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R Rated Jokes & The Shuffler Ghost

April 27, 2026 / 59:44

This episode features discussions about travel experiences, plane stories, and the challenges of performing comedy. David Spade and Dana Carvey share humorous anecdotes about their recent gigs and interactions with fans.

The episode begins with a light-hearted conversation about Heather's birthday and her recent flight experience, where she encountered a sick passenger. The hosts joke about the discomfort of flying and the various quirks of airline travel.

Spade and Carvey recount their time in Nashville and Pittsburgh, sharing stories about their performances and the unique challenges they faced. They discuss the lack of cohesiveness in comedy festivals and the impact of large events on audience turnout.

They also touch on the topic of AI in Hollywood, discussing its implications for the film industry and the potential for job displacement. The episode wraps up with a humorous segment about a principal who became prom king after disarming a school shooter.

Overall, the episode is filled with laughter, personal stories, and commentary on current events in comedy and entertainment.

TL;DR

David Spade and Dana Carvey share travel stories, comedy experiences, and discuss the impact of AI on Hollywood.

Episode

59:44
00:00:00
You did see NC. Is that what they say?
00:00:02
NC7.
00:00:03
>> NC7. Yeah.
00:00:04
>> But most of these jokes in Bus Boys. I'm
00:00:07
just saying.
00:00:08
>> No, these are too rough for bus.
00:00:09
Honestly, it's too rough for bus boys.
00:00:11
>> You get cute. It's not going to end. It
00:00:13
won't end well for you. How'd that work
00:00:14
out for them? How'd that work out for
00:00:16
them?
00:00:16
>> They got cute.
00:00:18
>> I haven't heard get cute for so long.
00:00:20
I'm getting tingly in my underpants.
00:00:22
>> I feel funny like when I used to climb
00:00:25
the rope in gym class.
00:00:28
guards was the horniest.
00:00:30
>> We got to get We got to get you in the
00:00:32
gym with fastening your seat belt.
00:00:41
>> Are we starting? It's Heather's
00:00:42
birthday. That's what we're starting
00:00:43
with.
00:00:43
>> I know.
00:00:44
>> Heather, are you excited?
00:00:47
>> No. She got sick on that Gang
00:00:51
last run of gigs. She came out. She
00:00:53
doesn't always come out, but she came
00:00:54
out to Nashville
00:00:57
and saw bus boys with me and Theo. And
00:00:59
then
00:00:59
>> Mhm.
00:01:01
>> she flew back and there's a guy hacking
00:01:03
and snorting and coughing right behind
00:01:05
her and she saw it coming.
00:01:08
>> He what?
00:01:09
>> He was right next to me.
00:01:10
>> Oh, he's next to you.
00:01:13
>> Blew his nose one handkerchief the whole
00:01:15
time.
00:01:16
>> Just kept blowing his nose, digging in
00:01:18
that filthy seat back,
00:01:20
>> stuffing it back in. knuckle knuckle
00:01:22
deep.
00:01:25
>> Knuckle deep in that seat back.
00:01:27
Filthiest place in the world. Soaking
00:01:29
his wet hanky with more germs.
00:01:30
>> And then freezing air on Heather. Can we
00:01:33
turn this down? Sorry. The pilot said
00:01:35
we're we're getting it'll get under
00:01:37
control. Right now we have the toilets
00:01:39
don't work. We have no air conditioning,
00:01:42
but uh sit back and relax. Enjoy. And
00:01:45
then the person over here has their only
00:01:47
person with their window open and pitch
00:01:48
black. So it's like giving you LASIC on
00:01:50
the side.
00:01:53
>> Oh, she sent a picture in. So somebody
00:01:55
>> I was trying to did not work.
00:01:57
>> You can't really cover up from the germs
00:01:59
like this.
00:02:01
>> Yeah, I bugged someone once because we
00:02:04
were flying out of Hawaii and I thought
00:02:05
it was going to be really mellow, but
00:02:06
then unfortunately two storms have
00:02:09
converged on our path and so it was just
00:02:11
rock and roll like you're at Six Flags,
00:02:14
you know.
00:02:14
>> So everyone's all locked in like that,
00:02:16
you know. And so I kept once in a while
00:02:18
I would peek because I could see cloud
00:02:20
formations and know what where the
00:02:22
turbulence was and when it might end. So
00:02:23
I was going up and down for six hours
00:02:26
this woman. So yeah, you sure opened
00:02:28
your window a lot. This is after
00:02:31
>> after the fact she Yeah. Yeah. So you
00:02:34
kept opening and then you closed it.
00:02:36
Then you opened it again.
00:02:39
>> What did you think?
00:02:40
>> I said I'm so sorry. I wish you'd told
00:02:42
me I wouldn't have done it. I just I
00:02:44
really like to go wee look lightning.
00:02:47
>> I told a woman, can you come over and
00:02:49
look? And she goes, "Hi, is there any
00:02:52
way?" And she's just staring with her
00:02:53
window open and I see this the waitress
00:02:57
go. Can you We have a cusper. And she
00:03:00
goes like this.
00:03:02
Says no. I go, "Are you even allowed to
00:03:04
say no? You have to every other [ __ ]
00:03:06
thing. Even have a shoulder strap now."
00:03:08
And you go, if we're going out, I'm not
00:03:10
I I have to torque my neck to get this
00:03:13
shoulder yank it. I go, what is that
00:03:16
helping?
00:03:17
>> We got to get We got to get you in the
00:03:20
gym when fastening your seat belt.
00:03:27
>> Even my seat belt, I'm like, I ratchet
00:03:29
it down.
00:03:30
>> It's like you're an arm wrestling chant.
00:03:33
>> You know my my thing.
00:03:35
>> What's your thing? Oh, yeah. This one.
00:03:38
Yeah. I just And I They always love I'll
00:03:40
go back a little bit.
00:03:41
>> It kills. Gets on the plane, does a seat
00:03:44
belt.
00:03:44
>> There's a seat belt. Lock it. But
00:03:46
there's the tongue way out like that.
00:03:48
>> So the seat belt is really loose. And
00:03:51
then I grab that. As soon as the flight
00:03:53
attendant looks at me, I just go.
00:03:56
>> Yeah. Wrapped around like a rodeo. Go.
00:04:00
Yeah. Seven sec seconds. Eight seconds.
00:04:04
All right. That's hilarious.
00:04:13
Oh,
00:04:16
why on god screener did I say yes?
00:04:26
You know what Gervid told me about that?
00:04:28
He goes, "Hey, couple of hops, couple of
00:04:30
quick eight hour hops and then I get
00:04:32
10%."
00:04:34
>> Yeah, poor me. I got to go make some
00:04:35
money.
00:04:38
Oh, I'm money. Meanwhile,
00:04:41
I'm sitting in my office. I get 10%. All
00:04:44
I have to do is walk back down to my
00:04:46
car, drive to my mansion.
00:04:48
>> Stop the bombing. IT'S A SHORT HOP.
00:04:52
>> GO. You know, you're the funniest guy in
00:04:54
the world.
00:04:55
>> That is me doing Edith Bunker as our
00:04:58
turn into Edith.
00:04:59
>> What are you doing, babe?
00:05:02
>> Anyway,
00:05:03
>> no. Stop the bombing. Stop the bombies.
00:05:06
Another one. God love him. Anyway, what
00:05:08
are we?
00:05:08
>> Wait, here's more. Oh, here's a good
00:05:10
plane story, too. I have from the road.
00:05:13
>> Okay.
00:05:14
>> Oh, Heather was with me. So, I think
00:05:16
you're on this one. First of all, we're
00:05:17
leaving. No, we're leaving Nashville to
00:05:19
go to Pittsburgh gig and Elena's next to
00:05:22
me and two things happen. One is we're
00:05:25
pushing off forever. We're circling. I'm
00:05:27
like, do they not know where the run?
00:05:29
You know, it's like so long. I always
00:05:31
go, are we going to drive there?
00:05:34
get a few laughs and then uh yeah, a
00:05:37
couple people go, "Yeah, cool." And then
00:05:40
and then mid oh, there's a bomb scare.
00:05:42
They go, "We have to go back. There's a
00:05:43
bomb scare in Pittsburgh." Drive all the
00:05:46
way back to the gate. And then we get to
00:05:48
the gate and we're like, "How are we
00:05:50
going to get a car to get to this 4-hour
00:05:51
drive?" And then they go, "U all good.
00:05:55
Heading back out."
00:05:57
>> No idea. Uturn back out. So we make it
00:06:04
Okay.
00:06:05
>> Squeaky wheels.
00:06:06
>> Yeah. Oh, I see.
00:06:08
>> Like in a shopping cart. So then in the
00:06:11
middle of flight, this is the real story
00:06:13
here, D.
00:06:14
>> I love it.
00:06:14
>> Drunk lady.
00:06:16
>> Ah, nothing.
00:06:18
>> Slightly more mature, older.
00:06:21
>> I'm torqued to talk to Elena, the other
00:06:24
comedian.
00:06:26
>> I don't realize like alien,
00:06:30
she comes right here.
00:06:31
>> Oh. And she goes, "I got a joke for
00:06:35
you."
00:06:37
By the way, no one stopped her. I don't
00:06:39
know if she's coach first. I don't know
00:06:41
where I am. I just
00:06:41
>> fly in or she just leaned in or
00:06:44
>> she leaned in.
00:06:45
>> Leaned in.
00:06:45
>> Hand on this hand on my armrest. Lean in
00:06:49
too close. Even I saw Elena's eyes bug
00:06:52
out like and she goes, "By the way, this
00:06:54
is NC17 for people in your cars. Turn it
00:06:57
down." So she says, "I got two jokes for
00:07:01
you." She's got a little scratchy voice,
00:07:03
a little mist.
00:07:04
>> Well, I'm I'm getting a Jason Stratham
00:07:07
vibe here for a second.
00:07:08
>> Yeah. She's She's kind of rough and a
00:07:11
little buzzed, and I'm feeling like a
00:07:13
little vodka crayon on my neck.
00:07:15
>> Yeah.
00:07:15
>> So, she goes,
00:07:17
>> "First one." By the way, I go like this.
00:07:19
Huh? First of all, you know, I can't
00:07:20
torque my neck too fast and I don't want
00:07:23
to. I'm like,
00:07:24
>> she's like, I'm feeling out. What is the
00:07:27
emergency? Yeah. She goes, I don't know
00:07:30
if I told Heather these. She goes,
00:07:32
"What's the difference between jam and
00:07:35
jelly?" And I'm like, "Um,
00:07:38
oh, uh, I think one is made from real
00:07:41
fruit." And she goes, "You don't jelly
00:07:44
or [ __ ] down your throat."
00:07:47
>> Nope. That's what you said.
00:07:50
>> Uh, that's actually that's a pretty good
00:07:52
joke.
00:07:53
>> And it's pretty good throat. And I go,
00:07:55
>> "It makes sense." I go,
00:07:56
>> "Thro,
00:07:57
>> yeah, jam it down your throat." I go,
00:08:00
>> "And the the paired with the closeness,
00:08:03
>> oh, the closeness of the lips scratching
00:08:05
me." And then I go, "Ah, oh, okay,
00:08:09
okay." And then she goes,
00:08:12
she gives the laugh, donates it herself,
00:08:15
and then she goes, "Okay, one more." I'm
00:08:17
like, "Are you on a roll? Is there any
00:08:20
inkling you're killing?" So she goes,
00:08:22
"All right.
00:08:24
And she goes, "All right, here we go.
00:08:26
One more." Now she's got all this
00:08:28
confidence even though we didn't laugh.
00:08:30
>> She's on a roll in our language.
00:08:32
>> I'm not connecting. Yeah, I'm not
00:08:33
connecting eyes. She still We're both
00:08:35
this way. Look at
00:08:36
>> Give me your When she says that first
00:08:38
punch line, what what happens to your
00:08:39
face? Do you make a sound? Do you do a
00:08:41
faint smile or blank?
00:08:43
>> But she can't really see it, but I kind
00:08:45
of go, "Oh, she's leaning in over you."
00:08:47
I see.
00:08:47
>> I go like this. Oh, okay. Okay.
00:08:49
>> She's here.
00:08:50
>> It's a little much. Yeah, she's over.
00:08:52
But I'm like
00:08:53
>> I kind of can't really see her, but I go
00:08:55
>> ah wow wee. Okay. Like that was a little
00:08:58
more than I thought. She was like got
00:09:00
you with that one. I'm like I didn't
00:09:03
react the right. I didn't go. Are you
00:09:06
sure it wasn't Keith Richards? Because
00:09:07
it's
00:09:11
Go ahead.
00:09:12
>> Kind of like that.
00:09:13
>> It sounded like Okay.
00:09:14
>> She as if it doesn't get any worse.
00:09:16
She's It's a tandem of bits. So she says
00:09:20
>> rapid fire. There's another one.
00:09:23
What did the one tampon say to the other
00:09:26
tampon walking down the street? And I go
00:09:30
hopefully nothing. Hopefully
00:09:33
>> because they can't talk. They're just
00:09:35
walking peace. We're both stuck up
00:09:38
[ __ ]
00:09:40
>> No.
00:09:42
>> Whoa.
00:09:44
>> So bananas.
00:09:45
>> Let's put a please stand by thing on
00:09:47
here just for a second.
00:09:48
>> I said it's a rough one. You did see NC.
00:09:51
Is that what they say? NC7.
00:09:53
>> NC7. Yeah.
00:09:54
>> But weren't most of these jokes in Bus
00:09:57
Boys? I'm just saying.
00:09:58
>> No, these are too rough for bus.
00:09:59
Honestly, it's too rough for bus.
00:10:00
>> It didn't play in my neighborhood, so I
00:10:02
couldn't see it.
00:10:03
>> I know you were. You saw the trailer and
00:10:05
you got through that and I appreciate
00:10:07
it.
00:10:08
>> Well, I'll be like some of us boys.
00:10:14
>> And then she's so happy with herself,
00:10:16
not going by any reaction, just like I
00:10:19
did it. I did it. I told him I told
00:10:21
those guys I would tell you these jokes.
00:10:23
So then I go, "Oh, great." You know, um,
00:10:26
oh, these are so good. I'll put them in
00:10:27
my act, which I will. And
00:10:30
>> but the idea of it was was a little much
00:10:34
and a little alarming for me.
00:10:36
>> Well, I I don't know if the same thing.
00:10:37
I had a similar experience and this is
00:10:40
just me like flash memory saying she
00:10:43
leaned in. I was on a flight maybe a
00:10:45
year after this. She goes, "I I know
00:10:47
DAVID SPADE.
00:10:49
I TOLD HIM SOME X-rated joke and I said,
00:10:53
"You want a joke?" And I go, "Look, can
00:10:55
you do one that's PG or something? I'm
00:10:57
just not in the mood." And she goes,
00:10:59
"What's what? WHY IS A SHY BOY AND a
00:11:03
Toyus
00:11:05
kind of alike?" And she paused. I go,
00:11:08
"What?" She goes, "THEY BOTH CAN'T COME
00:11:10
OUT OF THE SHELL."
00:11:12
That
00:11:13
>> Oh my god, that's a clean one for her.
00:11:15
>> Yeah, they come out of the shell. I
00:11:17
should do a P. They both got come out of
00:11:19
the show. So anyway, I made that up. But
00:11:21
anyway, that was a good story. What
00:11:22
else?
00:11:23
>> That's that uh
00:11:26
that was that was funny.
00:11:30
Let's talk for just a quick second about
00:11:32
upgrading your energy game because
00:11:35
caffeine doesn't have to be boring.
00:11:38
>> No.
00:11:39
>> Five Our Energy Shots are changing
00:11:40
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00:11:42
>> tasty caffeine in 17 bold flavors. The
00:11:45
one I keep coming back to is the
00:11:47
birthday cake flavor. It literally
00:11:49
tastes
00:11:50
>> like I'd say a vanilla cake.
00:11:52
>> Buttery confetti style notes
00:11:58
celebration in a bottle. And somehow you
00:12:01
get all that flavor with zero sugar, no
00:12:04
cake, no guilt.
00:12:07
>> So it's so it's all cake, no guilt.
00:12:12
>> On top of that,
00:12:13
>> but you're not eating a real cake.
00:12:15
You're not eating a real cake. It tastes
00:12:17
like cake. On top of that, you're
00:12:18
getting as much caffeine as a 12 ounce
00:12:21
premium cup of coffee without the sugar
00:12:24
crash. And since it's just a 2 oz shot,
00:12:26
it's easy to take with you wherever the
00:12:29
day goes. It's a big flavor packed into
00:12:31
a tiny bottle, David. And it actually
00:12:33
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00:12:34
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00:12:37
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00:12:40
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00:12:42
or Amazon.
00:12:43
>> Yep. Give your caffeine a flavor upgrade
00:12:45
with 5-hour energy shots. Get yours in
00:12:48
store and online at www.fourenergy.com
00:12:52
or Amazon today. Oh, I ran into Jeff
00:12:55
Frost last night and we should probably
00:12:57
have him on soon. Jeff Ross is the
00:12:58
>> Jeff Ross is a super nice guy who's got
00:13:01
it who does
00:13:02
>> Netflix show called Take a Banana for a
00:13:04
Ride where it's kind of off a Broadway
00:13:06
show he's been doing. So, might be
00:13:08
something fun to hear,
00:13:09
>> right? He's going dramdy basically,
00:13:12
right? head of Broadway.
00:13:13
>> That whole show is a different move.
00:13:15
Heartfelt and funny.
00:13:17
>> Uh Trevor Wallace also because he was in
00:13:20
Bus Boys, but we didn't have him on. We
00:13:21
were going to have him on before Bus
00:13:23
Boys, but he's he's on tour. He's very
00:13:25
funny. Has a great scene in the movie.
00:13:27
Uh well, you can look him up. But both
00:13:30
of those just because we've been
00:13:31
traveling so much.
00:13:33
>> But we'll get to it. And um
00:13:35
>> we have an Oreium gig. We have the big
00:13:37
Netflix is a joke show coming up.
00:13:39
>> Oh man. Yeah. Orium. And that is me,
00:13:42
you, and Chris Rock. We're going to do
00:13:45
our podcast. We're gonna have one of our
00:13:46
best friends, uh, Chris out there, and
00:13:49
it's at the Oreium in LA, come see us.
00:13:53
We're going to crack up.
00:13:54
>> Well, I think I don't know. I'm not an
00:13:56
advertising executive, but and I don't
00:13:58
know the protocol, but I think when I
00:14:00
looked at the tickets, because I like to
00:14:02
see the ticket master, oh, go to a
00:14:05
section, 721 free seats, you know.
00:14:09
So,
00:14:10
>> is that what it means? Oh, really?
00:14:11
>> Well, if you hover over it, it tell you
00:14:13
how many free seats. No, we're doing
00:14:15
great. It's just that it didn't say that
00:14:17
we have our uh our good friend Chris
00:14:19
Rock.
00:14:20
>> Yeah, that's that's the fun of it.
00:14:22
>> He's a ticket mover if you know what I'm
00:14:24
saying.
00:14:24
>> A live show with Chris and the RF even
00:14:26
holds about 2,000 probably. But uh it'll
00:14:28
be great. It's during the Netflix as a
00:14:30
joke. You know, when I did Nashville
00:14:31
this weekend, I did the Ryman. Great
00:14:35
>> great time. Great show. But, you know,
00:14:38
when it's a comedy festival,
00:14:40
>> yeah,
00:14:40
>> I have to say, love Nashville, love a
00:14:43
comedy festival, but there was no
00:14:45
cohesiveness. Like, for this one in LA,
00:14:47
Ted Sanders is going to have all the
00:14:49
comics over. There's something going on.
00:14:51
Like, here's the beginning of the
00:14:52
festival. Like, there's something to it
00:14:54
other than just here's
00:14:57
50 shows in your town spread out for 40
00:15:00
miles and that's your festival.
00:15:02
>> Yeah. If if you inherited some money
00:15:04
recently, you can see
00:15:07
all all the shows. There's there's
00:15:10
100,000 seats to be sold that dream.
00:15:14
That's true. That's true.
00:15:16
>> I know cuz I think our friend I love
00:15:18
this. Our a good friend Nate Bgatsi, I
00:15:21
think he's doing the Intuit dome. When
00:15:23
you when you start playing domes, you
00:15:25
know you're doing I mean there
00:15:27
>> there's domes
00:15:29
>> and arenas. arenas. But is a dome bigger
00:15:33
than an arena? Look it up.
00:15:34
>> I want to play domes. Uh I have to say,
00:15:38
so here I go. I don't sell out. It's
00:15:40
2400, so it's pretty big, but I don't
00:15:42
sell out till that night.
00:15:44
>> And I'm happy. And I'm like, I think
00:15:45
there's just too many choices to spend
00:15:49
your comedy money over a week or two of
00:15:51
a festival. And I said, "Even Shane
00:15:54
Gillis is playing this week." And they
00:15:55
go, "Yeah, he's playing tonight." I'm
00:15:58
like, "Wait, he's going tonight.
00:16:00
>> He's gobbling up early.
00:16:02
>> He's gobbling up the Bridgestone Arena,
00:16:05
which is like a dome."
00:16:07
>> So, I go, "Okay,
00:16:08
>> I don't want to go. I would rather see
00:16:09
Shane. I don't want to have people
00:16:11
pick." Then the guy goes, "Well, you
00:16:14
sold out." I go,
00:16:15
>> "I know, but
00:16:16
>> okay, here's what we do if we want to
00:16:18
have fun."
00:16:18
>> They cannibalize each other.
00:16:19
>> Absolutely. That when you play a big
00:16:21
city, there's a million choices. And
00:16:23
then you play Vegas, too. this comedy
00:16:26
festival.
00:16:27
>> It's so many seats. So, what we do if
00:16:29
we're bored, you know, you and Heather
00:16:31
and me and uh Greg, whoever, we just get
00:16:34
on a bus and we go kind of where Bob
00:16:37
Dylan goes. We go to Billings, Montana,
00:16:39
then we drive two hours to Great Falls.
00:16:41
We sell out the the the uh the college
00:16:44
arena,
00:16:45
>> right? And then we could do that. It
00:16:48
would be tough
00:16:49
>> off off what do they call them?
00:16:51
secondary markets just with great
00:16:53
audiences because a lot of people don't
00:16:55
come to their market.
00:16:56
>> Chattanooga, Little Rock, Memphis. I
00:16:58
mean, you go to the big cities first,
00:17:00
the second wave of the tour, you go to
00:17:02
where you land and then you drive two
00:17:04
hours. But the crowds are happy because
00:17:06
they don't get everyone. And so they're
00:17:08
like, "Hey, we need a show." And uh they
00:17:10
come out, they show up.
00:17:11
>> Yeah. Yeah. Harry Styles, I think we
00:17:13
talked about that, sold in like in 10
00:17:15
minutes 30 Madison Square Gardens.
00:17:18
>> Yeah. He's out of his mind,
00:17:19
>> but he's smart. Well, he's smart in a
00:17:21
sense that he just is in some house and
00:17:23
he helicopters to his gig instead of
00:17:26
touring. He's But huge fans have to fly
00:17:30
in there, get the hotel tickets. So,
00:17:32
it's like 5,000 to see Harry Styles.
00:17:35
>> Yeah, I I'm sure it's Yeah. Or Vegas,
00:17:38
you know, residency people come to see
00:17:40
you.
00:17:41
>> Uh, okay. Okay. So, that that that and
00:17:44
my one last thing before I let you talk
00:17:46
or say anything.
00:17:46
>> I don't have anything
00:17:48
>> is um I stayed another haunted hotel.
00:17:52
>> No,
00:17:52
>> I thought of Dana
00:17:54
>> Nashville.
00:17:55
>> I thought of your situation at that one
00:17:57
place.
00:17:57
>> Nashville's full of ghosts. By the way,
00:18:00
>> it was Pittsburgh. I said this hotel
00:18:02
because again they go they brag about
00:18:04
it. This hotel's 100 years old minimum.
00:18:08
>> Minimum.
00:18:09
>> It's 120. And then someone at the show,
00:18:14
I'm like, "Oh, where?" They go, "Where
00:18:16
you staying?" I go, "This place." They
00:18:17
go, "Oh." I go, "What's that?" I go, "Is
00:18:21
it haunted?" They go, "What? That's what
00:18:23
they say. That's the word." And you know
00:18:24
who they have? What? What famous ghost?
00:18:27
>> The shuffler.
00:18:29
>> The shuffler.
00:18:30
>> Oh, yeah.
00:18:31
>> Is that a famous ghost? I
00:18:32
>> It's in Pittsburgh. And I go, "Please
00:18:35
don't explain." And they go what it is
00:18:38
is
00:18:39
>> Mhm.
00:18:40
>> in different rooms they will hear
00:18:43
>> two feet
00:18:47
on your carpet.
00:18:48
>> Okay.
00:18:49
>> There's nobody there.
00:18:50
>> And you can book the shuffler rooms or
00:18:52
what?
00:18:52
>> Nope. The shuffler picks you.
00:18:56
>> And of course I go home scared. And
00:18:58
Dana, I kid you not. What happened at
00:19:00
6:00 a.m.? The [ __ ] shuffler.
00:19:03
>> Heather, I told you this, didn't I? And
00:19:05
of course, you put your phone on it.
00:19:08
You've got a recording and you've got
00:19:10
the sound to play for us. Now,
00:19:11
>> in a perfect world,
00:19:13
>> what I was doing is too busy calling 911
00:19:17
and trying to get
00:19:18
>> and what what would that sound like?
00:19:20
There's someone shoveling in my room.
00:19:22
>> Okay. So, I'm laying down, dead asleep.
00:19:24
Can't sleep on the road really because
00:19:26
it's different time zones and [ __ ]
00:19:27
>> Yeah.
00:19:28
>> And then I hear this.
00:19:33
So, four. And I go
00:19:35
>> and I swear I go, "This is not the
00:19:38
shuffler. It better not be the
00:19:40
shuffler."
00:19:41
>> No.
00:19:41
>> And I go, "You know what? It's the
00:19:43
garbage. It's someone in the alley.
00:19:46
>> 19th floor.
00:19:47
>> 19th floor."
00:19:48
>> Yeah.
00:19:49
>> And I go, "Why is the effing [ __ ]
00:19:53
shuffler coming to me knowing I'm
00:19:55
scared? That's probably why."
00:19:56
>> Mhm.
00:19:57
>> So, I get up. I get up. What am I going
00:20:00
to do? I'm so stressed my neck hurts
00:20:01
anyway.
00:20:02
>> Light on. get up. Yeah.
00:20:03
>> I can't deal with the shuffler. I can't
00:20:05
right now. So, I went back to bed and
00:20:08
just was like just that dead silence
00:20:11
where you're like, I don't want to hear
00:20:12
it again. Don't want to hear it again
00:20:13
because if I hear it again, I'll freak.
00:20:16
Don't hear it again.
00:20:18
Not great sleep. Still give a show that
00:20:20
night 10 out of 10. Other people's
00:20:22
words. But,
00:20:25
>> well, you know, you have to count your
00:20:27
blessings. First of all, whoever this is
00:20:29
is is between wherever you're supposed
00:20:32
to go. And he's so he's in between. He
00:20:33
goes, he's probably a pretty nice guy.
00:20:35
Like I want I want to have something to
00:20:37
do for a couple thousand years while I
00:20:38
hang out in this sort of zone,
00:20:41
>> you know? And he's not a violent guy. So
00:20:42
he says, I'm ah [ __ ] I'm going to
00:20:45
shuffle my feet, man. I'm I'm gonna
00:20:47
Right.
00:20:48
>> I'm I'm not gonna I had one where the
00:20:50
whole thing was u Yeah, there's a
00:20:51
strangler
00:20:53
ghost called the strang. Yeah, but don't
00:20:55
you know I I don't know what I'm talking
00:20:56
about. So, I was in the room. I'm like,
00:20:59
that's stupid. Turn the light out. 20
00:21:01
minutes later, it's like
00:21:05
>> I do like a ghost of the hook, you know,
00:21:08
>> and a name. The shuffler is kind of
00:21:10
cool. It's like the Joker. I had the
00:21:13
strangler
00:21:14
>> and I turned it on. It was like some
00:21:16
sort of milky figure. Looked a little
00:21:19
bit like
00:21:21
>> Burgess Meredith to be honest. And I
00:21:22
thought of you.
00:21:24
>> He's going to strangle your appointment.
00:21:27
rock.
00:21:29
>> It's just funny when you mention
00:21:30
someone's impression. There's a 1 1000
00:21:33
of Oh,
00:21:36
>> and then the joy of
00:21:38
>> how exciting I get to do it.
00:21:40
>> Yeah, it's great.
00:21:40
>> Uh, actually, when Chrisman Glover sees
00:21:43
the shuffler, he goes,
00:21:45
>> "Hey, you
00:21:47
get your god damn hands off me."
00:21:51
>> That's why he's like a junior Woody
00:21:53
Allen. You sure I know I know you you
00:21:56
probably have your special shoes on for
00:21:58
more traction on the carpet but no
00:22:00
you're a wonderful shuffler but you know
00:22:03
if you could do it in 10A I'd greatly
00:22:05
appreciate it because I enjoy my sleep.
00:22:09
>> You're a beautiful intelligent shuffler.
00:22:13
>> You know the shuffler has a hook. The
00:22:14
shuffler came in got talked about a lot.
00:22:16
We're talking about him now.
00:22:19
>> Look in Nashville when I went there. you
00:22:22
I can't remember the name of hotel old
00:22:23
and famous. The guy goes hello to the
00:22:27
Xavier Hotel and then you you
00:22:30
automatically before you check in they
00:22:32
give you a tour of where the ghost was
00:22:35
and where the ghost went and here he
00:22:36
would terrorize guests and then here's
00:22:38
the elevator shaft that he may fall
00:22:41
down.
00:22:41
>> People were killed in
00:22:43
>> Yeah, he's completely harmless but he
00:22:45
will scare you if you let him. Hold on.
00:22:48
>> He had a British accent.
00:22:51
>> Oh, you got the ghost. Oh, Heather got
00:22:53
the ghost tour
00:22:54
>> at the Ryman at the actual gig. The
00:22:56
Ryman is beautiful.
00:22:57
>> Oh, okay. So, she she know. Yeah, it is.
00:23:02
>> Oh, they say Hank Williams is up in the
00:23:04
corner um sitting there like a ghost.
00:23:08
>> Scoped out all the creakiness.
00:23:09
>> I like that. The shuffler. We don't know
00:23:11
who it is, what it is, but Hank
00:23:13
Williams. That's pretty hip. Nashville
00:23:15
was my favorite show almost of the whole
00:23:17
tour. It was so they were so [ __ ]
00:23:19
nuts. It was great.
00:23:22
>> Wish I could have been there.
00:23:23
>> I had no stamina to go see Shane after.
00:23:25
I was going to hoof over but it's so
00:23:27
crowded in those streets in Nashville.
00:23:29
Like driving like [ __ ] Ratatouille
00:23:31
couldn't get through. It's like our
00:23:33
driver's like going between people and
00:23:35
then there's cars on both side. I'm like
00:23:37
what are we doing? He's like we got to
00:23:38
go the other way.
00:23:39
>> Wait to our hotel
00:23:41
house. What? Chili's what? It's a lovely
00:23:44
way to spend your Friday evening in a
00:23:46
thing they call gridlock. Okay. There's
00:23:48
something about traveling eight feet in
00:23:50
two hours and kind of puts a little
00:23:52
extra lift in your step. All right.
00:23:56
All right. That's the take. Okay.
00:24:01
>> Like when Adam Scott said he uh took two
00:24:04
and a half hours to leave Coachella.
00:24:06
>> Oh, that Coachella story. My god.
00:24:08
>> Oh, I don't think that's up yet. That
00:24:10
might be up soon.
00:24:11
>> Yeah. But check that one out. a great
00:24:13
story about Coachella and the crowding
00:24:16
>> and how ridiculous is
00:24:18
>> what else before we get into hot
00:24:20
stories. D
00:24:22
>> I don't know. We got these two horses.
00:24:24
They're really cool and stuff and we
00:24:26
feed them and they're happy and this
00:24:29
horse really um
00:24:31
>> Oh, this
00:24:33
>> I just saw that too.
00:24:34
>> I saw that too. Well, when I come out,
00:24:37
it just stares at me because it doesn't
00:24:39
know if it's Tom. And Tom, my son Tom
00:24:41
feeds them a lot. So it just
00:24:43
>> st the horse doesn't know if you're Tom.
00:24:46
>> Yeah. Sometimes thinks what's this? But
00:24:48
what happened yesterday? Usually there
00:24:50
there's two of them and they wander
00:24:51
around. They're really good buddies and
00:24:52
we feed them little apples and stuff.
00:24:54
And
00:24:54
>> sure,
00:24:55
>> yesterday the big horse who's going to
00:24:57
have a baby in July started sprinting,
00:25:00
galloping across the the the yard, which
00:25:03
is huge, and then started bucking up.
00:25:07
did this for like 20 minutes.
00:25:10
>> Mhm.
00:25:10
>> Is it just zooies or what do you think?
00:25:13
>> I think it's I think it's one or two
00:25:16
things. One is a sudden surge of energy
00:25:18
and it's literally just working out kind
00:25:20
of.
00:25:21
>> Oh, I can still trample things, you
00:25:23
know,
00:25:24
>> or there was kind of a heavy wind and it
00:25:27
sort of spook spooked her. Yeah.
00:25:30
>> Your stories are about hotels. My story
00:25:32
is about farm life. greeners is the time
00:25:35
for me.
00:25:37
>> Sometimes when I look on Instagram, I
00:25:38
follow like a horse named Waffles with a
00:25:41
they're friends with a butterfly named
00:25:43
donut, you know, it's all and I and I
00:25:45
get hooked into these stories of like
00:25:47
these two inongruent animals are
00:25:50
friends.
00:25:51
>> Well, any kind of being on planet Earth
00:25:54
that has no higher consciousness and
00:25:56
just operates in this innocent thing.
00:25:58
Yeah. I mean, they live in the moment.
00:26:00
They don't. They make no judgment. And
00:26:03
they love us. Don't be
00:26:05
>> They want food and they want some
00:26:07
>> action. It's about it.
00:26:09
>> She already had some action. The stud in
00:26:11
the valley impregnated like 300 female
00:26:14
horses
00:26:16
and the other horses just
00:26:18
>> any any more work today, boss?
00:26:20
>> Yeah. No, you're driving around, you see
00:26:22
Stud Farm. You It sounds illicit. It
00:26:26
doesn't sound like some natural organic
00:26:28
thing, but then all these giant stud
00:26:30
horses come out and then it repeats
00:26:32
itself.
00:26:33
>> Then you drive by and the horse goes
00:26:34
like this.
00:26:36
>> Pull in. See what's going on here.
00:26:38
>> Yeah. No, they literally they do have a
00:26:41
sign of a horse. It's a stud farm. It's
00:26:43
like a big cartoon horse with a cigar.
00:26:45
You're right. Like, hey.
00:26:46
>> Yeah. Like this.
00:26:48
>> Just come on in. See what's going on. Yo
00:26:50
yo yo.
00:26:50
>> GUESS WHAT? I'M NEVER TOO TIRED.
00:26:54
The horse just has a sign says, "What
00:26:56
you doing?" Wyd yo yo yo roll.
00:27:00
>> Don't be greedy, ladies. There's plenty
00:27:02
to go around. I'm doing 70 today.
00:27:06
>> Heather, will you tilt that? Will you
00:27:07
turn that one down a little bit? And
00:27:08
then we're going to find buzzing around.
00:27:12
>> We got a buzzing around.
00:27:13
>> I do like the horse stud though. That's
00:27:15
kind of funny.
00:27:16
>> It's kind of kind of totally immobile
00:27:19
and don't know how to do anything.
00:27:22
>> Okay.
00:27:23
Okay. Easy.
00:27:24
>> Yes. See,
00:27:25
>> you want to show everyone your sick
00:27:26
face?
00:27:27
>> No.
00:27:27
>> You look You look good.
00:27:29
>> Shockingly looks good.
00:27:31
>> I'm doing six cross country trips. If I
00:27:33
get do all those and not get sick, it'll
00:27:36
be amazing.
00:27:38
>> Oh, yeah. You got all those cross
00:27:39
country flights, man. I just did three
00:27:41
weeks and three cross countries.
00:27:43
>> Sucked.
00:27:43
>> We're not complaining. We know it's a
00:27:45
first world problem.
00:27:46
>> No, I know. I'm complaining.
00:27:48
>> Just so they understand. It's part of my
00:27:51
charm to complain.
00:27:52
>> I just love to fly. So, anytime I'm in
00:27:55
the air, I
00:27:56
>> Oh my god. You see this? April to June.
00:27:59
Oh boy.
00:28:00
>> Okay. So,
00:28:03
>> it's time for
00:28:04
>> It's time for buzzing around. You do. Do
00:28:06
Do you know it's time for buzzing
00:28:07
around, Dana?
00:28:08
>> Yeah. I just felt like
00:28:09
>> you ready for buzzing around?
00:28:10
>> I have a little idea that I could We
00:28:12
talked about
00:28:13
>> with a wide variet. All right. This is
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>> at 5our energy.com or Amazon today. Look
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at
00:28:36
Now remember folks, these these little
00:28:38
riffs that David and I talked about, he
00:28:40
gives me ideas and there's nothing
00:28:43
really written out,
00:28:44
>> right? But not it's not it's not funny.
00:28:47
It's not prepared. It's nothing.
00:28:49
>> It is. I just thought I don't know why
00:28:52
you have a flight of fancy. I'm thinking
00:28:54
buzzing around. What would be kind of
00:28:55
interesting?
00:28:56
>> So I thought you're at sort of a
00:28:58
restaurant, bar, whatever. And you've
00:29:00
got oldtimey actors with new new movie
00:29:04
stars having a conversation, you know.
00:29:07
>> Okay. Good.
00:29:08
>> So let's get the characters here first
00:29:10
of all. Okay. First is Carrie Grant,
00:29:12
Jimmy Stewart.
00:29:15
I don't believe it. What a what a what a
00:29:17
delightful place this is. Don't you
00:29:19
think, Jimmy? Yeah, it's a great place
00:29:22
to have a cocktail.
00:29:24
What's your name?
00:29:26
>> Um, hey, I'm I'm Timothy Shalom. How are
00:29:30
you? Uh, Timothy what? Shalloway. I'm
00:29:33
Timothy Shalom. Are you Are you an
00:29:35
actor? Are you some kind of performer?
00:29:38
Yeah, I'm in movies. You ever seen Molly
00:29:39
Supreme? Well, you look I don't know.
00:29:42
I've never seen it. I've never heard of
00:29:43
it, but you good in it. Yeah, I think
00:29:46
I'm all right. Yeah, it's all right.
00:29:48
What do you guys Who are you guys?
00:29:51
>> Well, I'm John Wayne. This hair's
00:29:52
Walter.
00:29:54
Walter Brennan. Yeah, I'm I'm a
00:29:57
sidekick. Walter Brennan. That John
00:29:59
Wayne. No brag, just fact. Well, you're
00:30:02
a little on the slight side, Timothy
00:30:04
Shallow Womba.
00:30:05
>> No brag, just fact. What' he say?
00:30:07
>> No brag. No brag, just fact.
00:30:12
That was from the guns of Will Son in
00:30:14
1960s. He has three three sons and he
00:30:18
goes he's the third fascist. He in the
00:30:20
west, you know, he's the second fascist
00:30:22
and I'm the fascist. No brag, just fact.
00:30:25
>> I like that. I can say that.
00:30:28
>> Well, you're a little slight, Timothy
00:30:30
Shallow.
00:30:32
There was a tribe named after you. Yeah,
00:30:34
I'm pretty sure. Duke, what's your name?
00:30:37
Well, I'm the rock. Well, you're a big
00:30:40
you're a big glass of water. What have
00:30:43
you been doing? Well, I I lift weights.
00:30:45
What do you lift weights for? You should
00:30:48
lift logs. Good question.
00:30:50
>> And guns. And
00:30:53
what about you? What's your name? Well,
00:30:56
what's your name? Christopher Walkan.
00:30:58
>> What? I'm Christopher Walkan. Dookie
00:31:01
sounds funny. He can't be a movie star.
00:31:04
Do you make movies? Yeah, make a lot of
00:31:07
movies. I'm Christopher Walkin.
00:31:09
>> Yeah.
00:31:09
>> Wow.
00:31:11
Oh, but Lancaster Cook.
00:31:13
>> He He walked in.
00:31:15
>> Yeah. But Lancaster and Cuck Douglas.
00:31:20
>> Well,
00:31:22
>> you need oxygen.
00:31:23
>> Give me a second.
00:31:25
>> I know. There's two. There's so many.
00:31:27
>> I know. I don't know why we're here, but
00:31:30
we are. Right, B. Oh, we were just
00:31:33
wrestling at Cook's house. Greo Roman
00:31:35
style. We love to wrestle, don't we,
00:31:36
Cook?
00:31:39
We like to wrestle and then we have some
00:31:42
lemonade.
00:31:43
What?
00:31:45
>> Great. Nice. Hey,
00:31:47
>> nice.
00:31:48
>> Hey, what what's your name? I What's
00:31:51
your name? You look vaguely familiar to
00:31:53
me. Hi.
00:31:56
Hey, I'm George Clooney. George Clooney?
00:31:59
Well, you look exactly like me. You
00:32:00
could be my double langanger, couldn't
00:32:02
you, John Wayne? Well, he sure could be
00:32:05
your doppelganger, right, Jimmy Stewart?
00:32:07
Yeah, he looks like a real
00:32:08
doppelanganger. What about you, Walter
00:32:10
Brennan? Yeah, no brags. In fact, he's a
00:32:12
doppelanga.
00:32:15
I'm Boot Lancasta. He's a doppelanga.
00:32:18
And I think we're going to have to cut
00:32:19
this sketch down in post.
00:32:21
>> We'll tighten it up.
00:32:22
>> Well, we'll cut it down. All right,
00:32:25
we'll keep the funny parts and scene.
00:32:29
>> Scene. Holy
00:32:31
>> [ __ ] Was that buzzing around or not?
00:32:34
That was buzzing around.
00:32:36
>> I didn't have a script as you could
00:32:37
tell.
00:32:38
>> Tasty caffy, but I like it when it's a
00:32:40
little rough on the
00:32:41
>> It's a little messy.
00:32:43
>> Enjoy big flavor in a tiny bottle. Five
00:32:45
energy shots. Pack the flavors of the
00:32:47
season.
00:32:48
>> Mhm.
00:32:49
>> Portable 2 oz shot.
00:32:50
>> We should do this trick where I go like
00:32:52
that and then you reach and you grab it.
00:32:54
You know,
00:32:55
>> find five energy shots at five
00:32:57
energy.com or Amazon today. Let me see.
00:32:59
What did you want to do? Let me Well,
00:33:00
what I would do would be like, "Here,
00:33:02
here, David. You have one." And then you
00:33:04
would have
00:33:04
>> Okay, Heather's going to try it. Ready?
00:33:06
>> Okay.
00:33:06
>> Okay. Get ready, Heather.
00:33:07
>> Where do I What do I do with it? Just
00:33:09
>> go toward the camera.
00:33:10
>> Go toward the camera.
00:33:11
>> Oh, no.
00:33:12
>> Why are you Why is it
00:33:13
>> Heather just stepped on the camera and
00:33:15
unplugged it.
00:33:16
>> We But please stand by. We have an
00:33:17
emergency.
00:33:18
>> Please stand by.
00:33:19
>> Please stand by.
00:33:20
>> I don't even know where it came out of.
00:33:24
>> Okay, here we go. We got it. We got it.
00:33:25
>> Okay.
00:33:25
>> Okay, you start to hand it.
00:33:27
>> Okay, here we go. A thanks, Dana.
00:33:31
>> Not bad,
00:33:32
>> dude. That wasn't AI, folks. That was
00:33:34
>> That wasn't AI. He actually got it.
00:33:36
Look. Do I look like I have it?
00:33:39
>> It went over to him. Look,
00:33:40
>> too heavy.
00:33:42
>> There's no other explanation except that
00:33:45
somehow it teleported to David
00:33:47
>> AI. Uh,
00:33:49
>> okay. Let's go with some stories. Let's
00:33:51
hit it.
00:33:51
>> Let's hit it. Now,
00:33:52
>> what do we got? Oh my god. What's in the
00:33:53
news?
00:33:54
>> What's What's happening?
00:33:55
>> Making my screen brighter. I'm going to
00:33:57
respond spontaneously. All right.
00:34:00
>> Oh, Oklahoma principal who disarmed gun
00:34:04
wielding intruder crowned prom king.
00:34:07
Finally, they're nice to one of the
00:34:08
teachers. I always see them beating up
00:34:10
teachers, but these kids today. So, this
00:34:13
guy,
00:34:15
I heard the story. This this there was a
00:34:18
school shooter and the guy tackled him.
00:34:20
>> The principal tackled him and I think he
00:34:22
got shot.
00:34:23
>> Uh,
00:34:25
>> that's awesome. They all voted him and
00:34:27
he got applause.
00:34:29
>> Oh, we have video. You know, he's a bit
00:34:31
of a tearjerker though because, you
00:34:33
know,
00:34:33
>> well,
00:34:34
>> they show a video of him tackling the
00:34:36
guy and I think he takes a bullet, but
00:34:38
he lives and then he goes to prom and
00:34:40
they see they conspire to vote him prom.
00:34:44
>> Uh, yeah, I always wonder. You never
00:34:46
know. But the studies they've done is
00:34:50
that and he's obviously really brave. A
00:34:52
lot of people respond like that when
00:34:54
it's just they don't have a second,
00:34:55
>> right? When you can't
00:34:56
>> I mean, not that it's still highly
00:34:58
unusual, you know. You would have been
00:35:00
under the desk with me crying.
00:35:03
>> Okay, let's see what this is. This is
00:35:04
probably too long.
00:35:06
>> Oh, here he is at the prompt there
00:35:08
getting the award.
00:35:10
>> Our queen is Michelle.
00:35:12
>> They back up. You don't have to go all
00:35:14
the way back to the queen.
00:35:16
Some cheerleader, I'm sure.
00:35:20
>> Our king. Here we go.
00:35:24
>> Oh, big applause.
00:35:28
>> Where is he? They don't even know where
00:35:30
he is.
00:35:30
>> Wow.
00:35:33
>> Oh.
00:35:33
>> Oh, here he comes.
00:35:34
>> Look at this dude.
00:35:35
>> Oh, okay. Is he walking a little slow?
00:35:39
>> Getting some low fives.
00:35:43
>> Didn't over.
00:35:44
>> Oh, he's getting a a crown.
00:35:46
>> He He doesn't look like he's young and
00:35:48
athletic. He just did it through
00:35:50
adrenaline.
00:35:51
>> No, he laid he laid on the guy. He like
00:35:53
tackled him and got on top of him.
00:35:55
>> Yeah.
00:35:55
>> Oh, here's the video.
00:35:57
>> Wow. Oh, okay. Here's
00:35:59
>> me.
00:36:00
>> The shooter coming in. Hey, what's up?
00:36:03
>> Hey, man.
00:36:03
>> And what does he want? What are these
00:36:05
shooters?
00:36:06
>> Is that him? Okay, someone's sitting on
00:36:08
the bench. Can you see that?
00:36:09
>> Okay, he's got a revolver.
00:36:11
>> This guy doesn't He's walking in. He's
00:36:13
threatening.
00:36:14
>> Oh, boom. From the side in the face. Oh,
00:36:17
and he's got his hand on his gun,
00:36:18
>> but he's trying to dig him, but he's
00:36:20
hard with those New Balance on. He's
00:36:21
trying
00:36:22
>> He hasn't let He hasn't got command of
00:36:23
the drug uh gun yet. Sorry.
00:36:25
>> No, but I think he got shot at some
00:36:27
point.
00:36:28
>> Oh.
00:36:29
>> Oh, there's the gun.
00:36:30
>> Yeah, they got the gun.
00:36:32
>> This other dude grabs it.
00:36:33
>> Did he really get shot?
00:36:34
>> Don't eat it. Yeah. And then uh I
00:36:36
thought they said he got shot, but
00:36:39
>> yeah, good job. Hero, right?
00:36:42
>> Well, that was that was awesome. I like
00:36:44
that's a feel-good story. I mean, you
00:36:46
know, it shows you the times have
00:36:48
changed. You know, we'd have a prom king
00:36:50
and he was like the stud football
00:36:51
player.
00:36:52
>> Now it's who's ever the best at tackling
00:36:54
active shooters is generally the king.
00:36:57
>> Gets lot gets more votes.
00:36:59
>> It's so common.
00:37:00
>> They said it was awkward the next day
00:37:02
when the prom queen did the walk of
00:37:04
shame out of his apartment.
00:37:07
>> She's like, "Hey, man. It's kind of
00:37:09
mandatory, king queen."
00:37:13
>> Yeah. There's there's other different
00:37:15
things that go on in these high schools.
00:37:17
You want to go you want to go back to
00:37:19
high school part of you.
00:37:20
>> I I sort of do. I want some movie
00:37:22
credits and then go back to high school.
00:37:25
>> Well, that was a movie. Yeah, that'd be
00:37:27
a great that'd be a great movie. You go
00:37:29
to your high school reunion and you
00:37:31
know,
00:37:31
>> no, I go back in time and I still look
00:37:34
too old even though they do all the CG
00:37:36
high in the world and they're still like
00:37:37
this guy's too old. Oh, by the way, I
00:37:40
thought you were great in the Is it the
00:37:41
comeup? The what was the name of the
00:37:43
movie? Was it
00:37:43
>> Outcome?
00:37:44
>> Outcome. Sorry, I could never.
00:37:46
>> You saw Outcome?
00:37:47
>> I did. I thought you were great in it.
00:37:49
>> Oh, yeah. Thank you.
00:37:50
>> Very natural. Funny. I wanted more of
00:37:53
you.
00:37:53
>> I know there was more.
00:37:56
>> Wait, there's more.
00:37:57
>> I hit up Jonah Hill and I go, Jonah,
00:37:59
come on, dude. And he's like, I know. I
00:38:01
think the movie was probably two hours,
00:38:04
a little over two hours and they cut it
00:38:06
down to an hour 23. So, I said, "Oh,
00:38:09
because I saw Matt Bulmer and the other
00:38:11
guy in the movie. He's a good-looking uh
00:38:13
dude and he's super cool." Anyway, he
00:38:15
was like, "Oh, dude, I got about a half
00:38:17
hour hacked." I had a big scene with
00:38:19
Keanu where after some thing, you find
00:38:22
out in the movie of Mia.
00:38:24
>> Uhhuh.
00:38:24
>> Then I see Keanu and on the balcony and
00:38:28
it's very awkward.
00:38:30
>> Yeah. and we're having a talk and my
00:38:33
wife had a baby so I'm holding a baby
00:38:36
>> and it's the most awkward talk and I go
00:38:38
and Jonah was like it kind of felt like
00:38:40
the end of the movie so we had to
00:38:42
>> get rid of it and I'm like how about you
00:38:44
get rid of the real ending and keep that
00:38:47
there's some brainstorming
00:38:48
>> oh you're not afraid to kind of crack
00:38:49
the whip when you need to get up some
00:38:51
hill face no he was great in that it was
00:38:54
really funny and Ke Ree was charming it
00:38:57
was a cool movie I I just wanted to
00:38:59
insert this because it may not be I just
00:39:01
Trump always comes up with phrases that
00:39:04
make me laugh and the fact you the cute
00:39:07
thing he keeps working that just you
00:39:09
know we're going to make a great deal
00:39:12
we're going to make a great deal as long
00:39:14
as they don't get cute if they get cute
00:39:16
>> get cute is a great term
00:39:17
>> I mean it's a global conflict there's
00:39:19
weapons flying around no one's they
00:39:22
could get cute if they get cute it won't
00:39:25
work out they might get cute if they
00:39:27
don't get cute I think we can make a
00:39:28
deal we can make a deal If they don't
00:39:30
get cute, if they get cute, we won't
00:39:31
make a deal with them.
00:39:32
>> I warned them. Don't get cute.
00:39:33
>> Cute and deal. Deal and cute.
00:39:35
>> You were warned. And then the spokesman
00:39:38
comes out and says, "President Trump has
00:39:40
warned them not to get cute." So, uh, if
00:39:42
if you see people getting cute, you know
00:39:44
what's going to happen.
00:39:46
>> You get cute, it's not going to end. It
00:39:49
won't end well for you. How'd that work
00:39:50
out for them? How'd that work out for
00:39:51
them?
00:39:52
>> They got cute.
00:39:54
>> I haven't heard get cute for so long.
00:39:56
>> I know. And he uses it. I just No one
00:39:58
talks like that. Get cute.
00:40:01
>> Mhm. I wanted to throw that in here.
00:40:02
>> That's funny. It's not the place for it.
00:40:05
>> No, it's it's a heavy conflict, but get
00:40:08
cute. We could make a deal. He said deal
00:40:11
319 times within the last 20. We could
00:40:14
make a deal. We might get a deal. They
00:40:16
want to make a deal. Unless they get
00:40:17
cute and they get cute, we won't.
00:40:20
>> It's like saying he's acting like a real
00:40:22
weirdo.
00:40:24
Those Iranians are so weird sometimes.
00:40:26
You're like, "No, that's not the right
00:40:28
word."
00:40:30
>> Mhm. People liked Hansen and Fron's
00:40:32
closing the straight of Hermus. Thought
00:40:33
it was a good idea.
00:40:34
>> Oh, that's a great idea.
00:40:36
>> With the muscular boulder size.
00:40:41
>> For many men, uh, the shift can happen
00:40:43
gradually or all at once. Workouts feel
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harder. Yes. Uh, energy dips. Recovery
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takes longer. Even routines haven't
00:40:51
changed. One major reason is
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testosterone levels can start declining
00:40:55
around age 30, dropping at 1% each year.
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But it's not just about how much
00:41:00
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00:41:02
also about how much is actually
00:41:03
available to use. A protein called SHBG
00:41:07
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00:41:10
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working effectively. Marsmen is a
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support our show and tell them our show
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sent you. It's called Fly in the Wall.
00:42:20
All right, next story. I don't
00:42:21
>> This is the scene from Buzz Boys if he
00:42:23
told me it's a great idea. And I go,
00:42:25
"Oh, wait. This is too funny. Read the
00:42:27
top."
00:42:27
>> Okay, this Wayne's World
00:42:31
remake looks terrible. We've got we've
00:42:34
got
00:42:35
Joe Biden's
00:42:38
was the blonde woman in Joe Biden's
00:42:40
administration.
00:42:41
>> I thought this is just random people.
00:42:43
>> Oh, hilarious.
00:42:45
>> That's so funny. Looks like Hank
00:42:46
Kingsley on the left from Larry Sanders.
00:42:48
>> Oh, I thought it was That's not Jack
00:42:50
White.
00:42:51
>> Oh, that's not Well, I know one is
00:42:53
Michael Mike Myers, but that's not you.
00:42:56
>> That G is a little different. I'm gonna
00:42:59
say it. If it's just random fans, God
00:43:01
bless you. But that is
00:43:02
>> that's funny.
00:43:03
>> Yeah, they're happy. It makes them
00:43:05
happy. I think that
00:43:06
>> a fun get meds game.
00:43:07
>> Wayne does not wear glasses.
00:43:10
>> Oh, that's right.
00:43:11
>> That's the giveaway.
00:43:13
>> All right, party on.
00:43:15
>> Something stupid.
00:43:16
>> Hey, that was a really nice one you did.
00:43:18
I liked it a lot, you know. But next
00:43:21
time, make sure that Wayne doesn't wear
00:43:22
glasses.
00:43:24
>> Your hair is on fuego today.
00:43:26
>> Well, I I washed it. You know, you do it
00:43:29
the night before,
00:43:31
>> of course.
00:43:31
>> And then when I woke up, I had this and
00:43:34
I did it wasn't planned and I thought I
00:43:36
tried to squish it down and it just went
00:43:40
>> I know. I did a little per plus myself
00:43:42
yesterday.
00:43:45
>> Mhm.
00:43:46
>> Oh yes. You and the plant are both like
00:43:48
this.
00:43:50
>> Well, I'm like Springsteen, you know.
00:43:51
Yeah. When I put on my big boy boots and
00:43:54
my hat, that's six foot Warner
00:43:55
Springsteen coming at you. So with me as
00:43:59
G when my hair goes like that that's
00:44:01
five six and a half of Dana Carvey
00:44:03
coming at you. No actually tell
00:44:06
>> per plus is conditioner and shampoo and
00:44:10
body wash and deodorant.
00:44:13
>> The plus is all that. What if it was
00:44:15
just per it would just be shampoo? No,
00:44:17
nobody wants just per
00:44:20
per like actually Seinfel used to say I
00:44:23
took some extra strength
00:44:26
anis or whatever buffering or whatever
00:44:28
his old line was. Extra strength Advil.
00:44:31
What happened to just strength? Who's
00:44:33
ever going to just take strength after
00:44:35
extra strength?
00:44:36
>> I know that's
00:44:37
>> I like to take just
00:44:38
>> very Jerry extra strength. Can I What
00:44:41
about the strength one? Who would get
00:44:42
that one? They could get extra strength.
00:44:46
I can't believe this. People, by the
00:44:49
way, Nyquil's gone [ __ ] bazudi. They
00:44:51
have And I have Zquil now. I have clear
00:44:55
Z equil with no sugar. It's not blue.
00:44:57
It's clear,
00:44:59
>> which is actually good.
00:45:00
>> And then they have regular Nyquil. Then
00:45:02
they have daytime dayquil. Then they
00:45:06
have Nyquil for pain.
00:45:09
And now they have severe pain Nyquil and
00:45:12
severe flu. I'm like, god dang, they
00:45:16
fill out an Amazon warehouse just for
00:45:17
night. Great memory for you to get
00:45:20
through all that. I was just like, when
00:45:22
you really have to sleep and you're
00:45:24
really sick, Nyquil really knocks you
00:45:27
out. But the last time I go, cuz I kind
00:45:29
of feel a little groggy the next day, I
00:45:31
just had my wife take a sledgehammer and
00:45:33
just hit me and knock me out with that
00:45:35
and I slept great. It's about the same
00:45:38
strength because Nike will if you have
00:45:40
that little cup and you wake up and it's
00:45:42
on your bed on the side and I'm like
00:45:43
you're out. I mean my friend said, "Oh,
00:45:46
I tried that." And I go,
00:45:47
>> "Well, don't do like a little teaspoon
00:45:49
because you got to get used to." And he
00:45:51
goes,
00:45:52
>> "Oh, I filled that whole cup
00:45:54
>> over the line."
00:45:55
>> He goes, "I woke up at 400 p.m. the next
00:45:57
day." I go,
00:45:58
>> "Dude, Nyquil's no joke. I wake up like
00:46:01
this and it just the Nyquil's dribbling
00:46:03
out and the cup is sort of bent and just
00:46:05
kind of caught up in my pajamas
00:46:07
>> and the cops pick it up with a glove.
00:46:09
They go Nyquil related.
00:46:11
>> Do you wear pajamas? Does anyone
00:46:14
>> I wear PJs?
00:46:17
>> Does any human wear pajamas anymore?
00:46:19
>> I wear sweats.
00:46:21
>> Well, that's not pajamas. Sweats and a
00:46:23
t-shirt if you're cold.
00:46:24
>> Full like button down.
00:46:26
>> Button down. Ricky Ricardo. I love Lucy.
00:46:30
>> Matching. Heather wears matching.
00:46:33
>> Cute and matching sets.
00:46:35
>> That's adorable.
00:46:36
>> Sets is a word you don't know, Dana, but
00:46:38
that's She wears an airport set.
00:46:40
>> A set. Yeah. Yeah. You want to buy Yeah.
00:46:43
>> Every woman at the airport is in sweats
00:46:45
and a hoodie that matches.
00:46:48
>> Yeah.
00:46:48
>> And they pull the hoodie and But guess
00:46:50
what? The germs come through to
00:46:52
Heather's.
00:46:54
>> Heather, I want to ask you a question.
00:46:57
Were you masked or unmasked during the
00:47:00
flight?
00:47:03
>> I look on your text their fly on the
00:47:05
wall text message. You'll see what I
00:47:07
looked like.
00:47:08
>> Oh yeah, we have a picture. If you see
00:47:10
that picture, throw it up or just throw
00:47:12
up.
00:47:14
>> And I think the problem was the who
00:47:18
didn't stop blowing his nose for four
00:47:20
and a half hours was not wearing a mask
00:47:21
and never washed his hands or moved at
00:47:23
all.
00:47:24
>> Yeah. The guy heaving and coughing was
00:47:26
sitting next to her and didn't wear mask
00:47:27
and didn't apologize profusely and
00:47:29
didn't throw himself off the plane.
00:47:31
>> I was physically showing how
00:47:33
uncomfortable
00:47:33
>> the amount of people who are sick and
00:47:35
go.
00:47:35
>> Here comes the picture. Here it is.
00:47:37
>> Oh, that's Heather. Oh, so you're you're
00:47:39
you know you're being exposed. So you
00:47:41
became the invisible man.
00:47:43
>> That was my whole four and a half hours.
00:47:45
I still got sick.
00:47:47
>> I Oh, that's her eye. I get
00:47:48
>> Well, how did David not get sick? Immune
00:47:50
system of iron. What is he? Superman.
00:47:53
Oh, we split up because she came for the
00:47:56
first gig and then the uh
00:47:58
>> Oh, bus boys screening and Q&A and then
00:48:01
she flew back and uh I was on my way to
00:48:04
Pittsburgh with the bomb scare.
00:48:07
>> It's hard. I got CO and then I had I got
00:48:10
the guy to get me Helvette right away.
00:48:12
This was months ago, but I had a gig in
00:48:14
Vegas and I'm going, well, I can either
00:48:17
go or not go, but day one pretty good.
00:48:20
Pretty good. I think I can go. I I don't
00:48:22
think I'm contagious. And then I was
00:48:24
just laying in bed all day and I did the
00:48:25
gig. Pretty good story, right?
00:48:27
>> Did it was it the worst day of when you
00:48:28
were sick?
00:48:29
>> No, the Pax Slovette for me because I
00:48:33
got it early.
00:48:36
>> I popped up pretty hard. But I I was
00:48:39
still was very tired. But you know, you
00:48:41
fake it till you make it in show
00:48:42
business.
00:48:43
>> You can get through it. An hour is
00:48:44
tough. Some of those gigs, an hour is
00:48:46
tough.
00:48:46
>> I love it when they say uh 45 would be
00:48:49
fine. That means I pick up my guitar at
00:48:52
35. Whoops. Tricks of the trade. When
00:48:55
they're drunk and tired and it's
00:48:56
midnight.
00:48:58
>> Hey. Hey. My my
00:49:01
>> Yeah.
00:49:01
>> This company gets me very high,
00:49:05
>> right? I'm doing one in Salano. I'm
00:49:08
doing 30 this weekend
00:49:10
>> and then a meet and greet.
00:49:13
>> I don't think so.
00:49:14
>> Just 30 minutes and get out. That's
00:49:15
pretty good.
00:49:16
>> But you know who I have to follow?
00:49:17
George Wallace. And he kills.
00:49:20
>> You're following George Wallace. Isn't
00:49:22
>> that funny? Bob Zany and George Wallace.
00:49:24
Yeah.
00:49:24
>> You don't, man. You're Well, you always
00:49:27
find a way cuz you'll come out different
00:49:29
and you'll do your sort of self- aacing
00:49:31
stuff.
00:49:32
>> Yeah.
00:49:32
>> And then they then they love you.
00:49:34
>> The funniest part is you know that
00:49:36
George Wallace kills. Just as when I
00:49:38
told you that, you're like, you're
00:49:39
following George.
00:49:40
>> George Wallace is a killer, man. Big,
00:49:43
strong president. Incredibly likable.
00:49:45
We'll do a little bit of crowd work,
00:49:47
work it back around. No, I
00:49:48
>> you don't want to follow that guy, but
00:49:50
you can cuz you're David Spade.
00:49:53
>> I followed Dana Carve and if you can do
00:49:55
that. Um,
00:49:56
>> okay. Let's play another story and then
00:49:58
we'll
00:49:59
>> we'll wrap up soon. Everyone's I got so
00:50:02
much
00:50:02
>> got so much to do.
00:50:05
>> Wait,
00:50:06
>> don't get cute on me, David. Don't get
00:50:08
>> Is this evidence
00:50:10
>> that Anthony Albanese is not real?
00:50:15
>> Like it's just a digital copy. Minister
00:50:17
Anthony is not real. He's actually
00:50:20
replaced by Dana Car from Weswell.
00:50:24
>> And where's your evidence of this
00:50:25
Cameron?
00:50:26
>> Okay. In 1990, Dana Carve did a movie
00:50:29
called Opportunity Knox. The impressions
00:50:31
George W. Bush in
00:50:32
>> the impressions in a toilet saying
00:50:34
handheld bad
00:50:37
hand pan dryers good. Very good. Also
00:50:40
master disguise 2002 church lady in in
00:50:43
Saturday live. You hardly see him
00:50:45
anymore. He's doing podcast with um
00:50:48
David
00:50:51
pre-recorded. He's out busy how he's
00:50:53
getting around going to Malaysia,
00:50:54
selling deals with petrol, going the
00:50:56
footy, going to Hawthorn games, going to
00:50:58
rabbit games. It's damn
00:51:01
Alene they wear glasses.
00:51:06
He sounds like someone from God on
00:51:09
YouTube.
00:51:10
>> How did they find me? He's so fun.
00:51:15
>> That Dana Cav Dana Cavy Cavy
00:51:19
>> flying the Wow.
00:51:21
>> That was a doppelanger, man. We should
00:51:23
have him on the show, man.
00:51:26
>> Let's get him on the show.
00:51:27
>> Of all people, my conspiracy is that
00:51:30
Dana is this guy that doesn't really
00:51:32
look like him.
00:51:34
>> I told you before we did these things
00:51:35
today. I said, "Oh, you got some clips."
00:51:37
I go, "Don't get cute. Don't get cute on
00:51:39
me."
00:51:39
>> We got cute.
00:51:40
>> Don't get me cute. Dude, you made two
00:51:42
appearances. You made Wayne's World.
00:51:45
>> Yes.
00:51:46
>> In the news.
00:51:47
>> Everything keeps going.
00:51:48
>> That's funny. It just what goes around
00:51:50
comes around, man.
00:51:51
>> Oh, yeah.
00:51:51
>> You're big. Uh, okay. One more.
00:51:54
>> Okay.
00:51:55
>> One more.
00:51:55
>> One more.
00:51:56
>> Well, this is our final I'll use our
00:51:58
sponsor. This is our final uh clip of
00:52:00
the day.
00:52:01
>> Oh, this is a real thing to talk about
00:52:03
about the state of Hollywood. Okay. Go
00:52:06
ahead.
00:52:06
>> Okay.
00:52:07
>> Doug Lyman, big director. Lyman's new
00:52:09
movie starring Casey Affleck and Pete
00:52:10
Davidson should have cost around $300
00:52:12
million, but according to the producers,
00:52:14
they made it for about 70 million using
00:52:17
AI and it was filmed in just 20 days
00:52:19
almost entirely inside this converted
00:52:21
showroom in London. And what nobody is
00:52:24
talking about is what this could mean
00:52:25
for the industry because all of the
00:52:27
studios are quietly experimenting with
00:52:29
versions of this workflow right now. I'm
00:52:31
Jason Fischer, the founder of stage
00:52:33
runner and former head of production at
00:52:34
Disney Paramount and AMC. Today it's
00:52:37
part two, how AI is going to impact
00:52:39
Hollywood and what it means for
00:52:40
production and jobs. And it might
00:52:42
surprise you to hear that the producers
00:52:44
think this could actually increase jobs.
00:52:46
We'll get to that. And by the way, what
00:52:48
you're looking at right now and
00:52:49
throughout this video I created using
00:52:51
the latest tools just to help illustrate
00:52:53
how this process works. These are not
00:52:55
clips from the movie.
00:52:57
>> So I spoke to the producers behind the
00:52:58
film, Ryan and Matt Kavanagh. They're
00:53:00
the founders of Acme AI. They told me
00:53:03
the company already has 10 films and two
00:53:05
TV series in some stage of production
00:53:08
right now using
00:53:09
>> right
00:53:10
>> um
00:53:11
>> I think
00:53:13
>> because the actors are the noisiest
00:53:15
about being replaced
00:53:17
>> but the behind the scenes people getting
00:53:19
replaced is important too like set
00:53:22
dressing and
00:53:24
>> you know building set designers building
00:53:27
grips all all that tech hardware type
00:53:32
electricians and the the
00:53:34
>> I mean I guess you need lighting for
00:53:37
for Pete and Casey. Um
00:53:41
>> there's been
00:53:42
>> that shouldn't cost 70 million. It
00:53:44
should cost
00:53:44
>> I didn't get the 70 million thing. What
00:53:46
was that? I mean why would it be?
00:53:47
>> Well, they said it could have cost 300.
00:53:49
>> Oh, if you did it.
00:53:51
>> No, it was going to cost 300 and
00:53:53
>> but it's still 70. Okay.
00:53:55
>> 70 is way more than any movie maybe I've
00:53:57
ever done. You know, look, there's been
00:54:00
ancence
00:54:02
of this for at least 20 years with CGI.
00:54:05
There's a show on HBO, The Gilded Age,
00:54:09
and you can tell the whole town and all
00:54:11
the people walking is just
00:54:13
>> I guess a AI, but it's, you know, it's
00:54:15
it's been around a little while.
00:54:17
>> So, it's just a process like the
00:54:19
background extras are definitely
00:54:21
generated characters. You can see
00:54:23
>> see another group that gets shafted.
00:54:26
Extras. They'll just be in
00:54:28
>> Extras are important.
00:54:30
>> Yep.
00:54:30
>> Atmosphere people, they're the glue in
00:54:33
these things. Make it look real.
00:54:36
>> You get good atmosphere extras. And uh
00:54:39
it really helps the scene. I
00:54:40
>> I don't know how you negotiate this, but
00:54:42
I was reading this morning that the long
00:54:44
shoreman negotiated a thing where no
00:54:46
automation, no AI, we're just gonna lift
00:54:49
stuff with manly hands and stuff. And
00:54:51
Trump was supporting that.
00:54:54
>> Don't get cute. You got to go, you know.
00:54:57
But I don't know how you put the genie
00:54:59
back in the bottle without Barbara Eden
00:55:02
helping you.
00:55:02
>> It's hard to put the cat [ __ ] back in
00:55:04
the cat, you know.
00:55:06
>> Did you understand my Barbara Eden
00:55:07
reference?
00:55:08
>> You did?
00:55:09
>> Of course I did. I was in love with her.
00:55:10
>> Would you say would you tell the
00:55:11
audience who that is?
00:55:12
>> She's the babe that lives in the bottle.
00:55:14
She's Genie
00:55:15
>> from No, that's from the
00:55:16
>> I was more in love with Bewitched is
00:55:18
shockingly
00:55:20
>> Elizabeth Warren in the 19 is that No,
00:55:22
it was Elizabeth Montgomery. Sorry.
00:55:24
>> Gorgeous. Uh, that's that was the first
00:55:27
probably television sitcom woman that
00:55:30
sort of got my attention.
00:55:32
>> I'm getting tingly in my underpants.
00:55:34
>> I feel funny like when I used to climb
00:55:37
the rope in gym class.
00:55:39
>> [ __ ] G was the horniest.
00:55:44
>> All right. Well, that's probably a good
00:55:45
full
00:55:46
>> That's a full,
00:55:47
>> you know, like 10 out of 10 show. Yeah,
00:55:49
>> that's a We didn't get cute. We never
00:55:51
got cute. And we made a deal.
00:55:53
We showed a lot of clips and we had we
00:55:57
had uh 19 impressions in our little
00:56:00
sketch.
00:56:01
>> This is the following after the second
00:56:04
weekend of Bus, but the first weekend we
00:56:05
got in the top 10. First, it was the
00:56:08
only independent movie in the top 10.
00:56:09
So, that's good something.
00:56:11
>> Well, by the way, two things. One is I
00:56:13
was I was pleasantly surprised you got
00:56:15
it initially on 800 screens. And you
00:56:18
look at the metric of average per
00:56:20
screen, you were way up there. 2,000 per
00:56:23
screen.
00:56:24
>> Thank you. And these are like we don't
00:56:25
ask. We say we got in 200, we got 250.
00:56:28
Then Regal will call. We're adding 150.
00:56:30
We're like, oh, thanks. And then they're
00:56:31
like, hey, Australia wants it now, so
00:56:34
we're going to send it to Australia.
00:56:36
Hey, Canada and the UK. So now we're
00:56:38
Canada, UK, New Zealand's coming up. So,
00:56:41
it'll go on this wave and then when it
00:56:44
comes out on, you know, where you can
00:56:46
buy it at home, video on demand, then
00:56:48
it'll at least have more awareness. But
00:56:50
I have shockingly gotten nice feedback
00:56:52
from it. So, because people on Twitter
00:56:55
love to hate and it's probably way more
00:56:58
positive, shocking. But someone did give
00:57:00
me an F minus and I was like, can we
00:57:03
just leave it at F? I mean, let's not
00:57:05
get so dramatic. If they gave Apocalypse
00:57:08
Now an F minus, you know,
00:57:10
>> F minus. No one's got that. I said just
00:57:13
go all the way down to G. If you're
00:57:14
going to go that low, then people think
00:57:16
it's good.
00:57:18
>> Yeah. How about not seeing the movie if
00:57:21
No, look, I think people have to
00:57:24
understand that big corporate movies,
00:57:26
not we've been in them, not to pick on
00:57:28
them, they have a distribution deal and
00:57:30
that company is just pushing the movie
00:57:33
and negotiating all these things. You
00:57:36
guys are the little engine that could
00:57:38
the homemade product bought and paid for
00:57:41
lowbudget but I the thing about it it's
00:57:44
it's potently what it is. It's an
00:57:46
R-rated kind of polit, you know, sort of
00:57:49
throwback fun simple movie. Two two kind
00:57:53
of I don't know what you call them. Just
00:57:56
>> down on your luck
00:57:57
>> underdogs.
00:57:58
>> Underdog
00:57:58
>> and all the misadventures and and the
00:58:01
silliness which I love the they just
00:58:03
they just want to be waiters and their
00:58:05
lives would be great.
00:58:06
>> The wispiest premise. Yeah. They fall
00:58:09
down in the dirt a lot.
00:58:11
>> They fall down in the work. Yeah.
00:58:13
Lauren.
00:58:15
Well, anyway, so excited about that and
00:58:18
uh I will see you next time and come see
00:58:20
us at the Oreium if you're in LA.
00:58:22
>> Yeah, don't be don't be nervous about
00:58:24
seeing us. We're going to bring it.
00:58:26
>> Yeah, bring it with Chris.
00:58:28
>> And rock's always on fire.
00:58:30
>> Thanks everybody. Bye-bye.
00:58:32
>> Bye-bye now.
00:58:38
>> Hey guys, if you're loving this podcast,
00:58:40
which you are, be sure to click follow
00:58:42
on your favorite podcast app. Give us a
00:58:44
review, fivestar rating, and maybe even
00:58:47
share an episode that you've loved with
00:58:49
a friend.
00:58:49
>> If you're watching this episode on
00:58:51
YouTube, please subscribe. We're on
00:58:53
video now.
00:58:54
>> Fly on the Wall is presented by Odyssey,
00:58:56
an executive produced by Danny Carvey
00:58:58
and David Spade, Heather Santoro, and
00:59:00
Greg Holtzman, Mattie Sprung Kaiser, and
00:59:03
Leah Reese Dennis of Odyssey. Our senior
00:59:06
producer is Greg Holtzman, and the show
00:59:07
is produced and edited by Phil Sweet
00:59:10
Tech. Booking by Cultivated
00:59:12
Entertainment. Special thanks to Patrick
00:59:15
Fogerty, Evan Cox, Mora Curran, Melissa
00:59:19
Wester, Hillary Schuff, Eric Donnelly,
00:59:23
Colin Gainner, Sean Cherry, Kurt
00:59:26
Courtourtney, and Lauren Vieiraa. Reach
00:59:28
out with us any questions be asked and
00:59:30
answered on the show. You can email us
00:59:32
at fly onthealla.com.
00:59:36
That's audacy.com.

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This episode stands out for the following:

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  • 60
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Episode Highlights

  • The Shuffler
    A mysterious presence that causes fear and confusion during a late-night encounter.
    “I can't deal with the shuffler. I can't right now.”
    @ 20m 05s
    April 27, 2026
  • Oklahoma Principal's Heroism
    An Oklahoma principal disarms a gunman and is crowned prom king for his bravery.
    “Well, that was awesome. I like it.”
    @ 36m 42s
    April 27, 2026
  • The Changing Prom King
    Now, the prom king is often the one who tackles active shooters.
    “It's so common.”
    @ 36m 59s
    April 27, 2026
  • AI's Impact on Hollywood
    A new film made with AI cost $70 million instead of $300 million, raising questions about the future of jobs in the industry.
    “This could actually increase jobs.”
    @ 52m 46s
    April 27, 2026
  • The Importance of Extras
    Extras are the glue that makes scenes feel real and vibrant.
    “You get good atmosphere extras. And uh it really helps the scene.”
    @ 54m 36s
    April 27, 2026
  • Independent Movie Success
    The film broke into the top 10, being the only independent movie there.
    “First, it was the only independent movie in the top 10.”
    @ 56m 09s
    April 27, 2026
  • Audience Engagement
    Listeners are encouraged to engage with the podcast by following and sharing.
    “If you're loving this podcast, be sure to click follow.”
    @ 58m 38s
    April 27, 2026

Episode Quotes

Key Moments

  • The Shuffler19:35
  • Heroic Principal36:42
  • High School Nostalgia37:17
  • Get Cute39:54
  • Extras Matter54:28
  • Barbara Eden Reference55:02
  • Movie Feedback57:00
  • Podcast Engagement58:38

Words per Minute Over Time

Vibes Breakdown

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