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it's obviously as you know just such a
00:00:03
huge comedy it's there's never been
00:00:05
anything quite like it I don't think I'd
00:00:08
never seen a comedy like it's also like
00:00:10
a huge I mean without any jokes it was a
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huge movie meaning just as far as like
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visual I mean a fact to shoot oh yeah it
00:00:19
was a yet explosive it was as big as any
00:00:22
war movie you know we we I mean as far
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as the look I mean been such I mean he's
00:00:27
obviously you know does get the credit
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you know um but he's often not credited
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enough I think with how great a director
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he is you know he is like a real camera
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mover who knows how to where was it oh
00:00:39
yeah where'd you shoot it Hawaii
00:00:45
we didn't need the authentic background
00:00:48
why we needed to see a couple trees
00:00:51
cast happy there's two there's
00:00:54
a thing about a movie in comedies uh
00:00:58
probably dramas too it's just these uh
00:01:01
whatever you call them word packages
00:01:02
that just are Transcendent that are
00:01:06
funnier as time goes on you know and I I
00:01:09
think one of them that's less
00:01:11
controversial would be the Tom Cruise
00:01:14
Les Grossman I want you to take one step
00:01:16
back and literally [ __ ] your face or
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your own face yeah which one was it I'm
00:01:22
not sure but that's the that's the kind
00:01:24
of thing and again like Monty Python I
00:01:26
don't know where that influence came
00:01:28
from but those type of lines that
00:01:31
nonsensical thing
00:01:33
um I assume it wasn't a guy alone in a
00:01:34
room or you're together at that point
00:01:36
where you're kind of riffing what that
00:01:38
character say or character uh came out
00:01:40
of you know we
00:01:42
you know we wanted Tom to be in the
00:01:44
movie very badly and he it was kind of
00:01:47
um he was like well I read the script
00:01:49
and there's he's like there's no like
00:01:51
Studio presence like why don't we create
00:01:53
like a studio uh character you know and
00:01:57
I just had a really bad experience
00:01:59
working for Harvey Weinstein and so
00:02:02
um on a movie that I directed and I I
00:02:05
thought shocker and whatever happened to
00:02:06
that guy go ahead
00:02:09
um I and I just wanted to like I just
00:02:11
wanted to um I wanted to somehow
00:02:14
memorialize that bad experience and
00:02:17
um and so that's how I got that
00:02:19
character you know wow
00:02:22
it's even funny just that like that Ray
00:02:24
I remember Joel Silver one time he goes
00:02:27
hey was that character based on me and I
00:02:28
go no he goes damn it okay I wanted it
00:02:32
to be based oh funny well the Popeye
00:02:35
forearms and the hands and then the Tom
00:02:38
Cruise uh which you know everyone loved
00:02:41
the new Top Gun I mean he gets shinier
00:02:43
and brighter when I look back and I see
00:02:45
him now and I look at him in that movie
00:02:47
when he's doing the dance slapping the
00:02:49
ass at the end it's like yeah the guy is
00:02:51
really funny he's so funny and he's so
00:02:54
committed you know um yeah and I
00:02:57
remember kind of
00:02:58
because he has some really hard charging
00:03:01
lines in that in that movie
00:03:04
um
00:03:07
writing him these lines he's gonna say
00:03:10
Tom Cruise is gonna say this like yeah
00:03:12
it is before we had seen him in any of
00:03:14
the tests and hair and makeup and stuff
00:03:16
well without saying the line which were
00:03:17
the ones that were the most scary or you
00:03:20
really couldn't use it was too far no
00:03:22
maybe you can't you know we had sort of
00:03:24
like Ben's a really smart director we
00:03:26
you know if if we were to sort of pile
00:03:29
the script up in all the pages that were
00:03:30
written it would probably look like a
00:03:32
phone book or a three phone book stacked
00:03:34
on top of each other Ben is really good
00:03:36
at um we would always sort of shoot like
00:03:40
sort of you know an A B and C category
00:03:43
of jokes within the scene and then
00:03:45
alternates alternates alternates we had
00:03:47
sort of these alternate scripts that we
00:03:48
would go okay now we're gonna do one
00:03:50
where you say this and so in the edit
00:03:52
you know when we could you know when Ben
00:03:54
was sort of testing the movie uh he was
00:03:57
able to see you know oh this this you
00:04:00
know went a little too far let's dial it
00:04:02
back and you know that could be
00:04:03
something simple just like too many
00:04:05
f-bombs in a row or something
