it.
00:03:48
>> This one has lupus.
00:03:50
>> Oh, no.
00:03:51
>> I made that up.
00:03:52
>> Okay, good.
00:03:53
>> Sound funny. Is that not a funny word?
00:03:55
>> So, uh, anyway, we we should say that
00:03:58
when I was on SNL for that 10 weeks,
00:04:01
>> that's where we got to know each other a
00:04:02
little bit.
00:04:03
>> Got to hang out. You gave me a sweater.
00:04:05
Remember?
00:04:06
>> Oh, this is a sore subject.
00:04:07
>> Yeah.
00:04:08
>> Why?
00:04:09
>> No, it's not a sore subject.
00:04:10
>> Did you tell people that I bullied you
00:04:12
out of the sweater?
00:04:12
>> Not at all.
00:04:13
>> Yeah, he did, right? And I took it off
00:04:15
his back. Give me that. Do it to me.
00:04:17
I'll let
00:04:17
>> It's very me. People go, "Oh, he's a
00:04:19
people pleaser." I've decided no. I'm
00:04:22
nice. Does it have to be negative,
00:04:24
>> but I already liked you a lot. You were
00:04:26
so cool. And like you I But here's what
00:04:28
I want to know. We're at a We're a photo
00:04:30
shoot for the New Yorker magazine. No,
00:04:32
that's
00:04:33
>> is that SNL is
00:04:34
>> where I hung out with Christopher
00:04:36
Walkan.
00:04:36
>> Yes.
00:04:37
>> For like an hour by myself with him.
00:04:39
>> You were doing so many bits to him.
00:04:41
>> Yeah.
00:04:42
>> A lot of bits to Christopher Walkin.
00:04:44
>> But this is funny for old people. I said
00:04:46
to him, "Do you paint?" to Christopher
00:04:48
Walkin. Do you paint? He's 82. Of course
00:04:50
I paint. All old actors paint. Quote,
00:04:54
just like that.
00:04:55
>> It's true. So anyway, so
00:04:56
>> I want to address that I'm wearing
00:04:58
sunglasses because I'm trying to send
00:04:59
the message that I did have I went to a
00:05:01
party last night.
00:05:02
>> Oh yeah, you were at the Grammys. I went
00:05:03
to No, let's I mean, this is because
00:05:04
you're coming out Thursday. Whoops. We
00:05:07
don't We're pushing you. Don't hold it.
00:05:10
>> No, nobody holds Hernandez.
00:05:13
>> It's immediate. We'd release it live if
00:05:15
we could, but just really fast. Why
00:05:18
didn't you have a shirt? We're at this
00:05:20
photo shoot and there's place all of a
00:05:23
sudden you're shirtless. Go. Does anyone
00:05:25
have a shirt?
00:05:25
>> That's my first time ever like dealing
00:05:27
with like um a photographer that has
00:05:30
like an an artistic idea
00:05:33
>> and um
00:05:34
>> it was scary. I don't know. I get scared
00:05:36
with stuff like that. I don't know what
00:05:37
to do.
00:05:38
>> Wait, you didn't have a shirt when you
00:05:39
came?
00:05:40
>> Yeah. No, I had a shirt when I came and
00:05:41
they were like to take it off
00:05:42
>> maybe. Yeah.
00:05:43
>> And then you could find a shirt.
00:05:45
>> Where do I intersect? I walk in to look
00:05:48
for my clothes and you say to me,
00:05:50
>> I say to you, I I um I need a shirt if
00:05:52
you don't mind. And uh because I came in
00:05:55
with like they took essentially I think
00:05:58
I like I don't know what happened. I
00:06:00
must have messed up my clothes.
00:06:02
>> Were you roofy? Messed up your clothes
00:06:04
and somehow they got lost.
00:06:05
>> Yes. And then I didn't find and I needed
00:06:07
a shirt.
00:06:08
>> You told me to take my shirt off.
00:06:09
>> I like underdressed to this cuz I was
00:06:10
late and I was scared I was late because
00:06:12
it was like a bunch of famous people
00:06:13
there. So we showed up late and it was
00:06:15
cold out and I didn't have a sweater. So
00:06:16
I asked, "Can I please have your
00:06:18
sweater?" And you were like, "Of
00:06:18
course."
00:06:19
>> You said it to me right at that moment.
00:06:20
Walkin said liar. But anyway, no. Then I
00:06:24
said, "Fine, but all I have is a crew
00:06:26
neck sweater, $19 from Gap,
00:06:28
>> 100%."
00:06:29
>> Happy to give it to him. Fit perfect.
00:06:32
>> Fit perfect. Still have some of your
00:06:33
hairs on it.
00:06:34
>> Whoops.
00:06:35
>> DNA.
00:06:36
>> DNA.
00:06:37
>> TMI.
00:06:39
>> This sweater is nice.
00:06:40
>> No, but I it I just they discontinued
00:06:43
the sweaters. That's the only thing.
00:06:44
>> Oh, no. But it was from Gap, so
00:06:47
>> a certain fit. Yeah. All right. That's
00:06:48
my story, David.
00:06:49
>> Uh, let's go over the Grammys. Back to
00:06:51
you, David.
00:06:52
>> Let's go to the Grammys.
00:06:53
>> Let's go to the Grammys. Any highlights?
00:06:55
Anything? Any Chateau Marmont party?
00:06:57
>> Dude, it was cool. Um, yes. To Chateau
00:06:59
Marmont.
00:07:01
>> I went to there. Um,
00:07:03
>> it's um it was probably like my first
00:07:05
real like Hollywood,
00:07:08
>> like real Hollywood outside of SNL.
00:07:10
Yeah. Like, and I presented. So, I went
00:07:12
backstage and I saw Queen Latifah and I
00:07:14
was like, "Oh my god, Queen Latifah."
00:07:16
And she spoke Spanish to me. And um I
00:07:18
was like, "You speak Spanish?" She was
00:07:20
like, "Of course." like you know she's
00:07:21
just that she's that she's the coolest.
00:07:23
>> Look at me. No impression. I speak
00:07:24
better now.
00:07:25
>> I pulled it.
00:07:26
>> That's your queen Liva.
00:07:29
>> Go now. I'll skip that one. Go ahead.
00:07:32
>> Um but yeah, so many like and Olivia
00:07:35
Dean won this award and then she came
00:07:36
off stage crying and then she had the
00:07:38
moment with like somebody on her team.
00:07:40
It's like you you've won a Grammy and
00:07:42
they're just crying and jumping around.
00:07:44
So it was like an emotional evening I
00:07:46
think in general. And uh um cuz there
00:07:48
was a lot of young artists winning felt
00:07:50
like a big like,
00:07:52
>> you know,
00:07:52
>> Olivia Dean is new. I barely had heard
00:07:54
of her. Don't go by me, but she seems
00:07:56
like gorgeous, cool, funny, and she had
00:07:59
a good
00:08:00
>> What popped in the room? I'm watching on
00:08:02
TV, but what where did people go?
00:08:03
Because I have a I have a
00:08:05
>> What popped for me on TV the most,
00:08:08
>> but in the room, was it Justin and the
00:08:10
Boxers or what was it? Um, I feel like
00:08:13
it's I feel like a lot of stuff pops
00:08:15
because I didn't know it was in an
00:08:16
arena.
00:08:17
>> I thought it was like Critics's Choice
00:08:19
where it's like a theater smaller. This
00:08:20
is in a full on arena. So, they're happy
00:08:23
to see everyone. There's a bunch of fans
00:08:26
all up in the thing. The the celebrity
00:08:29
area or whatever, the the nominees and
00:08:31
stuff and presenters. It's a small
00:08:33
group, so people go crazy for just about
00:08:35
everybody. Um, so yeah, it was a lot of
00:08:38
that. a lot of like during the
00:08:39
commercial. I've never been before, but
00:08:41
what I saw is during the commercial they
00:08:42
you get up you get up and you say hi to
00:08:44
the people and you go I'm a fan of yours
00:08:46
and all that stuff. Um,
00:08:48
>> and they bring in seat fillers.
00:08:49
Sometimes when people win, like at Gold,
00:08:51
they leave if they win or don't win, and
00:08:53
now they bring in seat fillers, so it
00:08:54
never looks empty. But there's less and
00:08:56
less populated stars.
00:08:58
>> Seat fillers. It's a sad thing to watch
00:08:59
sometimes cuz they sit down. They I saw
00:09:02
I saw this one girl, she's a seat
00:09:04
filler. She sits down. The guy goes,
00:09:06
"Can I get you something to drink?" One
00:09:07
of these guys. And she's like, "Yes,
00:09:08
I'll have a water." And the guy goes,
00:09:09
"No problem." He hands her the water and
00:09:11
she goes She goes to put her lip to it.
00:09:13
And then somebody goes, "UP, UP, UP. NOW
00:09:17
get up now. Out
00:09:20
>> and then somebody famous sits there. So
00:09:23
that that was a lot.
00:09:25
>> So funny. It is very sweet.
00:09:28
>> I'm a filler. And then they take them
00:09:29
away. Oh
00:09:30
>> at the SNL50th they gave me a juicy
00:09:32
front row seat and then uh they go she's
00:09:35
like it's you then Bill Murray and
00:09:37
Brandy Caravan go great. So I sit down
00:09:39
and it's empty and they're like five
00:09:41
minutes. I'm like and then they go
00:09:43
everybody sit down and then I'm waiting
00:09:44
for Bill Murray. Then this [ __ ] seat
00:09:45
filler comes in. He goes, "I can't
00:09:47
believe I'm sitting on a seat." I go,
00:09:48
"No [ __ ] [ __ ] I can't believe it
00:09:49
either."
00:09:50
>> And he was he was Mexican. He goes, "I
00:09:51
can't believe I'm sitting here."
00:09:52
>> No, I said that so fast.
00:09:53
>> I can't believe it.
00:09:55
>> I heard it.
00:09:56
>> You heard it right here. I'm next to I'm
00:09:58
next to Dana Car.
00:10:00
>> I don't know what he was doing.
00:10:01
>> Oh, sorry. David P.
00:10:04
>> This is why I don't do impressions.
00:10:05
>> You're dirty.
00:10:06
>> No, it was a hint. It was just like a
00:10:08
hint. Yeah, it was a little
00:10:09
>> No, he just said I
00:10:14
>> me pain.
00:10:15
>> Yeah,
00:10:16
>> from lice out.
00:10:17
>> No, I will say
00:10:18
>> from lice out.
00:10:20
>> Oh, I thought I said ice out.
00:10:22
>> No, no, out.
00:10:23
>> From ice out.
00:10:26
>> From ice. Get out. You work there.
00:10:29
Maybe. I don't know.
00:10:30
>> I work there,
00:10:31
>> you know.
00:10:32
>> So,
00:10:33
>> it says, did you get people because
00:10:35
you're emerging? And this is my theme of
00:10:37
this podcast. People coming up to you
00:10:39
going, "I just got to say
00:10:41
>> cuz you're new to that club. You're
00:10:43
you've seen a million celebrities SNL,
00:10:45
but then all in one room."
00:10:47
>> I can't tell you
00:10:47
>> who fanned out the most on you. But go
00:10:49
ahead.
00:10:50
>> I don't know. I can't You can never tell
00:10:52
if it's real,
00:10:53
>> right?
00:10:53
>> You can never tell if they really know
00:10:54
you. But um if they say like you're
00:10:57
funny or something, you're like, "Okay,
00:10:58
at least you know what I do." But I
00:11:00
think it is crazy. So like I went up to
00:11:01
Queen Latifah like a child and I was
00:11:03
like, "Queen Latifah, I love you. It's
00:11:05
so nice to meet you. I think you're
00:11:06
amazing and we we love you in my house.
00:11:08
Um, and then she's like, "And I know you
00:11:11
and you are very funny and I love what
00:11:12
you're doing and thank you for bringing,
00:11:14
you know, the Latino energy to SNL." And
00:11:17
I was like, that those moments are
00:11:19
surreal to hear them.
00:11:21
>> And then you said to her, "Do you uh do
00:11:22
you know the character Domingo? Do you
00:11:24
know it?"
00:11:24
>> No.
00:11:25
>> And she goes, "I got to go. I'm Queen
00:11:27
Lativa."
00:11:28
>> And you start doing the Domingo dance.
00:11:30
>> Yeah. What's that?
00:11:31
>> Not that. No, he has epilepsy. Um,
00:11:34
>> you can't even dance in the impression.
00:11:36
>> Domingo is uh cool. I mean, he populates
00:11:39
the show, right? It's a very
00:11:41
>> I think he's he's uh retired.
00:11:44
>> Have you toned it down on Domingo? You
00:11:45
said maybe
00:11:46
>> Well, it's not mine, so I don't
00:11:48
>> Oh, they only Oh, they write you in it.
00:11:50
Oh. Oh, you're not in charge of it.
00:11:52
>> Yeah, but that I mean I can't say that
00:11:54
it didn't like alter the course of my
00:11:56
life. Domingo.
00:11:58
>> Well, it's the way you're doing it. They
00:11:59
they didn't get James Austin Johnson to
00:12:01
do it. I mean, it had to be you. It's me
00:12:03
>> because
00:12:04
>> cuz he's Latino
00:12:06
>> and it's me and it's me and the janitor
00:12:08
and he the janitor has
00:12:10
>> Are you supposed to be good-looking in
00:12:11
it?
00:12:11
>> Huh?
00:12:12
>> Are you supposed to be kind of a sex
00:12:14
symbol? Cuz the soul patch does a lot.
00:12:16
>> Yeah, I think so. But I like that they
00:12:18
made him a doctor and a veterinarian. Is
00:12:20
he?
00:12:21
>> They gave him a good job. They didn't do
00:12:22
the Latino trope like I'm not a a sexy
00:12:26
gardener or something. I have a I have a
00:12:28
few
00:12:28
>> I'll let you finish those sentences. I
00:12:29
wait. Uh
00:12:32
yeah. No, but Domingo was big. Sebastian
00:12:35
of course is big.
00:12:36
>> Sebastian doing you ever do Sebastian
00:12:39
Dina?
00:12:39
>> Oh yeah.
00:12:40
>> I love doing Sebastian.
00:12:41
>> He got you by the pool. The guy clipping
00:12:44
his
00:12:48
>> You can't exaggerate it. But you own it
00:12:50
now. You
00:12:52
killed it. And I I love impressions and
00:12:55
I love when you got the stuff on. I just
00:12:57
love that.
00:12:57
>> He's the best. I I was telling him at a
00:12:59
critic's choice that I want to see I
00:13:01
can't wait to like I want him to play a
00:13:04
father-in-law. Like I think Oh, wow.
00:13:06
>> Jesus.
00:13:07
>> That's Sebastian.
00:13:08
>> I just got booked on a bigger podcast.
00:13:11
>> What a loser.
00:13:12
>> Hey man, it's not the first time.
00:13:15
>> Oh,
00:13:15
>> Chevy Chase only made it 10 minutes.
00:13:18
That was pretty good.
00:13:18
>> Scared to be here. Um
00:13:20
>> we're going to take it out
00:13:21
unfortunately, but it's a great one.
00:13:23
>> Um I can't wait to see you be a
00:13:25
father-in-law. I told him this. I did a
00:13:27
tried to do a bit to him. Thank god he
00:13:28
liked it. But it was right before we
00:13:29
presented at the critic's choice and I
00:13:31
was like you as a father would be
00:13:32
hilarious just to see a girl like your
00:13:34
daughter be like and um I actually went
00:13:37
to the doctor last week and my husband
00:13:39
Jason he couldn't come because he was
00:13:42
working and just a camera straight to
00:13:44
Sebastian
00:13:49
guys got a job. It's more important than
00:13:52
my daughter.
00:13:54
It's unbelievable. Sent my daughter to
00:13:56
the doctor
00:13:58
>> by herself.
00:13:59
>> See, have you done this yet?
00:14:00
>> Got to begin.
00:14:02
>> This is another lane though. This is
00:14:04
great cuz it's another flavor. It's a
00:14:05
whispery almost.
00:14:08
>> She not going to tell me
00:14:10
>> that your little your little John is
00:14:14
more important than the life of my baby.
00:14:16
You understand?
00:14:17
>> This is a feast.
00:14:18
>> She's a good girl.
00:14:20
She never did nothing to you. Are you
00:14:22
gonna when are you going to do them next
00:14:24
on the show?
00:14:24
>> I don't know. I hope we do them again.
00:14:27
>> Dana, it's time for a little fivehour
00:14:29
energy action. Um,
00:14:30
>> yes.
00:14:31
>> You know, I like correct.
00:14:33
>> I dabble in five energy to do a little
00:14:36
wakey wakey.
00:14:37
>> Uh, I don't mind a little energy in the
00:14:40
day and I uh don't want sugar.
00:14:43
>> Yeah.
00:14:43
>> And uh this is a little sippy sip. Fits
00:14:46
right in your sock if you need it to
00:14:49
>> when you seen them. They're this big.
00:14:51
Yeah,
00:14:52
>> absolutely. That's what's great about
00:14:53
them. Confetti craze is one of their new
00:14:56
flavors.
00:14:56
>> Yeah.
00:14:57
>> Tastes like birthday cake. I mean,
00:14:58
that's the thing that they're doing now
00:14:59
is all kinds of flavors
00:15:02
>> uh with five five hour energy. So, you
00:15:04
can pick your favorite. Vanilla and
00:15:07
buttery.
00:15:08
>> It doesn't need to be your birthday.
00:15:10
>> Mhm.
00:15:11
>> Cuz Dana, when we're out, you're always
00:15:13
telling the restaurant your birthday to
00:15:14
get something free,
00:15:17
>> right? Yeah.
00:15:18
>> Yeah. And and it's my anniversary again.
00:15:20
Oh yeah. You were milking that one last
00:15:22
week. You're like, "It's that again this
00:15:24
week."
00:15:24
>> Yeah.
00:15:25
>> Uh but 17 flavors.
00:15:28
>> When you're out, you always take off
00:15:29
your sweater and then you go, "It's kind
00:15:31
of cold in here. Can I get a down vest?"
00:15:34
>> I go, "It's kind of cold. Can I get a
00:15:35
free meal? I'm freezing."
00:15:37
>> Yeah. I mean, it's sort of weird. You're
00:15:39
You're kind of You have some
00:15:40
piccadillos.
00:15:41
>> Yeah.
00:15:42
>> But Confetti craze is great. Uh
00:15:45
>> it's a little buttery. It's a little
00:15:47
van. It's like,
00:15:48
>> you know, like birthday cake. Yeah. And
00:15:51
now basically they're giving you
00:15:52
caffeine now. Five hour energy shots.
00:15:55
Yeah.
00:15:56
>> And get this.
00:15:58
>> Sounds like a lot to me. 17 flavors.
00:16:01
>> 17.
00:16:02
>> It It's not too many. It's a lot. But at
00:16:04
least it gives a big uh selection and
00:16:08
you don't get a sugar crash. You just
00:16:11
get a little
00:16:14
>> Yeah.
00:16:16
So I'm excited. They're on. You can get
00:16:19
these at, you know, obviously fiveour
00:16:22
energergy.com. You can go to Amazon.
00:16:25
Uh they're stocking up. I'm stocking up.
00:16:28
I have to load up
00:16:30
>> because I kind of buzz through them
00:16:31
pretty quickly.
00:16:32
>> Mhm.
00:16:33
>> Cake on the brain confetti craze. It's
00:16:35
back.
00:16:37
>> Uh you can go fiveoury.com. Amazon.
00:16:39
>> The funfetti flavor is back on five hour
00:16:42
energy.com or Amazon. Crack open
00:16:45
confetti craze. 5 hour energy shot
00:16:48
today. If you're like this and you got
00:16:51
to be like this, it's 5 hour energy.
00:16:55
>> Yeah,
00:16:56
>> take that to the bank. Pick it.
00:16:58
>> But does Lauren ever go um maybe
00:17:01
Sebastian?
00:17:03
>> He is definitely He looks out uh for
00:17:06
sure. Like if you But the first the
00:17:09
first thing I ever did on the show was a
00:17:10
Lauren request. The first thing that
00:17:12
like ever was good was um the baseball
00:17:15
thing about how white baseball players
00:17:17
are boring to watch and Latino baseball
00:17:19
players are fun to watch. It was I had
00:17:22
nothing in the show. It was my second
00:17:23
show and um he brought me into his
00:17:25
office and he was like um
00:17:31
>> it was his idea.
00:17:33
>> Yeah. He was like um I don't want to do
00:17:35
a Lord impression but I have a good one.
00:17:37
>> If you can do one I have one. Yeah. Go
00:17:39
ahead. But he goes,
00:17:40
>> "Everyone has one." But
00:17:41
>> I'll do it last Sebastian. He goes,
00:17:43
"Yeah." He goes, "Um, he goes,
00:17:46
>> "Did you see Aaron Judge?
00:17:48
>> He just hit a big home run
00:17:51
>> and I think it'd be good to have
00:17:53
something about baseball this week." And
00:17:56
then I was like, "You got it." And
00:18:00
uh something Mexican. You're like, "Of
00:18:03
course, of course."
00:18:04
>> And I'm not saying this because you're
00:18:05
of a Latin heritage. It's just um it's
00:18:08
that thing of like a baseball player
00:18:12
>> and they can be festive and and
00:18:14
theatrical.
00:18:16
>> It's just that thing of like it's funny
00:18:18
which is a good thing.
00:18:19
>> Well, all he said was baseball. He was
00:18:21
like something about baseball and then I
00:18:23
had this bit that I think I did in my
00:18:26
audition that he kind of maybe
00:18:28
remembered or somebody told him like
00:18:29
Marcel has a baseball thing and then I
00:18:31
did that and that was like the first
00:18:34
time that I think the writers and
00:18:36
everybody saw me do something funny on
00:18:38
the show and then that's a big deal when
00:18:39
you do your first funny thing then you
00:18:41
get written in more
00:18:42
>> they don't really know everyone's sort
00:18:43
of a blank slate until then and you go
00:18:46
why don't they write for me I used to
00:18:47
say that and like you don't they don't
00:18:49
know what even what you're funny about
00:18:50
so if you give them some hook or angle
00:18:52
even around the office a little bit.
00:18:54
Sometimes they bite on something and go,
00:18:55
"What is that? Maybe we could play with
00:18:57
that or you could
00:18:58
>> without looking too thirsty." But you
00:18:59
can do that. But if they know what you
00:19:00
did in your act or they saw your
00:19:02
audition, that's perfect. And
00:19:03
>> you're just waiting for that scenario
00:19:05
like the playoffs or some big game.
00:19:07
>> But he's done that he's done that a few
00:19:09
times. Like he's been like the like just
00:19:11
like like he's um the um when me and
00:19:15
Jane, the couple you can't believe are
00:19:17
together. He's like, we were like,
00:19:19
>> cuz I think it's tough to bring
00:19:20
something back. There's there feels like
00:19:22
a little bit of entitlement when you're
00:19:24
like, this should come back. Like when
00:19:26
you think of it, it's it feels gross.
00:19:29
>> We should be back.
00:19:31
>> But he like I think he's brought it back
00:19:33
before and we were like, "Oh, amazing.
00:19:35
Yeah, we'd love to do it again."
00:19:36
>> I think when I like something, I want to
00:19:37
see it again. Yeah.
00:19:38
>> As long as there's some other little
00:19:40
tight. But you can't be the one because
00:19:41
when you go everyone cuz one time Lauren
00:19:44
said to me um
00:19:46
>> which I didn't say it but he goes
00:19:48
everyone's going to tell you you're the
00:19:50
funniest person on the show. Um you're
00:19:52
not.
00:19:53
>> He said they say that to every cast
00:19:55
member because they do. Everyone goes
00:19:56
why aren't you on more? You're actually
00:19:58
really good at your team. And everyone
00:20:00
thinks that and I was victim of just
00:20:03
only people I would see whether they
00:20:05
thought it or not. They go you should be
00:20:06
on more. And so I didn't say it, thank
00:20:08
God. He said that. I was like, "Oh my
00:20:09
god, that's [ __ ] brutal and true."
00:20:12
>> But it's hard to say. I need you to
00:20:14
come. He is.
00:20:15
>> Yeah.
00:20:16
>> Now, you did baseball when we were Who
00:20:18
did you play? Pete Lonzo. Who did you
00:20:19
play when we were
00:20:20
>> Oh, I played Juan Sto on Church Chat.
00:20:22
>> Juanto. Yeah. That's right.
00:20:23
>> Yeah. On Church Chat. Yeah. You brought
00:20:24
>> One thing I know. Me, too.
00:20:26
>> Yeah. Who did you play?
00:20:27
>> Hey man, we got the team back together.
00:20:28
>> I know who you played. Who?
00:20:30
>> You played Trump's son.
00:20:31
>> No, I played Hunter Biden. You
00:20:32
>> Oh, Hunter Biden. Biden's son.
00:20:34
>> [ __ ] guy was It was close. It was a
00:20:36
son. Come on. Let's not get
00:20:38
>> He's like, "You paid the boys are
00:20:40
backing." I'm like,
00:20:42
>> "No, he was mad at Biden." And what was
00:20:46
was Sarah in it, too?
00:20:47
>> Sarah was in it, it too.
00:20:47
>> You nailed it.
00:20:48
>> Sarah did Matt Gates.
00:20:50
>> Well, the look was hysterical. Which
00:20:52
camera?
00:20:53
>> Which camera
00:20:55
>> did you You know, one thing I notic
00:20:56
about you, this might be kind of that
00:20:59
you're a boss.
00:21:00
>> Um,
00:21:01
>> what?
00:21:02
>> Well, like you're we're doing that
00:21:03
sapado. What's the thing? We'll talk
00:21:06
about that in a second. Yes.
00:21:07
>> One of the biggest bombs I It haunted
00:21:09
me.
00:21:10
>> It haunted me for months.
00:21:12
>> Show a clip of D. We'll talk about that
00:21:13
in a sec. But I noticed that you in a
00:21:16
nice way casually you're like talking to
00:21:18
Liz and like I think this should be here
00:21:20
here. Same thing with the baseball
00:21:22
player.
00:21:23
>> I think I should do this and this, you
00:21:25
know, and that's you're like that's
00:21:27
really really a great skill set to have.
00:21:29
Well, I don't know if I'm a boss in
00:21:30
general, but the Latin stuff I do feel
00:21:33
>> in a loose sense people really, you
00:21:36
know, they sort of look out for their
00:21:37
character or the sketch. That's all.
00:21:39
>> Or also the camera, you're like, "Make
00:21:40
sure if I get up, make sure you stay on
00:21:42
me." Or, "I'm going to do something like
00:21:44
this, so cover it." Because sometimes
00:21:46
they're like, "We weren't on you." Or
00:21:48
you do a movie and you ad something,
00:21:49
they go, "Great, let's do it again. We
00:21:50
weren't on you." I'm like, "Oh my god."
00:21:52
If something that really works in the
00:21:53
moment,
00:21:54
>> but that's good. That's smart. At least
00:21:55
you have the ball.
00:21:56
>> That was a tough thing. Well, that day.
00:21:59
>> Yeah. I think it's just like
00:22:00
>> No, I know what happened, but you tell
00:22:02
your side of the story.
00:22:02
>> What do you think happened?
00:22:04
>> I think that
00:22:05
>> I think that I'll be honest. I dead
00:22:07
serious think that they didn't hear you.
00:22:09
>> Like I think that we were playing so
00:22:11
much with the voice and stuff, right?
00:22:13
And
00:22:13
>> we were and I probably swallowed the
00:22:15
van.
00:22:15
>> I don't think you Yeah. I don't know. I
00:22:17
feel like um cuz your character is so
00:22:20
fun and I think sometimes the biggest
00:22:23
thing that happens at SNL sometimes is
00:22:25
>> you forget you're in a theater,
00:22:26
>> right? And like the I think on TV it
00:22:29
probably translated a lot better. But in
00:22:31
that room you have to be so clear about
00:22:34
what you're saying.
00:22:35
>> Yeah. You just hit it wrong
00:22:35
>> cuz the room won't hear you and then you
00:22:37
feel like
00:22:38
>> you tell the origin of that sketch. Just
00:22:39
explain it first.
00:22:40
>> Sabo Don Francisco's show. One of the
00:22:42
most legendary Latin shows. He did this
00:22:44
big game show. It was like our wheel of
00:22:46
fortune mixed with um
00:22:48
>> it's a huge
00:22:50
avanguard nonsequittors coming at you.
00:22:53
>> Insane. Yeah. Characters jumping out.
00:22:56
Jakal, a guy that just plays a trumpet
00:22:58
in your face.
00:22:59
>> Makes no real sense. But big funny
00:23:01
characters, like a children's show
00:23:02
almost. Yes.
00:23:04
>> And um and it was also like American
00:23:06
Idol, but only the bad like he would
00:23:08
only bring out bad singers and they
00:23:10
would sing really bad and then have the
00:23:12
whole crowd go out of here,
00:23:14
>> out of here. And he would like get the
00:23:16
crowd riled up.
00:23:17
>> I love it.
00:23:17
>> It was hard to make it. It's it's it is
00:23:20
like there is a degree of difficulty in
00:23:22
making something like that in a place
00:23:24
like SNL when maybe like one or two
00:23:27
people know the show. So, um but I think
00:23:30
I think it was I look back on it as a
00:23:32
great bonding thing for you and I just
00:23:34
going back and forth with you doing that
00:23:36
voice
00:23:37
>> in my face all time.
00:23:38
>> Yeah, I was doing that and then like you
00:23:41
came in like 20 minutes before air and
00:23:43
sort of just because I because I was
00:23:44
just like you were the captain of the
00:23:46
sketch like what do you want me to do
00:23:47
here? But I think the the initial
00:23:49
instinct with that one was doors like
00:23:52
this. I'm back. I come out
00:23:55
and it closes. Right.
00:23:56
>> Which is funny just saying it like that.
00:23:58
>> Funny,
00:23:59
>> right? But then somehow we got excited.
00:24:01
We'll keep it. I'll come down stage. So
00:24:03
it's pressure on it even though there
00:24:06
was no real laugh point. So but I
00:24:10
committed REALLY HARD AND I'M I'M
00:24:13
DANCING OUT. I'M TOTALLY a thousand%.
00:24:15
And you go behind those slats,
00:24:17
>> dead silent.
00:24:19
>> And no eye contact, all the crew,
00:24:22
everyone. You go, "Hey." And they [ __ ]
00:24:26
>> I think it's the ultimately for
00:24:28
something like Saboante, you doing that
00:24:30
and it making no sense and the crowd
00:24:32
being a little bit confused.
00:24:33
>> Yeah.
00:24:34
>> It makes sense for the show.
00:24:35
>> You know, it goes back with the sketch.
00:24:37
>> Old sketches like cheeseburger
00:24:39
cheeseburger. I watch them and they
00:24:40
don't get laughs. You go,
00:24:41
>> I know.
00:24:41
>> Oh, cuz they're teaching you to like it.
00:24:43
They're like, "This is our sketch. The
00:24:45
next time it comes on, more laughs and
00:24:46
the next time.
00:24:47
>> But if I'm in New York and that's on, I
00:24:49
want to do a cameo. You don't have to
00:24:51
pay me.
00:24:51
>> No, I would love that.
00:24:53
>> Did you guys do the Italian one? Um,
00:24:56
where you're like hinging the people?
00:24:58
>> Y Canour. Is that it?
00:25:00
>> There were two kind of legs go. Yeah.
00:25:04
>> Yeah. And I had Victoria Jackson's legs
00:25:06
on my
00:25:07
>> that. So I did one with Miles Teller
00:25:10
>> and we were just doing little sexual
00:25:12
innuendos and then somebody like
00:25:15
immediately sent me that one which we
00:25:17
like I had known about it but I hadn't
00:25:19
watched it recently and I was like oh
00:25:21
this is just better.
00:25:22
>> This is this is just ours but better
00:25:25
back when you could do you know
00:25:27
>> you could do unless I got in trouble for
00:25:29
that. I think
00:25:29
>> you guys did
00:25:30
>> I think
00:25:30
>> they pretended cuz I had done Victoria's
00:25:33
legs over my you know
00:25:34
>> I know and so was not it's not grinding
00:25:38
but it implies a lot and then they right
00:25:41
before we went you know three two one
00:25:44
yeah smiggle was pretending to try to
00:25:46
reach me oh never mind so he could say
00:25:49
to the census people we didn't get the
00:25:51
note to him
00:25:51
>> oh my god
00:25:52
>> right before but
00:25:55
>> you could do a lot more in those days
00:25:56
though I know you could really
00:25:58
>> one time I said on on update. I go I was
00:26:00
doing In-N-Out list and I was trying to
00:26:03
be fake edgy and I go in uh
00:26:06
going uh oh going straight home after
00:26:10
the show out going to the after party
00:26:12
and trying to get some [ __ ] and then
00:26:15
the sensor met me backstage and he said
00:26:17
guys and he had Lauren he goes listen we
00:26:18
lose if we hear the word [ __ ] we lose
00:26:21
three big advertisers.
00:26:22
>> Oh my god.
00:26:23
>> And I'm like and Lauren goes well I
00:26:26
don't say [ __ ] then. And I go, "I'm not
00:26:28
really saying it." He goes, "Well, you
00:26:29
know what you're saying." The guy's mad.
00:26:31
Andrew Brewer, remember? He was very
00:26:33
nice, but he's like, "I'm in the
00:26:34
middle." And then I go out there and
00:26:35
Dennis Miller goes, "Uh,
00:26:38
he goes, he does it and I'm nervous.
00:26:41
That joke's coming up." And I guess I'm
00:26:42
a [ __ ] And it gets a big laugh. And
00:26:44
Dennis goes, and then at the commercial
00:26:46
goes, "You're [ __ ] cooked, dude. That
00:26:48
got too big a laugh."
00:26:49
>> Meaning meaning they heard it,
00:26:51
>> dude. Cooked.
00:26:52
>> That's a young term.
00:26:53
>> You're cooked.
00:26:54
>> [ __ ] yeah. Unk.
00:26:56
You heard me
00:26:58
>> talking to the Marella.
00:27:00
>> I can't. Don't just look at me.
00:27:03
>> Ah,
00:27:04
>> Marella, you don't make me get to all my
00:27:06
questions about you.
00:27:08
>> Do you ever heard of Tik Tok?
00:27:12
>> What do you What's your relationship
00:27:13
with Tik Tok? A guy like you.
00:27:15
>> I'm not legally supposed to be on it,
00:27:17
but I'm on it.
00:27:19
>> At 40, they say it's kind of for younger
00:27:22
people.
00:27:22
>> You know what it says.
00:27:25
Don't ever give the
00:27:26
>> I didn't memorize it.
00:27:28
>> Up here it says no dad.
00:27:30
>> Whoa.
00:27:31
>> Well, I saw your special.
00:27:34
>> I saw your special.
00:27:35
>> No, don't do this. Don't do that. Don't
00:27:37
do that.
00:27:38
>> American Boy.
00:27:39
>> Yes.
00:27:40
>> American Boy special on Netflix.
00:27:41
>> Yes.
00:27:42
>> I saw him prep for the special, Dana,
00:27:44
while he's reading. I went talk about
00:27:47
the the special. Now, the special is a
00:27:49
big deal.
00:27:50
>> Special. Special. Trying to hype up your
00:27:52
shitty special.
00:27:52
>> Thank you, man. I appreciate it.
00:27:55
I appreciate it.
00:27:55
>> So, I go down, bless my heart, doing
00:27:58
superstar [ __ ] around my house,
00:28:00
whatever. And
00:28:01
>> this house is crazy, by the way.
00:28:02
>> No, actually, you didn't even ask me.
00:28:03
>> This house, as soon as you walk in, you
00:28:04
you feel a little bit of anger.
00:28:06
>> Yeah,
00:28:07
>> a little bit of anger.
00:28:09
>> Co. What do you think?
00:28:10
>> What's his name?
00:28:11
>> He's call. Yeah,
00:28:14
>> he's sweating.
00:28:15
>> I just
00:28:16
>> He's got long co. It's been three years.
00:28:17
>> Oh, he's switching the cameras from
00:28:19
camera to camera.
00:28:20
>> So, even when you talk to me cameraly,
00:28:22
look at you.
00:28:22
>> I told him I I told him to stay on me.
00:28:26
So focused. I get a text from either I
00:28:28
think it was more Sarah Sherman than
00:28:29
you.
00:28:30
>> I invited you. Oh, you did?
00:28:31
>> Yes, I did.
00:28:32
>> And also I went to to
00:28:33
>> But Sarah was like, I'm bringing Spade.
00:28:35
>> Yeah. So I did a set I open. This is
00:28:39
what's happening to the world.
00:28:40
>> You didn't open for me. Spade. You did a
00:28:42
spot.
00:28:43
>> I did a spot at the comedy store.
00:28:44
>> Oh my god.
00:28:45
>> I will say I was angry when I walked in
00:28:47
cuz it was cuz it was [ __ ] Pat. And I
00:28:50
go for this pipsqueak. This twerp.
00:28:53
>> Who gives a [ __ ] about this? Sorry. I
00:28:56
go.
00:28:56
>> What would Han say?
00:28:59
>> Oh no. It's a new generation.
00:29:04
>> Whoops.
00:29:05
>> There was a wait list.
00:29:08
>> So long, oldtimers.
00:29:10
You had your day.
00:29:12
>> Oh no. Standing room only.
00:29:14
>> I know it was. Now the teacher's become
00:29:17
the pupil.
00:29:19
So anyway, I w I I uh you actually did
00:29:22
good and this [ __ ] kills me to say.
00:29:23
>> Thank you.
00:29:24
>> I I watched the whole thing.
00:29:26
>> No, you didn't. But go on.
00:29:27
>> I I sat and you saw with Sarah
00:29:29
>> for the first 15.
00:29:30
>> I knew it was Sarah because she was
00:29:32
throwing up the whole time working on a
00:29:35
new bit.
00:29:37
>> Yeah.
00:29:38
>> Here's here's her notes for me. That
00:29:40
that would be funnier. What if your eyes
00:29:41
popped out of your head? Sarah
00:29:43
>> Sarah Sherman.
00:29:44
>> So anyway, and she has a special out
00:29:46
also.
00:29:46
>> Yes. On HBO.
00:29:47
>> HBO. That's right.
00:29:48
>> Competing network. And uh
00:29:50
>> and so anyway, you did a great job.
00:29:52
>> Thank you.
00:29:53
>> And
00:29:54
>> and I and then Nick Gooen told me he's
00:29:56
doing your special.
00:29:57
>> Yes.
00:29:57
>> I was actually shocked you got so many
00:29:59
swings at it.
00:30:00
>> I know. We did six.
00:30:01
>> I was like, I hope it's good.
00:30:03
>> We got six [ __ ] tries, dude.
00:30:06
>> But it's hard to pick. And I talked to
00:30:07
you a little bit. I think I FaceTimed
00:30:08
you once after I think after Sebastian I
00:30:11
hit you up and said,
00:30:12
>> "Great job last night."
00:30:13
>> And we were editing. We called you a
00:30:15
couple times while we were editing. And
00:30:16
you were on a private jet.
00:30:18
>> Yeah.
00:30:19
>> Right.
00:30:19
>> Um, so which I keep in You saw in the
00:30:23
kitchen?
00:30:23
>> Yeah, I saw it in the kitchen.
00:30:24
>> Uh, no, but Goose's a buddy and I was
00:30:27
checking on these guys and uh, they were
00:30:28
editing, but
00:30:29
>> we're working hard
00:30:30
>> and then I hit you once. I think your
00:30:32
lovely girlfriend was
00:30:33
>> I have a question for you about that.
00:30:34
Uh,
00:30:34
>> oh,
00:30:35
>> what? We're off to the special. No, the
00:30:37
special.
00:30:39
>> What is it on?
00:30:41
>> Netflix,
00:30:41
>> right?
00:30:42
>> It is.
00:30:42
>> Yeah.
00:30:43
>> Okay, good. I have some thoughts about
00:30:44
it, but we can
00:30:45
>> we're going I just want to say and I
00:30:46
this is
00:30:47
>> what is what do you what are your
00:30:48
thoughts? Well, they're not that
00:30:49
profound. I think some people forget in
00:30:52
stand up. It doesn't take much but to
00:30:54
connect to the audience like you're a
00:30:56
real person up there
00:30:57
>> not just doing bits. So one moment I
00:31:00
don't know if you did ever show up
00:31:01
you're like I can't even believe what
00:31:03
just happened to me because it's still
00:31:05
for us the American public you kind of
00:31:06
just arrived. I agree.
00:31:08
>> You know even though it's been a while
00:31:09
for you
00:31:10
>> it's been yeah four years. Oh,
00:31:12
>> of like things going okay.
00:31:13
>> Yeah. So that that really kind of like
00:31:16
oh god this really the audience is
00:31:18
disconnected to you. And the other one
00:31:19
was all the physicality. Most pe most
00:31:21
people don't do that. I know that's
00:31:23
Robin Williams. That's you know I don't
00:31:25
know who else but it's just like fun to
00:31:27
watch. Somebody told me and it's a I
00:31:28
think it was a quote from somebody like
00:31:30
you know maybe somebody else but this
00:31:32
guy Usama Sadiki he's a comedian from
00:31:33
New York and he was like when I first
00:31:35
started I met him and I was like he does
00:31:37
a lot of physical stuff and I'm like I
00:31:38
do a lot of physical stuff and he goes
00:31:40
um yeah I think we're we're we're taking
00:31:42
risks because it's u much scarier to
00:31:46
bomb here.
00:31:48
>> It's so true. It's so sweaty. Yeah, go
00:31:51
back to that sketch I did on
00:31:55
that was as physical as I get.
00:32:00
He walks off in the commercial with a
00:32:02
separated shoulder. Was it worth it?
00:32:08
>> That sounds like the seat filler for
00:32:10
Spain at that thing.
00:32:11
>> I have a question for you about Spanish
00:32:12
people. Yes. Like cuz we have so many
00:32:14
friends in Latino people. But
00:32:18
>> when sometimes this guy was snaking our
00:32:20
toilet or something and when he spoke in
00:32:23
English,
00:32:23
>> he was what? Cleaning the toilet.
00:32:25
>> Well, he's a plumber. He's a plumber.
00:32:26
There was a clog plumber and he owns the
00:32:29
company and he's very successful.
00:32:30
>> Extremely.
00:32:31
>> Gosh.
00:32:32
>> Jose. Not cool, dude.
00:32:35
>> Jose's plumbing. Okay, great.
00:32:37
>> But when he spoke in English, he talked
00:32:39
really, really fast.
00:32:41
>> Right. Well, because we talked fast in
00:32:42
Spanish. And I think the problem with
00:32:43
English sometimes is that it takes
00:32:45
longer. Yeah.
00:32:46
>> Um, let's try it. Ready? Give me a
00:32:48
sentence to say in English.
00:32:49
>> To say in English?
00:32:50
>> Yeah. Something.
00:32:51
>> Um, let's see. We could pick you up at
00:32:53
3:30 or 4:30 or we can get you after
00:32:55
dinner at 8.
00:32:56
>> All right. Ready? We could pick you up
00:32:57
at 3:30 or 4:30 or we could pick you up
00:33:00
later at 8. That's in English. In
00:33:02
Spanish.
00:33:06
>> You didn't say that. Oo. Or o.
00:33:11
You thought I was some
00:33:12
>> Oo. Isn't that eight? I [ __ ] caught
00:33:15
you.
00:33:19
>> Oo no.
00:33:24
>> Welcome to Spain.
00:33:27
>> This is eight years of Spanish.
00:33:29
>> Yeah, boy.
00:33:31
>> Thought we were rookies, dude.
00:33:33
>> Let me tell you Let me tell you both
00:33:34
something right now.
00:33:36
>> Let me say something. Let me tell you
00:33:38
both something right now. Let me tell
00:33:39
you something right now.
00:33:39
>> Yeah.
00:33:40
>> Don't practice on me.
00:33:41
>> No, it was good. Don't practice on me.
00:33:44
>> I'm good at it. You understand?
00:33:45
>> Okay.
00:33:45
>> I'm an expert at it.
00:33:47
>> Go practice with co guy or somebody or
00:33:49
one of these guys that don't speak. Say
00:33:50
something in Spanish fast. Go. 3 2 1 go.
00:33:53
Come on. Do it.
00:33:54
>> Say something. Go. Come on. It can't be.
00:33:56
Ola
00:33:56
>> pork.
00:33:57
>> Okay, that's good.
00:34:04
>> All right. He's got something. Co.
00:34:05
>> He's got some game. What you got?
00:34:08
>> This guy's an enigma.
00:34:10
>> Hola.
00:34:10
>> This guy's an enigma. That's it.
00:34:12
>> Nobody knows what you're thinking. You
00:34:13
know that.
00:34:13
>> Hola.
00:34:14
>> You don't know if he likes you or hates
00:34:15
you.
00:34:16
>> No, you don't know anything about him.
00:34:17
And you see his shoes. Usually shoes say
00:34:19
a lot about a person. I see his shoes
00:34:20
and I'm more confused.
00:34:22
>> Yeah.
00:34:22
>> Isn't that interesting?
00:34:24
>> What do you think of my shoes?
00:34:25
>> You need a clip of you guys counting at
00:34:26
me in my face though during that.
00:34:28
>> Why are you both in color chromatic?
00:34:30
>> Are you scared of that? Is that a PR
00:34:31
issue? Okay.
00:34:32
>> Why are you guys dressed alike? I was
00:34:34
going to ask you. Your mom's Cuban,
00:34:35
right?
00:34:35
>> My mom is Cuban.
00:34:36
>> Okay. So, one of my favorite movies is
00:34:39
Scarface. So, Alpuccino does a Cuban
00:34:42
accent, which I love to do, but is it
00:34:45
accurate? Is it theatrical or what?
00:34:47
>> I don't know. Um, I think it's
00:34:51
definitely theatrical, but I think the
00:34:53
movie is so good and so many people love
00:34:54
the movie that you can't really get mad
00:34:56
at him.
00:34:56
>> Oh, no. I love it. It's operetic. It's
00:34:59
musical.
00:34:59
>> I can't tell when I'm watching if like I
00:35:01
don't know. What do you think, Marty? Do
00:35:03
you do you think the Scarface accent is
00:35:04
good? Like, do you think it's realistic?
00:35:08
>> Oh, okay.
00:35:10
Oh man.
00:35:10
>> And that's my advantage.
00:35:11
>> You don't got time.
00:35:12
>> No, I'm kidding.
00:35:13
>> You don't got time to watch some movie,
00:35:14
man.
00:35:15
>> Um, yeah.
00:35:15
>> His mama's a You know what's good about
00:35:18
it is that he makes it really
00:35:20
understandable for everyone.
00:35:22
>> But you can hear Yeah.
00:35:23
>> Yeah. I think if like a if that movie
00:35:25
was about a real Cuban, you would have
00:35:26
had a tough time understanding that guy
00:35:28
in the movie.
00:35:29
>> I think he made his own accent.
00:35:31
>> Amen.
00:35:31
>> And man, what happened with the guy in
00:35:33
the com house?
00:35:34
>> Yeah, they go too fast.
00:35:35
>> And go faster. He goes slow. But I think
00:35:38
there's guys that talk like that.
00:35:40
>> So catchy musical rhythms, you know,
00:35:44
it's almost like Sebastian.
00:35:46
>> It is a little bit like Sebastian.
00:35:47
>> I think Sebastian wasn't that animated
00:35:49
in the early days
00:35:50
>> really.
00:35:51
>> And I think what happens is sometimes
00:35:53
like I I move around a little bit. I'm
00:35:55
not super animated up there.
00:35:56
>> No, you you move around a little bit.
00:35:57
>> No, it hurts a little bit. But
00:35:59
>> uh but but if I get an you know, if
00:36:03
anything to help a joke
00:36:04
>> Yeah. Yeah. If it helps sell it, if it
00:36:06
helps clarify it,
00:36:07
>> you go for it.
00:36:08
>> You go for it.
00:36:09
>> When Sebastian came out, I think it was
00:36:10
2012 or 2013,
00:36:12
>> I I don't usually watch specials. I
00:36:14
watched like 10 minutes. Oh, that was
00:36:16
the theater. It's pretty good, right? It
00:36:17
doesn't matter who it is.
00:36:18
>> And then I watched all of yours, but
00:36:20
>> um when I saw Sebastian, I go, "This is
00:36:23
something new. This is like a new
00:36:25
thing."
00:36:26
>> And I looked it up and he had toured
00:36:27
with Andrew Dice Clay.
00:36:29
>> Oh.
00:36:29
>> And then I saw him. I think it was Craig
00:36:31
Ferguson or one of those late night
00:36:33
shows early days and he everything was
00:36:37
more contained and not as physical and
00:36:39
then you see him a few years later the
00:36:40
confidence he just extenduated.
00:36:42
>> Yeah.
00:36:43
>> Oh.
00:36:44
>> Oh.
00:36:45
>> Like when he goes I get an Uber and he
00:36:48
has him out front going are you gak?
00:36:51
>> Yeah. Yeah. The names. He also does the
00:36:53
Chipotle.
00:36:54
>> You been the Chipotage
00:36:58
on it. cheese and the fajitas.
00:37:02
>> He goes, I get in the car and Uber goes,
00:37:04
you like iPhone charger, iPhone 7,
00:37:07
iPhone 8, iPhone 9, Android, Crest
00:37:09
White. Why? How long am I in this car?
00:37:13
>> Yeah. Yeah. Yeah. Yeah.
00:37:14
>> White strip.
00:37:15
>> White strip. Harry Potter.
00:37:16
>> Yeah. Harry Potter. Did he say Harry
00:37:18
Potter?
00:37:18
>> No. No. No. That's why I added a tag.
00:37:21
>> Um, you had a question.
00:37:23
>> Okay. You have a question? Oh.
00:37:26
>> Um, two. This is a two-parter.
00:37:29
Oh,
00:37:29
>> one when people always I I think this is
00:37:31
a common thing and I got this for years
00:37:34
like certain questions they ask you too
00:37:35
much at every people that do a skim job
00:37:37
that don't know you probably Sabrina
00:37:39
Carpenter Domingo we already know
00:37:42
>> but just that you know Sabrina Carpenter
00:37:44
and you have a lovely girlfriend that's
00:37:46
what I was saying and I think there's a
00:37:48
quiet part of the uh agencies and
00:37:52
studios that would rather you be single
00:37:55
>> they would rather it's interesting just
00:37:57
because if you're seen with someone.
00:37:58
Maybe you're with Kendall Jenner. Maybe
00:38:00
we don't know. We're not commenting. And
00:38:02
and always when people date, there's
00:38:04
something to that. It's not bad or good.
00:38:06
It's just
00:38:06
>> No, no, no.
00:38:07
>> And so if you do that, then they go,
00:38:09
"Oh, um because it's almost people are
00:38:12
bummed out.
00:38:13
>> We have a girlfriend. You were on Dax
00:38:14
the other day."
00:38:15
>> And uh and he was like, first of all, he
00:38:17
couldn't believe it or something instead
00:38:19
of just going, "Yeah, let's move it on."
00:38:21
But I think the excitement level of
00:38:24
someone go, "Oh, he's this." And you're
00:38:25
a young guy and you're marginally
00:38:27
good-looking.
00:38:28
>> I think
00:38:29
>> I just skim over that.
00:38:30
>> Yeah, I have.
00:38:32
>> You can't get offended when a guy like
00:38:34
you says that.
00:38:35
>> I have my own thesis, but go ahead.
00:38:37
>> So, am I good-looking?
00:38:38
>> Sure.
00:38:38
>> Thank you.
00:38:39
>> One, who else? Okay, here's another one.
00:38:42
>> Lauren Michaels.
00:38:43
>> Does the guy that cuts your hair, does
00:38:44
he have the same hair?
00:38:48
>> This feels like a burn and I'm not. I
00:38:50
think it looks good right now. So I you
00:38:52
can't hurt me.
00:38:53
>> Okay.
00:38:54
>> It's long enough.
00:38:55
>> It's 7 a.m. It's a little bit of a
00:38:56
mully, but you know what?
00:38:59
>> You're listen I'm saying I'm saying
00:39:01
because um
00:39:02
>> I'm barely held together.
00:39:03
>> You're just you're friends with Sarah
00:39:04
Sherman and just I'm just saying
00:39:06
>> I do like that her mullet is cute. I
00:39:07
think girls at mullets are cute.
00:39:08
>> Okay.
00:39:09
>> Okay. This one is
00:39:10
>> she facetiming she was cut someone was
00:39:12
cutting her hair and I was like Sarah
00:39:14
you're you're keeping up with the
00:39:15
mullet. Who's cutting your hair? And
00:39:16
then she puts her phone like this and
00:39:17
it's a guy with a mullet. It's like,
00:39:19
yeah, of course he likes it.
00:39:20
>> You could look good in a mullet.
00:39:21
>> I am trying to do a little mullet.
00:39:22
>> You could look cool.
00:39:23
>> I'm trying to do it.
00:39:24
>> Uh, I'm trying.
00:39:25
>> Who would take over us now if Lauren
00:39:27
leaves? Do you know anybody there at the
00:39:30
show now?
00:39:32
>> I don't know.
00:39:33
>> I don't know.
00:39:34
>> Who's a big
00:39:35
>> It's hard because Lauren has built so
00:39:36
many years of people that pick up his
00:39:38
calls.
00:39:39
>> I think the biggest question is who's
00:39:42
going to get the call picked up,
00:39:43
>> right?
00:39:44
>> So, I don't know.
00:39:45
>> I mean, I always think Tina Fer, but
00:39:46
Colin also
00:39:47
>> maybe. Yeah. I Yeah,
00:39:49
>> I think he's he's singularly a guy that
00:39:52
when he calls you, you pick up.
00:39:53
>> Well, he's turned into this whole
00:39:55
enigma, Lauren. He calls you been
00:39:58
brilliant with the suits. There's been
00:40:00
different regimes over the years, and he
00:40:02
knows how and what to say to them, and
00:40:04
it's very interesting.
00:40:04
>> You text Lauren?
00:40:06
>> Um, not really.
00:40:07
>> Sarah said she [ __ ] text Lauren. I
00:40:09
was like,
00:40:09
>> I don't I
00:40:10
>> We never had his We never Well, we
00:40:11
didn't have phones, but we very
00:40:14
>> We would We couldn't even
00:40:15
>> You sent him letters.
00:40:16
>> I sent him a letter. Dear Lauren, by the
00:40:18
time you get this, I'll be long gone.
00:40:21
>> I hope you feel good about yourself.
00:40:22
>> I'll text him if there's like a big if
00:40:23
if something happens in sports or
00:40:25
something that's funny,
00:40:26
>> I'll send it to him cuz he loves
00:40:28
>> it's like baseball like this.
00:40:30
>> Mhm.
00:40:33
>> Um um it's who's interrupting my lunch
00:40:36
at uh Orso. I had my thought not about
00:40:39
you but just about relationships in
00:40:41
general. there if if someone you meet if
00:40:45
you're kind of being famous you meet
00:40:47
someone I use the word earnest earnest
00:40:49
is highly underrated
00:40:51
>> it means someone with no guile
00:40:54
>> and you meet someone with who's just got
00:40:56
this classiness about them like they're
00:40:59
a good person and um I think for a lot
00:41:02
of celebrities that appeals you know I
00:41:04
mean just just a way I was just just
00:41:07
casually
00:41:07
>> observing no saying probably my
00:41:09
girlfriend is a good person
00:41:10
>> I'm kind of implying that that That is
00:41:12
very appealing. It's a very wild
00:41:15
topsyturvy celebrity world and and all
00:41:18
these and you meet someone with a heart
00:41:20
of gold. Neil Young. Whoops. Or just
00:41:22
someone
00:41:24
>> keep me. We're searching for a heart of
00:41:28
gold
00:41:30
and you're
00:41:31
>> I just don't know any of that stuff.
00:41:32
>> You don't need to know it. You're You're
00:41:34
>> I don't either. We're both young and we
00:41:35
we're lost right now. Yeah.
00:41:37
>> Okay. We I heard you talk about this on
00:41:39
Bobby Lee. Beatles versus Lincoln Park,
00:41:42
which I did think was a little silly.
00:41:43
>> It's two bands that I've I've really
00:41:45
obviously the Beatles I've heard a lot
00:41:47
more, but um I listen to all um Latin
00:41:51
music. Do you really salsa
00:41:54
baca
00:41:56
and now there's merong which is a
00:41:58
mixture of mer and reong
00:42:00
>> of course
00:42:00
>> and umong is like they take this old
00:42:03
school mer which is
00:42:06
and then they add the kum so it's like
00:42:13
so so um uh and uh you guys should not
00:42:16
be concerned with it because if you
00:42:17
heard it you might I don't know
00:42:19
>> well the Grammys were I didn't know
00:42:21
anybody to us. I think something might
00:42:22
happen to you, but
00:42:23
>> anything is good. Did you know everybody
00:42:25
at the Grammys? Did you know all the
00:42:26
people up for Grammys?
00:42:27
>> I knew all the uh Yeah, I knew a lot of
00:42:30
the people. I think now Tik Tok has made
00:42:32
um you know, music so exciting.
00:42:34
>> Sometimes you know the song and not the
00:42:35
person. Yeah. Yeah.
00:42:36
>> But then you see like the picture of the
00:42:38
person, but um yeah, I listen to mostly
00:42:41
Latin music. It's all very positive and
00:42:43
upbeat and even when it's sad, the beat
00:42:45
is positive. I talked about that in the
00:42:46
special. So, I do like uh that's my kind
00:42:49
of stuff really often. And then and then
00:42:51
occasionally like this Olivia Dean girl.
00:42:53
I've got her in my phone. She's, you
00:42:55
know, the her music is also
00:42:58
>> What is she just What kind of music is
00:42:59
it?
00:42:59
>> She's like um it's like classy pop, I
00:43:02
would say. I don't think that's a I
00:43:03
don't think that's a genre.
00:43:04
>> She looks like movie starish.
00:43:06
>> Yeah, she does. She has um
00:43:08
>> Yeah, she has a great energy and she's
00:43:09
>> she has also elegant on stage and she
00:43:12
wears these flowy dresses. It's old
00:43:14
school vibes. Yeah. Yeah. So um that
00:43:17
stuff's good.
00:43:18
>> That stuff's good. It's funny at those
00:43:20
Grammys when you see people I'm over
00:43:22
here, buddy. It's funny when um I'm This
00:43:25
is
00:43:25
>> I was just trying to think all this time
00:43:27
in my head of like how I've been exposed
00:43:29
to Latin music and
00:43:31
>> Yeah. What kind of
00:43:31
>> The first one The first one big big time
00:43:35
was a band called Santana.
00:43:37
>> Of course.
00:43:38
>> Yeah. Of course.
00:43:38
>> And what's your dad put me on to S?
00:43:41
>> Yeah. So you're doing all this rhythm
00:43:42
and stuff and I was an amateur drummer
00:43:45
>> and when you hear that
00:43:46
>> with bongos and all of it going
00:43:48
together. It's like it is very
00:43:50
infectious. It was that was the first
00:43:52
and only band that Bill Graham who was
00:43:54
the the Lauren Michaels of music back
00:43:56
then.
00:43:57
>> He knew the first time he saw them they
00:43:59
would be huge.
00:43:59
>> Yeah.
00:44:00
>> Carlos Santana.
00:44:01
>> It's also a big moment right now for
00:44:02
Latin music you know.
00:44:03
>> Yeah.
00:44:04
>> It's a big
00:44:04
>> Why? Cuz Bad Bunny.
00:44:05
>> Um no cuz um Bad Bunny G. Um, you know.
00:44:10
>> Oh, you were you with Carol G last
00:44:11
night.
00:44:12
>> Yes. Carol, we presented together. Yeah.
00:44:14
Yeah. Yeah.
00:44:14
>> Oh, I thought that was Nikki Glaz.
00:44:16
>> Oh.
00:44:16
>> Oh, no. You were with Carol G.
00:44:17
>> Yeah. Yeah. Yeah.
00:44:18
>> And Nikki. Okay. Yeah. Yeah.
00:44:19
>> Because I saw you last night.
00:44:21
>> Yeah. Yeah. Yeah. Nikki Glazer went out
00:44:23
with Tiana.
00:44:24
>> But there's a lot right now. There's a
00:44:25
lot of like big Latin artists that are
00:44:26
killing it.
00:44:27
>> Um, killing it.
00:44:29
>> Young Miko is touring with Billy Isish.
00:44:32
>> Rico Suave.
00:44:33
>> Excuse you.
00:44:34
>> You know who Rico Suave is?
00:44:36
>> Yes, of course. You know Ricky Martin?
00:44:38
>> He's my father.
00:44:39
>> Um,
00:44:40
>> Rico,
00:44:40
>> I've seen Ricky Martin.
00:44:41
>> That was a great video. I don't remember
00:44:43
much more about that.
00:44:44
>> Ricky Martin. How about that?
00:44:45
>> You are? Yeah.
00:44:45
>> Oh, wow. Where did you guys meet?
00:44:48
>> Uh, Elco.
00:44:50
>> Sorry.
00:44:50
>> Nothing. Um, I met him at a dinner
00:44:52
party.
00:44:55
>> So rude.
00:44:56
>> No, I'm doing
00:44:57
>> We're friends to be fair for for the
00:44:59
listeners.
00:44:59
>> Me and you.
00:45:00
>> Me and these guys are friends. I like
00:45:02
them and I respect them. Oh, they know
00:45:04
we're we're trying to be more friends
00:45:06
with you than Bobby Lee.
00:45:07
>> Oh my god, I love Bobby Lee.
00:45:08
>> I know. He's so funny. Yeah, he was in
00:45:10
that seat.
00:45:11
>> I can't get mad at Bobby Lee.
00:45:12
>> He came here.
00:45:12
>> Yeah.
00:45:13
>> What was that like?
00:45:16
>> Oh yeah, like that.
00:45:17
>> He had just shaved his entire genital at
00:45:20
a nightclub.
00:45:22
>> He's so good cuz he laughs even if he
00:45:24
doesn't really hear what you're saying.
00:45:25
>> He's a good laugh and he was standing up
00:45:27
a lot. Yeah, he's a pistol.
00:45:29
>> Now, what's next for Marcelo? So you you
00:45:31
came out here right after SNL did the
00:45:33
Grammys cuz we were like why is he out
00:45:34
here right away? He just did his show.
00:45:36
>> We left for the after the show. We
00:45:37
didn't get we didn't go to the party. We
00:45:39
went straight to um grab our bags and go
00:45:41
to the airport. Um and then
00:45:43
>> How did you get here? How'd you get took
00:45:45
the red?
00:45:46
>> I flew in a flight from American
00:45:48
Airlines.
00:45:49
>> No, you did not. I did. I did
00:45:50
>> from SNL in the middle of the night.
00:45:52
>> Yeah, we left. No, we left at 7 a.m.
00:45:54
>> Oh, you got up and Oh, the day of the
00:45:56
Grammys. Yeah.
00:45:57
>> Oh, no wonder you're [ __ ] burned out.
00:45:58
>> Yeah. flew in and right away
00:46:01
>> and then I'm here for two days and then
00:46:03
I go to
00:46:04
>> the University of Florida. I'm doing a
00:46:06
show there.
00:46:06
>> Oh, you're doing shows. I saw
00:46:07
>> Oh, you doing the Gator Bowl?
00:46:09
>> And then um I'm I'm doing something with
00:46:11
the Gator.
00:46:11
>> You're doing the Is it the Gator Bowl?
00:46:14
Cuz I did that once. You go to a
00:46:16
stadium.
00:46:16
>> Oh, I don't know if we're doing the
00:46:18
stadium.
00:46:18
>> It's not the Gator Bowl.
00:46:19
>> He's doing a couple nights of Wilbur in
00:46:20
Boston. Are you doing those? Cuz you can
00:46:22
do them through SNL. You can jump back
00:46:23
and forth
00:46:24
>> because Boston's so close. Yeah. So, I'm
00:46:25
doing eight Wilbur. [ __ ] dude.
00:46:28
>> Whoa.
00:46:29
>> Six whoopers. Six nights.
00:46:31
>> Six is nothing.
00:46:32
>> And it's about uh
00:46:33
>> four nights.
00:46:34
>> Four nights.
00:46:35
>> It was eight down. It's four. The trend
00:46:38
is going down. I don't understand.
00:46:39
>> We're doing eight shows there. And then
00:46:40
we're doing uh um a show at a place
00:46:42
called the Chevalia.
00:46:43
>> Oh, I've been to Chevrolet.
00:46:46
>> Chevallet. Is it cool? We've never been.
00:46:48
>> Yeah, it's great.
00:46:48
>> Um there's apparently like a Dominican
00:46:50
>> That's Medford population close by.
00:46:52
We're going to try Lynn. Sam Jay told me
00:46:54
place is called Lynn. We're going to
00:46:56
have some Dominican.
00:46:56
>> What do you do? special just dropped.
00:46:58
You got another hour?
00:46:59
>> I have Yeah, I have some new stuff.
00:47:00
>> You do?
00:47:01
>> Yeah.
00:47:01
>> Really?
00:47:01
>> I'm from the school and we always talk
00:47:03
about this.
00:47:04
>> It's not ready.
00:47:05
>> No,
00:47:06
>> it's not like tight tight.
00:47:07
>> No, but I have enough material to go
00:47:09
out. But I also worked as soon as we
00:47:11
finished the hour, I will start sat down
00:47:12
with Marty and we started looking at all
00:47:14
the stuff that we didn't put in the
00:47:15
hour. And then you make it a little bit
00:47:16
longer and then you have some other
00:47:18
bits. I'm from the school of it doesn't
00:47:19
have to be 100% new
00:47:22
>> because
00:47:23
>> it takes a while to buff out the edges
00:47:25
and some stuff you put that's a little
00:47:26
undercooked and then you go [ __ ] now
00:47:28
that bit works better and it's longer
00:47:30
and I did it I did it probably too early
00:47:32
because now it's this long and there's
00:47:34
so if you do it that seems new some
00:47:37
people don't watch the last 20 minutes
00:47:38
of your act it's like exactly
00:47:39
>> it's so funny that
00:47:41
>> these comedy of fishing on like it's got
00:47:43
to be up all new and you go but I've
00:47:45
seen people's new hours sometimes and I
00:47:47
go it's all right it wasn't ready. Like
00:47:49
they just go
00:47:50
>> special like you're doing other stuff
00:47:51
but some people do tour special tour.
00:47:53
>> I think I'll probably figure it out
00:47:54
after like oops
00:47:57
>> eight Wilbur.
00:48:00
>> Yeah,
00:48:01
>> the Wil
00:48:03
sold out.
00:48:05
No seats available.
00:48:07
>> I know. Oops. Oopsie.
00:48:08
>> He broke Sebastian Manisul and Bill.
00:48:13
>> There's no way. John Molain did 23.
00:48:16
>> No, he didn't. 23 Wilbur.
00:48:18
>> 23 something like that. And then he
00:48:21
leaped to Madison Square Garden.
00:48:22
>> He must have. Yeah.
00:48:23
>> I mean
00:48:24
>> that's so crazy.
00:48:25
>> Now I see you jumping up like that.
00:48:26
>> Okay. Yeah. I think because of this
00:48:28
special and everything else where What
00:48:30
are they What are they throwing at you
00:48:31
now? What size rooms?
00:48:32
>> Oh, um
00:48:33
>> I mean what you're not
00:48:34
>> Well, I'm trying to work out the new
00:48:35
stuff in like clubs. So, I'm not even
00:48:37
really trying to be
00:48:38
>> clubs is fun.
00:48:38
>> It's fun and you can work out and you
00:48:40
can learn and um you know, stretch. Um
00:48:45
right. But you in a big room if you
00:48:48
don't have it kind of a little bit
00:48:49
figured out that can get scary.
00:48:51
>> Oh, and they're paying a lot. I know
00:48:52
they got babysitters and and big
00:48:54
screens.
00:48:55
>> So many Oh, you do. I don't
00:48:57
>> Sometimes they have screens,
00:48:58
>> but I've never done it like in an arena
00:49:00
or anything like that. I don't know.
00:49:01
>> Do you show them a little bit? Do you do
00:49:02
a little bit of your SNL characters?
00:49:04
Just a little bit.
00:49:05
>> Yeah.
00:49:05
>> I've seen a little bit of your act. Do
00:49:06
you do a great job of of doing that? And
00:49:08
you kill with
00:49:09
>> I just gave up. They wanted so bad. Like
00:49:11
I'm doing regular standup and then I do
00:49:13
guard for a second. That gaffan thing,
00:49:15
that gaffan thing that we did, the
00:49:16
benefit.
00:49:17
>> Oh, that murdered and crazy.
00:49:20
>> I was so rusty.
00:49:21
>> Yeah, whatever.
00:49:21
>> What was it for?
00:49:22
>> It's just so funny cuz all of us are
00:49:23
coming straight from work and we're all
00:49:24
like, "What am I going to do? What am I
00:49:26
going to do?" And we're just like
00:49:27
thinking and then we just look at Dana
00:49:28
and Dana's got this paper.
00:49:30
>> It's just like banger after banger.
00:49:32
>> See on the other side.
00:49:34
>> Yeah. Literally. Literally. And he's
00:49:35
very humble. He's like, "I'm just going
00:49:37
to
00:49:38
>> margin in the margins of the paper. It
00:49:40
says banger, banger,
00:49:43
>> banger,
00:49:44
>> double banger,
00:49:45
>> double banger.
00:49:46
>> Follow that.
00:49:47
>> Follow that, loser.
00:49:49
>> Sorry, James Austin Johnson.
00:49:52
>> I like I I like
00:49:54
>> Oh, that's what happened is that you
00:49:55
came out, you were doing Biden and then
00:49:57
he was doing Trump and it was
00:49:58
>> Yeah, that was fun.
00:49:59
>> Oh my god.
00:50:00
>> Yeah. Here's here's a text I said James.
00:50:03
>> I went to see this prick
00:50:05
>> and that you and then here's what I said
00:50:07
after I left.
00:50:09
>> Oh yeah. Go ahead. after I left the
00:50:10
show.
00:50:11
>> Hey, don't blame yourself. I That second
00:50:15
show crowd is super tough. They were
00:50:17
just tired.
00:50:18
>> You're the worst guy ever.
00:50:20
>> That's me after he kills.
00:50:21
>> Don't blame yourself.
00:50:22
>> Yeah, [ __ ] it. Don't freak out over
00:50:24
this.
00:50:24
>> This is good. That's friendship, by the
00:50:26
way.
00:50:26
>> I know. That is good to me.
00:50:27
>> That's what Dana says to me all the
00:50:28
time.
00:50:28
>> Negativity is friendship.
00:50:30
>> It's funny. Yes, cuz
00:50:31
>> And being nice to people, that's people
00:50:33
you don't know.
00:50:34
>> That's how you were taught at home.
00:50:35
>> Yeah. You can tell he's
00:50:36
>> very mean to you, but nice to everyone
00:50:38
else. If you go to the Oscars or Emmys
00:50:40
or those things like last night the
00:50:41
Grammys and you're seeing the fun is
00:50:43
seeing people you never see in real
00:50:44
life.
00:50:45
>> And then if they know you it's fun. If
00:50:46
they know something you do. The general
00:50:48
one is I like your work.
00:50:49
>> Yes.
00:50:49
>> And that's general. Then you're funny.
00:50:52
Now they know you're a comedian. And
00:50:53
then if they they like something you do
00:50:55
that helps. Then it's a little more
00:50:56
specific. But it is fun. All those
00:50:58
things are a blast.
00:51:00
>> That's that's a good plus you're just
00:51:01
presenting. So you don't really have to
00:51:03
worry about it.
00:51:04
>> No. Yeah. I was excited to present.
00:51:06
>> I was nervous. I wrote that. I wrote it
00:51:09
on the
00:51:09
>> But you said sp you said something in
00:51:10
Spanish, right?
00:51:11
>> Yeah. So we came out. We said noases.
00:51:14
>> That means good notes.
00:51:16
>> No,
00:51:17
>> it means good nuggets.
00:51:18
>> Good night.
00:51:19
>> Good nuggets.
00:51:23
>> I'm just curious about you starting to
00:51:25
get famous in the neighborhood and with
00:51:27
your sisters and you know, it was very
00:51:30
sweet at the end the way the camera
00:51:32
stayed on you and you gave your mom a
00:51:34
big hug.
00:51:35
>> It did affect me because of the way Was
00:51:38
that an act?
00:51:38
>> Yeah. Who played your mom?
00:51:40
>> I I actually played his mom. It's dark.
00:51:43
>> Yeah, it doesn't matter.
00:51:44
>> I didn't I just church lady said do it.
00:51:48
>> No, she was sweet.
00:51:49
>> Yeah, she But she was standing there um
00:51:52
like I think she kind of wanted to be
00:51:55
there either way for the last one. Told
00:51:58
her, you know, it would be a great shot
00:52:00
probably if you do that. But um
00:52:02
>> she goes, "Do I have to watch the whole
00:52:03
thing then?"
00:52:04
>> No, dude. She's
00:52:05
>> They bring her to the end. The thing is
00:52:07
a woman like that that's been through so
00:52:09
much these jokes, they're not going to
00:52:10
affect her, you know? And I talk about
00:52:12
it now in this new hour a little bit
00:52:14
about like it's hard to offend like real
00:52:17
immigrant Latinos like to get offended
00:52:19
over words. It's hard because they just
00:52:22
seen they've been through so much stuff.
00:52:24
My mom went through so much that like
00:52:26
she the words kind of don't affect her
00:52:28
so much. She's more like how do I treat
00:52:29
her? You know, do I come home for
00:52:31
Christmas? Those kind of things are more
00:52:33
important. Do I call? Do I am I active?
00:52:35
like to you know call my sister, take
00:52:37
care of my sister, all that stuff is
00:52:38
that kind of thing. Am I a good man? You
00:52:41
know what I mean? Am I a good person?
00:52:43
Those things showing your parents with
00:52:45
you know the the family dynamic is more
00:52:47
important than like what people will
00:52:49
say.
00:52:49
>> Well, do you feel you feel sometimes a
00:52:51
little dirty or is your act not like
00:52:52
like you are you scared? Not
00:52:54
>> really dirty.
00:52:55
>> Dirty. No. No.
00:52:56
>> Cuz mine I've had a few things cuz some
00:52:57
of my
00:52:58
>> Well, you are filthy. You're a filthy
00:52:59
guy.
00:53:00
>> And she goes, "But the funny thing
00:53:01
>> it's not you. It's not you talking. Your
00:53:02
mullet has ideas and And they talk to
00:53:06
you.
00:53:06
>> You better be when you go home. My mom
00:53:08
goes,
00:53:09
>> "Davey, I promised the neighborhood boys
00:53:11
you ride bikes with them." I go, "Ride
00:53:14
by, aren't they 11?" She goes, "Oh,
00:53:15
don't get like this." I go, "Like what?"
00:53:18
And then she goes,
00:53:19
>> "That's adorable."
00:53:20
>> She goes, "We go to Costco and she buys
00:53:23
devild eggs."
00:53:24
>> Yeah.
00:53:25
>> And they're little plastic, you know,
00:53:26
divots and then there's like a hundred
00:53:27
of them. And she puts them down. It's
00:53:29
got the tag on top. She walks in. Okay.
00:53:30
What else? I go, "Mom, are you going to
00:53:32
take are you going to pop this open?"
00:53:35
And she goes, "Oh, don't get all
00:53:36
Hollywood on me." I go, "No, I'm just
00:53:38
saying if you take them out of the
00:53:40
divots on a plate, maybe they won't know
00:53:43
you got them from Costco and they won't
00:53:44
barf their [ __ ] guts out." And she
00:53:45
goes, "Okay, show biz."
00:53:47
>> Yeah. Yeah.
00:53:47
>> But it's also you have to be very
00:53:48
careful.
00:53:49
>> My mom is like that with me, too. My mom
00:53:50
also is very concerned about like me
00:53:53
spending my money. She's very concerned
00:53:55
about that stuff. Like I think on Dax it
00:53:57
slipped out that like I rented a Porsche
00:54:00
cuz I wanted to drive a Porsche. I never
00:54:02
like
00:54:03
>> And what did she say?
00:54:04
>> And and then I it came out. He was like,
00:54:05
"You came here in a Porsche." And I was
00:54:06
like, "Oh yeah, I rent I rented it. I
00:54:09
wanted to drive a Porsche. I don't
00:54:10
know." And um
00:54:11
>> it's cheaper if you rent it. And um so I
00:54:15
it came out and then my mom called me
00:54:17
after the podcast came out and she was
00:54:19
like, "And when were you going to tell
00:54:21
me you rented a Porsche?" Huh? There's a
00:54:24
lot of cars with four wheels, Marcelo.
00:54:26
It doesn't have to be that. So flashy.
00:54:30
>> Yeah, she's um But that but I love that
00:54:32
dude because it's so scary, you know,
00:54:35
all the and I you hear about it with
00:54:36
athletes and stuff that they make money
00:54:38
and then they end up losing it all. So
00:54:40
I'm very glad that I have her to be
00:54:42
there.
00:54:43
>> Yes. I I have a theory
00:54:45
an algorithm.
00:54:46
>> And how much money do you have Dana?
00:54:48
>> Yeah.
00:54:48
>> In
00:54:51
counting the all the houses. No, no, not
00:54:54
>> Jesus. Just hold. We can cut if we want.
00:54:57
You can count his house on one hand. 5
00:54:59
10 15 20.
00:55:00
>> Here's what you need. Here's what you
00:55:02
need to tell your older self. So, you
00:55:06
want to not need money at all by the
00:55:09
time you're, let's just say, 50,
00:55:11
>> right? So you so to for that to be true,
00:55:14
you have to have such a wall of money
00:55:16
that at 3 to 5% it will spit you out so
00:55:20
much money that you don't have to do a
00:55:22
commercial you don't want to do. You
00:55:24
just do show business but only do
00:55:27
anything you want to do. So that's the
00:55:29
thing is until the relatives get hungry
00:55:31
and the whole neighborhood, you know,
00:55:33
>> just make sure you get that wall of of
00:55:35
passive income. Just I know it's not
00:55:38
funny.
00:55:38
>> No, it's true. That's my advice. No,
00:55:40
that's good advice
00:55:41
>> because if you buy something like that's
00:55:43
not too frivolous, like a house or
00:55:45
something like that, it saves
00:55:47
>> you from spending that money. In my
00:55:49
head, that's I think something or stocks
00:55:51
where you go, I won't touch that. I can
00:55:52
screw around with this money because
00:55:53
obviously it burns a hole in your
00:55:54
pocket. You want to buy stuff and it's
00:55:56
fun and you want to treat yourself like
00:55:58
you're working so hard.
00:55:59
>> Does it speak to you? Because I I ask my
00:56:01
wife this sometimes. Did I ever talk
00:56:02
about being famous or rich ever? Because
00:56:05
we were together at 79 and I didn't. I
00:56:08
never thought about it. I knew it was
00:56:09
possible, but I kept thinking, could I
00:56:11
headline the club?
00:56:12
>> You don't strike me as someone who's
00:56:13
like, "Now I'm rich."
00:56:15
>> No. Early on. No, no, no. Um I do think
00:56:17
it's funny though.
00:56:19
>> It's funny to say you're rich like with
00:56:22
like like I think it was um I was with a
00:56:25
writer one night. We went to a diner
00:56:26
after SNL and the check was like, you
00:56:28
know, $80 or something. And I'm like,
00:56:30
"I'll pay." And he grabs it and he goes,
00:56:33
"I'm
00:56:35
rich." And he paid for it. And I like
00:56:37
those little stupid bits like that. Um,
00:56:39
but uh, no, I also never like
00:56:42
>> I remember thinking that it would take
00:56:44
me 15 years to make it
00:56:47
>> in comedy when I first started. So I had
00:56:49
this such a patience for it, right?
00:56:51
>> Oh, that's your year.
00:56:53
>> Yeah. And then I was like, I'll be I'll
00:56:54
just work my ass off.
00:56:55
>> Semi-realistic. Yeah. Yeah. Most people
00:56:57
say a year.
00:56:58
>> Yeah. No,
00:56:58
>> I'm not doing it in a year. I'm going to
00:56:59
tell people it's not happening in a
00:57:00
year.
00:57:00
>> Exactly.
00:57:01
>> Give it if it's one inch in a year. But
00:57:04
you got in in three or four from when
00:57:07
you first started no to SNL. Yeah, SNL
00:57:10
was seven years.
00:57:12
>> Six or seven.
00:57:12
>> Okay.
00:57:13
>> Oh, you got that in six. Oh, that's
00:57:14
>> I started at 18 or like almost full-time
00:57:17
since I was 18. Like cuz I was in
00:57:18
college, but I was doing three or four
00:57:20
shows a week in college and Okay. I was
00:57:21
traveling to New York to sell tickets on
00:57:23
the street. I was barking and um I was I
00:57:27
did a like a Tonight show, a horrible I
00:57:29
don't even want to talk about this, but
00:57:30
I did it at my college. I did like a
00:57:32
stupid little show um sketches and
00:57:34
stuff.
00:57:36
>> We're bombing.
00:57:37
>> It gets you warmed up though.
00:57:38
>> Bombing so bad.
00:57:39
>> It does help though. It's practice. It
00:57:41
all helps.
00:57:42
>> So, I put in I put in the work.
00:57:43
>> Have you done a standup set on like
00:57:45
Fallon or anything or have you ever done
00:57:46
a standup set on those?
00:57:47
>> And did you look up anything about me
00:57:49
before we came?
00:57:50
>> I know.
00:57:51
>> He doesn't do stand up. He comes out as
00:57:53
the first guest.
00:57:54
>> No, I'm saying come on. I'm not kidding.
00:57:56
>> No, of course. Yes, I've done it and I
00:57:57
freaked out the first time. Well, the
00:57:59
first time I did it was Yeah. They asked
00:58:00
me to do chair or what was it called?
00:58:02
Couch.
00:58:03
>> Couch.
00:58:03
>> Yeah. And then um but I had never done
00:58:05
standup on Fallon and I was supposed to
00:58:07
before I got SNL. I thought my big break
00:58:09
was that I was going to do standup on
00:58:11
Fallon. So I had they had seen me at JFL
00:58:14
and they were like, "We'll give you a
00:58:14
spot on Fallon." And I was like, "Oh my
00:58:16
god, this is going to be amazing." And
00:58:17
then I got SNL and then that changes
00:58:19
things because you have to turn down get
00:58:22
on the show. You don't even turn it
00:58:23
down, but they go, "You have to do the
00:58:25
show." Then SNL decides when you do
00:58:27
Fallon because they
00:58:29
go do Seth this day. Exactly.
00:58:31
>> Now it's Chloe's on a lot.
00:58:33
>> Jimmy, you'll do Jimmy year two.
00:58:35
>> Exactly. Some stuff like that. So, um,
00:58:37
when I finally got to do the interview,
00:58:39
he was like, "Do you want to do a little
00:58:40
bit of stand up?" So, I did my first
00:58:41
time doing Fallon Standup. I did two
00:58:43
minutes
00:58:44
>> out on the stage.
00:58:46
>> I No, I did the interview and then he
00:58:47
goes, "Do you want to go do stand up?"
00:58:48
We had planned it out that way. and I
00:58:50
got up and I did it and I almost liked
00:58:52
it because everybody's attention span is
00:58:53
so short now that like it was actually
00:58:55
just the right amount of standup and it
00:58:57
was like you know
00:58:58
>> and they already you already won them
00:58:59
over.
00:58:59
>> So how was that set that two-minute set?
00:59:01
Like did you start out kind of slowly
00:59:02
but 45 seconds in you landed something
00:59:05
and
00:59:05
>> No. Yeah, I went I went hard. I
00:59:07
practiced I would imagine I'm saying
00:59:10
you're already working on the couch. You
00:59:11
got to just [ __ ] it.
00:59:12
>> You got to just start. You go right
00:59:13
away. I'm Latino and then you go and you
00:59:16
know what I mean? I'm Latino.
00:59:18
>> Just in case the rest for the for the
00:59:20
rest of these jokes, all you got to know
00:59:21
is I'm Latino.
00:59:25
>> I put the joke in the machine and then I
00:59:28
press Latino.
00:59:29
>> You don't want the people to be like,
00:59:32
"What's going on?"
00:59:34
>> You got to do this update.
00:59:37
>> It's really quiet the whole thing.
00:59:40
>> When I go to a restaurant,
00:59:42
>> it's getting quieter.
00:59:43
>> That's why he doesn't
00:59:44
>> give me the bread. His consonants get
00:59:46
>> Why is it that when we eat the bread, we
00:59:48
got to tear it apart. I'm tearing the
00:59:51
bread apart. I'm ripping the bread up on
00:59:54
the table. There's a there's a a
00:59:57
cacophony of crumbs on
01:00:00
the table and then the guy comes with a
01:00:04
little he got a he's got a shaver. He
01:00:07
comes in with one of his sh takes the
01:00:09
stuff out of there. Not as quality.
01:00:13
>> First of all, You got to do that in your
01:00:16
stand up. Even if it's like you do your
01:00:17
regular stand up and you come out for
01:00:19
your encore and it's sort of you're
01:00:21
talking about Domingo and this and that.
01:00:23
>> So fun to do it. I have to stop. I feel
01:00:25
like it's like annoying. Like I can't
01:00:27
imagine if I was Sebastian and then
01:00:29
there's a kid that keeps going to my
01:00:32
voice.
01:00:33
>> Oh no. I can't get enough of it. Here's
01:00:34
what you do. Maybe. But I don't If you
01:00:37
go out on update If you go out on update
01:00:40
as Sebastian, you literally just say
01:00:42
factual things.
01:00:44
I'm coming on the show sitting in the
01:00:47
chair.
01:00:48
>> It's also funny if he's like
01:00:49
>> Cods, you know. I mean,
01:00:50
>> most cargo trucks have 18 wheels.
01:00:54
>> Yeah, exactly.
01:00:54
>> Well, if you walk just stays quiet.
01:00:57
>> What if you walk by
01:00:58
>> That's it. Just information.
01:00:59
>> If you walk by Update and they go,
01:01:01
Sebastian, what are you doing here? And
01:01:02
you go, you were just at a restaurant
01:01:04
and then you got lost. And they go, oh,
01:01:06
what happened to the restaurant? You sit
01:01:07
down and then you go, I'm sitting there
01:01:09
and we sit down, but I know I don't sit
01:01:12
down. This is not the table we're going
01:01:13
to sit cuz my wife's going to complain.
01:01:16
>> I think my mom will we're going to move.
01:01:18
So I wait. Remember he does that joke
01:01:20
where he goes to sit down.
01:01:21
>> So I'm up I'm up late at night. I get
01:01:24
tired
01:01:25
>> and I lay down in the bed with the
01:01:28
pillow with the lights out. A little bit
01:01:31
of walking in there, too.
01:01:32
>> Yeah.
01:01:32
>> And I'm sleeping. No.
01:01:36
>> Yeah.
01:01:36
>> Just that he's making a benign.
01:01:39
>> I also just love that stuff. Those jokes
01:01:41
like those are the jokes that I love the
01:01:42
most are the jokes that are about
01:01:44
something that's just so
01:01:46
>> minuscule. Yeah. Yeah. Yeah. That stuff
01:01:48
makes me I love that stuff.
01:01:49
>> Yeah. Like your toenails.
01:01:51
>> Yeah. Yeah. Yeah.
01:01:52
>> Yeah. They got band-aids on the toes.
01:01:54
I'm supposed to go swimming. You know
01:01:56
these. I'm just I'm just quoting it.
01:01:58
>> I I wanted to do something about how
01:02:00
when a guy goes to the airport in a
01:02:02
motorcycle.
01:02:04
>> Oh yeah.
01:02:05
>> I'm gonna put the helmet in the
01:02:08
overhead.
01:02:10
I can knock over everything.
01:02:12
>> Knock everything over.
01:02:13
>> No, but I'm sorry. I feel like I have to
01:02:15
say sorry to Sebastian because I can't
01:02:16
stop doing
01:02:17
>> No, it's No, Sebastian, it's a love
01:02:19
letter. I tell him, he was on our
01:02:21
podcast. I said musicality and
01:02:23
physicality, which is a lot of what you
01:02:25
do, too.
01:02:26
>> And that that's very potent when you're
01:02:28
physically funny and then verbally
01:02:30
funny.
01:02:30
>> Look familiar?
01:02:31
>> Little bit of a symposium.
01:02:33
>> I have four pages on you.
01:02:34
>> Can I see something and see maybe
01:02:35
there's a question I would like to
01:02:36
answer?
01:02:36
>> Yeah, this is just your research.
01:02:38
>> Okay. Okay. And who did this?
01:02:40
>> We got it from the top view.
01:02:42
>> No, it's another guy with co back east
01:02:43
that he sends it in.
01:02:45
>> Um,
01:02:46
>> I'm not showing you my real question.
01:02:47
>> I had a quick question.
01:02:48
>> Yeah, please.
01:02:49
>> When was when was comedy your job?
01:02:52
>> When did you stop doing any other job
01:02:54
and comedy was your job?
01:02:56
>> How much did you make at that point?
01:02:57
>> It wasn't until SNL because
01:02:59
>> before then you were still you're
01:03:00
coaching a team or something.
01:03:02
>> I saw
01:03:03
>> I was coaching a team but I was doing
01:03:04
that for free uh at my high school.
01:03:06
Okay. But um no, so I worked for this
01:03:08
Instagram account. That was my first
01:03:09
real That's what I felt like I had like
01:03:12
a nonreal job
01:03:14
>> is only Yeah. Only in Dade, which is an
01:03:17
account that does all this news about
01:03:18
Miami. And I got like truly at that time
01:03:22
it felt like
01:03:23
>> the honor of being like
01:03:26
>> a modernday like news anchor cuz it's
01:03:29
only on Instagram
01:03:31
>> and Tik Tok and I'm sitting in my house
01:03:35
with a camera and I'm editing it myself
01:03:38
and it's just me being like this week in
01:03:40
Miami this happened. This happened this
01:03:42
happened. This
01:03:42
>> happened. That job definitely was like
01:03:45
the first time cuz I moved out of my
01:03:47
mom's house and so that that job paid me
01:03:49
enough to like move out.
01:03:51
>> So um I was working that job and a
01:03:53
different job and then I told the my
01:03:55
boss um hey man I really want to do this
01:03:57
with you guys. I don't want to have to
01:03:59
work my 9 to5 and this
01:04:01
>> is there a way you can pay me enough to
01:04:03
get me out of and he did and I got out
01:04:05
of it and um I could pay my rent doing
01:04:08
videos at the same time I was writing
01:04:10
for some for a podcaster and at the same
01:04:13
time I was coaching a guy to do standup.
01:04:15
I was like going to his house for like a
01:04:17
couple hundred bucks and like writing
01:04:19
jokes for him at his house because he
01:04:21
was like a a businessman that just sold
01:04:22
his business and he wanted to do standup
01:04:26
and so I was like writing jokes for him
01:04:27
for 200 bucks a week or something. I was
01:04:28
like this is amazing. Every time I sit
01:04:29
with him for a couple hours I get a
01:04:30
couple hundred bucks.
01:04:31
>> And so that's how I was covering. And
01:04:32
then at the time also I was touring with
01:04:35
Mark Vieiraa and Gilbert Godfrey I got
01:04:37
to tour with and um huh
01:04:40
>> was Tim Dylan.
01:04:41
>> Tim Yeah and Tim Dylan. Gilbert's the
01:04:42
funniest dude.
01:04:43
>> He was Gilbert. Oh my god,
01:04:45
>> Gilbert is was the best. And Gilbert um
01:04:47
he just loved uh he loved candy and um
01:04:51
he um he needed
01:04:52
>> and his impressions.
01:04:53
>> Oh my god.
01:04:53
>> It was just so weirdly funny.
01:04:56
>> Yeah,
01:04:56
>> he was a weird delivery.
01:04:57
>> One night he had a he wanted muffins
01:05:00
>> and I'm like I felt like I'm going to do
01:05:02
whatever he needs. So I'm like getting
01:05:04
this guy get we need the muffins for
01:05:06
Gilbert. Gilbert needs the muffins and I
01:05:08
can't tell Gilbert is just like the
01:05:10
sweetest thing on earth. But the next
01:05:11
day in the morning, my job is to go to
01:05:14
his door, knock, get him out. Yeah.
01:05:16
>> Take him to the car, go to the airport,
01:05:19
fly home.
01:05:20
>> So I go knock on the door. I open the
01:05:23
door. He opens the door for me. He's
01:05:24
like, I'm just finishing a packing and I
01:05:27
I look and he's putting the muffins in
01:05:30
his suitcase and I'm like, you are just
01:05:32
the best of all time.
01:05:34
>> Um and yeah, I just he was dry. I drove
01:05:37
with him for a few hours also a few
01:05:39
times and just his jokes in the car just
01:05:41
>> Gilbert. Yeah, he's so crazy. I I stayed
01:05:44
with him for a week one time live with
01:05:45
him and it was same kind of crazy eating
01:05:48
like uh Frosted Flakes in the morning
01:05:50
and like those old school cereals.
01:05:52
>> Mhm.
01:05:53
>> And it was it's always odd when you're
01:05:54
on a comedian you're living you're
01:05:55
staying doing gigs and you're in the
01:05:57
same house or condo.
01:05:58
>> The comedian's common.
01:05:59
>> Yeah. Comedy condo.
01:06:00
>> Yeah. I've been in a lot of those
01:06:01
>> Yeah.
01:06:02
>> those beds. Yeah. It's bad. I mean it's
01:06:05
>> it's not bad. It's sexy.
01:06:07
>> That is like a 9 to seven nightmare job.
01:06:11
>> Dishwasher from 9 to5 to 9 to7
01:06:15
thousands.
01:06:15
>> Even like a sales job that I was working
01:06:17
that's a headset in your house.
01:06:19
>> That's not fun. Like like if you want
01:06:22
>> this is Marcelo telemarketing all.
01:06:24
>> Yeah, I was doing that. I was going um
01:06:26
this is Marcelo and I'm calling on
01:06:28
behalf of your health center. I would
01:06:29
name the health center and I'm just
01:06:31
calling to let you know that we can get
01:06:32
your medicines delivered to your house
01:06:33
at no additional cost to your church.
01:06:35
>> Pretty smooth. That's pretty good.
01:06:36
>> And they would be like, "You're a thief.
01:06:40
>> You're an animal AND YOU'RE A THIEF."
01:06:42
AND then the the the daughter would come
01:06:44
in and be like, "Who is this?" And I'm
01:06:45
like, "Oh, I'm sorry. Um, I'm just I'm
01:06:48
calling on behalf of the health center.
01:06:49
I'd like to get your parents um you know
01:06:51
um medicine's delivered at no additional
01:06:53
cost to your INSURANCE AND LIKE YOU
01:06:54
ANIMAL, HOW DARE YOU TRY TO TAKE
01:06:56
ADVANTAGE OF MY MOTHER."
01:06:59
>> Do you do this in your stand up?
01:07:00
>> No. No. No. It's I think it's a chiller
01:07:03
sometimes.
01:07:03
>> No, no. You think you can extenduate
01:07:04
that and make it a little
01:07:05
>> They think I'm taking advantage of time
01:07:08
to hear a few jokes.
01:07:09
>> They you go while I got you on the
01:07:11
phone. Can you hear my new bit?
01:07:13
>> What do you What is um the episode that
01:07:16
you guys have liked the most of the show
01:07:19
>> outside of outside of this one? Of
01:07:21
course.
01:07:21
>> This one might blow up. Um who is it?
01:07:24
>> What do you mean our biggest banger from
01:07:26
this?
01:07:26
>> Yeah.
01:07:27
>> Well, in the early days we just tapped
01:07:28
all our really close friends that are
01:07:30
superstars. Okay.
01:07:32
>> Tina Fay, Adam Sandler, Tomart, Maya
01:07:35
Rudolph. I don't know. We Yeah,
01:07:37
>> they're the best. Seeing them pop by the
01:07:40
show is always crazy.
01:07:41
>> Yeah, it's really fun to
01:07:42
>> Would you We're part of a, you know, a
01:07:44
heritage.
01:07:45
>> You guys are 100% part.
01:07:47
>> We feel like we all need to eat. So,
01:07:48
let's uh we're
01:07:49
>> going to wrap it up. Do
01:07:49
>> you want me to take you to eat for real?
01:07:51
>> Do you get a rest now or you go to
01:07:52
another thing?
01:07:54
>> We're going to chill a little bit today
01:07:55
and then tomorrow we go to M or Yeah,
01:07:57
tomorrow. Wednesday we go to Miami and
01:07:59
then I go to Gainesville. Then I go to
01:08:01
Boston and then I'm back in New York and
01:08:03
I'm watch
01:08:03
>> all that before the next show.
01:08:04
>> Yeah.
01:08:04
>> Oh wow.
01:08:05
>> Watch the Super Bowl. I don't get back
01:08:06
to my house till Sunday.
01:08:07
>> Oh, Super Bowl is this Sunday, right?
01:08:09
>> Yeah.
01:08:10
>> All right. Well,
01:08:11
>> go Pat or Sea Chickens. Say thanks for
01:08:13
coming on, Danny. Be
01:08:14
>> dude, thank you guys for having me. Can
01:08:16
I say something nice?
01:08:17
>> Um
01:08:18
>> um I think um to both of you, I think I
01:08:21
came being on the show is always like
01:08:22
every time you go there, you feel like
01:08:24
it's the first day a little bit.
01:08:26
>> Um and I bet when you came back, you
01:08:27
also felt like whoa.
01:08:28
>> It was weird.
01:08:29
>> It was weird. But um you guys have been
01:08:32
so kind to me and I appreciate it. And
01:08:34
um I am always quite scared. I think
01:08:38
it's a fair word to use about this whole
01:08:40
the whole thing I'm doing. It all feels
01:08:42
crazy and it's happening. Um even when
01:08:45
it's happening slow, it's happening
01:08:46
fast. And I appreciate you guys being
01:08:48
kind and sweet and being doing bits with
01:08:50
me. And you know cuz I can be a lot and
01:08:53
you guys have accepted me and I
01:08:55
appreciate it.
01:08:56
>> Thank you for saying that. But you know
01:08:58
um
01:08:58
>> and also I think I also think you guys
01:09:01
are aging uh beautifully.
01:09:02
>> That's nice. That's what I was waiting
01:09:03
for.
01:09:04
>> So are So are you. I remember at one
01:09:06
point I told you I just said in the
01:09:08
hallway I go cuz I watched how you
01:09:10
operate. Maybe you know I said there's
01:09:13
nothing I can teach you.
01:09:14
>> Yeah.
01:09:14
>> There's nothing I can tell you, you
01:09:16
know, but I will ask you.
01:09:17
>> That's always the best advice you get is
01:09:19
somebody going like just keep doing it.
01:09:21
>> It's like all the best people told
01:09:23
>> and I think you're going to be uh even
01:09:25
have more fun this year. I think four
01:09:27
under your belt in the fifth year. I
01:09:29
think where you get there's levels of
01:09:31
relaxation and confidence and the
01:09:32
audience discovering you and vice versa
01:09:34
and then it gets even exponentially more
01:09:36
fun. That was my experience in year
01:09:39
five.
01:09:39
>> Man, well I appreciate you both and you
01:09:42
both are wearing very sensible footwear.
01:09:44
>> Look at this [ __ ] shoes. They're not
01:09:45
bad.
01:09:45
>> These guys, man,
01:09:46
>> we never had anybody do SNL. Do the
01:09:49
[ __ ] Grammys coming out takes a
01:09:53
bubble bath before the podcast.
01:09:56
>> Yeah. You walk in and watch all over the
01:09:59
place. [ __ ]
01:10:00
>> Thank you for coming. Thank you for
01:10:02
You're looking good. You're very cute.
01:10:03
And uh I'll see you uh at lunch.
01:10:06
>> All right. Let's go.
01:10:06
>> Okay. Bye guys.
01:10:12
>> Hey guys, if you're loving this podcast,
01:10:14
which you are, be sure to click follow
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We're on video now.
01:10:28
>> Fly on the Wall is presented by Odyssey,
01:10:30
an executive produced by Danny Carvey
01:10:32
and David Spade, Heather Santoro, and
01:10:34
Greg Holtzman, Mattie Sprung Kaiser, and
01:10:37
Leah Reese Dennis of Odyssey. Our senior
01:10:40
producer is Greg Holtzman. And the show
01:10:41
is produced and edited by Phil Sweet
01:10:45
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01:10:49
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01:10:53
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01:10:57
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01:11:00
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