00:00:00
Chloe,
00:00:01
>> Chloe Fineman, Dana, lovely young lady
00:00:05
that was with you more than me. I've
00:00:07
only seen her.
00:00:08
>> I saw her at the Marcelo premiere and
00:00:10
then I saw her when I did the show, but
00:00:12
you're more familiar with her. She's
00:00:14
great though.
00:00:15
>> Yeah, she's great. And she's from the
00:00:16
Bay Area. And um we did the um Jennifer
00:00:20
Culage sketch, which she asked me to do.
00:00:22
She wrote it.
00:00:23
>> That's right.
00:00:24
>> With Ariana Grande, remember her? Oh,
00:00:26
yeah.
00:00:26
>> And uh that was really fun. That was a
00:00:29
killer. That got big laughs.
00:00:31
>> Yeah. So, she's uh just a super talent,
00:00:34
lovely young person, funny.
00:00:36
>> Um
00:00:37
>> she may do the most impressions on that
00:00:39
on that show.
00:00:41
>> She's one of those people. She could
00:00:43
play characters, do impressions. I mean,
00:00:45
she's totally built for sketch comedy.
00:00:49
>> And the Drew Barrymore, I think I hit
00:00:51
her on DM. I didn't know her, but I'm
00:00:53
like that Drew Barrymore was a killer.
00:00:56
like trying to throw out compliments
00:00:58
here and there when I watch the show. Um
00:01:00
or even when I see standups,
00:01:03
>> you know, on my feed,
00:01:05
>> I'll kick them something just to say,
00:01:06
"Hey, one more person out there saying
00:01:08
good job on that bit." But Khloe's
00:01:10
great. Um we had a lot of fun with her
00:01:12
as always and she's such a sweet uh
00:01:14
person.
00:01:16
>> So, here she is. Chloe Fineman.
00:01:23
Okay, Chloe, I have a character, a new
00:01:25
character for you.
00:01:26
>> Nope.
00:01:28
>> Uh, a person trying to get on Zoom with
00:01:30
technical voices coming in. Go to AR7.
00:01:33
Do you see a blue dot? No.
00:01:36
>> Yellow button in the corner. Like some
00:01:39
sort of
00:01:40
>> Roman numerical numbers in the upper
00:01:42
left hand.
00:01:42
>> It looks like a kid.
00:01:44
>> All right, let's let's click out and try
00:01:45
again. We've been through this for
00:01:47
years. It's It's very common. Martin
00:01:51
Short took took 45 minutes.
00:01:53
>> Did he Okay, that makes me feel
00:01:55
wonderful.
00:01:55
>> I was kind of cited, but I think a half
00:01:57
hour.
00:01:58
>> Okay. And I took 10 minutes
00:02:00
>> and I'm
00:02:02
That's Yeah, that's Are you guys in LA?
00:02:05
>> That that factors out about, right?
00:02:09
>> Southern California, undisclosed
00:02:12
location, you know.
00:02:14
Okay. Okay.
00:02:15
>> I don't need any paps in my life. like
00:02:18
like I'm really really getting followed
00:02:20
a lot.
00:02:22
>> So you're in the white hot world of
00:02:24
Saturday Night Live and you're living in
00:02:26
Manhattan.
00:02:27
>> Yeah.
00:02:27
>> Wow.
00:02:28
>> Zooming from the kitchen.
00:02:30
>> Did you live in New York before or spend
00:02:32
time in New York before you got SNL?
00:02:34
>> I did. Uh not to be You're from Did you
00:02:37
ever live in Northern California?
00:02:39
>> Oh yeah. No, I'm I'm from uh San Carlos.
00:02:42
And you're from Piedmont.
00:02:44
>> Yeah. Berkeley is what I tell people. is
00:02:47
Pedmontland.
00:02:49
>> Piedmont is a really really nice place.
00:02:52
I've done my brother lives there.
00:02:54
>> But the name kind of
00:02:56
>> Pedmont right now.
00:02:58
>> Really? That's insane.
00:02:59
>> Yeah. Well,
00:03:00
>> is it next to Kand or not?
00:03:02
>> Oakland. Oh, I get it.
00:03:05
>> God damn. I'll say it one more time. Um,
00:03:08
>> I'm not gonna walk you through all of
00:03:09
them.
00:03:10
>> You can only use that joke when someone
00:03:12
near Oakland is on the
00:03:13
>> My driver. I went to see my brother. Of
00:03:16
course I have a driver and he goes,
00:03:18
"Welcome to Cland." I'm like,
00:03:20
>> "What?"
00:03:21
>> That's
00:03:21
>> I keep track of these Keland jokes.
00:03:23
That's David's seventh
00:03:26
within four minutes.
00:03:28
>> Wow. No, it was it was more of a
00:03:30
marijuana place growing up. I grew up in
00:03:33
Berkeley and then in high school I moved
00:03:35
to Pedmont.
00:03:36
>> Berkeley's pretty cool.
00:03:38
>> Yeah. Cool.
00:03:39
>> I just I the first time I lived in New
00:03:41
York, uh I was like doing something
00:03:44
anyway. I was like 25 26 it
00:03:47
>> and had never been to New York. So I
00:03:48
just wondered you'd lived there before
00:03:50
and then you get back and now you have
00:03:51
the coolest job you can have in New York
00:03:54
probably.
00:03:54
>> Yeah, I went to college here. So I' I've
00:03:57
been here in the West Village uh for
00:04:01
like over almost 20 years.
00:04:03
>> That wasn't on your research, was it?
00:04:05
Okay.
00:04:08
My first 20 minutes I got a tear up.
00:04:11
>> NO, NO, NO. YEAH, I WENT to school here.
00:04:14
Um, so I've been here since I was like
00:04:16
18. I'm 35.
00:04:18
>> Okay.
00:04:18
>> Yeah.
00:04:20
>> And did you ever walk by Rockefeller
00:04:22
Center, you knew that's where SNL was,
00:04:23
and kind of go, "Huh?"
00:04:26
>> I had a really exhausted roommate who
00:04:30
was an intern. She was like a page and
00:04:32
she was so tired but so happy. That was
00:04:34
the only
00:04:36
>> uh knowledge of it. I I went to like
00:04:39
drama school, so I thought I would do
00:04:41
like Shakespeare.
00:04:44
>> I never thought I would
00:04:45
>> Can you give us a little Shakespeare?
00:04:47
What's the ultimate Shakespeare?
00:04:49
>> Uh Robin Williams did a lot of He was
00:04:52
doing Shakespearean stuff and he always
00:04:55
had one leftover
00:04:56
>> Shakespearean thing. He wouldn't use the
00:04:58
mic, but he was just being Rob Williams.
00:05:00
Oh, look, the moon. It hangs low like a
00:05:02
tessicle in the sky. Like that was He
00:05:04
did that a thousand times.
00:05:06
>> A bit of a hybrid. Huh?
00:05:07
>> Yeah.
00:05:08
>> Is this a dagger I see before? I guess.
00:05:11
Is this a penis I see before me? Come,
00:05:14
let me crush thee. Here we go.
00:05:17
>> Oh. Oh, common problem. If the mic went
00:05:21
down, Robin would always go. Oh, common
00:05:23
problem.
00:05:23
>> He had so many. We love him. But um so
00:05:27
what else do you want to talk about?
00:05:28
Sarah. Sarah Sherman.
00:05:30
>> Oh, we know your little doofy buddy
00:05:32
Sarah.
00:05:33
>> Yeah, my little freakazoid pal. how is
00:05:36
uh I want to ask you that you did the
00:05:38
Paramount. She hit me up and said,
00:05:40
"We're doing the Paramount after you."
00:05:42
>> And I was like, "Look at these girls.
00:05:44
Within minutes they're doing the same
00:05:46
theater I'm doing after I've been
00:05:47
sweating and slugging it away for 50,000
00:05:49
years."
00:05:50
>> And then um
00:05:51
>> I think it probably sound like fun, but
00:05:54
how does that happen with you two? And
00:05:55
then what do you do?
00:05:57
>> Uh that's a good You know, we're very
00:06:00
different, but it works.
00:06:02
Um, yeah. Two, I think we're obviously
00:06:06
Sarah's like extremely disgusting
00:06:09
and nauseating and there was like a 30
00:06:13
minute slideshow of a of like a vagina
00:06:16
prosthetic that Louis was mad at her
00:06:19
that he didn't get to make and it is so
00:06:22
disgusting. And then I come out and I do
00:06:24
my impressions, but I make them orgasm.
00:06:26
So, it's guess it's like a rated X.
00:06:29
Yeah. Yeah. I train.
00:06:31
>> It's an after dark kind of show.
00:06:33
>> Well, you have your crossover audience
00:06:34
from SNL and so it's more potent and
00:06:37
then it would be like me and Dana going
00:06:39
out. It's like people that like it go,
00:06:40
"Oh, if they like one, they'll take the
00:06:43
other or they like you both." You know,
00:06:45
that's always fun. And it sounds like
00:06:47
it's a very intriguing show that I would
00:06:49
see for sure. I think it sounds just fun
00:06:51
because I don't know what it is.
00:06:53
>> So people just want to go cuz you're
00:06:55
both good and you're both funny. So
00:06:56
that's
00:06:57
>> and also your personas. We're we're just
00:06:59
meeting you now, which is fun. And Sarah
00:07:01
>> Yeah.
00:07:02
>> is uh is sort of sweet. I don't know. Or
00:07:04
like you're you're not like kind of,
00:07:06
>> you know, and then when it then when
00:07:08
you're working blue, it's has this
00:07:10
energy to you. You don't expect you
00:07:12
don't expect it.
00:07:13
>> Two nice little Jewish perverts coming
00:07:16
out.
00:07:19
>> Yeah, it was good.
00:07:21
>> Yeah. I saw when we did Chloe the um I
00:07:25
used to work at the show, too. when we
00:07:27
did the um uh whatever Sandler's tour
00:07:30
and then she was on a couple with me. It
00:07:32
was so funny because I didn't know her
00:07:34
at all and then she was actually super
00:07:36
easy to talk to, super fun. She's very
00:07:38
magnetic personality. She's very sweet
00:07:40
and then she gets out. I don't interact
00:07:42
at all. Then she's like, "New York,
00:07:44
where's my New Yorker?" Sticks the mic
00:07:46
out and they kind of go, "Hey, there's a
00:07:48
couple. All right, what about that
00:07:50
pizza?
00:07:51
How about the garbage?"
00:07:54
And then now they've stopped applauding.
00:07:56
What about abortions?
00:07:58
What about that? And she goes on for
00:08:00
another 19 times around the side going,
00:08:02
>> and now I love it because she doesn't
00:08:04
give a fat buck at all.
00:08:06
>> No, she she did a lot of
00:08:09
>> chilling abortion material in intense
00:08:13
>> abortion chunk.
00:08:14
>> Yeah, big abortion chunk.
00:08:17
>> It was great.
00:08:18
>> That's
00:08:18
>> You got to follow it. I'd be backstage
00:08:20
going I'm I'm up there going, should I
00:08:22
do 7-Eleven then McDonald's? If you're
00:08:24
orgasm as your impressions which are
00:08:26
really stout I want to hear a few of
00:08:28
those by the way that which just to get
00:08:31
the which one kills the hardest which
00:08:33
one they did they eat up
00:08:35
>> you know it's different it's different
00:08:36
every place um I I've been doing it for
00:08:39
years I'm always like god this is so
00:08:41
hack but you know not everyone's I'd say
00:08:44
like Drew Barammore starts strong there
00:08:47
they all they all do pretty good and
00:08:49
then I think I do way too many than I
00:08:51
should people get then they're kind of
00:08:53
like laughing just to be nice.
00:08:55
>> In Texas, the Ted Cruz orgasm does
00:08:58
better.
00:08:59
>> Yeah.
00:09:01
>> Yeah. There's like some old like an old
00:09:03
Melania Trump one. I do them all. I just
00:09:05
do them all.
00:09:06
>> Oh, you do? Do you do Melania?
00:09:08
>> Mhm.
00:09:10
>> Did I say it right?
00:09:12
>> I think so.
00:09:13
>> Melania.
00:09:14
>> Malania.
00:09:15
>> Melania.
00:09:16
>> Close enough.
00:09:17
>> Melania. Yeah,
00:09:18
>> we know what we're talking about. And do
00:09:19
you do I've seen you do uh
00:09:22
men. Is it harder or is it is there any
00:09:26
difficulty to do men?
00:09:28
>> I can do like beautiful boys. I think
00:09:31
like a boyish a beautiful boyish man is
00:09:34
much easier. Real real men. Um no I
00:09:38
think they're so hard. Harry Styles I
00:09:40
remember like doing in front of Harry
00:09:42
Styles at the show and I bombed so
00:09:45
badly. Horrible horse.
00:09:49
Was it?
00:09:50
>> No, no, no. And and like he was like
00:09:52
looking at me in disgust. But yeah,
00:09:54
doing it and I' and I most of the men I
00:09:57
do, I happened to do it in front of
00:09:59
them.
00:10:01
>> God, you just get them delivered to your
00:10:02
front door. Timothy Shalamé is kind of
00:10:06
your I mean, he's he's so huge right
00:10:08
now. You're the only one who
00:10:11
>> does him. There it is. Yeah.
00:10:12
>> Kind of.
00:10:13
>> Yeah. But he is nice about it. You can
00:10:15
tell it's I don't know. I'm like a lot
00:10:18
older than I just feel like this like
00:10:19
weird older woman just like obsessed
00:10:22
with these little boys. He's very kind
00:10:25
about it. Um but it's hard not to I
00:10:27
don't know if you have this where you
00:10:28
like slip into the slip into the voice
00:10:31
when you're around the person. No,
00:10:33
>> because you're sort of mimicking you're
00:10:34
picking it up as you go probably.
00:10:36
>> Yeah. And they give you all these G like
00:10:38
Yeah. He was totally totally
00:10:41
>> Dane is great at that.
00:10:43
Well, uh, we're you know, sister,
00:10:46
brother from another mother. Yeah. With
00:10:48
your Timothy, uh, you Yeah. You find you
00:10:52
find these rhythms and hooks and then
00:10:54
they really help you get in. It's like,
00:10:56
what's that sound you just made as
00:10:58
Timothy?
00:11:00
>> Yeah, it was like listening to a lot of
00:11:02
interview. This was like before he
00:11:05
became huge. I I started working on him
00:11:07
and it was like, you know, growing up in
00:11:08
New York. Uhhuh. And you're growing up
00:11:11
in New York as an actor and it kind of
00:11:13
like rhythmically like goes like that
00:11:16
and then he laughs.
00:11:17
>> Yeah. And that's it.
00:11:18
>> Yeah.
00:11:19
>> Just like a 19-year-old billionaire.
00:11:21
He's like the most famous guy. They
00:11:22
don't they they don't give a [ __ ]
00:11:24
That's why he doesn't get back.
00:11:25
>> You're kind of you're in that mold where
00:11:27
you're accurate, but you're also an
00:11:29
abstractionist. You're you're making it
00:11:31
into a character.
00:11:32
>> I tried to I think that's like after
00:11:35
hearing like Lauren will talk about
00:11:37
other people. You know how he I don't
00:11:38
know if he does that to you where he
00:11:40
talks about other people to tell to kind
00:11:43
of have you glean insight into yourself
00:11:47
and he'd always talk about you or Fred
00:11:50
>> and not being having a take. Yeah. Not
00:11:53
being like so it's not like um a biopic,
00:11:58
>> right? It's just sort of a it's it's
00:12:00
only it's probably going to get laughs.
00:12:01
Sorry, Dan. It's probably going to get
00:12:02
laughs. Meanwhile, I'm the guy that
00:12:04
doesn't do impressions. But it gets more
00:12:06
laughs when I watch you or Dana.
00:12:08
>> You do do an impression of your
00:12:11
>> I say your little Yeah. But I show your
00:12:14
Lord. I show your little Lord.
00:12:16
>> God damn. I thought of a good
00:12:17
>> How long did it take you before you had
00:12:19
a Lauren? Like day one or
00:12:21
>> Yeah,
00:12:21
>> honey. As I think as soon as I sat
00:12:24
across from the first time I met him, I
00:12:26
was like, this is never leaving. Um
00:12:30
the first thing he asked when you have
00:12:33
to like meet him he was I'm from the Bay
00:12:35
Area and he was like are your parents
00:12:37
hippies? And then that was
00:12:40
>> I like when he talks nothing about like
00:12:42
you're auditioning for the show. Come in
00:12:44
come in wait five hours then you come in
00:12:45
he's like
00:12:46
>> do you like baseball? You're like what?
00:12:49
>> I know
00:12:49
>> it's just something nothing about show
00:12:51
business or anything. I just like to get
00:12:52
a feel.
00:12:53
>> He told me once I go Lauren I'm looking
00:12:55
for an apartment. What are you up to
00:12:57
David? He's totally bored with nothing
00:12:58
else to do. Come in. And I'm like, "Oh."
00:13:01
And then he goes, "Sit down." I'll make
00:13:04
some calls. And then he goes, "Uh, when
00:13:06
he's done with the calls, he goes,
00:13:09
"What's going on with you?" Basically,
00:13:12
like, "Are you still on the show?" So, I
00:13:14
go, "Yeah, yeah." And, uh, I go, "Yeah,
00:13:16
I'm looking for an apartment, but I'm a
00:13:18
little torn because one's like uh upper
00:13:20
west side and one's like lower upper
00:13:23
west side, but one was a little more
00:13:24
expensive." And he goes, "It's important
00:13:27
where you live."
00:13:29
>> And I go,
00:13:30
>> I know he's
00:13:31
>> right. I think it's more of the price
00:13:32
point.
00:13:33
>> Yes. Wait. The thing he said to me,
00:13:35
which is why I'm always like, which is
00:13:38
why we're trying to do these Paramount
00:13:40
shows as much as possible. He was like,
00:13:42
>> "Yeah,
00:13:42
>> you always want to live in a place you
00:13:44
can't quite afford."
00:13:46
>> Oh, it's very close to what he said to
00:13:48
me. Exactly. It's very important. So,
00:13:51
money is not a problem. And I'm like, is
00:13:53
is it though? Oh, I think it is.
00:13:55
>> I think
00:13:56
>> Do you have you been in a u like Okay,
00:13:58
you're on 8H and Lauren's office is on
00:14:01
the ninth floor and there's glass. I'm
00:14:03
painting a picture for the listeners and
00:14:06
then you see the rehearsal down there
00:14:08
and you're up there hanging out with him
00:14:09
talking about something and then in his
00:14:12
own incredible Lauren way, you know, be
00:14:15
like Kevin's going through that, you
00:14:17
know, it's the second season and where
00:14:19
is this? You know, he psychoanalyzes.
00:14:22
Not not in a very sweet way, not mean,
00:14:25
but
00:14:25
>> you always wonder what he says about you
00:14:27
when you're down there.
00:14:28
>> I'm so terrified. I I have very close
00:14:32
friends who are writers on the show and
00:14:34
they just will not tell me. And I know
00:14:36
it's I know it's awful and would like
00:14:40
never get out of my head.
00:14:41
>> What Khloe's is she's kind of stuck in a
00:14:44
uh and you're like
00:14:45
>> what?
00:14:46
>> Yeah. Yeah. Yeah. Yeah.
00:14:49
But then I feel like when he talks about
00:14:50
other people and maybe it's that crazy
00:14:53
making but you're like is he trying to
00:14:55
say something about me you know where
00:14:56
it's like well show and show was you
00:14:58
know if you're doing the same thing you
00:15:00
did in your first year and your fifth
00:15:01
year it's time to go you know and you're
00:15:04
hard not hard not to be like
00:15:07
>> yeah it's hard to take it constructively
00:15:10
and move on.
00:15:11
>> Yeah. Remember one time he said to me,
00:15:13
"Any anything new or are you pretty much
00:15:15
played out?"
00:15:19
>> I know. I don't
00:15:20
>> Did Bush Senior and Bush Jr. have
00:15:22
another baby? There might be another
00:15:23
third one to do.
00:15:25
>> Yeah. And it does kind of scare you. I
00:15:27
mean, I was This is in ' 80s, early 90s.
00:15:30
I'd worry about the show cuz he'd get me
00:15:32
worried and I'm like, "It's summertime."
00:15:33
And I'm like,
00:15:35
>> and you're also Well, you know, but it's
00:15:39
remarkably the same.
00:15:40
>> Chloe, I have one. He told me, "This is
00:15:41
the last thing we'll talk about." He
00:15:43
said, "Uh,
00:15:45
he goes, uh, I see you on a lot of talk
00:15:47
shows."
00:15:49
>> I go,
00:15:51
>> he goes, "Anything to add to that?" And
00:15:54
he goes, "Well, they can't miss you if
00:15:56
you don't go away."
00:15:59
Oo, that's a good one, though. That's a
00:16:02
lot of talk shows.
00:16:03
>> Yeah. Yeah. I mean, hey, not
00:16:06
>> it's like doing commercials. I think he
00:16:07
was saying in general with celebrities,
00:16:10
do a movie, lay low. That that was
00:16:12
actually the old school now.
00:16:14
>> Yeah.
00:16:14
>> Now it's podcast and [ __ ] but you know,
00:16:16
just go away and but that doesn't work
00:16:18
anymore. You can't go away. There's no
00:16:20
way to do it.
00:16:25
>> Back to Chloe's.
00:16:27
>> Back to her.
00:16:28
>> We like her fowl.
00:16:30
>> I'm trying to Oh,
00:16:32
>> Chloe, what's a pee fowl?
00:16:34
>> Gosh, that was a
00:16:35
>> Is that a peacock? Yeah. Yeah. It's like
00:16:40
>> uh maybe first impression. Yeah. We had
00:16:43
a bird calling contest at my weird high
00:16:45
school.
00:16:46
>> Uh and then we were flown and went on
00:16:48
David Letterman when I was like 15.
00:16:51
>> [ __ ] sweet.
00:16:52
>> He was kind of dirty. Yeah. Yeah. He
00:16:54
said or we were dirty. We didn't know we
00:16:56
were we said something about like
00:16:57
feeling your inner bird, but you were
00:16:59
like these like 15year-old girls. It was
00:17:01
weird, but it was on TV. And
00:17:04
>> was that dirty?
00:17:05
>> I don't know. He was like, "Whoa." Uh,
00:17:09
>> I think I saw that. I think
00:17:11
>> you saw her doing her pee foul.
00:17:13
>> Yeah, I I remember the bird call thing
00:17:15
and it sound Just do it again because
00:17:18
it's reminiscent. I must say all the
00:17:20
way.
00:17:24
>> It was the way.
00:17:26
>> Oops.
00:17:27
>> You have to get up.
00:17:28
>> No. No. The way they do it in the high
00:17:30
schools like you you kind of put on like
00:17:32
sketch. It's like you do bird sketch.
00:17:35
You you like develop a skit,
00:17:37
>> right?
00:17:38
>> Right. My friend and I did like some
00:17:41
like arsenic and old I don't know. We
00:17:43
were these two old British ladies and
00:17:45
then and then the bird call happens. And
00:17:47
so the people who win the bird calling
00:17:48
contest ultimately I feel like have not
00:17:51
hellishly bad sketch comedy.
00:17:55
>> That's great. You know I do one. Watch
00:17:57
this. This is birds in the morning.
00:18:03
God, I'm not hitting the high. Wait,
00:18:04
your sound went out. You do really quiet
00:18:06
birds.
00:18:07
>> Yeah, dude. I play it.
00:18:08
>> Why? Wait, what's the other one? Oh,
00:18:10
here's a bird flying away. Ready?
00:18:16
>> You know what?
00:18:17
>> That could have fit right in to your
00:18:18
high school.
00:18:19
>> No, you totally the the easiest one was
00:18:21
someone if you like grab your throat for
00:18:23
turkey. It's like
00:18:28
>> that's early first year. So, when you
00:18:32
when you're when you're a little kid and
00:18:34
you're uh you're seeing people on TV
00:18:36
doing what you're doing now, do you
00:18:38
remember that feeling or
00:18:39
>> and then you're actually doing it, it's
00:18:41
kind of cool. I mean, did you you I'm
00:18:43
trying to think of your age group like
00:18:45
who blew your mind when you were 10?
00:18:47
>> Well, we I mean, you you guys certainly
00:18:50
did. We had uh I'm older, so we had VHS
00:18:54
like best of VHS tapes that I watch
00:18:57
>> reruns.
00:18:58
>> Yeah. No, no, they were like
00:18:59
compilation.
00:19:00
>> Yeah. VHS's and my best friend had all
00:19:03
of them and we'd stay up and watch them
00:19:05
all the time as kids. And then when I
00:19:08
was like in high school, that was like
00:19:10
the Kristen Wolf Will era.
00:19:13
>> But I've been watching it since I was
00:19:14
like I have a video of me as a toddler
00:19:16
in Berkeley and the cone heads are
00:19:19
playing in the back.
00:19:21
>> You know, it's just forever.
00:19:23
>> Love the cone.
00:19:24
>> And was your dad an actor or
00:19:26
>> my dad is a is improv guy? No, he's in
00:19:30
biotech.
00:19:32
>> Oh,
00:19:33
>> I just thought maybe I was taking
00:19:36
>> He's insane. My mom is a painter and my
00:19:38
dad uh when my mom was pregnant with my
00:19:41
sister would take me to improv at Fort
00:19:43
Mason in San Francisco.
00:19:45
>> Okay.
00:19:45
>> And there were a lot of like a Robin
00:19:47
Williams friends and uh
00:19:50
>> her and and I would go to this class
00:19:53
with Rob Schneider would take this drop
00:19:55
in class.
00:19:57
>> Yeah. And then I would do it as a a
00:20:01
little kid
00:20:03
>> and then he retired re like I don't know
00:20:06
10 years ago and now he goes twice a
00:20:08
week once on Saturday in San Francisco
00:20:10
and then in Marin in Mil Valley on
00:20:13
Wednesdays with my mom
00:20:16
>> Mil Valley
00:20:19
>> Schneider's from Half Moon
00:20:21
>> I have a house there
00:20:22
>> do you okay I believe you and I might
00:20:26
have at one point had the same doctor
00:20:28
Mel,
00:20:29
>> whoa, he would show you the other guys
00:20:31
X-rays. Huh?
00:20:33
Interest.
00:20:34
>> He'll bring it up offline. I don't know.
00:20:36
I had a weird doctor who claimed to like
00:20:40
do you or do your doctor stuff.
00:20:43
>> Oh, really?
00:20:44
>> You should see. Here's some clips of
00:20:45
Dana's colonoscopy. If you have
00:20:48
>> Sam's I have a doctor. I still have an
00:20:51
MD in San Francisco.
00:20:53
>> Oh, no.
00:20:54
>> Is this boring you, David? I'm sorry.
00:20:56
Dr. Dana says,
00:20:58
>> "No, it is." But Dana also his uh when
00:21:02
he calls in for his prescriptions, his
00:21:04
doctor, his secretary goes, "Oh, no. I
00:21:07
need your address."
00:21:09
>> Well, no. I call in for the same
00:21:11
prescription every 30 days. She's very
00:21:13
sweet. You want to do what? Oh,
00:21:19
>> yeah. I need the same one I did last
00:21:21
month. Oh, I'm going to have to talk to
00:21:24
the doctor. And then 30 days later, hi,
00:21:28
it's Dana. Same prescription, same
00:21:30
pharmacy.
00:21:31
>> So awesome.
00:21:31
>> Oh,
00:21:33
you want to do what? What?
00:21:37
>> Well, don't a lot of people call for
00:21:38
prescriptions. Oh, yes. But so what was
00:21:42
>> wait I I have a Chloe question.
00:21:44
>> Yeah.
00:21:45
>> Why? I have more of my nurse impression
00:21:48
on
00:21:51
>> I love how she goes, "Oh, she's
00:21:53
confused." Oh, you have a question for
00:21:55
our guests.
00:21:56
>> Well, first of all, she's into fashion.
00:21:58
I wonder if this green pops on Zoom.
00:22:01
>> Oh, yeah.
00:22:02
>> Yeah.
00:22:02
>> Okay, that's that's one.
00:22:04
>> Definitely.
00:22:04
>> And uh that's from someone who has an
00:22:07
Instagram where there's like always like
00:22:08
it's funny to see you go from ser funny
00:22:11
Chloe then you're like serious like
00:22:13
knockout like
00:22:15
>> fashion show.
00:22:16
>> Blue Steel.
00:22:16
>> It's good.
00:22:17
>> Um I won't bore you with that. Also,
00:22:20
Nicole Kidman, I did a comment on one of
00:22:22
yours Instagrams because the way you say
00:22:25
no is so funny and I was trying to
00:22:27
relive it with letters, but how is the
00:22:30
proper way to say no?
00:22:31
>> It's kind of n a r.
00:22:33
>> I think it's like n u u u u u u u a a a
00:22:39
e e r. Nor
00:22:46
>> can I It's so I mean do you do you
00:22:49
>> do you try to do these impressions or
00:22:51
they sometimes just come to you like do
00:22:53
do you seek out okay I'm going to do a
00:22:55
Nicole Kidman sometimes at SNL it helps
00:22:57
if you're assigned someone and you're
00:22:59
like okay I got to try to learn it
00:23:02
>> but who no one else does Nicole Kidman
00:23:04
or is anyone else
00:23:05
>> not really I feel like I feel like most
00:23:07
>> except for Keith Urban
00:23:10
you cornered the market.
00:23:12
>> I think I I have weird taste. I just
00:23:15
like I don't know. Merryill like I
00:23:18
auditioned with like Merryill Street,
00:23:19
Nicole Kid, Greta Gerwig. Like I just
00:23:22
really like
00:23:22
>> Greta Gerwig.
00:23:24
>> Yeah, that was like that Gerwig.
00:23:26
>> Laura last
00:23:28
thing he laughed at in my audition. I
00:23:29
heard him chuckle.
00:23:30
>> What was your take on her? Yeah.
00:23:33
>> Greta Gerwig.
00:23:34
>> Her like Oh, yes. Yes. And she talks in
00:23:37
you know these little uh Yes. like
00:23:39
shapes and gestures, you know, cuz like
00:23:43
he Yeah, he had like a thing.
00:23:45
>> That's funny if you didn't even know who
00:23:47
it was.
00:23:52
>> I just remember it's usually like I get
00:23:54
inspired I guess when people win awards
00:23:57
like there's like them on talk shows you
00:23:58
get a lot but I think when someone's
00:24:00
like having like an emotional thing
00:24:02
happen I guess like winning an Oscar. I
00:24:04
just find it so funny like Greta Gerwig
00:24:06
was like yes yes yes these women yes yes
00:24:10
like they're hyperventilating that's how
00:24:12
I got my Francis McDorman was like okay
00:24:15
I'm hypervental okay you know like
00:24:17
inclusion writer but like she had a
00:24:20
hyperventilating I don't know that's
00:24:22
that's usually when they come to me I
00:24:24
don't really seek them out I just makes
00:24:26
me laugh so hard
00:24:28
>> about award shows and that what you're
00:24:29
talking about does it feel like
00:24:31
sometimes they'll win the Oscar like
00:24:34
Francis McDorman and then they'll come
00:24:36
up and they're exactly the character
00:24:38
like she's this tough totally you know
00:24:40
kind of alpha woman
00:24:42
>> and sometimes maybe to win an Oscar
00:24:45
you're just go super far away from the
00:24:48
character so that
00:24:50
>> when you get up there you're like you're
00:24:51
like talking like this or you're playing
00:24:53
some street hood or something.
00:24:55
>> Uhhuh.
00:24:55
>> Just just an observation. Go.
00:24:59
>> This is like every every acting class I
00:25:01
was ever ever in.
00:25:03
You're alone. You're Italian. Go,
00:25:05
>> go,
00:25:06
>> go.
00:25:09
>> Um,
00:25:10
>> yeah, she's a name.
00:25:11
>> I want to fan out on some of these.
00:25:13
Okay, we've already done those, which I
00:25:15
love. Reese Witherspoon, which is like
00:25:17
just a sound kind of. It was like,
00:25:19
>> uhhuh. Yeah, it was like I was watching
00:25:23
her on Oprah and the way she said
00:25:26
>> Oprah made me or she was like, I'm not
00:25:28
Oprah. And then she'd be like, I'm on
00:25:29
murder. The way she said murder like
00:25:31
really helped me. It's like in her
00:25:35
throat like you know it's like I mean
00:25:39
I guess I do everything is ultimately a
00:25:42
bird call. I'm realizing.
00:25:43
>> Yeah. Really?
00:25:47
>> Yeah. Kind of how I sound.
00:25:51
>> Jennifer Culage is just so such an
00:25:54
interesting
00:25:55
>> You do that right? You must.
00:25:58
>> No, I don't. Who? Dana froze. Did I
00:26:01
freeze? Keep going, Chloe.
00:26:03
>> Almost in a almost in a Jennifer Coolage
00:26:06
way.
00:26:07
>> You can go. Yeah.
00:26:09
>> Oh, I mean I everyone I know has been
00:26:13
doing that impression since we were like
00:26:14
10 because we American Pie.
00:26:19
>> Oh, that's right.
00:26:21
>> Yeah. But Lauren likes Greta Gerwig
00:26:23
because I think when you come on SNL I
00:26:26
only had one impression but if you come
00:26:28
on and do something that hasn't
00:26:30
>> been done
00:26:30
>> like yeah like walking as at this point
00:26:33
but to do early walking was great like I
00:26:36
didn't do it but when you saw we saw
00:26:37
them I think J Moore there was some back
00:26:39
in the day I'm like oh my god because
00:26:41
you don't see it and then you see it and
00:26:43
you go oh it's so clear.
00:26:44
>> Totally.
00:26:45
>> It's good to find those and and so if
00:26:47
you see somebody new that's great.
00:26:49
>> Yeah. I also find I I think it was when
00:26:51
I was like auditioning there were it was
00:26:53
like don't do Drew Barammore, don't do
00:26:55
Jennifer Coolage, don't do Christopher
00:26:57
Walkin, just stay away. But then I ended
00:27:00
up doing Drew Barmore just because I
00:27:02
thought mine was really good.
00:27:06
>> I was like, "Yeah,
00:27:08
>> uh but I I do think that's that's fun."
00:27:10
And if I see people do like God, I saw
00:27:13
someone do like Rosamman Pike the other
00:27:15
day and I was like that's awesome. Like
00:27:17
that it's exciting. you know.
00:27:20
>> Yeah. Because it's not someone who's
00:27:22
overexposed. So then you really have to
00:27:24
go, oh, then you go, "Oh, that's it."
00:27:27
You know?
00:27:27
>> Totally. Totally. But I'm lazy. I find
00:27:30
it hard. I find it if I make a goal of
00:27:33
doing an impression. It's kind of it's
00:27:35
it's kind of a bad feeling when you
00:27:37
first start and you don't have it at all
00:27:39
and you're just doing it to yourself in
00:27:40
a room and you have no you're horrible.
00:27:43
I can't do it at all.
00:27:44
>> It's really a weird How do you do it?
00:27:46
You just What's your process? Sorry.
00:27:49
>> It's It's that. No, it's totally that. I
00:27:51
mean, I remember and now I feel like
00:27:53
once you've done enough of them, I feel
00:27:54
like in a weird way they all sound the
00:27:56
same, and so you're like, I'M NOT GOOD
00:27:58
ANYMORE.
00:28:00
>> You're starting with the same voice,
00:28:02
your own voice, and it's hard to make it
00:28:04
so different every time.
00:28:05
>> Yeah. It was easy when I was like alone
00:28:07
in LA. Like Shalom was really bad at
00:28:10
first, but I had like the luxury of just
00:28:12
kind of being like sad and alone in my
00:28:15
hot apartment with no air conditioning.
00:28:17
I don't know. Like that was
00:28:18
>> Yeah.
00:28:19
>> Easy. And then I was doing stuff at UCB
00:28:22
and the Groundlings at the time. And the
00:28:24
worst one I've ever done and I still
00:28:26
can't get it was Lennena Dunham. I was
00:28:28
like for a UCB show and I think it was
00:28:30
like if they sound a little too close to
00:28:33
your own to my voice. It's like I can't
00:28:36
my brain just like doesn't know what to
00:28:38
do.
00:28:39
>> Right. Also, I don't think people maybe
00:28:41
they know when they're listening, but a
00:28:44
lot of it is also not just you. It's a
00:28:46
writer knocking at your door at like
00:28:48
1:00 a.m. on Tuesday going, "Hey, can
00:28:50
you do a Sydney Sweenie?" Because we got
00:28:51
to do an interview scene. You're like,
00:28:52
"Oh, oh, tomorrow. Okay." And then you
00:28:55
just have to kind of go,
00:28:56
>> "All right, I got to find something."
00:28:58
And then a funny wig. And then, you
00:28:59
know, things could help it a little bit.
00:29:01
But
00:29:01
>> totally,
00:29:02
>> you've got to uh you got to be ready
00:29:03
when you get assigned someone in a
00:29:06
sketch.
00:29:07
>> I do feel like if I'm really stuck,
00:29:09
laughs are such an in.
00:29:12
>> Oh,
00:29:12
>> yeah. mouth the way their mouth what
00:29:14
their mouth is doing and their laughs.
00:29:18
>> Anyway, that was that
00:29:19
>> their mouth can move around a lot.
00:29:21
>> No, I just find it interesting like
00:29:23
you're uh Okay, so you do all these
00:29:25
impressions and every everybody knows it
00:29:28
and then you're doing characters and you
00:29:30
kind of in a way you don't want to be
00:29:32
couched as like people today. It doesn't
00:29:35
really matter to me at this point.
00:29:36
>> Oh, you're the impressionist guy. Well,
00:29:38
I go what about Church Lady G and Hans
00:29:41
and Fron? They go, "Oh, so you know,
00:29:44
>> inventing Chloe, just you as an
00:29:46
actress." Oh, this is my new character.
00:29:50
You want to do You want to do what? I'm
00:29:54
going to have to talk to Lauren.
00:29:58
Uh, but I just thought uh in inventing
00:30:01
Chloe was such a cool and uh Piper
00:30:05
Dunster and
00:30:06
>> I I feel like someone who can has an ear
00:30:08
and can do these things can also of
00:30:11
course do all these other things.
00:30:13
>> It's just that it's on demand on
00:30:15
Saturday Night Lives. There's a lot of
00:30:16
demand for celebrity impressions. So,
00:30:19
it's great for someone with
00:30:20
>> biggest payoff talent.
00:30:22
>> Yeah. I feel like all of us kind of, you
00:30:24
know, you like find the thing that you
00:30:26
can get on the show in your first year
00:30:28
or two. Sarah disgusting.
00:30:31
>> Uh me, Sarah's like prosthetics,
00:30:34
brilliant. And then I was like
00:30:36
impressions and then you know, you're
00:30:37
like, okay, this is like my life raft.
00:30:40
Um but now that I'm in my fifth year,
00:30:41
like I don't really this year. I don't
00:30:44
know. It's it's nice that we can stretch
00:30:46
ourselves.
00:30:47
>> You keep coming up.
00:30:48
>> Yeah, you go crazy. was like, "Guys,
00:30:50
nobody do a six foot tall vagina this
00:30:53
week cuz I'm doing it." And I was like,
00:30:54
"Okay, is that like an update thing?"
00:30:56
>> Yeah.
00:30:58
>> But Sarah says that like Sarah's done
00:30:59
like amazing characters this year and
00:31:01
like these awesome pre-tapes and I kind
00:31:04
of really focused on pre-tapes for like
00:31:07
back like last year and the year before
00:31:08
that was like the thing. And now I've
00:31:10
done a lot more live. I don't know. It's
00:31:12
cool. You can really like stretch
00:31:13
yourself at the show. What was the
00:31:14
character you did a pre-tape with during
00:31:16
co where you had a short blonde wig and
00:31:18
then you you played both parts?
00:31:20
>> Oo.
00:31:21
>> Yeah. Oo. And then you were and she was
00:31:23
living with you and then you had to
00:31:24
film. Did you have to do that all
00:31:26
yourself or not?
00:31:27
>> Yeah. Yeah. Yeah. My boyfriend filming.
00:31:30
>> Yeah. He was in the other room uh
00:31:32
working on a Quibby show wanting to
00:31:34
absolutely murder me the whole time.
00:31:37
>> RIP.
00:31:39
RIP.
00:31:44
Are you drinking hairspray? What is
00:31:46
that?
00:31:48
A water bottle.
00:31:50
>> I have I have a notion. I don't know
00:31:51
what it is, but I I I when I think of
00:31:54
you as an actress and wanting to really
00:31:57
commit. There's something in my head
00:31:58
here that it's you and Sarah. Probably
00:32:01
presentational, like some sort of
00:32:03
science uh symposium to high school kids
00:32:06
or something. And there's little
00:32:08
volcanoes and goo. and Sarah starts to
00:32:11
make sexual innuendos and you're just
00:32:13
get really really mad like you
00:32:15
accelerate to I will [ __ ] you up you
00:32:19
know basically without saying that if
00:32:21
you do that one you take her aside I
00:32:24
just think you letting go with that kind
00:32:26
of anchor on
00:32:27
>> anger on her doing
00:32:29
>> maybe it's a sign yourself but just the
00:32:31
rhythm of that I see you
00:32:34
>> being so funny in that character
00:32:36
>> we were talking with
00:32:38
>> I No, that's really we we want to go
00:32:41
again. Like when it was Sarah's first
00:32:43
year and we got the please don't the PDD
00:32:47
boys to stay up till like 5 in the
00:32:49
morning writing this sketch where we
00:32:51
were like it we were kids. We were
00:32:54
sisters who had come home
00:32:55
trick-or-treating. are covered in
00:32:56
chocolate like on a sugar high and it
00:32:59
was Jason Sedakus and him and Heidi were
00:33:01
like realizing they were going through a
00:33:03
divorce and he kept like interrupting
00:33:04
being like
00:33:08
I don't know and it was the hardest bomb
00:33:10
ever. The guys were like that is the
00:33:13
worst sketch we've ever done and she and
00:33:16
I haven't written since. We haven't done
00:33:18
anything like it's so
00:33:20
>> yeah we got to get over we realized that
00:33:22
in Austin like I haven't ridden with the
00:33:24
PDD since this candy thing.
00:33:26
>> It's like really you bought yourself a
00:33:28
year.
00:33:29
>> Can you get eye contact in the hallway
00:33:31
with
00:33:31
>> Oh yeah. No way. We like love each
00:33:33
other. I just was like God and it was so
00:33:35
long ag.
00:33:38
But sometimes when you when you bomb
00:33:40
that badly it's like hard to recover a
00:33:42
bit.
00:33:44
Well, what if you're at science fair and
00:33:46
you're in high This is more of a sketch
00:33:47
because it'll dry her and then she goes,
00:33:49
"It's like the volcano is is coming."
00:33:52
And then you go, "Can I talk to you for
00:33:53
a second?"
00:33:55
>> same pull and go, "What? What do you I
00:33:56
want to see you escalating getting
00:33:59
angry, you know, like hair a frizzy wig
00:34:02
and I will f I just FEEL LIKE
00:34:06
>> YEAH,
00:34:06
>> BASICALLY. I don't know.
00:34:09
>> Do the PD guys do all the work?" No,
00:34:13
>> they take your suggestions.
00:34:15
>> Um, no, they Yeah, they work they work
00:34:18
really well with the cast. Um, and then
00:34:20
they do their own stuff. Jake
00:34:23
>> one for them.
00:34:24
>> Oh, no. No, they don't never do that.
00:34:26
Although
00:34:28
>> although there's a writer Jake Nordwind,
00:34:30
who pitched
00:34:31
>> Oh, he pitched something to them and it
00:34:34
didn't it didn't go. But, you know,
00:34:36
they're open to I there's a lot of like
00:34:38
today is Monday, so when I get to work,
00:34:41
everyone will be in Mike Denzo and
00:34:44
Jake's office or PDD's office and they
00:34:46
all kind of like give each other ideas
00:34:48
in a way,
00:34:49
>> right?
00:34:51
>> Who's the host?
00:34:52
>> Duipa.
00:34:54
>> Oh, nice.
00:34:56
>> Who's the music?
00:34:58
>> Duipa.
00:35:00
>> Um, who's going to be in most of the
00:35:02
sketches?
00:35:03
>> Dip. There's a lot of doubles lately. I
00:35:06
don't know if I love it.
00:35:08
>> I said da. There's a lot of duas. Get
00:35:10
it? That was so bad.
00:35:11
>> Yep.
00:35:11
>> I'm all week.
00:35:14
>> I used to be a licensed therapist. Oh, I
00:35:17
didn't know that. So, what are you?
00:35:19
You're five years in. You're doing great
00:35:22
on the show. You have all your buddies
00:35:23
there. You're in the trenches with
00:35:25
everybody.
00:35:26
>> Yeah.
00:35:26
>> Um, what what's your what what is your
00:35:29
headsp space like? Are you feeling like
00:35:31
cuz some people like Eddie Murphy day
00:35:34
one they're like at a 10 as far as
00:35:36
comfort
00:35:37
>> there in your fifth season are you
00:35:39
feeling good excited or you're still
00:35:42
>> like where are you at
00:35:44
where you at? WHERE YOU AT?
00:35:46
>> WHERE YOU AT? Where you at? Uh I mean we
00:35:48
only have three shows left so I
00:35:50
definitely and it's 80 degrees in New
00:35:52
York so it's definitely that like senior
00:35:55
>> vibe. I also think summer it is a little
00:35:58
bit there's also I remember uh there
00:36:02
there's like those life rafts you need
00:36:04
in a year you know like you need enough
00:36:06
things to hit to feel like you're not
00:36:07
getting fired. I still I mean because I
00:36:09
knew people in their fifth year who did
00:36:10
get let go you know so it's it never
00:36:12
goes away.
00:36:14
>> It's a common feeling.
00:36:15
>> Yeah. And I think now I'm kind of like
00:36:17
well so and so needs a like making sure
00:36:19
enough people need wins. Although that's
00:36:22
just what other writers have said.
00:36:23
They're like I'm not going to write with
00:36:24
you. They say wins. I never even heard
00:36:26
that.
00:36:26
>> Wins, you know, just something that they
00:36:28
make their mark.
00:36:29
>> Really? No, it makes sense.
00:36:31
>> Hits. Yeah. They were like, "You've had
00:36:32
a good You had a good run.
00:36:34
>> Had a couple doubles, but not a home run
00:36:36
lately."
00:36:37
>> Yeah. Yeah. They're like, "I need to
00:36:38
help." Because when you reach out to
00:36:40
writers, like, "I need that. I'll try
00:36:42
and help you with this, but I need to
00:36:43
help soand so get a hit."
00:36:47
>> It is hard to ask a writer. I would ask
00:36:49
Smiggle or I'd ask Conan, and they're
00:36:51
like, they're already busy with
00:36:52
something. It's hard to go. Hey, I have
00:36:54
knock. I have a dog [ __ ] idea that's not
00:36:56
formed at all.
00:36:57
>> Could you spend
00:36:59
>> uh three hours cracking the code with me
00:37:01
to make it a C++?
00:37:03
>> Yeah. Yeah, we're busy.
00:37:05
>> NO, I HAVE A LOT OF LIKE I I don't know.
00:37:08
I I'm not as like brazen about writing.
00:37:10
Like I'm like I have to have I hate
00:37:12
wasting their time and like I'm the most
00:37:15
nervous on the show just in terms of
00:37:17
like letting writers down and and the
00:37:19
fears that they won't want to work with
00:37:21
me again because that is like the only
00:37:23
way to survive the show.
00:37:25
>> And so yeah, I don't really care about
00:37:29
if the sketch I guess I only care about
00:37:31
like well these people help me write it
00:37:33
AND IF THEY CUT IT THOSE PEOPLE AREN'T
00:37:35
GOING TO WRITE with me again, you know?
00:37:36
So like that is a big part of it and and
00:37:39
having enough Yeah.
00:37:40
>> Yeah. Yeah. And and it is that thing of
00:37:42
like I can waste this writer's time for
00:37:44
like two hours trying to crack my
00:37:46
horrible idea
00:37:49
or I can just like
00:37:50
>> wispy idea
00:37:51
>> suffer alone until I s somehow have an
00:37:54
idea. I've gotten better with that. I
00:37:56
don't like suffocate writers to help me
00:38:00
as I don't know. If I don't have
00:38:01
something I'll be like I'm gonna I'm
00:38:03
just going to sleep on this and not like
00:38:05
ruin someone's I don't want to ruin
00:38:07
relationships. You just gave me a sense
00:38:10
memory of like Tuesday night at 2 am.
00:38:13
>> I know. Sick.
00:38:14
>> And you're in a room with a writer and
00:38:16
everyone's just like this.
00:38:18
>> Yeah.
00:38:18
>> And the idea the sule is just deflated.
00:38:22
It's just like
00:38:24
>> five minutes of no talking and then like
00:38:27
>> what if maybe if
00:38:30
>> Farley could come in um you know
00:38:32
>> fall through the ceiling and save it.
00:38:35
>> It's horrible.
00:38:36
>> That's us. No one's No one is laughing.
00:38:38
Everyone's like bloodshot eyes and it's
00:38:40
like well Kenan could enter Kenan's are
00:38:43
>> you always Yeah. 100%.
00:38:47
>> Yeah.
00:38:47
>> Right. K Kenan is so articulate and so
00:38:50
clear and he has such a strong voice and
00:38:53
he has like a mischievous vibe about
00:38:56
him. Like he's not breaking but you
00:38:58
clearly see he's enjoying it. By the
00:39:00
way, I just want to ask you
00:39:01
>> really held together that beas and
00:39:02
butad. I was going to ask you about the
00:39:04
beavers and butad because I know you
00:39:06
came came in at the end I think and yeah
00:39:08
and
00:39:09
>> so I thought because um Ryan Gosling is
00:39:15
such a huge star and his attitude he's
00:39:17
>> he's kind of breaking the whole show but
00:39:19
it's so entertaining.
00:39:21
>> Yeah.
00:39:21
>> So cuz people but that's the that's kind
00:39:23
of a famous show and now a famous sketch
00:39:26
of the most broken. So just speak to
00:39:30
your from your POINT OF VIEW.
00:39:32
>> IT WAS well for Mikey. None of us knew
00:39:36
that's what he even when we were
00:39:38
>> Oh, really? That's what I thought. They
00:39:41
escalated it, right?
00:39:42
>> We knew. Yeah. Like when we blocked it
00:39:44
on Thursday, everyone was laughing just
00:39:46
cuz of the the lines that Ryan and Mikey
00:39:49
have are so stupid. Like I think Ryan
00:39:52
has a line Yeah. where he's like, "I
00:39:53
actually have a really busy life." Like
00:39:55
that would always make Mikey like
00:39:57
>> the dumbest line ever. I actually have a
00:40:00
>> And you think he's not talking to him?
00:40:01
He's like this guy over here.
00:40:03
>> Yeah. Yeah. And then they adlived on
00:40:05
Thursday or maybe it was Friday when we
00:40:07
were blocking the like I don't know
00:40:08
this. Hi John, nice to meet you. Like
00:40:11
that was added.
00:40:12
>> Um but the Yeah, just Mikey just looked
00:40:15
so [ __ ] dumb. It was it was shocking.
00:40:19
What was the difference in his makeup
00:40:21
between because everyone had seen it at
00:40:23
>> Yeah, we all saw it at dress. I think it
00:40:25
was just the It was like this.
00:40:29
>> He just changed
00:40:30
>> amped it up a few percentage points.
00:40:32
>> He just made himself like 20% dumber.
00:40:37
>> It's all you need.
00:40:38
>> Yeah. And Kenan never like Keenan
00:40:40
carried that like I don't think the
00:40:42
worked as much if you didn't doing that
00:40:44
to the point when like it kind of got it
00:40:45
rolling.
00:40:46
>> Yeah. By the time it got to me, I was
00:40:48
like, I can't like super break. It's
00:40:50
annoying. Like,
00:40:51
>> yeah, right. It was already Yeah, cuz
00:40:54
>> did Heidi stop?
00:40:55
>> Heidi was already That was Yeah,
00:40:57
>> yesterday.
00:40:58
>> Yeah. Yeah, I think so. I don't know.
00:41:00
I'll see her today. I haven't seen her.
00:41:02
Ask her.
00:41:02
>> Yeah. Heidi never breaks. That was what
00:41:05
was so
00:41:06
>> like delightful.
00:41:08
>> And it was more than a break. It was
00:41:11
laugh out loud. That was a gut laugh. It
00:41:12
It made me laugh. I think that thing has
00:41:15
like 20 million views or something. I
00:41:17
mean, it's really kind of
00:41:18
>> It's awesome.
00:41:19
>> Did Mike Yeah.
00:41:21
>> Well, Mikey and Heidi have known each
00:41:22
other forever, so I think it's also like
00:41:24
two
00:41:25
>> long time friends. I I think she's Yeah.
00:41:29
with a lot of love for each other. So,
00:41:31
it's like it was so heart heart. It was
00:41:33
Yeah, there was a lot of love behind
00:41:35
that, too.
00:41:35
>> It was just great. It was fun to see.
00:41:37
Everyone looked funny in it. uh the
00:41:39
beautiful head and then just seeing that
00:41:41
and then she really like got like she
00:41:42
can't stop which is always fun to watch
00:41:45
>> just a fun one and Ryan Gosling's a huge
00:41:48
star
00:41:48
>> the construction of of the writing of
00:41:51
having Kenan be the voice of the
00:41:53
audience like hey
00:41:54
>> stupid AI conversation
00:41:56
>> but that and that and that and then the
00:41:58
seriousness and back and forth it's sort
00:42:00
of just a really well
00:42:02
>> yeah it operated on all cylinders
00:42:05
>> it did but I don't know if you know this
00:42:07
but like they have pitched that sketch
00:42:09
so many times. I didn't know that.
00:42:11
>> Really?
00:42:12
>> Oh, yeah. There's a Jonah Hill dress
00:42:14
rehearsal you can watch. There's
00:42:17
>> Wow.
00:42:17
>> Oh, yeah. This is like the third time,
00:42:20
maybe. And they said the Jonah Hill
00:42:22
one's like hilarious. It just never like
00:42:25
made it past the finish line. So, it was
00:42:27
cool when air when it happened on air,
00:42:30
all these writers came down like
00:42:31
Streeter Sidell was there watching it
00:42:33
because I think he has taken that thing
00:42:35
to table like five times. Jeez. Whoa. A
00:42:38
motivational speaker didn't get on right
00:42:40
away. That took a long time
00:42:42
>> really.
00:42:43
>> And that's people would be shocked. And
00:42:44
actually the writer Bob Odenkirk had
00:42:46
left and then we came back in the season
00:42:48
and did it.
00:42:49
>> Uh that's a that's a weird scenario.
00:42:52
>> That's crazy.
00:42:58
have new cast members. Uh, which ones
00:43:01
have come on since in the last five
00:43:02
years? So that you would be the wy
00:43:04
veteran or or you came in with Bowen and
00:43:08
>> just Shane for a
00:43:11
>> Shane. Yeah.
00:43:13
>> Did you meet Shane when that happened or
00:43:15
you never even got to meet?
00:43:16
>> No. No. A part of me like No, I I met
00:43:19
him at like a one of those like Lauren
00:43:20
baseball games like two years later and
00:43:23
he was so sweet.
00:43:25
>> Um, You get us some hot dogs, Chloe.
00:43:28
>> Yes. Where'd you go?
00:43:30
>> Where do you want? Relish chain.
00:43:31
>> Where?
00:43:32
>> You met him there? He was there.
00:43:34
>> Yeah. At a baseball game like two years
00:43:36
later. Yeah. It was crazy.
00:43:38
>> Oh, two years later.
00:43:40
>> Yeah. Yeah. But Bowen was a writer
00:43:42
before I was. So, I really felt very
00:43:45
new. But Bula, Dan Boula and I were the
00:43:48
were the same year. Uh, and
00:43:52
>> love Dan Bula.
00:43:53
>> Genius. Genius. is solid. Solid. And you
00:43:56
came in as feature writer or just
00:43:59
feature or
00:44:00
>> cast. I was just cast.
00:44:02
>> What?
00:44:03
>> No. No. Feature cast feature player. I
00:44:06
think they call it a player.
00:44:09
>> Yeah. And then gosh, who came after me?
00:44:12
>> Uh, then it was like Andrew
00:44:14
just
00:44:18
can't remember.
00:44:20
>> Do you know everyone who's on the show?
00:44:23
>> Yeah, I do. Even though I'm acting like
00:44:24
you're
00:44:25
>> I was just trying TO REMEMBER.
00:44:26
>> IT WAS LIKE me and Bowen. Then I feel
00:44:29
like it was punky Andrew Lauren Hall.
00:44:31
Then came the Sarah J. This guy
00:44:34
Aristotle year. Then then they brought
00:44:37
in a hundred people. Marello,
00:44:41
Michael, Devin, and Molly. Four.
00:44:44
>> Who does the impressions and she's not
00:44:46
there anymore?
00:44:47
>> Melissa.
00:44:48
>> Melissa. Melissa.
00:44:49
>> Yeah, Melissa was already there. Yeah.
00:44:51
Yeah. Yeah. She was like three years in
00:44:54
when I started. Melissa had been there
00:44:56
for four or five years.
00:44:57
>> I see her in Marella.
00:44:58
>> One thing that that speaks to your
00:45:00
ability is the understudy sketch where
00:45:03
you did Melissa and you did um Kate
00:45:07
>> to them.
00:45:08
>> Um that was kind of interesting. How did
00:45:11
they take that? Or
00:45:12
>> I was so scared especially like you know
00:45:15
I think we are all really close but you
00:45:18
know when I started the show like Kate
00:45:20
had been on the show for like nine years
00:45:21
and was a superstar but it was one of
00:45:24
the loveliest weirdest
00:45:27
I was about to be like down to earth and
00:45:29
very down to earth but like paid I was
00:45:31
like I think I'll get a kick out of it
00:45:33
but like Cesley I was really
00:45:34
intimidated. All those women I was so
00:45:36
intimidated by. But then it was sort of
00:45:38
this like sweet sets was like so into it
00:45:41
which was shocking and Kate was great.
00:45:44
Um and I I was like it was a thing too
00:45:47
when I had started if you had a pre-tape
00:45:49
I'd written actually with Dan Bow we
00:45:51
wrote this murder show and like just
00:45:54
getting those super seniors to be in
00:45:56
your video was so hard. So I was like
00:45:58
shocked that they even were open to
00:46:00
being in a pretape
00:46:02
>> super seniors. I like
00:46:04
>> I've had I've had things turned down.
00:46:06
Yeah.
00:46:06
>> What? That was that was already approved
00:46:10
>> of like recast.
00:46:11
>> Yeah, I've had that. Mhm.
00:46:13
>> Yeah. I wouldn't do that anymore. Yeah.
00:46:16
I'm not revealing anybody, but you know.
00:46:19
But then
00:46:19
>> Well, you have you How many Kate has
00:46:22
never Kate was always in everything and
00:46:24
that meant a lot to me. I've never
00:46:27
turned anything. I love the pre-tapes. I
00:46:29
could be there for hours.
00:46:30
>> Pre-tapes are tough. I know. Do you do
00:46:32
you don't do them? When do you start?
00:46:33
That's my last question. When do you
00:46:34
start on pretapes? Because we used to
00:46:36
only do them, Dana. Right after
00:46:38
readthrough or
00:46:39
>> like on a Wednesday. No.
00:46:42
>> Thursday.
00:46:42
>> Wednesday. Thursday kind of.
00:46:44
>> Yeah. Yeah.
00:46:45
>> Because how do you know what's what's
00:46:47
approved before Brian Gosling gets her?
00:46:48
Do you get him working Monday morning?
00:46:51
>> No. Well, now they're doing these
00:46:52
promos. So, like I have to shoot a promo
00:46:54
tomorrow as
00:46:56
>> where you walk around with a host or do
00:46:57
something.
00:46:58
>> Yeah. Yeah. They're like, "Can you do a
00:46:59
dual aer impression?" I'm like, "No." So
00:47:01
I'll I'll do like I'll find some bird
00:47:03
call version of her tonight.
00:47:06
>> So you literally right now just for our
00:47:08
listeners. So you've been assigned this
00:47:10
impression.
00:47:11
>> Yeah.
00:47:11
>> And you have to have it down by tomorrow
00:47:14
and you don't have it right now.
00:47:15
>> No, she's British. No, I'm not like a
00:47:18
like Melissa was part of Melissa's
00:47:20
genius was she could do these singing
00:47:22
imp like Lady Gaga. I cannot sing for
00:47:25
the life of me.
00:47:26
>> Yeah.
00:47:26
>> So you'll have a funny wig, you'll have
00:47:28
an accent. You're halfway there. Yeah,
00:47:31
we'll be okay. But otherwise, yeah,
00:47:33
Wednesday night you they pick your stuff
00:47:36
hopefully and it's cool with the
00:47:37
pretapes because usually you'll get an
00:47:40
email like 15 minutes before the pics
00:47:42
are out asking to Zoom for your video.
00:47:45
So So it's really sick as hell to be
00:47:47
like, "Oh, thank God." Like we had
00:47:50
>> Oh, you know that's how you find out you
00:47:51
got on.
00:47:52
>> Yeah. Like a Pilates video and it was
00:47:55
like you got the bing and we were like
00:47:58
>> oh and then when is the next morning?
00:48:01
>> No. Then we then they have to build they
00:48:03
build the set Thursday and then we shoot
00:48:05
it Friday.
00:48:07
Uh, and then but for like the unders
00:48:12
when it would be like a me centric video
00:48:15
that would be done sometimes they would
00:48:18
pick it on Wednesday but not really and
00:48:20
they'd be like we're going to do this
00:48:21
next week but shoot it like on Monday or
00:48:24
we're going to shoot it on Tuesday and
00:48:25
then the writers were so mad.
00:48:28
Uh, they inventing Chloe we shot on
00:48:31
Thursday. That was the next day and we
00:48:34
weren't thinking and it was when
00:48:36
everyone was doing like rewrites I think
00:48:39
and we had we wanted like seafood towers
00:48:42
so we basically like stunk up
00:48:44
>> Oh, I saw that.
00:48:45
>> 17.
00:48:46
>> That looked expensive by the way.
00:48:47
>> It was really expensive. It was really
00:48:49
gross. And like all the writers were
00:48:51
like locked in the They were so mad.
00:48:55
Oh yeah, that was
00:48:57
>> that rewrite table with Jim Downey was
00:48:59
probably dating what
00:49:00
>> 15 hours of just going over every
00:49:03
goddamn SC and you weren't even in them
00:49:05
or you wrote one. You just go spade wake
00:49:08
up. What do you got for me on this one?
00:49:09
You're like, what if this guy says this?
00:49:12
>> Yeah.
00:49:13
>> Yeah, that's that's a tough That was a
00:49:14
tough job that day.
00:49:16
>> All right, Dana, what else do you have
00:49:17
for lovely Chloe? Do you have a question
00:49:19
for us?
00:49:19
>> You're off the show this week. There's
00:49:20
no show this week.
00:49:21
>> No, I'm kidding. I'm kidding. I'm
00:49:24
kidding. Go ahead.
00:49:25
>> So, I think we'll do another hour unless
00:49:27
you have something to do. We could go
00:49:29
into our second hour, but um
00:49:32
>> just say hello. Hello to the cast.
00:49:34
They're all brilliant. It's the show's
00:49:36
cooking. Uh
00:49:37
>> yeah, it is. It really It's like found
00:49:39
it,
00:49:40
>> but we've like figured each other out a
00:49:42
little bit more.
00:49:44
>> Yeah, I do think
00:49:45
>> pad Sarah Sherman.
00:49:47
>> The audience just keeps discovering
00:49:48
Yeah. Crazy Sarah.
00:49:52
What did she say? The sun has knockers.
00:49:55
>> Oh, yeah. When she was on our show, she
00:49:57
goes, "By the way, just FYI, audience,
00:50:00
Dana and I, I told her later, I go, we
00:50:03
both found out later, we didn't
00:50:05
understand that. We didn't understand."
00:50:06
And we just laughed cuz it was so
00:50:07
bananas. But she said, "You know,
00:50:09
they're saying Earth is flat, but I
00:50:12
think the sun has big knockers." I
00:50:14
didn't connect that.
00:50:15
>> And then we did all these jokes about
00:50:16
it. And then later when I saw it on a
00:50:19
clip, I go, "Oh, I get it." I didn't
00:50:21
even get it. See, I didn't hear the
00:50:22
earth is flat. So, that was the thing
00:50:24
that I I thought it was nonsequ and I
00:50:28
was like, why do I even say I'm in
00:50:29
comedy? I didn't get it. I was so
00:50:31
embarrassing.
00:50:32
>> She did a bit and we thought it was
00:50:34
funny anyway cuz she was like, I don't
00:50:35
know how the suners
00:50:38
the sun has big knockers
00:50:40
>> cuz she has a funny voice.
00:50:41
>> She has kind of she has a
00:50:44
>> um but um
00:50:45
>> you can go walk to work now.
00:50:48
I could actually today.
00:50:50
>> Or do you have a limo?
00:50:52
>> No, no, no, no. I like the SE. We're I'm
00:50:54
near Westworth, so it's like seven
00:50:56
minutes. Five minutes on the train. Get
00:50:58
out.
00:50:59
>> All right. Our la our last thing. We'll
00:51:01
let you go. Do you have a fake pitch for
00:51:03
the re the uh meeting today? Like or
00:51:07
real.
00:51:08
>> Chloe, this will be like
00:51:11
uh Chloe, anything. You're like, "Hi,
00:51:13
Da." That's how you start.
00:51:15
>> Yeah. Yeah. Hi, Dua. Um, so over the
00:51:18
break, that's usually how it starts. I
00:51:20
mean, I think so. I'm the worst at it.
00:51:23
Yeah, mine are like weird. Everyone has
00:51:25
their thing. There is our Sarah Marcelo
00:51:28
kind of does this like so I was uh
00:51:32
thinking that he does like a shalom like
00:51:34
sexy baby thing. I take
00:51:38
I'll have it one way and then the pitch
00:51:39
is so bad. But then sometimes they do
00:51:42
become sketches.
00:51:44
>> Yeah, they bite. The host doesn't know.
00:51:46
They bite on a fake pitch and you go,
00:51:47
"Uhoh."
00:51:49
>> Sydney Sweeney, I pitched her the
00:51:50
Hooters idea where I was like, "Maybe
00:51:52
work at Hooters."
00:51:53
>> Oo.
00:51:55
>> And we're counting tips. I get $20. And
00:51:57
you made like You're like, "Cool. I made
00:51:59
like $40,000." And then she DM'd me to
00:52:02
write it. And then we got in so much
00:52:04
trouble for like sexualizing.
00:52:08
>> [ __ ] funny.
00:52:08
>> But it was you pervert it over here.
00:52:12
>> I know you perve. That was a good one
00:52:14
though. It was very funny when you're
00:52:15
counting your money.
00:52:16
>> Stupid.
00:52:16
>> Yeah,
00:52:17
>> so stupid.
00:52:18
>> Some of that just silliness. I think uh
00:52:20
this is sort of I don't know just the
00:52:22
way the world is all this madness and
00:52:24
everything and just abstraction. That's
00:52:27
why Bea is a Buttthead maybe
00:52:30
hit so hard and that Hooters sketch just
00:52:33
I think we're in the mood for like just
00:52:35
>> M. I think so. I think the political
00:52:39
clim like we also like it's it's you you
00:52:43
can kind of touch it but not really.
00:52:45
It's like it's so it's it's opened the
00:52:47
the door for weird which I think is so
00:52:50
nice.
00:52:50
>> Weird is that
00:52:52
>> a relief. Yeah. Yeah. Because I I'm not
00:52:55
the smartest with the political stuff.
00:52:56
So
00:52:58
>> I don't know. I do I do these little
00:52:59
shorts for this just cuz if I do Biden I
00:53:02
feel like I'm doing something really
00:53:03
nasty and wrong in a way. So, I kind of
00:53:06
to do it.
00:53:08
>> People get so mad when you
00:53:09
>> There's so many Trump jokes, but I I've
00:53:12
done some silly little things and people
00:53:14
I don't know. People seem to like that
00:53:16
now. I don't know what you call it.
00:53:18
Abstract or weird weird.
00:53:19
>> I like that. I I like that a lot. But
00:53:22
movies are like I was thinking that the
00:53:23
Sasquatch sunset. I don't know.
00:53:26
>> Movies are weird. Everything's weird.
00:53:28
We're in the era age of weird. You know,
00:53:32
it's funny because there's a lot of
00:53:33
superhero movies because I figured out
00:53:35
that the bad guy can't be a certain race
00:53:38
or religion. So, you make him just a
00:53:40
monster and then no one gets mad
00:53:44
>> or you know what I mean? Or you can be a
00:53:46
transformer and they go
00:53:47
>> think of it the influence on on
00:53:50
entertainment is because of the trauma
00:53:53
of Hiroshima in Japan. There was all
00:53:57
this radioactive Godzillaist movies and
00:54:00
worse than there. So it is an influence
00:54:03
on whatever the Zag guy the emotional
00:54:07
>> uh freak or the emotional temperature of
00:54:09
the culture.
00:54:10
>> Yeah. Yeah. Totally.
00:54:11
>> So two people having fun being really
00:54:13
silly and you know it's just great. So
00:54:16
you'll all be watching Saturday. Don't
00:54:17
be nervous.
00:54:19
>> Well have fun Chloe.
00:54:21
>> Thanks guys.
00:54:22
>> Chloe thank you for doing a zoom from
00:54:25
the kit. your new skill.
00:54:26
>> Hey, you're welcome. And sorry about
00:54:28
being so inept at this beautiful
00:54:30
microphone.
00:54:32
But at least I have
00:54:33
>> You nailed it.
00:54:33
>> I'm going to bring this to pitch. I'm
00:54:35
going to just pitch with a loose.
00:54:37
>> That would be so funny.
00:54:39
>> Okay. I actually think I might do that.
00:54:41
>> It's pretty funny.
00:54:42
>> Loose my
00:54:44
>> You go. Hey. Hey, Da. Da. Can you hear
00:54:46
me? She's like, yeah, I'm two feet away.
00:54:48
Right. Okay.
00:54:49
>> Chloe, sometimes this doesn't work in
00:54:52
here.
00:54:52
>> So nice to meet you. Nice to meet you,
00:54:54
too.
00:54:54
>> Okay, Chloe. Thank you.
00:54:55
>> And I wish you all the best and and keep
00:54:57
having fun and say hello to anyone who
00:54:59
would ever care
00:55:00
>> anybody that loves you.
00:55:06
>> Hey guys, if you're loving this podcast,
00:55:08
which you are, be sure to click follow
00:55:10
on your favorite podcast app, give us a
00:55:12
review, fivestar rating, and maybe even
00:55:14
share an episode that you've loved with
00:55:17
a friend.
00:55:17
>> If you're watching this episode on
00:55:18
YouTube, please subscribe. We're on
00:55:20
video now. Fly on the Wall is presented
00:55:23
by Odyssey, an executive produced by
00:55:25
Dana Carvey and David Spade, Heather
00:55:27
Santoro and Greg Holtzman, Mattie Sprung
00:55:30
Kaiser, and Leah Reese Dennis of
00:55:32
Odyssey. Our senior producer is Greg
00:55:34
Holtzman, and the show is produced and
00:55:36
edited by Phil Sweet Tech. Booking by
00:55:39
Cultivated Entertainment. Special thanks
00:55:42
to Patrick Fogerty, Evan Cox, Mora
00:55:46
Curran, Melissa Wester, Hillary Schuff,
00:55:49
Eric Donnelly, Colin Gainner, Sean
00:55:52
Cherry, Kurt Courtourtney, and Lauren
00:55:55
Vieiraa. Reach out with us any questions
00:55:58
be asked and answered on the show. You
00:55:59
can email us at fly onthewallsey.com.
00:56:03
That's audacy.com.
