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What Worked (and Didn’t) in This Year’s Super Bowl Ads

February 11, 2026 / 10:25

This episode discusses the Super Bowl advertisements with guest Americus Reed, a Marketing Professor at the Wharton School. Key topics include the effectiveness of ads, the role of nostalgia, and the impact of AI in marketing.

Americus Reed shares his thoughts on the Super Bowl ads, expressing that he felt underwhelmed by the overall quality. He notes that the high stakes of the event make it challenging for brands to stand out.

Reed highlights several ads that resonated with him, including the nostalgic Dunkin' commercial featuring beloved characters and the humorous Lays ad with a father and daughter. He also mentions the Kendall Jenner Fanatics ad for its comedic twist.

The conversation touches on Budweiser's dual strategy with its ads, balancing humor and emotional appeal, and the competition between Pepsi and Coke in their recent commercials.

Finally, Reed emphasizes the importance of maintaining consumer engagement after the Super Bowl, suggesting that brands need to keep the conversation alive to maximize the impact of their advertisements.

TL;DR

Americus Reed discusses Super Bowl ads, highlighting nostalgia, humor, and the competition between brands like Pepsi and Coke.

Episode

10:25
00:00:00
Well, the Super Bowl this year was a bit of a boring game, at
00:00:02
least for three quarters. But the other side of the Super Bowl
00:00:07
every year is always the advertisements and which company
00:00:10
did the best and drew the most connection with consumers. And a
00:00:14
pleasure to talk about that with Americus Reed, Marketing
00:00:18
Professor here at the Wharton School, and also co-host of the
00:00:20
<i>Marketing Matters</i> podcast, which you can listen to every week on
00:00:24
the Wharton Podcast Network.
00:00:26
Americus. How are you, sir? Enjoy the game?
00:00:29
Hi, Dan, I'm doing very well. It was not an exciting game, like
00:00:33
you said, but you know, as a marketer,
00:00:35
we're always ready for the ads.
00:00:37
All right. So, what were your general thoughts about the ads? And
00:00:40
maybe even more so, when you're getting ready for a Super Bowl,
00:00:44
what are your expectations for the ads?
00:00:46
I love that question, Dan. I think that— I mean, what I saw
00:00:49
last night, I was, I dare say— use the term underwhelmed. But I
00:00:55
have to be honest, I was a little underwhelmed. And that's
00:00:59
not a bad thing. Because what I think I understand now, Dan, is
00:01:03
that the stakes are so high in a situation where there are very,
00:01:07
very few things where 100-plus million people are going to be
00:01:10
watching at the same time. And so all of the companies, brands,
00:01:14
products, services, organizations, they realize that
00:01:17
we really have to come with everything we've got. And so it
00:01:21
really raises the overall bar such that nothing is
00:01:25
outstanding, nothing is so super differentiated that you're just
00:01:29
so blown away. Because every one, every one of these ads, is
00:01:33
really trying to do as much as it can. So I thought there were
00:01:36
some good moments, but I have to say that we've reached— for me,
00:01:39
in my opinion, we've reached kind of a plateau, in the sense
00:01:42
of, it's just hard to do something that's so incredibly
00:01:45
interesting and differentiated and innovative.
00:01:48
Not a surprise that we saw as many ads in and around AI that we saw?
00:01:53
Yeah. I mean, we talked about this last time on the
00:01:56
podcast. Really thinking about this notion of AI, and how is AI
00:02:01
changing things? And you and I discussed this. We said, listen,
00:02:05
there's going to be a big movement, if not already, to
00:02:09
really integrate creative outputs using AI. And so, you
00:02:13
know, it's not surprising that we saw— we saw that last night.
00:02:17
It's a tool, and marketers are going to be forced to use this
00:02:21
tool and really try to use it creatively. So that wasn't
00:02:25
surprising. But
00:02:26
I think we're going to see more of this. You know,
00:02:27
we're going to really see sort of creative wars happening to
00:02:30
see who can really use these tools in the—
00:02:32
in the best way possible.
00:02:34
Any ads really connect with you? I mean, and even though it was a
00:02:37
down year, in your opinion, there's probably one or two that
00:02:40
probably did connect. I know I had a couple.
00:02:44
Yeah, you know what? We were kind of talking about this a
00:02:46
little bit back and forth, offline, Dan and I. I loved the
00:02:49
Duncan's ad. I have to give props. - Oh, absolutely.
00:02:52
I mean, I know— there's something about nostalgia for me. And by the
00:02:57
way, that was a theme that I think we saw a lot of last
00:03:00
night. Like, nostalgia, whether it be in the context of trusted
00:03:05
characters that we've seen or songs that we— that we know
00:03:09
really well. We saw a lot of that. And the Duncan's
00:03:11
commercial, for me, had just about every single character
00:03:15
from my favorite portfolio of shows that I could possibly
00:03:19
name. And as I saw each one, Urkel and Carlton and Sam from
00:03:24
from <i>Cheers</i>. As they come in, I was just like, "This is awesome."
00:03:27
And so I had a really strong reaction to that one. How about you?
00:03:31
So, I loved the Lays commercial with the father and daughter. The
00:03:37
farmers. - Yeah. Nice.
00:03:37
The— the Dunkin commercial, I thought was great. The one
00:03:40
that really, I think, connected with me as well, and I was kind
00:03:44
of a little surprised, was the Kendall Jenner Fanatics ad.
00:03:47
- Oh, interesting. - Because that rumor
00:03:50
of her having a negative impact
00:03:53
on basketball players has certainly been out there. - Yeah.
00:03:56
And to see her kind of say, "Okay, football guys, now it's
00:03:59
your turn. That was kind of funny to me.
00:04:01
That was very funny, Dan. And what I love about this, your
00:04:04
point is another sort of theme that I saw last night, and that
00:04:07
is sort of humor. So, one of the things that was very important
00:04:11
is to try to strike the right tone. And we see a lot of this
00:04:15
sort of absurdist, what's been called unhinged, kind of
00:04:20
meme-erific, if you will, humor to try to sort of make those points
00:04:24
that you were describing in the— in the Kendall Jenner ad. I also
00:04:27
love the XFINITY Jurassic Park ad, because I'm a huge fan of
00:04:32
that— of that movie. And I just love the way they sort of turned
00:04:35
it around to sort of show, "Here's what would have happened
00:04:38
if you'd have actually had the power to sort of juice the park,"
00:04:42
and it would have been a totally different, completely different
00:04:46
turn of events for the movie. So that was pretty cool as well.
00:04:48
So the— let me touch on the humor component of it as well, and the
00:04:52
dynamic. And I think Budweiser is probably the
00:04:57
example I want to use here, because they have a variety
00:05:00
of different brands. So last night, they had an ad for
00:05:03
Budweiser, which was the traditional. The horse and the
00:05:07
American Eagle. - Yes.
00:05:08
Then they had the Bud Light, which was
00:05:10
Peyton Manning, Shane Gillis and other funny guys in an ad. - Yes. Yes.
00:05:15
And so maybe because they have the variety of brands,
00:05:19
- That's a great point. - they can play both sides
00:05:21
of the fence a little bit here, and it works
00:05:23
out on— great. And maybe there's an expectation of which
00:05:26
brand is going to get which component. The humor, or the—
00:05:31
kind of the supportive, you know, connection, the touch
00:05:34
your heartstrings.
00:05:35
I love that point, Dan, and I think you putting it into the
00:05:38
context of a kind of multi- pronged strategy for Budweiser
00:05:43
and Bud Light makes a lot of sense, right? Especially in the
00:05:45
context of Bud Light trying to come back from the last few
00:05:50
years of trying to deal with sort of being in the crosshairs. - Yeah.
00:05:54
So I love what they did there, because to your point, they use
00:05:57
a little bit of humor, but they also— for Bud Light. But they
00:06:01
also leaned in on this "made of America." This was interesting,
00:06:06
right? Made of America. And you're watching this, you're
00:06:08
watching the Clydesdale, you're watching the American Eagle, and
00:06:11
you're— they're trying to, like— they're trying to, like,
00:06:13
redefine and really recapture that American identity. So, like,
00:06:18
playing both sides here, and like trying to sort of do a
00:06:20
little bit of humor to sort of, like, soften the blow
00:06:23
here for what Bud Light's been dealing with in
00:06:25
several years past, but also leaning in on to, "Hey, you know,
00:06:28
we do have a sense of this Americana that we don't want to
00:06:31
let go of with respect to our brand." I think it was a very
00:06:33
interesting strategy.
00:06:34
And I guess Levi's tried to do that with their commercial,
00:06:37
because it seemed like it was just a variety of different
00:06:40
generations of people wearing blue jeans over the course of
00:06:44
that company's time.
00:06:45
Dude, I loved that commercial. Recently— or it's, let's say, a
00:06:49
couple of months back, we talked to the former CEO of Levi's. And
00:06:53
it's just, dude, the red tag. It's iconic. And I was— I was
00:06:59
counting, Dan, the butts that— sorry for the— the butts that I
00:07:02
could recognize in terms of, you know, there's Bruce Springsteen.
00:07:07
You know, you see this, like— wow, this is super iconic
00:07:11
imagery. And the notion of, you know, your life is lived in
00:07:14
Levi's just brought to a really nice— a really nice crescendo.
00:07:19
And sort of touching all these famous people. I think George
00:07:21
Michael might have been in this, or a reference to him as well.
00:07:25
And then to end it with Doecii, sort of a more modern sort of
00:07:29
current pop cultural icon, really just well done. And just
00:07:33
really capturing the historical context of Levi's brand.
00:07:36
Let me finish up with this. And it's the dynamic between Pepsi
00:07:40
and Coke right now. And you and I talked about this offline. Is
00:07:44
that, obviously they're playing for the same customer base, but
00:07:48
they're using— or at least Pepsi is they're using— kind of some
00:07:53
of Coke's backstory with the polar bears to try and support
00:07:58
their narrative. And we saw this in another commercial where a
00:08:03
Coke delivery guy was making a delivery to a store, and all the
00:08:07
Coke cans fell off, and he drank a Pepsi instead. So that dynamic
00:08:11
between those two companies is very interesting.
00:08:13
It's super interesting, Dan. I got to tell you, you're my guy.
00:08:16
I grew up in Georgia, so that's Coke country. - Yeah. - And dear
00:08:22
Coca Cola, shots fired. You have 24 hours to respond, because
00:08:27
this is like— we're coming right at you. We're gonna— we're gonna
00:08:29
co op your polar bear imagery and iconicness, and we're just
00:08:33
gonna— we're gonna do battle now. And so, Dan, the cola wars
00:08:37
might have been revitalized last night. So this will be very
00:08:39
exciting, to see what happens and what Coke's response will be,
00:08:42
and sort of what the dynamic and the competition will be moving forward.
00:08:46
What do, then, companies expect after they run an ad
00:08:51
in the— in the Super Bowl?
00:08:53
I love that question, Dan. So here's the thing. So, what's
00:08:56
happened in the past is, we have this moment where all these
00:08:59
folks are engaged in watching, and you capture them in that
00:09:03
moment. What we've seen in marketing is that we've got a
00:09:06
pre-build up to that. We saw a lot of brands releasing ads,
00:09:10
teasing ads, all these different things before the big moment.
00:09:13
Super Bowl. And then what comes after. Here's the interesting
00:09:16
thing, Dan. They've got to keep this conversation going. They
00:09:20
have to keep the water cooler discussion. They want Dan Loney
00:09:24
to come on his podcast and talk about it. They need— they need
00:09:28
to keep having the conversations and discussions and elevation of
00:09:32
and amplification of these commercials, because it
00:09:35
continues to breathe life into those— into those creatives that
00:09:39
we saw last night. And so this is like a— this is a big event.
00:09:43
This is a long-term horizon. And brands are trying to really keep
00:09:47
that energy, that kinetic energy, going across this— this—
00:09:51
timeframe, so that they can continue to keep interest and
00:09:54
get people to really focus in and resonate with these
00:09:56
different types of ads that they produced last night.
00:09:59
Always fun to talk to you, sir.
00:10:00
Thanks very much.
00:10:01
Thanks a lot, Dan. Talk to you soon.
00:10:03
Americus Reed, Marketing Professor at the Wharton School
00:10:06
and co-host with Barbara Kahn of the <i>Marketing Matters</i> podcast
00:10:09
every week here on the Wharton podcast network.

Episode Highlights

  • Super Bowl Ads Underwhelmed
    Americus Reed shares his thoughts on the Super Bowl ads, feeling underwhelmed overall.
    “I was a little underwhelmed.”
    @ 00m 55s
    February 11, 2026
  • Nostalgia in Advertising
    Reed praises the nostalgic elements in the Duncan's ad, highlighting its emotional impact.
    “This is awesome.”
    @ 03m 27s
    February 11, 2026
  • Revitalized Cola Wars
    The competition between Pepsi and Coke heats up with new advertising strategies.
    “The cola wars might have been revitalized last night.”
    @ 08m 37s
    February 11, 2026

Episode Quotes

  • I was, I dare say— use the term underwhelmed.
    What Worked (and Didn’t) in This Year’s Super Bowl Ads
  • This is awesome.
    What Worked (and Didn’t) in This Year’s Super Bowl Ads
  • The cola wars might have been revitalized last night.
    What Worked (and Didn’t) in This Year’s Super Bowl Ads

Key Moments

  • Nostalgic Ads03:00
  • Cola Wars08:37

Words per Minute Over Time

Vibes Breakdown

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