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Mark Normand Might Just Be Norm Macdonald Light

April 23, 2026 / 57:58

This episode features comedian Mark Norman discussing his career, influences, and the challenges of stand-up comedy. Topics include his podcast "We Might Be Drunk," the pressure of writing jokes, and his Netflix special "None Too Pleased."

Mark Norman shares his admiration for Norm Macdonald and how he incorporates similar humor into his own work. He talks about the difficulty of maintaining material while touring and the pressure to keep audiences engaged.

The conversation touches on the evolution of comedy and the changing landscape of specials, with Norman reflecting on his experiences during the pandemic and the impact of timing on success.

Additionally, the episode discusses the dynamics of performing in different venues and the importance of connecting with audiences. Norman also shares anecdotes about his early career and the ups and downs of being a touring comic.

Listeners can expect laughter and candid discussions about the realities of being a comedian in today's entertainment industry.

TLDR

Mark Norman discusses his comedy career, influences, and the challenges of stand-up in this episode.

Episode

57:58
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Well, that was an LA version, so we kept it a little queefy for you. I know you're old and delicy.
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I'm going to look that up. >> I get that all the time. People say, "Kill yourself. You're no norm. You're
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the You're like Norm Light. You're norm. >> Did you kill yourself or you take any of
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that advice?" >> Nah, not yet. Later. But they're just going around the moon. They're not
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letting them on the moon, which I thought was messed up, but it might hurt the property value. And then I said, "Of
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course, they make the black guy do a driveby." And uh I'd say let him on the
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moon. I want to see that guy jump. Can you imagine that moon jump? Uh then I call it moon teams. So we had some good
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times. >> Dana Mark Norman, who is a very funny comic. Uh not on every single person's
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radar yet, but that's what we like to do. >> Get someone like you did with Shane. Get
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him a little early. >> And >> pre-stadium. >> Yeah, pre-stadiums.
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He's always consistently funny. Uh when I see him do quick sets or on Instagram
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or uh just talking to the dude, he's got a great sort of Norm McDonaldy vibe. Uh
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>> well, he talk about his love of Norm. >> Yeah, >> his love of standup. Uh and also he does
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a podcast called We Might Be Drunk with Sam Morell is another great comic. So, >> two of them are out there killing it and
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he was a lot of fun and just a lot of jokes, a lot of laughing and we really kind of dug deep with him too.
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>> Yeah. You talk about the uh because he really writes a lot of jokes per minute
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and a lot of punchlines per minute and the pressure to keep coming up with material.
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>> Yeah. Little shorties. >> Yeah. >> Three jokes every minute. You're right.
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And it's just hard to >> fill an hour on standup. Mhm. >> And then I think we talked about doing a
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special and how >> how much of that can you still use and you know how do you rotate all your
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stuff >> inside baseball or what it's like to be a touring standup comic.
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>> Um it was a pleasure to hang out with him. Ladies and gentlemen, enjoy.
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>> Mark Norman >> Norman. >> Mark Norman. >> Mark Norman is our guest. We start right
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away. Mark. >> All right, let's do it. We We're halfway through. >> All right. So,
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>> this isn't a We Might Be Drunk marathon where you're there for an hour five.
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>> Great. >> How long are your How long are your podcasts on We Might Be Drunk?
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>> Well, we drink a lot, so they can go from an hour to two and a half. It gets
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pretty sloppy. >> Do you really drink? When I was there, did you drink? >> Well, that was an LA version, so we kept
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it a little quefy for you. We know you're old and delicate, but >> queefy. I'm going to look that up. Wait,
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I know I'm old and what? Delicate. I don't want to hurt you. >> I was. Yeah. Yeah. You don't want to
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hurt me. Mark Norman, I was telling you such a riveting story. Like if you do a podcast, we might be drunk, which I've
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done and I actually like. >> I didn't know because I'm frail and brittle. Uh that you were delicately
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leading me through a 22-minute podcast for my own safety. But um I don't drink
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in the day anyway. That's problem. I barely drink at night. >> Why not?
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>> Cuz I'm a [ __ ] puss, dude. I used to be able to, but god dang, >> it is bad. It leads to horrible things.
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You end up skipping the night and just drinking and going to bars. So, day drinking is is evil. Don't do it.
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>> Yeah. Do you When you drink, >> do you I don't mean to cut I won't cut
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you. I'll cut you off 30 more times. >> Well, Zoom is tough. >> I know Zoom is tough. I appreciate that
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you had offered to come in when you were in town. That was very nice. And then I
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was trying to find you. I was in New York the other night and I saw on my stupid Instagram it's like Mark Norman
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is doing his high jinks at Gutbusters. I'm like why am I seeing this? And then
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I go oh he's in New York and then it scrolls down. He's also doing flim flams. He's also doing beep bops. And I
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go oh he's not going to have time to do anything. You're like the New York guy
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going boom boom boom right to set. Well, yeah. I gota I run around like a psycho
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because uh my jokes are short. So, I gotta I gotta write a lot just to fill an hour and it takes forever. So, I got
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to keep uh keep getting up and tweaking. >> I did notice that. Very good joke
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writer. Uh very funny. Uh I've always sort of watched from a distance. I finally got the nerve to approach you
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on Instagram. But, uh well, I always appreciate a good joke writer. So does Dana. So, when you're cramming in short
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ones, it is harder. I like to tell stories my act. I'm trying to get one story that's an hour long, ideally.
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>> Wow. >> I don't think I have one. I can make a story an hour and it's [ __ ] boring.
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But to get some tent full laughs in the middle is very hard. >> That That's called the moth. That's a
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whole different thing. >> Oh, the moth story from Norm. >> No. >> Norm takes an old joke and then he's
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like, "This is my joke." I'm like, "It's a joke." joke. It's like Johnny went to
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school. I'm like, are you sure this is your joke? Just elongate it with facts.
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>> Yeah. >> Yeah. I used to drive a tractor. You know, one of those tractor things, you
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know, driving that tractor. >> That's good. You have a little norm. Do
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you hear that or not? You do hear that. >> I get that all the time. People say,
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"Kill yourself. You're no norm. You're the You're like Norm Light. You're
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norm." >> Did you kill yourself or you take any of that advice? Nah, not yet. Later. Not
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yet. >> For me, not for them. >> If there's a million comics, you're
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going to look like someone. You're gonna act like someone. That's just the way it
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is. I I get I get Dana at the [ __ ] >> car wash the other day. The guy goes,
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"Isn't that special?" And then he goes, "I'm sorry. I love Opportunity Knox. I
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love all your movies." And I go, "Thank you." I think Dana does the same thing.
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They think we're the >> I've aged out of our We used to got really compared a lot. Yeah.
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>> Joe. >> Yeah. Anyway, you know, we've interviewed people on this. You know, we
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we were we interviewed Shane when he was still in the clubs and he maybe had just
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put out the YouTube special and I was following your trajectory. >> So, based on the experience of this
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podcast, you'll be headlining Madison Square Garden in 11 months. >> Hey. All right. I'll take it. I just got
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to say some Asian slurs and I'm in. >> That's the trick. That's a shortcut.
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That's the thing is you go anywhere you want and it's never comes off. >> I mean I don't know you just it doesn't
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come off dark or weird or creepy. It just sort of you just flow by but you go wherever you want, right? As far as just
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topics and stuff. >> Yeah. Thanks. You know, you always hear these people like what what can you joke
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about? Can you where's the line? I think if it's got a punchline and a twist, you
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can joke about anything. And uh so I I go all in and yeah, I' I've been told
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I'm non-threatening. I'm quefyexual. >> That you're asexual. That's great. This
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is a great quality to have in a comic. You're you're unoffensive even though
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you're offensive. >> There you go. So I think people told me early like you're no one cares about
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you. You're kind of under the radar. So I said, "All right, well that's that's a
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detriment, but maybe I can use it to say horrible things." >> No. Well, you throw you throw it away
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and you make it a little innocent. You did that arm move some about you're almost sort of commenting on how dark it
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was. Well, you know, >> but it's all cheery. It's all cheery delivery.
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>> Yeah. Yeah. That's where my comedy comes from because I had to remind audiences,
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hey, comedy that we're doing. I don't actually comedy. >> Yeah. Oh, by golly. Well, I think you
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stumbled upon a really smart point. um is if Dana or I go to one of these gigs and say something too much, we we can
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step in [ __ ] quicker. But if you or Shane on the way up with Theo, you're just saying crazy things quietly in the
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clubs and then you build up an audience and they're all used to it. So it's all
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baked in. By the time other people hear about it, it's too late because you've
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already said all the stuff, everyone's accepted it and you're not like a
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corporate working for these different big places. So, no one's telling you no.
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And now that's just you. And that's a great way to do it because if I if I'm
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only on sitcoms and PG 13 movies and then out of the blue and I also do corporate gigs and I do commercials. So,
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if someone I say something, it jumps out more if that's if I'm making any sense.
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>> Sure. Sure. >> People go, "Whoa, what are you doing?" But you guys, I kind of get jealous of
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just like people go, "Hey, we we're already fans. We like this guy. Don't
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try to cancel this guy." Oh, hey, thanks. Yeah, and I think you get known for it. I mean, like Louie might be a
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bad example because he did get cancelled, but >> Louis kn not for his standup now and now
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he's back. He's got a Netflix special circle. Yeah. >> But I think if you come off like a
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Robert Shiml who's like, I'm the the bum, I'm the loser, I'm the the
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underdog. >> Shim a lot more because you set that table like this is who I am. I am the
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creep. >> Yeah, >> that's a great title for his next special. No, I I'll tell you this is
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this is a reverse compliment. >> Did you think a special called Out to Lunch would get any views,
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let alone 15 million? He got 15 million. What a funny title. Out to lunch. >> That's nuts.
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>> Thanks. Well, I got It was the pandemic. I put it out right as the pandemic hit.
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It was a complete failure because Comedy Central said no, Netflix said no, Amazon
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said no. So, I said screw it. Put it on YouTube. and it it hit because people needed content and uh you know it was
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free and all that. So I I guess the timing worked out but at the at the time I put it out I wanted to kill myself.
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>> But you shot it yourself with your own money and then tried to sell it to other
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people. >> Yeah. >> Did you shoot yourself with your own gun? >> No. You know um what about I think it's
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also you're kind of underplaying it because even though it was during co >> they have to find it. I see things on
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YouTube that are great and they have 20,000 views and you go [ __ ] how does it get to the point where it gets passed
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around enough or in the algo enough where people start going now it's at a million like that's a big deal
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>> you can't you can't time to get 15 maybe one you can't not 15 captain go that
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high >> so something's working and then you play bigger places obviously over time you do
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clubs then you start doing some theaters and that's >> a little more pressure do you feel like
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>> it's harder or is it the exact same. >> Uh, well, I think well, just to go back
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to the special, I do think it got oversaturated that what I got it in there was still new. And if you watch,
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all these specials over time have gotten less and less views just because it's
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it's not what it used to be. >> I see. >> Um, so if I put one out now, I don't
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think it would it would hit as big. So, timing is a factor. But, yeah, it sold a
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ton of tickets for me. Started doing clubs, adding shows, and we moved to theaters. But then, here's the crazy
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part. You get the Netflix hour finally and it comes out, that was in 2023, and everybody goes, "Hey, let's go see this
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guy in a theater." And now you have no material. And now you're kind of eating
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[ __ ] in a theater. Uh where people go, "Hey, this guy got a special. He sucks."
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And I go, "I know, but I'm out of material." >> Yeah. I This is the age-old, we always
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talk about this, me and Dan. Like I'm from the school of don't throw it all
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away right away. I mean, you need some tentpole laughs. They're paying a lot of
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money. And as as with a band, they only want old material. >> Yes. >> And they don't want new songs. And we
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always talk about this. And then your stand up, you're going, I want to see people do jokes I like. I want to go to
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my friends, listen to this one. And I think specials get watered down over time. And maybe myself included. I won't
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take myself out just because to work and buff out an hour, as you know, as Dana knows, is so hard to get it working.
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>> Yes. >> And to just go, let me start from scratch. It's [ __ ] so hard to get things at
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work and you got to massage them and try them out and >> and then every time you're on stage,
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it's an audition. Dana knows that you go on, you don't want to bomb, you know,
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Shane's in the back or one of your friends walks in, you're like, "Fuck, I
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don't want to do my new shit." They're like, "God, he has nothing."
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>> Chappelle thought you were good, man. >> Oh, he was here. Oh, he watched you bomb
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miserably. But uh David Tell on this podcast just we watched his special and like people who write like you you're a
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writer and you're landing like four or five laughs a minute probably at least
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>> teach >> and I'll just go gaga for like five minutes. So I don't I'm in awe of that.
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And David, he did his special was like 35 a standup and then he did some flute thing at the end
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>> because he said my god because it is like this bam bam bam and I don't know
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how you guys do it but it's uh seems like really difficult >> to to turn it you know
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>> it's a nightmare. It's a young man's game. It's so much tinkering getting
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every oh that word's not hitting. Let me shorten it off a few syllables. Let me
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change that term. But I think David Tell and I he's he's the goat in my opinion.
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But I think the we're scared of doing stories. We have such low self-esteem that I I don't feel like anyone will
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want to hang on to me with a story for >> a three minute story. Even three minutes
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are like everyone's like, "What the [ __ ] is going on?" >> I panic. So, I want to get that laugh.
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Yeah, >> I agree with you. That's very >> hard. And I like people that have
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patience up there and I see people that just, >> you know, even Nate goes slow. I like
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that. He I don't know when that started. Maybe it's always been that way, but
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they wait and his crowd is taught to wait. >> I know. I'm so jealous. And he's
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molasses, but it works. Like he just has that southern draw where you just get lulled to sleep like a big lazy boy.
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>> That's the name of his next special, Big Lazy Boy. >> My act is a big lazy boy.
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I'm kind of curious just being from the olden days uh how big standup has gotten
00:14:05
how people go to theaters then stadiums or whatever and just trying to figure out besides the comedy like I think that
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Nate's audience really relates to him and of course he's brilliant at standup
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but I I got a sense the audience really likes you and is relating to you and also you're being funny and a lot of it
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you you'd mention your wife and things like that, but there's a vibe you're
00:14:29
push pushing out. So, it's kind of interesting to watch why why someone blows up and another guy seems to have
00:14:34
just as good or woman. >> Yeah. >> Uh jokes, but is not quite, you know,
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it's fascinating sort of art form. I'm going to call it that. >> Uhhuh. Well, hey, I think you just got
00:14:45
to use what you got. Um I don't know what the hell to do. I'm just trying to
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get laughs and uh I don't want to have a message. Everybody's got a message or an
00:14:53
agenda. And I think it's refreshing when I don't know if you saw this Chris
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Fleming guy. He just put out a special. >> Yeah. It's hilarious. >> The tights jumping around.
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>> Yeah. There's no like uh point or or agenda. It's just like, hey, I'm going
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to lay on the ground for four minutes and kick my legs up and it's it's silly
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and fun and I think we need that. I mean, you know, who knows what Iran's doing right now. So, uh let's
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>> I do >> let's have a chuckle. >> I couldn't agree more. But I never
00:15:21
wanted to find be in that situation where you have a choir that has a certain point of view and then you're
00:15:26
teaching. You're and you're getting roars of laughter because you're
00:15:31
reinforcing political points of view. I like being just funny. >> Yeah. >> More than anything else is room for
00:15:38
everybody. I don't take >> I think Mark is also is there that kind of Chris Flleming
00:15:46
when he comes around if the timing is right everyone's ready for it. like they
00:15:50
just went through the kind of serious comic then the guy that has no audience and then there's all these tricks
00:15:55
because as you know specials >> are put out almost every weekend. I mean a big one like Amazon, Hulu, Netflix. So
00:16:03
to stand out and YouTube I mean it's such a blur, >> right? >> It's I'm not saying it's pointless
00:16:10
anymore. It's just hard because they if my my my manager is always like got a
00:16:15
special ready I go I just released it. He goes, "I'll make a deal right now."
00:16:19
You what? Do you hate money? Fay doesn't like money, everybody tells the office.
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I go, "No, I'm just saying I like the money. I don't want to do the work. Just
00:16:27
give me the money." >> Jeez, Dave, you can just say Jew. Come on. >> But yeah, I know what you mean. They
00:16:35
just want you to put stuff out and you go, "Hey, I'm an artist, you you douche.
00:16:38
Leave me alone. >> Don't rush Picasso." >> Right. >> So, I'm Picasso in that scenario. And uh
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so I'm like I have to work on my booger jokes. Come on. You can't rush these
00:16:48
things. >> I know. I know. Leave me be. But they want that they want that money. I'm so
00:16:53
jealous of these like like I don't know if you know Ari Shafir. He's like I'm
00:16:56
going to go to Machu Picchu for nine months and do Iaska and blow a pygmy. And then his agent's like, "All right,
00:17:04
we'll see you." And it it works out. I don't have the balls. I'm such a wuss
00:17:08
that my agent's like, "We got you $18 to play for uh Rathon. you want to do it.
00:17:14
I'm like, I'm in. >> You have to perform in front of the bombs before they get dropped. And
00:17:19
you're like, sure, whatever. >> I'm willing to look the other way.
00:17:23
>> I'm scared of adults. I'm 42 years old, but I'm still like, "Oh, this this man
00:17:27
is calling me with a tie on." >> I [ __ ] agree. My managers are more
00:17:32
like, "We want you to make money." Because it's so hard to keep the balls
00:17:36
in the air because Dana and I are both over 40. And after 40 in anything in showbiz, they're like,
00:17:44
>> "What are you kidding? Dana looks like >> Dana looks like a fresh daisy.
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>> I'm inside a ring light. You can't see the ring light." >> He lives in a ring light.
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>> Literally in a bubble of light. If you sat in my light, Mark 19. You look 19.
00:17:58
>> You look 1920. Yeah. >> It's hard. You just want to keep working
00:18:03
and you look at people that blow up quickly and you go, it's probably harder. I I sort of got known over time
00:18:12
gradually and it was weird enough but these people like the Jim Carrey thing where they get so famous like overnight
00:18:17
so [ __ ] huge and you go >> 15 years overnight you know >> I mean yeah Jim he did have Living Color
00:18:23
but to have >> Dumb and Dumber the Mask and you know Ace Venture in a row you go how do you
00:18:29
that's another level >> well yeah that's a whole explosion but just because of uh for history's sake
00:18:34
when he showed up in LA I was around he and he was at the improv and Jim was just doing pure impressions like Rich
00:18:44
Little and he would act out on Golden Palm with Henry Fonda and Katherine Heeper with perfect voices, you know,
00:18:50
>> James Dean look >> and then we know his whole evil. >> I remember that he would
00:18:55
>> well Bruce Stern and I mean he's his talent level just pure raw talent is is
00:19:01
insane. He was on like an old comedy store, Young Comedians or something, maybe by
00:19:07
Dangerfield. And I was like, this [ __ ] guy, every time he turns around, he looks exactly like he was so
00:19:13
rubberfaced. Jim Carrey, very memorable. And then you're right, Dana, he did
00:19:17
that, which I was already floored by that. >> Then in Living Color, but I think you're
00:19:22
famous. And when you do three hundred million dollar movies in a row, especially back then, that's about as
00:19:27
high as you can get as far as how do you stay what I was saying is how do you stay around for 20 30 years? And that's
00:19:34
you want to keep making money. You want to stay somewhat relevant. It's just a
00:19:37
weird biz. So my guys are like >> hopefully you can do this. Hopefully you
00:19:41
want to do this. But I'm in your same spot. Do I want to take six months off?
00:19:45
I don't even know if I know what to do. >> I know you feel worthless. Comedy is
00:19:49
really my only like selfworth. I have a child and a and a wife, but I'm like ah
00:19:54
that's >> second and third. >> Yeah. Yeah. But do you guys worry about
00:19:59
uh that's the thing about fame or making it. Once you make it, you're like, "Hey,
00:20:04
I made it. This is great. Now, how the hell do I hold on to this?" Like I I
00:20:08
used to open for Jerry and uh he would say like, "Thank God for comedians and
00:20:12
cars or I'd be irrelevant." I'm like, "Dude, your show's on 11 times a day.
00:20:16
What are you talking about?" >> 44 channels. >> I know. Jerry Let him he went back out.
00:20:23
Sorry. >> Yes, exactly. He's doing interviews. >> Lauren Michaels, one of his quotes was
00:20:28
the minute you're hot, you can feel yourself getting less hot >> and and a career is like a pendulum.
00:20:36
You're hot and it swings and then you're in the dark side of the moon and then
00:20:40
you come back. It just comes with a turf. I'm just curious about do you think Well, two things I want to know
00:20:46
about your process. Are you like Jim Gaffigan or like Jerry Seinfeld has a panic attack if that's possible because
00:20:53
he needs to get to his room and work on his stuff an hour each day every day. >> Yeah.
00:20:58
>> Jim Gaffen, brilliant. He he records everything at the and then he goes in
00:21:03
and he listens to it. The kids are sleeping and fixes. How meticulous are you or is it just from reps on stage or
00:21:11
>> Oh, I'm a psycho. I mean, I got four sets tonight in the city jumping around
00:21:15
from club to club and uh >> same set. >> Yeah, same set with new stuff filling in
00:21:21
and then I go, this line isn't working. So, I'll kind of just dissect one line
00:21:25
and go, all right, the next set just focus on that line >> and that I just do that for months and
00:21:30
months and hopefully >> it's it's gradual. >> Bill Burr told me that he doesn't write
00:21:36
it down. >> What is that? >> He does it so much. Yeah, >> but I guess that that's Yeah,
00:21:42
>> you know, I saw him the other night, Dana. He went after me. I introduced
00:21:45
him. Of course, I blew it because sometimes Mark, you ever noticed there's an MC and sometimes there's not. So, I'm
00:21:51
at the store and I go, "Good night." And no one comes out and I go, >> "What am I doing?" They go, "Bring up
00:21:56
the next guy." I go, "Who's the next guy? Is it Bill?" And then I go, I did
00:22:01
an encore because no one was back there. And so I do And then I go, "Oh, am I
00:22:04
supposed to?" So I bring Anyway, Bill comes up >> and I'm in the back. So, I watched a
00:22:09
little bit and then I like type by text like just lines I liked and then he hit me on the way home. He's like, "Oh, you
00:22:17
like that?" "Yeah, I was just working on that." And now that you tell me he
00:22:19
doesn't write it down. >> I was like writing the wording when I text it going, "This is great." Knowing
00:22:26
if I did it, I would be like, I have to remember how I said that. >> That was what made it work. The only
00:22:32
reason it works cuz you've done the bit the next night and you go, I know what
00:22:35
that is. And you go, I've done it with Heather here. And I'm like, can you
00:22:39
transcribe this because I hit it one night and now it is just not working. What did I say?
00:22:45
>> That said, that's another Jerryism. You know, something stops working. You know,
00:22:51
check the setup. >> Okay. >> Is it clear? >> I mean, he is a scientist. I was curious
00:22:56
because people were mentioning that you had Norm vibes or was he kind of one of your inspirations in a sense
00:23:05
or or who who >> So yeah, because there is some ribbing stuff. There's something in there is a
00:23:11
great thing to be influenced by. >> So anyone else besides David >> or is Norm your true nor true north
00:23:19
star? >> Uh well Norm to me is the just the funniest guy. Like his standup is great,
00:23:26
but he was funny everywhere. He's funny on the couch. He was funny on a podcast.
00:23:29
He was funny in movies, which I liked. Bill Burr has that too. Some guys are just funny on stage, but then you put
00:23:36
them on a podcast and they're kind of boring. You've you've done you've seen
00:23:40
these Norm unique and you think when he was on Conan and stuff, it's like he's he's
00:23:46
always smile was always smiling in such an intense way. Yes. like his eyes are really happy and he had these big
00:23:53
cheekbones and so it's a very potent. It's like he's laughing the whole time
00:23:58
but not out loud because he knows where he's going with it. But yeah, it's his
00:24:03
stuff. You see the YouTube clips of him on Conan and it's like uh we haven't
00:24:08
seen anything quite like it. Uh, you know, he's lucky as Conan because Conan
00:24:12
or Letterman, those guys invite a guy like Norm because they want him to be weird and a lot of people won't put up
00:24:20
with it. They just don't get it. So when you go on the view and he's weird and
00:24:23
he's talking and they're like, >> the best. >> I'm like, why are they letting this guy
00:24:26
on the [ __ ] view? Do they know anything? And then he does his thing and they're like, huh?
00:24:31
>> Yeah, I like that Bill that Bill Clinton guy, you know, he only problem he killed
00:24:36
a guy, right? Didn't he rape that one girl? Everyone's like, "Hey, whoa, whoa, whoa, whoa."
00:24:42
Barbara Walter's like, "Oh, >> I thought it was a matter of public
00:24:45
record." >> I I once had a two-hour phone conversation with Norm driving around. I
00:24:51
was driving >> and uh >> he, you know, put down his comedy kind of vibe, you know, and he had a lot of
00:25:00
frustrations with his career, you know, >> really >> a lot of lot of pilots didn't work out
00:25:04
and this guy and that and so forth and so on, you know. So he's a little frustrated, you know, cuz like he's so
00:25:11
charismatic and per he's like Norm McDonald, >> you know, probably wanted a few more
00:25:16
Norm movies or Norm TV shows, you know. >> Dana, was there was there a pilot with
00:25:21
Love it and Norm for Happy Madison >> because we'll ask him because I think it was
00:25:27
about a mayor. >> I do remember hearing this and >> somebody pulled the plug on it, but I
00:25:33
think they wanted to do it. Something weird happened. But that that's the hard
00:25:36
thing is like Norm is tough. He was tough to book cuz he wouldn't sometimes he wouldn't come or he would walk people
00:25:45
and you know as a manager we have the same manager Gervitz of course he's norm
00:25:50
too he's like norm I don't know you never know because one time he was I
00:25:54
told this story but we were on the road with Sandler and >> you know Mark I think Sam did I one with
00:26:00
us >> you know he rotates some people in >> just to make it more fun. So,
00:26:05
>> in the old days, Norman went on and then and we're in Seattle or something and he
00:26:10
and he just walks everybody and then well the ones that don't want to wait for Sandler like I can't take this. It's
00:26:17
excruciating. And then when he gets off, Schneider is MC and goes there's Nor
00:26:21
McDonald. You never know which Norm you're going to get and tonight you got that one.
00:26:27
>> And then Norm is on the group chat going hey what the [ __ ] did Schneider just
00:26:30
say? Just so people understand, >> it's so true though. >> Just so people understand who are
00:26:36
listening, if you say the How did the comedian do? Uh, he walked the audience. >> That they Well, what do you mean? Well,
00:26:45
they left. >> They got up and left the room. Oh, yeah. >> And And uh
00:26:51
>> they stop laughing for a while. The comedian does not change gears at all.
00:26:56
He keeps going and they finally go, "I can't take it. I'm forfeiting this and
00:27:01
leaving voluntarily. >> Well, he's >> If I see one person go to the bathroom,
00:27:05
if you see someone go to the bathroom, don't you go, >> "Well, [ __ ] They're leaving."
00:27:09
>> Of course, I want to kill myself. It's the worst feeling ever. >> Exactly.
00:27:13
>> I don't have the He was so strong. He was such a tough guy. He doesn't get his
00:27:16
due. I mean, the whole cancer thing, he hid that for years. I mean, most people would have used that. They would have
00:27:21
been like, "Here, I'm the victim. Let me uh spin this into a a TED talk." you
00:27:26
know, >> still a end of life tour. >> Yes, exactly. He just kept it quiet like
00:27:32
the integrity that takes >> just uh being very very personal at least online. I just noticed how
00:27:39
>> so it's so monetizing if you really share every disease or every negative
00:27:44
weird thing in your life. And um >> oh, you got molested. Oh, aren't you
00:27:50
special? Yeah. Yeah. Move on. Could you say could you say that but say well isn't that special
00:27:58
>> and got molested but Nor >> No, Norm was just [ __ ] funny. >> He had a good joke about cancer.
00:28:05
>> Remember that when he says what was it? >> Everyone always says >> this guy lost the battle with cancer. He
00:28:12
goes I think it was a tie. >> I think cancer died with the guy. >> Yeah.
00:28:18
>> Cancer's not standing there going >> right. I something like that and I was
00:28:22
like, "God, that's a smart way to look at it." >> Yeah. His dad
00:28:25
>> saying the joke while he has it, by the way. >> He's like, "My dad, your dad's in a
00:28:28
better place." He's like, "He's on the floor." >> Right. Norm joke. But he was funny
00:28:33
everywhere. And he's what a comedian is to me. So when the view is like, "Hey,
00:28:37
Norm, what are you doing?" I'm like, "He's being Norm. He's the guy you
00:28:40
booked." >> Yeah. That's the hard >> he's just got a bigger grin on his face.
00:28:44
The manner they would get, he just has this huge smile. >> He's also his secret weapon. this
00:28:50
greatlooking guy. As a guy, I didn't know. And all these women were like, "He
00:28:53
looks like Paul Newman." I'm like, "He does." >> I'm not usually studying guys, but now I
00:28:58
do. And uh he was really look maxing. >> Yeah. Yeah. Nice. Nice. Way to >> hit the youth.
00:29:05
>> Clav, dude. Clavicle. >> So, um >> Oh, are you guys working on AI with all
00:29:12
this? >> Yeah, we're not here. >> No. Uh what are we doing with AI? What
00:29:18
do you Oh, I had a question about the moon. I heard you talking about the moon. >> Oh, I got [ __ ] for that one.
00:29:23
>> What did you say? >> Really? >> Let me hear it. Let me hear the joke.
00:29:26
>> I mean, I just went the I was riffing on stage about the moon and uh somebody
00:29:30
brought it up in the crowd and I said, "Well, they had a a first black astronaut. This is so cool." But they're
00:29:35
just going around the moon. They're not letting them on the moon, which I thought was messed up, but it might hurt
00:29:40
the property value. And then I said, "Of course they make the black guy do a
00:29:44
driveby." And uh I say, "Let him on the moon. I want to see that guy jump. Can
00:29:49
you imagine that moon jump? Uh then I call it moon team. So we had some good times
00:29:56
>> and that you got grief for that. How online people >> Yeah. The black community was uh pushing
00:30:01
back and I said I'm just joking around. I think it's great. He's on the moon.
00:30:04
I'm a comedian. I'm I'm just zinging and zanging. I make fun of honks. I make fun
00:30:09
of Jews. You know >> honks. >> Now it's your turn. >> I don't like it when you make fun of
00:30:14
honks. So I get it. Sorry. >> You're like any joke where I don't say a
00:30:19
specific race, it's a honky. >> So, just know they're taking the most
00:30:24
beating. Yeah. I saw the moon drive by. I guess it was just a a slingshot because I saw a funny meme where it goes
00:30:33
the moon's like this and you hear, "Hey, you hear a rap song and then it goes
00:30:37
away." Like it's just someone driving by and you go and the moon's like this.
00:30:40
Wait, it's been 20, 40 years, 50 years, >> and they're just driving by and beeping
00:30:46
or something. I don't know. >> That's funny. >> Five years from now, those astronauts
00:30:51
are going to be at a cottail party and the conversation will be like, "No, seriously, dude. You did you didn't land
00:30:57
on the moon, >> right? I got close." >> The big question is, does that get you
00:31:01
any [ __ ] And I know everyone's thinking this, but going to the moon, yes. driving by. Is it a shoulder
00:31:07
shrugger or do people go, "Hey, you know, that's cool. That's It's like the
00:31:12
girls that went up in space and they go, "No, no, no. It's not. No, we went
00:31:15
farther." And they're like, "Right, all you guys went up and came down."
00:31:18
>> Yeah. >> Like, quit quit putting us with the origin. >> They're like, "You, Katy Perry, you guys
00:31:25
all were they on your flight?" He's like, "No, these are two different
00:31:28
things." >> Yeah. Why did Katy Perry need to go to space? I mean, uh, we tried to send
00:31:33
Lizo. We didn't have the fuel, but um >> Don't put your hand in your chin.
00:31:38
That was funny. We didn't have the fuel. Anyway, >> Brian Rean do a whole album I walked on
00:31:44
the moon or something. >> Anyway, that's funny. >> Yeah. No, it's all fun. It's all fodder.
00:31:49
That's what's great about the news. It's all you can do 18 gay Ayatollah jokes.
00:31:53
It It never ends. >> Well, a a comedian can't be offended. We we're incapable of
00:31:59
being offended, I think, because we we know it's a joke. We've heard everything. We understand it. When
00:32:05
comedians are off camera or hanging out trying to top each other with the most foul, politically incorrect thing you
00:32:12
can say, >> that's, you know, so we're we can't >> it leaks out. Dana is right. It leaks
00:32:16
out. But like if I said something you guys and you guys laughed, like if we were at lunch and I go, "Oh." And then I
00:32:23
say it my act and everyone goes, "What the fuck?" And then you go, >> "Right,
00:32:26
>> oh, those guys. I just This was funny a minute ago." And then they go, "No,
00:32:30
that's with your filthy comedian friends." I'm like, "Oh, yeah. I guess
00:32:34
so." >> Right. >> I do. Do Do you Do you have bits you do only for other comedians that are so
00:32:40
foul you don't have to repeat, but I used to do Bert Lancaster and Kirk Douglas having sex?
00:32:46
>> And that was the writer room at SNL would say, "Can you come in here and do
00:32:50
that for us again?" just have kind of 2 a.m. >> I want you. >> Patrice said it years ago. He said, "Any
00:32:58
any man who tells me something is inappropriate to talk about, I immediately have lost respect for." And
00:33:05
uh I find it weird that some comedians don't like, you know, whatever problematic humor, but I'm like, it's
00:33:12
just us. Like my text thread, if you saw my text thread with a couple comics, I would go right to the goolog.
00:33:18
>> Go to prison. Yeah. >> Oh, yeah. Because uh part of being funny or what's funny is saying the thing you
00:33:24
just can't possibly say. >> Yeah. >> Don't No one should ever say that. So of
00:33:29
course a comedian wants to say it, but you know >> well you want to outdo the other
00:33:34
comedian. You want to be like I this is isn't this horrible what I just thought.
00:33:38
>> Yeah. We're messing around. We're not doing the things. You know we're not
00:33:41
doing the things. >> It's never like against you. If there was any hate under it, it would be
00:33:47
different. You go. I'm just saying stupid [ __ ] to try to be funny. >> I made a pedophile joke, but Bill
00:33:53
Clinton is is reminiscing over old photos. He's having a great time. So, like, let's get more mad at Bill.
00:33:58
>> It was funny that he was he was [ __ ] gaggling looking like at his memories on
00:34:03
his iPhone. >> Yeah. >> He's like, "Oh, these were the days."
00:34:07
>> Yeah, I remember that day. >> No, the picture of him. Was it the hot
00:34:10
tub or the swimming pool? And >> oh, that was >> I heard him I heard him leafing through
00:34:15
the photo book. I was only in there for about 5 minutes. I just swam around a little bit and nothing happened. I mean,
00:34:22
>> I farted. We were laughing at the bubbles >> just at some point. Can we Yeah. Will it
00:34:27
ever end? I mean, Hillary is just like, >> "Dude, I like when they talk about the
00:34:31
Epstein files and I look and they go and about every day on Instagram, someone's
00:34:35
reading another email that's so horrible and I go, "Where's that guy?" Like I
00:34:41
don't know if it's like illegal writing an email or that there's something where
00:34:45
you go >> this guy something was going on the [ __ ] they say and then >> you never hear like did they did he get
00:34:53
scolded maybe a slap on the wrist anything? No. >> No. And and you got to hand it to
00:34:58
Hillary because uh Bill Gates's wife left toot sweet. She was like you're
00:35:01
involved in this guy. I'm out of here. Hillary's like hold my beer. I mean I'll
00:35:05
tell you about Monica. I'll tell you about everything. Bill Gates wife was like, "I'm gonna take 80 billion and get
00:35:12
the hell out of Dodge." >> She goes, "I'm the bravest woman you've
00:35:15
ever seen. Me, my backpack, and 70 billion." >> Yeah. >> On my own.
00:35:22
>> I think all the richest women in America, it's all divorce. >> Uh, what was their name? Basos's ex.
00:35:29
>> Look at your jar glass. Jesus Christ. See that? >> I don't want to keep refilling, so I
00:35:33
just get a giant. Is it the um the bullet? Oh, it's the upside down bullet. >> Yeah, biggest cup I have.
00:35:41
>> What a good eye, Spade. Good eye. Is that a Q card on your door? >> Oh, yeah. That's an old Conan. I have
00:35:46
all those. Uh, look, look at this wall I got here. I'll walk you around. >> Look, the wall of fame. Look at this
00:35:52
[ __ ] >> Look at this. Norm. That's a Norm. >> Oh, is that Bert Reynolds?
00:35:58
>> What is that when you did Bert Reynolds? >> Yes. Yes. And then with Carlin.
00:36:03
>> Oh, you just saw Carlin. Wow. George. >> I met him at a book signing. Nice Joan
00:36:09
Rivers there. >> You ever seen Blue Foot? >> Joan Rivers. >> Blue.
00:36:15
>> Liz Taylor, can we talk dog? Everybody needs set the bullet. >> Is that your set, Liz?
00:36:22
>> Yeah. Nerd. >> Oh, you missed it. >> I saw Gabe porn in the middle there.
00:36:29
>> That's a bunch of >> Oh, that's so funny. functioning alcoholic
00:36:35
>> big nerd. >> I used to say I used to say this no this Mark I go my friend goes
00:36:40
>> who's that >> Fallon >> is that Fallon coming in. Hey soon
00:36:45
>> hey be insane Jimmy >> love how many fallons do we got? >> Four.
00:36:55
>> Okay I have a legitimate question. You have gone broen how many times? Well, we have a thing called Protect Our
00:37:01
Parks where we go on and just get drunk with Shane and Ari and uh just joke around for four hours. So, I think we've
00:37:09
done 11 of those or 12. >> [ __ ] hilarious. That's a great idea. Uh all the great
00:37:13
>> Who's in that gang? You, Shane, who else? >> Ari Shafir and and Joe. And it's just it
00:37:18
we we used to listen to Open Anthony and all these other crazy radio shows and those have kind of gone away. So he
00:37:24
said, "Let's just dick around, be idiots, say horrible things, get drunk,
00:37:28
do mushrooms, smoke cigars, and just be a bunch of dudes." >> That should be the number one rated
00:37:33
show. It probably is, actually. Uh >> do mushrooms. >> When you go, >> does Joe move the needle? Do you plug
00:37:40
gigs or is it That's got to be at least some push for something. It's the
00:37:44
biggest >> that sells crazy tickets. And we're we're just literally making fun of each
00:37:50
other. gay jokes, fat jokes, and mushrooms. And >> yeah, >> you know, one Ari puked on one, Joe
00:37:57
whipped it out on one. Uh, you know, >> I I had a meltdown on mushrooms and
00:38:02
puked all over the mother ship. So, yeah, it's it's a wild >> way from I Love Lucy.
00:38:09
>> What? >> It's a long way since I Love Lucy was that was entertainment.
00:38:13
>> So, I understand you take hallucinogenics, you vomit, and expose yourselves to each other. Sounds like a
00:38:18
great time, Ed. Yeah. Oh, yeah. >> Ed, can I see your I haven't seen your
00:38:23
dick recently. >> So, when you're 8, 10 years old, are you uh one of those young people is like
00:38:34
seeing comics on television or whatever and thinking maybe or did it come to you
00:38:39
later? When did it hit you? Maybe I'm going to do this. >> Well, I got no self-worth. So, I was
00:38:44
obsessed with comedy. I was obsessed with Groucho and Bill Murray and uh >> and then I never thought I could do
00:38:54
this. It was like you'd see Steve Martin on TV, you'd see Bill Cosby and you're
00:38:58
like, "That's like an astronaut. I can never get there." >> Of course. Of course.
00:39:02
>> Agreed. >> Failed out of college three times, three different colleges. And I had such
00:39:08
little going on that I said, "Screw it. I'll try an open mic." And I immediately
00:39:11
fell in love with it. And uh I moved to New York and the rest is history. Got mugged three times. Got bed bugs. That
00:39:18
city tries to spit you out. But uh >> then the bed bugs mugged me. Jesus. >> Yeah.
00:39:23
>> Where did you Was it after doing a club date like in 1:00 a.m. or something? I
00:39:28
mean I lived there eight years. I never got mugged. >> Really? >> Mugged? You're saying someone's going to
00:39:34
beat you up and take your money? What? What's What was it exactly? >> What is a mugging?
00:39:38
>> Well, three time. But again, I lived out in Brooklyn, like way out, and I was
00:39:42
also an alcoholic. So, I was in a blackout. Most >> two of the three times I got mugged, I
00:39:48
was blacked out, drunk, sleeping on the street. >> So, now I understand. Thanks for the
00:39:55
clarification. >> Would they pull a knife on you or do they just beat you up and say, "Give us
00:39:58
your shit?" >> If you're blacked out, they just >> It was bad. I was like Tiger Woods
00:40:03
without the car. I was just stumbling down the street. But I just uh one time I fell asleep on the subway and I woke
00:40:09
up and a guy had cut my pockets with an X-acto knife. Um >> Geez. >> So that was that was pretty harmless. He
00:40:16
got my keys, my wallet, my jokebook. It was crazy. My phone >> one time. >> What if he's doing your act?
00:40:23
>> Yeah, that's I was going to say. >> I know he Yeah. >> I can't believe Jake Johansson would do
00:40:30
that to you. >> Wait, what's your What was the third time? You said one time something.
00:40:34
>> Well, one time I fell asleep. I was drunk at a bar called Rudies and I walk
00:40:37
home or I'm I'm walking down 8th Avenue in Hell's Kitchen and I see a little al
00:40:42
cove like a doorway three steps down and I said, "Let me just take a nap there
00:40:46
for like half an hour and then I'll go home." Because I lived way out in
00:40:50
Brooklyn. It was a long ride. >> So I fell asleep in this little el cove and I woke up to three guys going
00:40:55
through my [ __ ] So I tried TO BE LIKE, "AH, WHAT ARE YOU DOING?" AND THEN ONE
00:40:59
of them goes, "He's waking up." And he hit me and I went out again. Took
00:41:01
everything. >> [ __ ] a. And then one, the craziest is the third time fell asleep on the train.
00:41:08
Woke up way past my stop and I said, "Screw it. It's a nice night. I'll walk
00:41:12
it back to my apartment." >> Deep Brooklyn. I see five guys on the corner shooting dice, drinking 40s,
00:41:18
listening to music out of a out of a central casting. >> This is like a movie. You walk up like
00:41:23
Steve Martin. Hey, black guys. What's happening? >> Hey Jive, brother.
00:41:29
Um, and I see them and I cross the street. street. I'm like, I'm going to
00:41:33
walk on the other side of the street. They look pretty shady. >> And an older guy comes up to me and I
00:41:38
had an iPod at the time. And he goes, "Give me that radio." And I was so
00:41:42
drunk. I was like, "It's not a radio. It's an MP3 player." And he goes, "All
00:41:46
right." He yanks it. So I'm yank. We're both yanking the cord. He picks me up,
00:41:50
starts slamming me against the uh business with the the metal gate that closes. >> Oh, yeah.
00:41:55
>> And I'm freaking out. And before I know it, those five guys run over and beat
00:41:59
the hell out of them. >> Oh, really? They did. >> You can't judge.
00:42:03
>> Saviors, don't judge. >> Yeah. And I grabbed my iPod. I said,
00:42:07
"Thank you." And I ran home. >> Wow. What is your height and weight? I
00:42:11
mean, you look pretty big on stage. I mean, for someone to just pick you up, they must be pretty pretty.
00:42:17
>> You're skinny, though. >> I'm skinny. I'm 5'10. I'm I'm not that
00:42:20
big. I'm a thin guy. >> You know what's a good noise? When they hit you against that steel, it goes,
00:42:26
>> "Yeah, it's thunderous." Um, I think uh I talked to a cop later and he said
00:42:30
those were drug dealers and they can't have a white kid getting killed in the
00:42:34
neighborhood. That's bad for business. >> Oh, really? >> They picked him.
00:42:38
>> Oh, I love it. They don't want any trouble in there. Oh, I love they don't
00:42:41
want >> I did have one experience a little bit like that in New York and I was, you
00:42:45
know, up against a great and this guy was grabbing me and like that and I said, "Lorn, please."
00:42:51
>> So, it was Lauren Michael. >> Lauren, I'll do church lady. Um, you're really not. You're you're he
00:42:59
Lauren's nickname for me was he's a [ __ ] show pony cuz I'd be out there.
00:43:05
>> Guilt see how it's charged, sir. >> It works. >> Hey, your special that the What was the
00:43:12
special called where you did the every time a guy changes chords, he makes a different face. The Ross Perau.
00:43:19
>> Yeah. I don't know. >> What was that title? Come on. Well, I did the first one was
00:43:25
>> Comedy Central >> Critics's Choice >> and this was before online stuff. So, my
00:43:31
sister every time it would come on she got Critics's Choice again. She thought
00:43:36
it was an award that I got. And then there was one, it was a ridiculous title, Squatting Monkeys Tell No Lies.
00:43:43
>> Uhhuh. >> And then the most recent one, I don't know why I named it this, it was stupid,
00:43:47
but straight white male 60. That's cuz no industry wants that. >> Put those three together and then we
00:43:55
would have the one-third the amount of jokes you landed in None Too Pleased. >> That special that special was huge for
00:44:03
me. >> Absolut. Well, that's good. I I you know, there's people there's 15 year
00:44:08
olds, men and women watching or boys and girls watching your special right now. >> Yeah.
00:44:13
>> Going I I might want to do that. It still is a fever dream just that this is
00:44:18
your job. >> Yeah. This is what you're doing. Your dreams came true. You're making good
00:44:22
money. I looked at your, you know, you're making good money. >> Your bank account,
00:44:28
this is your job. >> Well, it's all about the next thing, the next special. I remember the first time
00:44:33
I made a million dollars >> and with all the agents and managers and they're like, "Okay, you made a million.
00:44:39
Now, let's go on to these tour." I go, "Wait a minute. Can we just take a
00:44:43
second to say I made a [ __ ] million dollars?" So, if you talk to your younger self, you know, your 23-year-old
00:44:51
self, you know, >> you'd be like, "It's going to be okay, man."
00:44:55
>> All right. Thank you. It feels like being a mailman where you you put the
00:44:58
mail out, then you show up the next day and they're like, "We got a lot more
00:45:00
mail." >> Like, God, it never ends. >> You never It's like Groundhog's Day.
00:45:04
Yeah. You just go, "I didn't did I get anything done today." And you feel like
00:45:08
you're always feel like you're getting too old. I used Of course, every day.
00:45:12
When I was 30, I'm like, I didn't even do enough when I was by 30. I want to do
00:45:15
more and more and more and everything takes so much time and every agent says it's pretty slow right now. They're not
00:45:22
doing much. >> Our job is part of our job is when people see you on a screen or something,
00:45:28
it kind of looks like you're not really working, >> right? >> And a lot of the work is when you're not
00:45:33
on camera and it's this weight. I mean, I felt it. I talked to Dennis Miller
00:45:37
about that when I first sort of committed to this and it was my job. I was making 600 a month. just this little
00:45:43
bit of weight and I still have it like I got to write another joke or I better David and I are going to play this
00:45:49
theater and >> it's just it's just a interesting mind game. >> You always want to do good or you might
00:45:54
be out. >> Yes. So it's this double whammy of like got to have quant quality but also
00:46:00
content and now everybody wants more content than ever. The the hunger for content.
00:46:05
>> Do you do you do crowd stuff online on like Instagram? I only I I hate where
00:46:12
you from, what do you do? Uh how long you guys been together? I can't stand all that [ __ ] So, I just do um
00:46:18
>> What race are you? >> What What's your least favorite race? >> I just do um show shout out some news
00:46:26
stuff. So, then the moon or they shout out Iran and I can go off on that and that's my clip. Just
00:46:33
>> And so, you do want clips to push gigs to get people in the door. Okay.
00:46:38
>> That That's the name of the game now. It's It's a nightmare, but the clips
00:46:41
really spread like herpes. And that that can uh save your tickets >> because we can't put out a special every
00:46:48
week. >> I know. And you material to get them to see your special, >> right? Right.
00:46:53
>> Horrible. Yeah. >> Damn. So, let's talk about None Too Please because that's why you're here.
00:47:00
>> It's on Netflix. It's number six or seven or eight. I mean, it's I looked at
00:47:05
it the the comedy or whatever. doing extremely well. >> Hey, thanks. We're We got lucky.
00:47:11
>> Yeah. >> Got lucky. You've worked your way off. >> I can't take a compliment. And now today
00:47:17
I'm like, >> I understand. You're That's why you're gonna You're going to keep getting
00:47:20
better. >> I know. The next day they're like, "Congratulations, you're in the top 10.
00:47:26
You got a new act yet?" >> Exactly. >> Tell some jokes. You got funny. Tell
00:47:32
some jokes. >> I thought it looked good. I like the the lighting. I like the way it was shot in
00:47:36
the size of the theater. >> Thanks. Yeah, Boulder Theater. It was a New Orleans themed.
00:47:42
>> That was the uh >> from New Orleans and it was in Boulder. >> Well, the the the green, yellow, and
00:47:48
purple is all New Orleans colored. It was New Orleans music. So, I tried to show a little love to the hometown. But
00:47:53
yeah, thank you. I I really uh pinched some pennies on the last one and I think it hurt me. So So this one I really put
00:48:00
some money into it. >> The money that no one sees. Yes. >> They're like, they're like, "Do you want
00:48:06
to pay for a big blue light?" I'm like, "I don't give a [ __ ] Give me a black
00:48:10
curtain. How about that?" >> I know. I know. >> Okay. We We have 11 cameras.
00:48:15
What? Yeah. We're going to have 11 angles on you. You know, >> usually, Dana, they go, "Here's how much
00:48:21
you're going to get." And they go, "That's good. And now you have to go pay
00:48:24
for it." That's >> They got us by the balls. It's pretty impressive. It's genius because they
00:48:29
know the They have the eyeballs. >> Yeah. Yeah. Did you have a moment in your career so far where afterwards you
00:48:35
were just high as a kite? Because I know you're kind of self-deprecating and
00:48:38
you're pushing yourself like better, better, more, more, more. Do you have any kind of moment you're like, "Fuck, I
00:48:43
landed that." >> Yeah. Yeah. For sure. You get the little wins because everybody thinks, "Oh, you
00:48:49
got a Netflix special. You must be ecstatic." And I'm like, "Now, now I'm
00:48:52
worried about it doing well. I'm worried about uh killing." And >> a movie that you might do with Sam. All
00:49:01
right. Well, we're all over the place now. Hold on. Uh uh. >> Yeah. Me and Sam wrote a movie and we
00:49:06
got a backer. We got financing. So, we're hoping to shoot this summer. >> Interesting. Because, you know, David
00:49:14
has a movie coming out that he did. >> Bus Boys. >> Bus Boys. >> That's gonna be big.
00:49:20
>> I think it's the same director. So, that's why I knew about it.
00:49:23
>> Oh, Jonah. >> Jonah. Yeah. >> He's a good egg. >> So, I think I think he told me it would
00:49:29
be probably around New York. Is that what it is? >> Yeah, we're going to shoot in New Jersey
00:49:32
to save a couple bucks. But uh >> Oh, that's better than Yeah. Yeah. >> Yeah.
00:49:37
>> No, that that's okay. Everything's about saving and what's the best way because
00:49:42
all people want to do is really focus on are you guys funny? At the end of the day, same with Buzz Boys. Is the movie
00:49:48
funny? I don't care what the dishes are in the background. I don't It's just
00:49:52
>> go try to be funny. And it's even that's really hard. And uh but it's a it's a
00:49:58
fun thing to do because it's you guys. I think you'll have fun doing it because
00:50:01
it's just one more challenge. >> Yeah. And >> we didn't get the money we wanted. We
00:50:06
wanted this amount of money. We got about half of that. So we just went back into the script and made all right,
00:50:11
let's make the warehouse on the sidewalk. Let's make the yacht in a cab.
00:50:15
Let's make the, >> you know, the airplane in an Uber. >> Let's make Fresno Afghanistan.
00:50:23
>> Let's make the Statue of Liberty. 10 pole things I would say. >> One is uh make sure you have some some
00:50:30
um things that would work if the sound was broke. >> You know, >> funny with the funny with the sound off.
00:50:37
Make sure >> Good point >> that in that you're it's tracking that
00:50:41
no one has to think where are we now? You know the clarity of each what the what's going on. That's all clarity
00:50:49
funny with the sound off. And then, you know, when you have your final read through, make sure you click off
00:50:54
surefire killers and you got six of them set pieces. >> That's good advice.
00:51:00
>> Put everyone in the trailer and then the movie will just go flat. Now, that's a hard part. I mean, even
00:51:06
doing ours, we think we're so [ __ ] hilarious, but it's so hard to make
00:51:10
scenes work. Then you're you're a slave to the [ __ ] plot. And like our plot
00:51:16
is as wispy as you can get. So people understand they want to be waiters, but they're losers. It's like, we got it. So
00:51:25
turn down the volume and then just go, okay, it looks like they're doing something funny here. I'll turn it up
00:51:30
again. >> I have one more piece, one more piece of advice. >> Um, originality, this is not an
00:51:38
absolute. Originality is the death of creativity. You want to make sure that you let The Hangover or whatever or
00:51:45
Tropic Thunder or these classic Will Ferrell comedies, let them wash over you. You know, they're not starting from
00:51:52
scratch. It's not copying, but allow yourself to be influenced by things that
00:51:57
you loved and then you do it in your own way. But if you try to reinvent the wheel completely, so you know, it's like
00:52:04
if you were going to remake an Agatha Christie movie, but you wouldn't it wouldn't be exactly like that. they're
00:52:09
being murdered, the lights go out. So, just allow yourself to be influenced. Look back at those movies and don't
00:52:15
think you're copying. >> Spend a lot of time looking at Wayne's World. One
00:52:20
>> that way. >> I've watched I watched all those rewatched all those just to
00:52:25
>> Yeah. taste. >> It's also new eyes because you're going why is this funny? When do they do an
00:52:31
act break? How are they going to bring together? I saw Anaconda on the plane with Jackpot and it was pretty pretty
00:52:38
well done because now I just did it and I was more involved. I'm like, how much
00:52:42
is that set? Where are they going? Is that doubling for this? How much was this person? Oh, that cast member did
00:52:47
this much stuff and a lot of stuff was landing and it was pretty simple to understand and they had some twists and
00:52:54
I was like, "Oh, I didn't see that coming. That's good." So, overall I was
00:52:57
like, "This is pretty good." And it looked that had a bigger budget. Obviously, they have big stars.
00:53:02
>> Yeah. >> But, uh, That was good. >> I think great. >> Yeah. I mean, it's like there this
00:53:09
director old timey Gary Marshall and he did a movie because script supervisor was on Wayne's World. He did a movie and
00:53:15
it just didn't work at all. He had started Happy Days. His next movie was Pretty Woman, which was a massive hit.
00:53:23
And I said, >> "How to the script supervisor. How did he get so much better?" She goes, "Well,
00:53:28
you know, just learned." So, it's almost like you want to make the movie in your
00:53:34
head or storyboard ahead of time, like learn because you always look back and go, "Oh, we could have done it that way
00:53:41
or this way or that way," which is hard the first one. So, I'm I'm only telling
00:53:45
you this because in case it's slightly useful, you probably thought of all of
00:53:49
it, but um >> we'll think anything. >> It's fun. I mean, if you love movies,
00:53:54
movies are just fun. They're hard work, but I love them when they work. >> Yeah. and they're they're falling by the
00:53:59
wayside. We used to get like five six comedies a year in the 90s and now it's
00:54:04
just like >> few and far between. >> Rated is hard to come. >> Yes. I think Tik Tok and memes have uh
00:54:12
picked up a lot of slack and I think executives are just nervous about making a certain movie or a certain theme and
00:54:21
uh so we're trying to go around them. But >> I think people are craving it. I mean,
00:54:25
Bus Boys is going to be a hit. I can tell. And you know the Joe Dirts, all these movies we we grew up loving. So
00:54:31
like I saw Wayne's World 2 in the theater. >> Yeah. [ __ ] yeah. >> Big silly silly movies. Yeah, I do
00:54:38
think. And it's maybe pretty much a cliche, but uh people probably are craving it in a way. Can I go in and
00:54:45
just laugh my ass off and just relax and not escape? >> I think executives Well, we we the DVD
00:54:53
sales are gone now, so you lose all that and that that hurt it. But I think executives are just like they they love
00:54:59
an office space. They you bring it up to them at a cocktail party, they go, "I
00:55:03
love that movie." And you go, "You want to make one just like it?" And they go,
00:55:05
"Well, no one's going to see that." >> So, >> it is hard. I think they're frozen.
00:55:11
They're like, they want to do it, no one wants to get fired, so no one's making
00:55:15
big moves. They're like, >> I just I could push it off or redevelop it and develop it until I just don't get
00:55:20
fired because what if it comes out >> and offends people? Then I'm out, you
00:55:24
know? Exactly. A little bit of it. >> There's always the oldfashioned mock
00:55:28
documentary which costs like five cents. >> Camera. >> Yeah. >> Well, Mark, we appreciate you coming on,
00:55:36
buddy. >> None too pleased on Netflix. Check them out. It's been a pleasure.
00:55:42
>> I'm gonna I'm gonna keep an eye on you. >> I'm gonna watch your trajectory because
00:55:47
you're >> Thank you. It's an honor. You guys are both uh big fans and Take the Hit was
00:55:52
huge for me and all that. So, uh, hey, and don't forget Police Academy. >> I do.
00:55:58
>> Yeah, >> I would love that. >> No one's mentioned that before. That's
00:56:01
great. What a day. >> Police was so much [ __ ] fun. Oh my god, I was innocent.
00:56:08
>> You see how hot Sharon Stone was in it? >> Oh, unreal. >> I was like, who? And she was so nice on
00:56:15
it. >> Now she looks like you. But uh, yeah, I'm just gonna I'd still go down on her.
00:56:21
>> We're both offended. Thank you. >> See, that's the thing. You back your
00:56:25
thing in your double tank. Of course. I'm just kidding. And then Yeah, it's jokes. It's comedy.
00:56:32
>> We got to talk skateboarding one day. Uh Spade, but >> Oh, are you a skater? Okay. Yeah.
00:56:36
>> I skated for years. >> Oh, [ __ ] Yes. Are do you know Whitney's
00:56:40
husband? >> Yes. Chris Cole. He's a killer. He's He rips. >> Yeah. Uh Okay, buddy. All right.
00:56:52
Hey guys, if you're loving this podcast, which you are, be sure to click follow
00:56:56
on your favorite podcast app. Give us a review, fivestar rating, and maybe even share an episode that you've loved with
00:57:03
a friend. If you're watching this episode on YouTube, please subscribe. We're on video now.
00:57:08
>> Fly on the Wall is presented by Odyssey, an executive produced by Danny Carvey
00:57:12
and David Spade, Heather Santoro, and Greg Holtzman, Mattie Sprung Kaiser, and Leah Reese Dennis of Odyssey. Our senior
00:57:19
producer is Greg Holtzman and the show is produced and edited by Phil Sweet Tech. Booking by Cultivated
00:57:26
Entertainment. >> Special thanks to Patrick Fogerty, Evan Cox, Mora Curran, Melissa Wester,
00:57:34
Hillary Shuff, Eric Donnelly, Colin Gainner, Shawn Cherry, Kurt Courtourtney, and Lauren Vieiraa. Reach
00:57:42
out with us any questions to be asked and answered on the show. You can email us at fly onthewala.com.
00:57:49
That's audacy.com.

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This episode stands out for the following:

  • 60
    Funniest

Episode Highlights

  • The Impact of Timing in Comedy
    Mark discusses how timing affects the success of comedy specials.
    “Timing is a factor.”
    @ 10m 55s
    April 23, 2026
  • Mark Norman's Comedy Journey
    Mark Norman shares his experiences and challenges in the comedy world, from writing to performing.
    “It’s just hard to get things at work and you got to massage them.”
    @ 12m 02s
    April 23, 2026
  • The Pressure of Standup Comedy
    The conversation dives into the pressures comedians face when performing new material.
    “Every time you’re on stage, it’s an audition.”
    @ 12m 07s
    April 23, 2026
  • The Pressure of Fame
    Once you make it, the real challenge is holding on to that success.
    “Once you make it, you're like, "Hey, I made it. Now, how the hell do I hold on to this?"”
    @ 20m 02s
    April 23, 2026
  • Norm Macdonald's Unique Humor
    Norm was funny everywhere, not just on stage.
    “Norm was just [ __ ] funny.”
    @ 28m 01s
    April 23, 2026
  • Bill Clinton's Nostalgia
    A humorous take on Bill Clinton reminiscing while facing serious allegations.
    “"I made a pedophile joke, but Bill Clinton is reminiscing over old photos."”
    @ 33m 51s
    April 23, 2026
  • Accountability Question
    A rhetorical question that underscores the lack of accountability in high places.
    “"You never hear like did they did he get scolded maybe a slap on the wrist?"”
    @ 34m 50s
    April 23, 2026
  • The Richest Women
    A sharp observation on wealth and divorce among powerful women.
    “"I think all the richest women in America, it's all divorce."”
    @ 35m 22s
    April 23, 2026
  • Open Mic Revelation
    A candid moment about the journey into comedy and self-discovery.
    “"I had such little going on that I said, 'Screw it. I'll try an open mic.'"”
    @ 39m 08s
    April 23, 2026
  • Understanding Compliments
    A relatable moment about the struggle with accepting success and compliments.
    “"I can't take a compliment. And now today I'm like, I understand."”
    @ 47m 14s
    April 23, 2026
  • The Challenge of Originality
    Originality can stifle creativity; embrace influences from classic comedies instead.
    “Originality is the death of creativity.”
    @ 51m 38s
    April 23, 2026
  • Craving Comedy
    There's a growing desire for comedies that allow audiences to relax and laugh.
    “People are craving it. Can I go in and just laugh my ass off?”
    @ 54m 43s
    April 23, 2026

Episode Quotes

  • If there’s a million comics, you’re going to look like someone.
    Mark Normand Might Just Be Norm Macdonald Light
  • I’m Picasso in that scenario.
    Mark Normand Might Just Be Norm Macdonald Light
  • He just kept it quiet like the integrity that takes.
    Mark Normand Might Just Be Norm Macdonald Light
  • "I made a pedophile joke, but Bill Clinton is reminiscing over old photos.".
    Mark Normand Might Just Be Norm Macdonald Light
  • "I can't take a compliment. And now today I'm like, I understand.".
    Mark Normand Might Just Be Norm Macdonald Light
  • Movies are just fun. They’re hard work, but I love them when they work.
    Mark Normand Might Just Be Norm Macdonald Light

Key Moments

  • Material Pressure12:07
  • Artistic Integrity16:42
  • Comedy as Self-Worth19:49
  • The Nature of Fame20:02
  • Pedophile Joke33:51
  • Compliment Struggle47:14
  • Influences in Comedy51:59
  • Fun in Filmmaking53:54

Tension Over Time

Words per Minute Over Time

Vibes Breakdown