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How Brands Are Using AI in Super Bowl Ads

February 05, 2026 / 26:00

This episode covers Super Bowl advertising trends, AI in advertising, celebrity involvement, and the evolving landscape of brand messaging. Guest Janine Poi, editor-in-chief of Advertising Age, discusses the current state of Super Bowl ads, including the use of AI technology and the strategies brands employ to connect with audiences.

Janine Poi shares insights on how brands are using AI, highlighting Zveca's use of AI to create its ad. She explains that brands are not just paying for airtime but also for the hype and celebrity involvement surrounding their ads.

The conversation touches on the humor in this year's ads, with examples like Manscape's teaser and Pringles' unhinged humor featuring Sabrina Carpenter. Janine notes the trend of absurdist humor aimed at Gen Z while also incorporating nostalgia to appeal to older audiences.

Janine discusses the impact of the Super Bowl's massive viewership on advertising strategies, emphasizing the importance of connecting with different generations through familiar references. She also mentions the rise of healthcare and wellness brands in Super Bowl advertising.

The episode concludes with a discussion on the role of celebrities, particularly sports figures, in advertising and how brands are planning their strategies in a rapidly changing cultural landscape.

TL;DR

Janine Poi discusses Super Bowl ad trends, AI usage, humor styles, and celebrity involvement in advertising this year.

Episode

26:00
00:00:00
Right now, uh, you're seeing brands that
00:00:02
are both, um, looking at advertising the
00:00:07
AI technology itself. Think of like an
00:00:09
open AI, uh, meta, right, with the
00:00:12
Oakley glasses. And then you have ones
00:00:15
that are actually using AI for the first
00:00:18
time to create the ads. So, Zveca uh one
00:00:22
of alcohol brands used it to create its
00:00:25
femot and it actually used AI in the
00:00:28
creation of the ad. So, you're going to
00:00:30
see a bit of both in the way of both the
00:00:33
creative itself and building that but
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then also in the actual technology being
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advertised. And today we are so happy to
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have with us the editorinchief of
00:00:45
advertising age Janine Poi. Hello
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Janine, welcome to our show. Hi Jan.
00:00:50
>> Barbara. Hey Marcus. Good to see you.
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>> Good to see you as well. Welcome.
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>> So as editorin chief uh probably the
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leading publication on advertising um I
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assume that given this weekend activity
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that you've been keeping busy. Is that
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true?
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>> You would assume correct? Yeah. Uh, our
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own newsroom is uh,
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>> wow,
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>> really staying on the pulse of every
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commercial coming out, every trend,
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every celebrity that'll appear in an ad.
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So, we're having some fun.
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>> Interesting. So, Jannine, it's like the
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war room. I love it. This is good.
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>> Oh, it is. It's a war. It's the war room
00:01:28
over a course of a month. So, so tell us
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about this year, which I definitely want
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to hear. I I just want to make sure I'm
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right about this hypothesis. So when you
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do a Super Bowl ad, you're not just
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paying for the 15 30 seconds that you
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get on the Super Bowl. You are paying
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for all the hype that goes in before.
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And I know some of the com some of the
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ads are showing us their ad. Like I've
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already watched some of the ads and some
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of them aren't. Like we had someone on a
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couple weeks ago or last week that just
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teased it and won't show the real ad
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until the game. And then of course we've
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seen some academic research about how
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what the afterlife is of these Super
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Bowl ads. So it's not just the hype but
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also the idea that you associate some of
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these products with games. And so
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whenever there's a big game it gets
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reinforced even if they don't
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necessarily uh so can you talk a little
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bit about that that about the life cycle
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of these advertisements more than just
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the 15 or 30 seconds which they pay
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obscene amounts of money for.
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>> Yeah. And aside from paying for like the
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actual media time, you're also paying
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for the director, the celebrities that
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are in those ads and all of that, like
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that's
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>> hefty hefty cost depending upon who's
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starring in your ad. I mean, you have
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George Clooney in an ad, you know, this
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year. You you know that that comes with
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a price tag, right? But yes, you're
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absolutely right. The life cycle of
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these is a long one, especially when you
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consider social media. you know, the all
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the brands are looking considering the
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cost. They're not looking for a oneand
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done. And it's been a while now that
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they'll either put out teasers, sort of
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like hyping up early interest in the
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ads, going on social, having their
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celebrities do little tweets and Tik
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Toks and going on, you know, YouTube to
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talk about these ads before they release
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any of the creative. And then, of
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course, the ads will run in other
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properties, you know, post Super Bowl.
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They'll live online post Super Bowl. So,
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there is a lot that goes into this.
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>> That's incredible.
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>> Okay. So, now we can't wait. I mean,
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we're supposed to like kind of build up
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to this, but I'm really excited to hear
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um what some of these big what's been
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going on in the war room. Like, what are
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some of these trends?
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>> Yeah, it's a really really interesting
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year as you can imagine given like just
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the uh climate here in the world. like
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there is a lot of consideration that
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goes into striking the right tone for
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the ads and a lot of thinking around you
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know the strategy of are we going to go
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funny are we going to go serious are we
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going to bring back nostalgia which is a
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fan favorite u so a lot of what we're
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seeing is sort of this like absurdist
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humor which is playing upon uh the
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interests of Jenzie who tend to like
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sort of the more obscure and uh odd
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creative uh So, we're seeing, you know,
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things like, this is a funny teaser,
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Manscape, which is its first time as a
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Super Bowl advertiser. They have a
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teaser out that sort of a little gross,
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shows hair trimmings on the floor of a
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shower that like sprouts eyes to come on
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like what that turns into. Um, but you
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have, you know, Pringles, which said
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that it is planning on bringing unhinged
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humor to its Super Bowl ad. Uh the ad
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star Sabrina Carpenter. Uh you have some
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of
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>> the ones I watched. Yeah. Yeah. You have
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some humor with like uh Ben Stiller and
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Benson Boon for Instacart uh doing a
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like sort of hair band spoof u which
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apparently seems to be a little bit of a
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theme this year. Keegan Michael Key and
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Danny McBride also do a spoof for State
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Farm singing halfway there with you know
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the full-on mullets and and the whole
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thing. Um, so there's just some like
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really funny out there humor, which
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makes sense for the time that we're in
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as you just sort of think about brands
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like
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>> wanting to play it as safe as possible.
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Uh, not want to be controversial in any
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sort of way. So, I expect we'll see as
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more ads get released more leaning into
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some of that kind of humor.
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>> So, that's interesting. I mean, in some
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sense, Janine, it's like you I mean,
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these terms you just used kind of just
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blew my mind, actually. Uh unhinged
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absurdest humor. That was the You said
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it. I didn't say it. That's what you
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said.
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>> Say it. And I was like,
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>> go on TikTok, right, and just look at
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what everyone's watching and take that
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and sort of like apply it to Super Bowl.
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>> Interesting. Super. I want to step back
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really quickly, Janine, and jump in on
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this as well, Barbara, because Barbara's
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always telling us
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>> that the context, Barbara always reminds
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us that there are very, very, very
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because of the advent of streaming,
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there are very very few things that
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happen where a bunch of people come
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watch at the same time. And so is what
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is how is that potentially raising the
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stakes with respect to
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>> let me just add to that because I you
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were caught on the unhinged and I was
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caught on her saying focusing for Gen Z
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because like to your point this is a
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massive art you know audience and the
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idea of focusing on Gen Z it could like
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backfire for some segments you know.
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Yeah, and I think that play it's an
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interesting point and you're absolutely
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right. It's one of the few places that
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still garners 100 million plus audience
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live watching something at the same time
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which is incredibly rare if not like
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non-existent you know these days. What I
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will say is yes I think we're seeing
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like more um opportunities and ways that
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brands are trying to connect with Gen Z
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such as bringing in like Mr. beast to
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help create an ad for Salesforce or
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leaning on some creators, but in the
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same breath, you're not really seeing
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those things stand on their own. They're
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always weaved in with
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>> a tie into a movie of a sense of
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nostalgia. Exfinity is leaning on
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Jurassic Park. You're leaning in, like I
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said, to like hair bands and songs.
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Sweet Caroline, a spoof on Sweet
00:07:24
Caroline for Helman's. So, it may have
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some of that absurdest humor, but with
00:07:29
elements that feel very nostalgic to
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some older audiences and some of more of
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the core demographic that you would
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think of. So, you're not seeing these
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things like live on their own. They
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definitely are layered in with
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celebrities that, you know, the
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traditional audience will know.
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>> Interesting. I mean, I think this is an
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interesting approach, Barbara and
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Janine, because one of the things that
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that I observed, my daughter, she is big
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time. She pulled me into the Stranger
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Things universe. Okay, I got pulled in
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and I fell in love with this thing
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obviously because I grew up in the 80s.
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But it's a really interesting when you
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see these examples of kind of my
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generation, her generation, and they
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love it. Like we love the same thing
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suddenly, which is kind of weird, but it
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is that for me it's nostalgia for her.
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It's like, well, that's just really
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cool. I mean, are we seeing some some
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sort of, you know, ads this year that
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are trying to kind of bridge the gap,
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let's say, between generations and like
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using nostalgia as the mechanism to kind
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of create that gravity or what what are
00:08:29
there some examples that stand out to
00:08:30
you?
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>> Absolutely. I think even just the couple
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that like I was talking about about like
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some of this uninched humor, they're not
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in a vacuum. So, like I said, like you
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know, the Ben Stiller and Benson Boon
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like really funny, a little bit weird.
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Like I'm not sure I fully get it, but it
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does like allude back to sort of like
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those hair bands. So there are, you
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know, you have Sabrina Carpenter in an
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ad alongside more traditional
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celebrities. So they are doing it in a
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way that's really smart and that it's
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not like just limited to those creators.
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So let's talk about some of these big
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trends you were talking about.
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Everybody's talking about AI. So tell us
00:09:07
how AI is playing out in the Super Bowl.
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>> Oh man, you cannot escape AI this year.
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I'm sure that that is you know true of
00:09:14
uh almost everything in this world right
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now right so right now uh you're seeing
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brands that are both um looking at
00:09:23
advertising the AI technology itself
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think of like an open AI um meta right
00:09:30
with the Oakley glasses and then you
00:09:32
have ones that are actually using AI for
00:09:36
the first time to create the ads so
00:09:39
Zveca uh one of alcohol brand used it to
00:09:42
create its femot and it actually used AI
00:09:46
in the creation of the ad. So you're
00:09:48
going to see a bit of both in the way of
00:09:50
both the creative itself and building
00:09:52
that but then also in the actual
00:09:55
technology being advertised.
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>> So I know Coca-Cola had been doing
00:09:59
something with AI generated ads but I
00:10:01
don't know that Coca-Cola is advertising
00:10:03
on the Super Bowl this year are they?
00:10:04
>> They don't have an ad in the Super Bowl.
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Um, and this is really the actually a
00:10:08
use of AI to create the ad has been so
00:10:13
like limited. It's really been more on
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the back end. This is the first time in
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the Super Bowl we're actually seeing an
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ad being created.
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>> Very interesting. But isn't isn't it
00:10:20
true though that Pepsi
00:10:22
>> is on the attack? I I don't know what
00:10:25
this could be like false. This could be
00:10:27
this could not be real. I don't know
00:10:28
because who knows what's real because I
00:10:30
am on TikTok, you know, checking trying
00:10:31
to understand so I can stay in the
00:10:32
cultural zeitgeist. But I saw this polar
00:10:35
bear like sort of Can you explain this?
00:10:38
Are they I mean this is what are are the
00:10:40
cola wars back? Is that is that where we
00:10:42
are?
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>> Yeah, they're uh using their polar
00:10:45
bears. They're bringing back the polar
00:10:47
bears that is known as a uh Coke icon,
00:10:51
right? And they are uh bringing it in
00:10:54
their ads. So, it's really interesting
00:10:57
uh to see that play on uh an icon that
00:11:00
has been so well known uh for Coke that
00:11:05
Pepsi is using. It'll be interesting to
00:11:06
see because it's also an older reference
00:11:08
to see which generations sort of get it
00:11:10
right to our point of thinking about
00:11:12
like Gen Z, millennials, boomers, and
00:11:14
like what generations get these. Um will
00:11:17
they get the reference to the polar
00:11:20
bears? It's been a while since they've
00:11:22
really been used in that capacity. So
00:11:25
that will be interesting to tell. Given
00:11:27
it's a broad um audience as we've been
00:11:30
discussing and one of the huge trends in
00:11:32
marketing is healthcare, wellness,
00:11:33
pharma, all of these new drugs. It is a
00:11:36
good opportunity for some of these
00:11:38
companies to be on the Super Bowl. And
00:11:40
we'd seen this in the past like I know a
00:11:43
couple years ago Dexcom, which is a
00:11:45
glucose monitor, had its first um
00:11:47
healthcare ad etc. So, I know that this
00:11:49
has been a trend, but I would imagine
00:11:51
with the GLP1s that that's another
00:11:54
opportunity. And how do these kind of
00:11:57
companies come on the Super Bowl? Are
00:11:59
they funny? I mean, they're not really
00:12:00
funny topics. So, I find this trend
00:12:03
really interesting because if you think
00:12:05
back historically to Super Bowl ads,
00:12:08
food, junk food, right? Sodas, uh,
00:12:12
pizza, like this, these are the items
00:12:15
like we've associated with Super Bowl
00:12:17
for so long. Doritos, aocado, right?
00:12:20
Like now to see this influx in like
00:12:23
health care companies and it speaks to
00:12:26
this wellness culture, right, that has
00:12:28
really emerged over the last couple of
00:12:30
years. You're absolutely right, Barbara,
00:12:31
with the GLP1s. That's a huge huge part
00:12:34
of this. We are seeing him and hers with
00:12:37
an ad uh democratizing
00:12:40
health care and preventative medicine.
00:12:42
Uh Novartis is doing a spot on prostate
00:12:45
cancer screening. Oh, that's a Super
00:12:47
Bowl topic.
00:12:48
>> No, really. I mean,
00:12:50
>> wait, wait a minute. Hold it. Hold it. I
00:12:52
mean, come on. Listen. I Barbara, I just
00:12:55
want to watch the game. I don't need
00:12:57
like, you know, medical anxiety in the
00:12:59
middle of the punch.
00:13:00
>> Well, so it's interesting like that's
00:13:02
that's an interesting take on it, right?
00:13:04
Because is this the um forum for these
00:13:07
types of conversations? But if you think
00:13:09
about, we just talked about 100 million
00:13:11
people watching the Super Bowl and you
00:13:13
know to the point of like him and hers
00:13:15
of democratizing healthcare like what
00:13:17
better place to reach people about
00:13:20
health, you know, and you know, diabetes
00:13:23
testing is another one that comes up and
00:13:25
navigating high blood pressure. Um, and
00:13:27
then they'll definitely be like Serena
00:13:29
Williams is in the row campaign uh
00:13:31
during the Super Bowl. So GLP1, I think
00:13:34
we'll see plenty of those during the
00:13:36
game as well. But the the tone of the
00:13:37
GLP ones, going back to Barbara's point,
00:13:39
is not going to be absurdest unhinged
00:13:42
humor.
00:13:44
>> I will say the we don't need them yet.
00:13:47
>> The plastic cancer one does have some
00:13:49
humor in it and plays to some humor, but
00:13:52
they are um very much talking about the
00:13:56
benefits of doing these things. Some of
00:13:58
them have a lightness to them to not
00:14:00
make it very serious, which I think is
00:14:02
smart in this kind of environment. Um,
00:14:05
but the Hims and Herses one, for
00:14:06
example, is like very straight and
00:14:09
serious about like democratizing health
00:14:11
care and how historically people of
00:14:14
wealth like had better access to medical
00:14:16
care. So, they definitely take a more
00:14:19
serious approach. Yeah.
00:14:21
>> Is Jesus back?
00:14:23
>> Jesus Jesus is back. We haven't seen the
00:14:26
ad yet, but Jesus is back in the rebrand
00:14:30
of He Gets Us. Uh, we'll see what they
00:14:32
bring to the game. But Jesus has Jesus
00:14:35
has been in it for the last couple of
00:14:36
years.
00:14:37
>> Jesus is back in. Wow. I I thought you
00:14:38
were asking a philosophical question.
00:14:40
This is like literally Jesus is
00:14:42
>> backed
00:14:44
in Jesus's advertising campaign.
00:14:46
>> It's always one that uh stirs up some
00:14:49
conversation.
00:14:50
>> Yeah. But here's something that's super
00:14:51
interesting. I don't you know our show
00:14:53
Janine is completely apolitical, but you
00:14:55
know there's a lot of things going on
00:14:56
right now. There's a lot of protesting
00:14:58
happening. Is is everything chilled to
00:15:01
the extent that no one is willing to
00:15:02
come out and come into the ads and make
00:15:04
any kind of statements about any of the
00:15:06
stuff that's going on? Is this like the
00:15:07
insular like we just won our football
00:15:09
game, let's not in input any with well
00:15:12
except for Jesus. Jesus gets a pass
00:15:13
because Jesus is Jesus. But you know I
00:15:16
mean you know are we seeing anyone who's
00:15:18
willing to you know do a bad bunny and
00:15:20
come out make a statement or anything
00:15:22
like that?
00:15:23
>> Very little. And that's I mean back to
00:15:25
the idea of humor really being like the
00:15:27
driving force and theme in these ads.
00:15:30
You know it's a safe place to be in. Um
00:15:33
no we are not seeing uh many at least
00:15:36
right now we have not seen any that take
00:15:39
any sort of major political or social
00:15:43
stance. There are a couple that are a
00:15:45
little bit more straight and serious.
00:15:47
Budweiser has its Clyde sale back. Oh.
00:15:49
>> Uh, this time if you remember puppy love
00:15:52
back uh back some time now um of the
00:15:55
Clydesdale and the puppy. This time it's
00:15:57
a Clydesdale and a bird of some kind in
00:16:00
the beginning that are not filine a baby
00:16:02
bird.
00:16:02
>> Okay.
00:16:03
>> And then as the story line progresses we
00:16:05
actually see it is an eagle. So it's
00:16:08
supposed to uh lean into the 250th
00:16:11
anniversary of the country um and
00:16:13
playing on that a bit. Another thing you
00:16:16
were talking about is celebrities. And
00:16:18
one of the things that I've noted, and
00:16:19
this I haven't seen people talk about
00:16:20
necessarily. I've just anecdotally
00:16:22
noticed that there's a lot more sports
00:16:24
celebrities involved also. Um, and those
00:16:27
sports celebrities kind of play a
00:16:29
different role. I mean, a lot of times
00:16:31
they're football players or the Mannings
00:16:33
or the Kelsey's. I don't know if Travis
00:16:35
is in any of these ads, but or Jason.
00:16:38
Um, but but it is kind of interesting to
00:16:40
just think in general about celebrities.
00:16:42
And I guess um the sports celebrities
00:16:45
make a lot of sense. some of the other
00:16:46
celebrities are just attention or what
00:16:48
what's your observation about what what
00:16:50
the celebrity advertising was?
00:16:51
>> Yeah, that has definitely been a trend
00:16:53
over the last couple years. I would say
00:16:54
you know if you think about celebrity uh
00:16:56
sports stars as more than just
00:16:58
celebrities and really think about them
00:17:00
too in their own right as like an
00:17:01
influencer and you like look at like how
00:17:04
sports culture has really you know moved
00:17:07
onto Tik Tok and other social platforms.
00:17:10
I think there is a different audience
00:17:13
beyond just the sport itself, right, for
00:17:15
some of these celebrities knowing their
00:17:18
uh backstory and sort of how they got
00:17:20
there. Uh it's interesting too because
00:17:21
we're also at a time where we the
00:17:24
Olympics are starting right right in the
00:17:26
same time of the Super Bowl. We have the
00:17:28
World Cup coming up in the summer. So,
00:17:31
it's a moment in time where sports and
00:17:33
if you think about reach and audience
00:17:35
and where audiences are in like live
00:17:38
entertainment,
00:17:39
>> it's sports, right? Whether it's, you
00:17:41
know, women sports that are having a
00:17:43
bigger moment. Um, there's just a lot of
00:17:47
opportunity there for brands to lean in
00:17:49
and connect with sports stars in a
00:17:51
different way.
00:17:52
>> Yeah, I think it's interesting. Here's a
00:17:54
question, Barbara, uh, and Janine,
00:17:57
because, you know, there's there we one
00:17:59
of the things we always think about,
00:18:00
Janine, is sort of the world is a is an
00:18:03
interaction of sorts, right? Everything
00:18:04
interacts with each other. So, I'm
00:18:06
wondering is there I I guess you can't
00:18:08
plan with other things. But I'm I'm
00:18:09
wondering like the combination of humor
00:18:11
plus serious. Is there weird things that
00:18:14
could well two two things. One is
00:18:15
there's weird things that could happen,
00:18:17
right? So, maybe the manscape thing
00:18:18
happens and it's like kind of gross and
00:18:19
like here's the then the prostate cancer
00:18:21
thing, you know? I don't know. That's
00:18:24
weird. You know,
00:18:24
>> it absolutely could.
00:18:26
>> You know, I just wonder, do do they
00:18:28
think about this? It's like, wait a
00:18:29
minute. Let me get a list of everything
00:18:30
that's going to be out there and let me
00:18:32
at least understand how I can
00:18:33
potentially
00:18:34
>> Yeah. And the ordering of the ads, of
00:18:35
course, like when they
00:18:36
>> order Yeah, exactly. That's that's
00:18:37
exactly what I'm talking about.
00:18:38
>> Think about it. This these decisions are
00:18:40
being made of just like at the same time
00:18:43
that Super Bowl ends this year, like
00:18:45
they'll start thinking about what next
00:18:47
year looks like. A lot of these
00:18:48
decisions are made so far in advance
00:18:51
that that's like one of the issues,
00:18:52
right? It's so hard to plan for where we
00:18:56
are as a country, right? The tone the
00:18:58
tonality in that far in advance. It's
00:19:00
hard to plan for what others might lean
00:19:02
into. It's hard to plan for necessarily
00:19:04
like major cultural moments which is why
00:19:06
you know back to the beginning of this
00:19:07
conversation where we were talking about
00:19:09
like extending the life of an ad both
00:19:13
and after and why social plays such an
00:19:15
important part because there's ways for
00:19:17
brands and they do this all the time now
00:19:20
to be on social layering in additional
00:19:22
like insights and commentary around
00:19:24
their campaigns that are more real time,
00:19:27
right?
00:19:28
to what is happening in the moment as
00:19:31
their ad is being
00:19:33
>> well you mentioned in real time. I
00:19:34
remember one of the things that Dolingo
00:19:36
did that was so cool is they had like a
00:19:38
two second commercial but right after
00:19:41
they ran their commercial they did a
00:19:43
social media outpouring to their whole
00:19:46
um to their whole audience and and
00:19:48
really really leveraged the you know two
00:19:50
seconds they paid for in the Super Bowl.
00:19:52
So, so there's one thing before and
00:19:54
after. Then there's also this third
00:19:56
screen that they may be connecting to.
00:19:58
How much of that do are we seeing?
00:20:00
>> Yeah.
00:20:01
>> Yeah. You can even think about brands
00:20:02
doing local ads as the same sort of
00:20:04
effect like not paying the full price
00:20:06
for a national 30 60C spot being in some
00:20:10
key markets but then layering in with
00:20:13
social activations. We see that a lot.
00:20:15
Uh extending putting those spots on
00:20:18
social so it reaches a broader audience.
00:20:21
and also like focusing on some key
00:20:22
markets. It's another way brands sort of
00:20:25
do something similar to that.
00:20:26
>> That's interesting. I also wonder Janine
00:20:27
and Barbara the idea of it's a big it's
00:20:30
a big bet in some senses, right? Because
00:20:32
you could get like a super boring game
00:20:35
and then with attention spans being so
00:20:37
low, people check out, right? Or you
00:20:39
could get like this amazing battle into
00:20:41
overtime and it's super close and
00:20:43
everybody's at the edge of their seat.
00:20:44
So there all to Barbara's point there's
00:20:46
like all these unknown factors that
00:20:47
you're managing and I think you're
00:20:49
hedging the bet when you have other
00:20:51
things pre and post that can sort of
00:20:54
smooth out the external shocks that
00:20:57
could happen that are uncontrollables
00:20:58
that exist let's say in the context of
00:21:00
the game. Do you agree with that
00:21:01
characterization Janine? Oh yeah and
00:21:03
it's why you know oftent times there is
00:21:06
more demand for that a slot you know the
00:21:08
first couple of spots in the first
00:21:10
commercial break and they often you know
00:21:12
garner premium more premium pricing as a
00:21:14
result. Uh there there is all of that.
00:21:17
Uh but there could be just as much
00:21:19
interest and planning around, you know,
00:21:21
plans in place. If a game goes into
00:21:23
overtime, we will there's a couple of
00:21:25
brands that know they might buy, you
00:21:26
know, time in overtime or brands that
00:21:29
don't even appear in the game, maybe
00:21:30
appear in pregame, but have plans if a
00:21:32
game goes overtime to buy those spots.
00:21:35
Uh so there are various ways that
00:21:37
already sort of media planners are
00:21:39
pre-planning to sort of make the most
00:21:41
out of those opportunities. The other
00:21:44
thing that we've seen historically uh
00:21:46
with the Super Bowl is whichever network
00:21:48
is airing it uses it as a springboard
00:21:50
for some of its programming. And I don't
00:21:52
even know which network is airing it
00:21:54
this year. It's NBC. So NBC will have
00:21:56
it. It will stream on Peacock, which is
00:21:58
another completely different opportunity
00:22:01
of like the streaming opportunity and
00:22:02
buying ads and streaming versus national
00:22:05
TV. And the Olympics are also airing on
00:22:07
NBC. So it's a nice, you know, sort of
00:22:10
springboard of like connecting that all
00:22:12
together.
00:22:12
>> Yeah. I think that's been very lucrative
00:22:14
for the networks in the past. You know,
00:22:16
a big thing that they could possibly
00:22:18
get. And the last thing, well, not the
00:22:20
last, we could talk forever on this, but
00:22:21
one of the things I did want to talk
00:22:23
about, you kind of implied it, but I
00:22:24
kind of want to make it more salient is
00:22:27
we talked about some of the new brands
00:22:28
that are coming on. Um, but then there's
00:22:30
also the traditional, you know, beer,
00:22:32
automobiles, financial services. Um,
00:22:35
what's the story with all of them?
00:22:37
>> Yeah. So for autos in particular, I
00:22:39
think you know for a while the auto
00:22:41
category has often been looked to as
00:22:44
like the one of the bigger one that
00:22:46
between that and like a a Bud Bud Light
00:22:49
and all of those. Um but it's this year
00:22:52
poised so far for a down year in
00:22:55
automakers. Uh right now we only know of
00:22:58
two brands, Toyota and Cadillac that are
00:23:01
confirmed to uh run ads in the game. Uh,
00:23:05
you know, I think for the auto brands in
00:23:08
particular, they're really kind of just
00:23:10
trying to seek more value with their
00:23:12
media buys. Um, we're seeing that like,
00:23:15
yes, of course, so many people are
00:23:17
watching the game, but only a fraction
00:23:20
of those people they find typically are
00:23:21
actually in the market for a car. So,
00:23:24
you know what they're really looking to
00:23:26
do is figure out better ways to more
00:23:29
directly reach the consumers who are
00:23:31
actually in the market to buy a car,
00:23:34
right? And because the rest of those are
00:23:36
sort of wasted media so I think that's
00:23:38
what we're seeing for brands like
00:23:40
automakers and why we've seen a pullback
00:23:42
in recent years and you know there are
00:23:44
other factors bigger economic factors at
00:23:46
play as well.
00:23:47
>> Yeah, that's interesting. I you know
00:23:49
what Barbara when you said that this is
00:23:51
triggering my mind again and again I'm
00:23:53
not trying to be political so I don't
00:23:54
want to be political I want to do I want
00:23:56
to be the opposite of political I want
00:23:57
to pull back from all the politics be
00:23:58
apolitical like Barbara always says
00:24:00
Americans be apolitical yes but I'm
00:24:02
wondering so Bad Bunny is doing the
00:24:07
I mean it's a
00:24:08
>> have they put the contract on him and
00:24:10
say listen bro like don't go out there
00:24:12
listen we're trying to cuz this could
00:24:14
like it could go pretty sideways and and
00:24:17
yeah what you have to imagine when you
00:24:19
make a decision like that, you know what
00:24:23
could happen, right? And what the
00:24:25
backlash or the response could be. And I
00:24:29
think when you make that decision,
00:24:30
you're also making the decision that we
00:24:31
want to reach a different audience and
00:24:33
we know this is the way to do it.
00:24:35
>> Well, Janine, it's been wonderful
00:24:37
talking to you. We're all looking
00:24:39
forward to the Super Bowl. Maybe we'll
00:24:40
have you on after and you can tell us
00:24:42
like what happened after, you know.
00:24:44
>> We'd love to. Thank you for having me.
00:24:46
>> Yeah. So again, Janine Po Poji, the
00:24:49
editor-inchief of Advertising Age, thank
00:24:51
you so much for joining us today. And
00:24:52
where can listeners go to to see all the
00:24:54
analysis you guys do on the game? Yeah,
00:24:56
I mean adage.com will have our ad review
00:24:59
after the game, which pretty much is our
00:25:00
take on every ad that ran nationally
00:25:03
during the Super Bowl. And then we will
00:25:05
be on LinkedIn, Instagram, all social
00:25:09
platforms during the game, live
00:25:11
streaming, having conversations, talking
00:25:13
about the brands, talking with the
00:25:15
brands in some cases in some fun
00:25:16
moments. So, uh, stay tuned until you
00:25:19
>> That's super interesting, too. Sorry,
00:25:20
Barbara. Really quickly, because that
00:25:21
that's actually because being a part of
00:25:23
this from a journalistic point of view,
00:25:24
Barbara, this is also like elevating and
00:25:27
continuing the amplification of these
00:25:29
things. So, the brands are happy.
00:25:30
They're like, "Oh my god, Janine's on
00:25:31
LinkedIn talking about our manscape, you
00:25:33
know, or whatever." So,
00:25:35
>> yes, they are.
00:25:38
>> Yeah, that's great.
00:25:39
>> Great.
00:25:39
>> Well, that's all we have time for today.
00:25:41
We'd like to thank our producers, Deion
00:25:43
Simkins and Marissa Rena. Thank you all
00:25:45
for listening today. We'll be back next
00:25:46
week. Till then, this has been Marketing
00:25:49
Matters on the Wharton Podcast Network.
00:25:51
I'm Barbara Khan here with America's
00:25:53
Read.

Episode Highlights

  • The War Room of Advertising
    Janine Poi reveals the intense environment of advertising during the Super Bowl, likening it to a war room.
    “It's a war. It's the war room over a course of a month.”
    @ 01m 26s
    February 05, 2026
  • The Cost of Super Bowl Ads
    Super Bowl advertisers pay for more than just airtime; they invest in hype and celebrity endorsements.
    “You’re not just paying for the ad time; you’re paying for the hype.”
    @ 01m 40s
    February 05, 2026
  • AI Takes Center Stage
    AI is making waves in advertising this year, with brands using it to create ads.
    “You cannot escape AI this year.”
    @ 09m 11s
    February 05, 2026
  • Jesus in Advertising
    The He Gets Us campaign brings Jesus back into the Super Bowl advertising conversation.
    “Jesus is back in the rebrand of He Gets Us.”
    @ 14m 30s
    February 05, 2026
  • Super Bowl Advertising Insights
    Planning for Super Bowl ads involves anticipating cultural moments and audience reactions.
    “It's hard to plan for what others might lean into.”
    @ 18m 52s
    February 05, 2026
  • Social Media Activation
    Brands leverage social media to enhance their Super Bowl ad impact in real-time.
    “Brands are happy. They're like, 'Oh my god, Janine's on LinkedIn talking about our manscape.'”
    @ 25m 31s
    February 05, 2026

Episode Quotes

  • It's a war. It's the war room over a course of a month.
    How Brands Are Using AI in Super Bowl Ads
  • You’re not just paying for the ad time; you’re paying for the hype.
    How Brands Are Using AI in Super Bowl Ads
  • You cannot escape AI this year.
    How Brands Are Using AI in Super Bowl Ads
  • Jesus is back in the rebrand of He Gets Us.
    How Brands Are Using AI in Super Bowl Ads
  • It's hard to plan for what others might lean into.
    How Brands Are Using AI in Super Bowl Ads
  • Brands are happy. They're like, 'Oh my god, Janine's on LinkedIn talking about our manscape.'.
    How Brands Are Using AI in Super Bowl Ads

Key Moments

  • War Room01:26
  • Ad Costs01:40
  • AI in Ads09:11
  • Jesus Returns14:30
  • Ad Planning Challenges18:52
  • Real-Time Engagement19:48
  • Post-Game Analysis24:59

Words per Minute Over Time

Vibes Breakdown

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