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Viva La Dirt League's Honest Story: The Night They Nearly Walked Away

June 07, 2026 / 01:40:13

This episode features Viva Dirt League members Rowan, Alan, and Adam discussing their journey from struggling creators to successful YouTubers with over 7 million subscribers. Key topics include their early challenges, the impact of their Kickstarter campaigns, and the evolution of their content.

The trio reflects on their initial struggles, including doubts about their talent and the pressure to succeed. They share anecdotes about their early days, including the moment they realized their content was gaining traction and the significance of their community.

They discuss the success of their Kickstarter campaigns, particularly the second one which raised $4.2 million in just three days, and how it transformed their operations. They emphasize the importance of community support and the challenges of maintaining a consistent content schedule.

Rowan, Alan, and Adam also touch on the pressures of running a business, the importance of work-life balance, and the anxiety that comes with creative burnout. They express pride in their studio and the opportunities they have created for others in New Zealand's creative industry.

The episode concludes with reflections on their future aspirations, including making video games and potentially creating feature films, while maintaining their unique comedic voice.

TLDR

Viva Dirt League discusses their rise to success, community impact, and future aspirations in content creation.

Episode

1:40:13
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And I remember out on the balcony having a cigarette. Have you ever considered like maybe we're just not that good?
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>> All the evidence was pointing to that. Every time we released a video, it would
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tank. >> So in in hindsight, were you good enough then or did you just need to keep like
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tweaking until you found >> I think there was a spark there. >> What did you see yourself doing when you
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were training? >> My best aspirations back when I was studying would have been like get a roll
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on Short Street. That would be the best thing that I could ever imagine. >> So you've never been successful today.
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>> I guess not. >> My brother just kind of having like a bit of a serious chat with me. Have you
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got a backup kind of playing? And I was like no not really. The subtext was you can't stay here and keep chasing this
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crazy film dream. And luckily Anigan from a place of love. Genuinely like 2 or 3 weeks after that was when I landed
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the job. >> What were your expectations when you started this? >> If we get a million that's an outlandish
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number. >> $500,000 would get us something. A million would get us something.
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>> What did that generate? >> $4.2 million New Zealand. >> 3 days.
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>> The average amount is actually only $70, but 10 people gave 15,000. >> We couldn't fathom what it actually
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represented. Like >> a week ago, I hadn't heard of you guys. 7.3 million YouTube subscribers. less
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than 1% of your audience is New Zealand based. Why do you think it is that you don't get much more attention here in
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New Zealand than >> we kind of stay quiet? We just get seen internationally. Month to month, we'll
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get tens of millions of views, sometimes hundreds of millions of views. And then
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when you get on Seven Shark, you get all the texts from the aunties. And >> what's the biggest brand deal you had to
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turn down because it didn't fit? >> Our Facebook account just stopped monetizing.
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>> The stakes are a lot higher. >> Luckily, we didn't have any, if any,
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employees. >> How many full-timers? It goes up to 20, 30, 40 on a busy day.
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>> I know we really can't stuff it up. You must have moments where you just feel
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creatively bankrupt. >> Their dream had turned into a nightmare. >> The YouTuber burnout is a big thing.
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>> You become a slave to the frequency. >> How do you know if you're burning out or
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do you not know? >> I often call my anxiety a superpower. >> There's an anxiety that kind of builds
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up within me if we're not making progress towards something. >> This little dream of being at the
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Oscars. >> The dream it never went away starting to creep into my daydreams again.
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>> I just like to thank the academy. >> Then you finally made it. >> What are you each most proud of with
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VLDL? >> I'm actually most proud of the community. We've really won at life
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here. >> Oh, good. You're here. Come on. This is the center of performance. Whenever
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there's a top performance in New Zealand, it all comes from here. That's
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Lisa Carrington. She's been doing that for days. That's the boys who got the
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Holland one in to it again. Hey Finn, how's the performance going? >> Top tier.
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>> Nice. This is our generate room. In here, you'll find our top performers
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helping Kiwis maximize their Kiwi Saver investments. Get in here, Finn. Maximize, generate,
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>> putting performance first. >> Viva Dirt League, welcome to my podcast.
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>> Thank you very much for having us. >> Let's start by doing a flight of the
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Concord style roll check. Rowan, >> my name is Rowan. >> Alan, >> present.
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>> Adam, >> present. >> Mate, it's so good to have you guys
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here. >> It's good to be here. >> Thank you very much. >> It's unbelievable. Full full uh
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transparency. Um a week ago, I hadn't heard of you guys. >> Um I saw the excitement of the people
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around the office. >> And now you're an addicted subscriber, right? >> Have you subscribed? Actually,
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>> I have subscribed. Yeah. >> Thank you. >> I'm not the only one as well. 7.3
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million YouTube subscribers. >> 5 billion YouTube views. >> 5 billion. Damn.
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>> A AI estimates your lifetime YouTube revenue earnings $10 million US. >> Oh god. I wish. It's wildly off.
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>> So, next up for you guys, I guess, is a diamond YouTube play button. >> Far away. 10 million. 10. Yeah. So, when
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we get to 10 million, in theory, we will get the diamond. >> I've completely forgotten about that.
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I'd kind of written that off. >> And this is the great thing. Once that
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happens, once we reach 10 million subscribers and we get the diamond play button, we can finally relax. We'll be
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happy eternally happiness like, yeah, achieved achieved all of our dreams >> and we'll just live in a state of
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constant%. >> I'm on uh 26,000 YouTube subscribers. So, the um the original play button, the
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silver one, seems like a lifetime away from me. Was it special for you guys when you got that first one?
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>> I oddly enough, it was more special to get the 100,000 than it was to get the
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million. >> Yeah, the same thing. >> I I guess it's because we just never saw
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the growth in the future necessarily. And it really represented something. >> It represented something and it was
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literally because it was the first acknowledgement from YouTube of hitting the don't get me wrong, the million
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>> to me that they were both very special. To me, the million was the big one cuz
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that was just like wow. I never thought we'd get to a million. >> Yeah. Million was the bigger like was
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obviously the most significant number, but it was something about getting that first button was was
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>> I know what you mean though, but like getting that first 100,000 was a was the
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cuz everything's so new at that time like like oh my god I think we're actually proving that we're successful
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and making this work. Oh my god, we got 100,000. >> It's all relative. I remember when we
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were in uh Sydney at a convention >> and we were literally in a uh not a convention, a conference rather, and we
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were in like this quiet little theater like trying to listen to someone who's
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talking at a panel and the three of us are looking going, "Oh my god, there's
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only there's only a few little subs left." >> That was I remember that. Yeah. Yeah.
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>> So, it's crazy what you guys have done. Um, and it's um it's it's been a long
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time in the making. You like I think um to time stamp it. So the 2011 Rugby World Cup, iconic New Zealand sporting
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event uh where we beat the French by one point in the final and Richie McCoy had
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a broken foot and that's when you guys that's how long you guys have been doing
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this. >> Yeah. 2011. Yeah. >> Wow. >> Since the first video. Yeah.
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>> And to give you some context on that, that was not we we didn't know we didn't
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have a plan back then. It was just for shits and giggles back then. as when the >> years it was just for years. It was kind
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of it was just a a I mean obviously we hoped some something would happen but it was a just a creative outlet that we uh
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because we we weren't getting much work outside of Viva. So we just wanted to to
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make our own stuff and and and work with mates and and luckily caught on. >> It's that kind of whole thing where
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everyone's like one day I'm going to make my short film or I'm going to make
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that thing that I want to make and we're just kind of like we should make it this
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weekend. Let's do it. >> Yeah. is kind of the strength. Our strength was the fact that we just did
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it >> and we just kept doing it despite it being even though we're like we're not
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>> all the evidence was pointing at us at the moment and sometimes they weren't
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very good. >> Okay. So, um people can Google this but most people probably won't. So, what is
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the origin of the name? >> The origin of the name is uh it's a >> I wish we had a different name. I wish
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we we all do. And uh the we used to play a video game. A lot of video games have
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this like ranking system. If you're if you're quite bad at the game, bronze
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league and it kind of works up. Silver, you're a bit better. Gold, you're
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better. Platinum >> uh Diamond Master. But we were we were so bad at this one particular video game
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called uh Starcraft that we we gave ourselves our own >> bracket which was Dirt League. And then
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we typed that into YouTube and it had been taken. And so we added Viva in front of it. And that's the story.
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>> It was literally the name they wanted was taken. So like let's make it viv
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you know but I don't think we ever thought we'd make it as part of the like
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so it's it's we we didn't put that much thought into >> I remember around maybe 200 or 300,000
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subscribers we had a big chat about changing the name of the >> channel it's too late I feel it was
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earlier than that I feel like it was um possibly even before 100 going oh >> who knows maybe you're right but but
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just kind of going no it's too late now to change it to something that's that's
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like just two syllables >> yeah was a two there could be so many just two syllable, easy to remember,
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easy to spell words, but it's stuck in >> film boys, game boys. >> Yeah.
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>> And I can't take it. >> So now the the cool thing I think about
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you, one of the cool things about you guys is um like you were telling me just before, less than 1% of your audience is
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New Zealand based. >> Yeah. >> Yeah. >> Yeah. Mainly in America, a lot in
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Europe. Interestingly, a lot in India and Southeast Asia as well. >> Yeah.
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>> Yeah. >> But uh yeah, less than 1% in New Zealand, >> which is kind of good, which is we're
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okay with that. Although per it's because New Zealand's a small population. It's like per capita.
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>> Yeah. >> Like New Zealand about the same amount of if you got a random thousand people
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from New Zealand or a random thousand people from America, probably about the same amount of people would recognize
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us. >> Yeah, I think so. Yeah. >> Y >> yeah, just that there's a small
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population. >> So, how recognized do you guys get in New Zealand? Do you have weird like
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people looking at you in the supermarket place out of place? >> If you go to something like the
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supermarket or a big box store or the mall or something, almost every time you go to the mall, for sure. Yeah. And New
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Zealand fans are so lovely. They're timidly approaching be, like, "Oh my
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god, I'm so sorry for disturbing you. You don't mind if I just say hi and can
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I please please get a hold?" >> But it's really manageable. It's not
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crazy like at all. >> But it's exactly that type of fame which is like it it doesn't surprise me in the
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slightest that you've only just heard about us like that. It's either you've
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either know about us and you're quite a big fan or you've never heard of us.
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>> And that's just how online is. >> Yeah. And and that's why there's you get
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often the interaction is a dude dude some gamer dude kind of go oh my god are you ran from viva dirt league and then
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and then you get he hands the phone to his girlfriend and she's got no idea who
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we are and he take a photo >> someone behind this girlfriend behind camera taking a
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strange >> the famous one my boyfriend has like literally gone insane and lost his mind
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>> the boyfriend who's usually quite stock is shaking while like >> so how does that sit with you guys that
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you you were following from New Zealand is so small and why do you think it is that you don't get much more attention
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here in New Zealand than what you do? Is it a talk Bobby thing or is it something
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else? >> It's it's so it's happening more and more but I feel like it was just kind of
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for many years we >> we kind of stay quiet. We kind of >> we kind of don't disrupt like we we
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honestly just operate out we stay in our little bubble. We've just got our own
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thing kind of going. >> Often we do things like this. >> Yeah. And all of our success came from
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like really early days was like we'd make the content, make the skit, put it
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on an international um kind of platform and it would just get seen internationally. So there was no reason
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for it to specifically um be kind of concentrated in New Zealand. >> It was just being seen by the world and
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so naturally it just kind of rose >> around the world. >> Well, on this podcast like I love
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celebrating New Zealanders um that are doing amazing things and that that's what you guys are. So it's it's quite
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like there's a few articles online. There was some some old spin-off articles when you had like a million
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followers and there was a RNZ uh podcast piece. >> Um, but I felt like you deserve more
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attention than what you've got over the years. >> Yeah. Well, thank you.
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>> Thank you. I I hate to say so, but I think so. >> Get a little bit more.
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>> But at the same time, I don't I don't mind it. I actually genuinely there's
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something really just nice about just tinkering away and working on our own stuff and and doing what we want. It's
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so funny that when we like month to month we'll get tens of millions of views sometimes hundreds of millions of
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views and then when you get on seven sharp uh you get all the texts from the aunties and I saw you on seven SHARP YOU
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KNOW IT LOOKS LIKE YOU GUYS ARE DOING quite well >> validated validated >> it's the only media service they know
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>> the stamp of approv yeah yeah >> so uh 2018 you started doing this
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full-time I believe it was you first Rowan >> uh well it These guys both had full-time jobs. I I
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my background is I studied as an actor. I've always been an actor and so that is
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never a full-time job. So I was like I'm constantly unemployed. So I I I can I
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can you guys keep working while we're figuring this out and I'll be the inverted commas fulltimer
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>> which involved paying him like oh like two no to the start it was like 200
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bucks a week to be the editor. >> All the revenue that we were making back
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then which was all the revenue >> would have been about 200 bucks a week and we're like going to give me I'll
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just I'll be the editor. Yeah. And it was basically paying your rent, right?
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Paying your rent. >> And then but there was a point, was it maybe 2018 where you guys made quite a difficult
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decision to to both of us had pretty cushy jobs. I was at TV and Zed, Alan was at NZME. And I mean, we were doing
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pretty well career-wise for the >> It was bizarre that that felt like the the safer option was to stay at those at
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those jobs rather than take the take the leap. But so obviously so glad we we took said leap. It must have been there
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must have been a point and I bet it would have been when we kind of got on Patreon and so we we had this kind of
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regular do you know you know the Patreon of course >> we had this regular kind of uh fan base
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who gave us a regular amount maybe it was like $10 $20,000 a month or something >> nowhere near that no way down it would
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have been $1,000 a month around that and then that combined with a little bit of Facebook uh you wouldn't
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be Facebook but then a little bit of YouTube revenue was just enough for you guys to go I think this is growing. Can
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we take the leap? >> And do you know what was the big we could see that we could see the graph.
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You could see where it was like where it was kind of going was views were picking
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up and subscribers were picking up and we're like, okay, >> if we dedicated our time to this, surely
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it's only natural for that to to um grow faster. Yeah. Had a little bit of savings which were like like I literally
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for myself did the math. So I was like, "Okay, imagine if we made almost no
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money for the next how much of my savings will I go through for food and rent?" And then I figured out that I had
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like 3 or 4 months to live. >> I made that plan as well, but then I went to Europe and spent it all and came
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back. I was like, "We got to make this work as quickly as I was. It makes a
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difference to me, guys. I'm still unemployed. That's you guys." >> Yeah, we we took a leap of faith. You
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kind of took like a little stumble of faith. >> Took a stumble of faith. >> I mean, Rowan, you you had a promising
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acting career though, right? You went to Toy Ficardi, the iconic film school, which is notoriously hard to get into
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>> and you had some bits on Shortland Street. >> I've had like I mean I studied for a
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year at the Hegley theater company in Christ Church straight out of home and then three years at Toyardi. So I
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studied for 4 years and then just kind of into the industry and and I got the you know an ad here and a little role on
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Legend of the Seeker and Spartacus. And >> did you know that Ron's an Avatar? Oh, I
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have this there's a well-known meme amongst our fan base is that I am a prominent extra in one scene on on
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Avatar. >> It's the scene where he's giving the big in the big briefing room where he's like
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>> in Pandora. >> Yeah. Sorry. >> Yeah, >> that's good. That was a good recreation.
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>> He said the line wrong. >> I think Oh, something back in Kansas. >> I'm just with no lines. I just happened
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to be placed at the front row of this of this briefing with General Quart and I'm
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just there looking stoic and cool and stuff and and it just made a big prominent part of the
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>> But there's also a deleted scene where you had a line, right? >> Uh no, that that I could No, no,
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>> I thought you had a line. >> No. God, I never got a line. >> But there are there were other deleted
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scenes that I had more prominent parts. There's one. Yeah, but that that was the
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one. Yeah, that's >> famous. He's an avatar. I'm an avatar deal.
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>> Yeah. But what did you see yourself doing when you were training? >> Uh what was that? Sorry. Oh,
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>> what did you see yourself doing when you >> What was my kind of plan?
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>> Yeah. >> I mean my best my best aspirations back when I was studying would have been like
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I mean I remember actually doing a kind of a a a talk a research project on what
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becomes of Toyari graduates and first of all I had to define how success what success is for people. So I was like
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well no the question was how successful are toyardi graduates and then I defined
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success for myself. I remember doing like a talk to the class and I was like the success for me would be if I could
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just like get a a roll on Sha Street like a core cast role on Shan Street. That's it. Like I've peaked. That would
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be the best thing that I could ever imagine. That was it back then. That's like if I can get that.
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>> And so you've never been successful then. >> Well, I guess not. I never got I had two
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tiny rolls on Short Street but I never had a cart. >> Never made it. So you're a made it.
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>> You're a failure then. >> Did that ruin in that room? Never made
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it. >> No wonder your mother's so not proud. >> So disappointed.
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>> Yeah. What a let down. I suppose that's the that's the benchmark. I've had a
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couple of um Toy Ficardi uh graduates on the podcast including um Cam Jones. I don't know if he was on Shortland Street
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for a while in Dallas on Shortland Street and for him like his parents were like, "What are you doing? You're going
00:15:45
to be an actor." But when he got a role on Shortland Street, it was like >> the seal of approval for you know family
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and aunties. >> My parents wanting to be an actor and filmmaker. They were they were
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supportive but they were like you're let's just be realistic. You're probably
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not going to make it. So I have a backup plan. Thanks mom and dad. They made me do a law degree.
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>> Although >> I keep forgetting that about you degree. >> My family was very supportive of me
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doing acting. But there was a point I remember um and this in the early days of EVA before we anywhere near made it.
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And I remember my brother kind of just kind of having like a bit of a serious chat with me and just kind of going, you
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know, you you know, you know, have you got have you got it back up kind of playing? And I was like, no, not really.
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And it was like, okay, just maybe you should, you know, it was just trying with love and everything like
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>> from a place of love, >> place of absolute love. I did do the same thing with you, didn't they?
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>> They did. It was very, very similar story. It was um I just nothing was
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working. It was I'd been to film school. I just did a one year New Zealand film
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and television school. Got out of there, tried to make a couple of my own projects. Nothing happened. uh was doing
00:16:44
the odd job here and there. Did a lot of like corporate gigs just nothing was clicking and my parents did had a weird
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very ser not very serious it was the same sit down of like >> you need to start thinking about
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especially cuz I'd moved back home then and I think they were like you can't
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stay here. The subtext was you can't stay here and keep chasing this crazy film dream
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>> and luckily and again from a place of love and and they were very supportive
00:17:04
up until that point but it just went so far. Uh but then like genuinely like two
00:17:09
or three weeks after that was when I landed the job at NZME which wasn't exactly this like high-profile video job
00:17:13
or anything but at least it was a job with a camera allowed me to pay uh pay the bills and and come up to Oakland to
00:17:21
so I was close to Ron and we could start doing Viva properly. So it all kind of worked out but the timing was um
00:17:26
>> Was there a moment where so they were like oh thank god he's got a real job
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and then there was a moment when you're like hey I'm actually quitting all that
00:17:34
and committing to you >> no surprise I was expecting that but surprisingly there wasn't my parents did
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to me >> they were like are you sure >> like because there's a good career path
00:17:44
here at TVn like >> are you sure lots of memories I remember them surprisingly not being
00:17:53
>> they were loving about it like they wanted the best for Viva and for me but
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yeah there was >> of course but it was just this crazy idea like that how is that ever going to
00:18:02
work >> so unknown and I I think it's more of a pathway now for people to say I want to
00:18:06
be a YouTuber but it wasn't even a thing when when you guys started >> it's more understood now for sure
00:18:11
>> how did you guys all meet >> so the the the kind of the origin story
00:18:15
is like way I'll kind of breeze past the first part which is we were a bunch of
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actors there were more of us actually back then there was a bunch of actors and gamers who all were nerds who played
00:18:24
this one game, Starcraft, including Alan and myself. And then we started making Starcraft parody music videos.
00:18:31
>> So, actually November 24, 2011, that's when you put out the blue all rise one.
00:18:36
>> That's the one. Yeah. >> All right. The the first lines tell me
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that you watched. >> I did. I did. Okay, has it? >> Yeah, that one's fine.
00:18:54
>> That one's okay. There are other ones you should just not watch. >> There are other ones.
00:18:57
>> There's another one to parody of um What does the fox say? >> That's the one we were talking about.
00:19:04
>> You guys have pumped it out about going back and deleting it. >> I'm so pleased you haven't
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legacy. >> Jimmy Donaldson, Mr. Beast, the biggest YouTuber in the world. Like, if you look
00:19:14
at his early stuff, it's it's really awful. >> It's like a time capsule and you can see
00:19:19
the progression and development. part of something really special about that. >> I think so as well. That's why we've
00:19:24
never deleted the music videos cuz totally agree with that. >> Yeah. >> And so we went through the stage of
00:19:28
getting mild success from that and then there was a point later on where the that whole initial group of us kind of
00:19:34
disbanded. People got busy with their own lives and um and then it was just kind of me and Allan for a bit just kind
00:19:40
of just buming around. We we started making this board skit series and it was not doing that well. Um
00:19:46
>> every time you released a video you lost subscribers. We actually we'd go, "Oh,
00:19:49
we just released a video and >> oh, so our audience wants us to not make anything is what the subscribers."
00:19:54
>> That's what the takeaway was, right? >> Because people are going, "Oh,
00:19:57
>> our subscribers were >> when when what in retrospect what was actually happening was that we were we
00:20:02
were losing all the music video people who were there just for the music videos and we were gaining this cult audience
00:20:07
of gradually." >> Yeah. Very slowly. But the real success happened when we met Adam uh when we
00:20:13
kind of were all in the same kind of phase of our life or whatever that was and and we we started kind of working on
00:20:20
well we started working on wrecked together. you you guys were already working on Regg and you've been it was a
00:20:26
web series that they wanted to make and get funded through New Zealand on Air and I was working with another team on
00:20:30
another web series that I wanted to get funded through New Zealand on air >> and through a mutual uh mutual producer
00:20:37
we got introduced and we just had a coffee and a chat and you know got on like a house on fire considering we love
00:20:43
film and video games and we're trying to do web series and then it was suggested
00:20:48
that I help these guys write wrecked and uh just through the multiple sessions we
00:20:54
had writing this series together, we kind of really got along as friends and then they're like, "Yeah, do you want to
00:21:00
help us with a couple of funny videos? Do a do a couple of sketches with us of board and some other things." And I
00:21:05
pitched a few ideas that I thought were funny and >> then the rest is history.
00:21:09
>> And that's why selling is so important. and and it kind of just I almost feel
00:21:17
like the um the little side skits were just more like a little side project from the real thing which is the music
00:21:23
videos or something like at the Yeah. I wonder I can't remember that might have
00:21:27
been a mindset. >> Even then like I came on >> We'll be back to music.
00:21:31
>> The first one I came cuz we had been playing Starcraft the game that brought
00:21:34
us all together at that point. And the first thing I came on for was Legacy the the uh the music video.
00:21:42
>> I don't I don't mind that actually. >> That's very good. But
00:21:46
>> that video was like the main focus at that point and two days of filming.
00:21:49
>> It was Yeah. two days of filming and then going to be a long edit and Ron had
00:21:52
put a lot of effort in to make the song. And the same one of the same days we're
00:21:57
filming, we also just decided to do a fun little sketch, >> a silly little half sketch, a silly
00:22:02
little halfstone sketch where I get angry at my phone and then break my phone and Rowan talks to camera about
00:22:07
the life lesson of that. And that took half an hour to film and got significantly more views than the music
00:22:14
video >> than the music video. And we were like, >> "Wait a second, pump the brakes.
00:22:18
>> What's going on? We should keep doing skits and and less music videos.
00:22:22
>> Yeah. And the other thing with music videos is you can't monetize them. So
00:22:24
they >> parody licensed to music. >> Yeah. Well, it gets blurry and it's hard
00:22:30
to get very kind of gray area with it. But >> especially these days on YouTube where
00:22:34
copyright strikes so strong. It wasn't as much back in the day, but these days
00:22:38
it is. >> Is there anything you miss about those simpler times? >> Ah, we
00:22:41
>> What do you miss? Like I mean you've done so much incredible stuff, but I'm
00:22:45
guessing it's completely different now. Like the process and the team. I think
00:22:48
we look at it through rose tinted glasses. Yeah, I we The short answer is yes. They were magical days and it was
00:22:55
just the idea of like chasing the dream. It was just the three of us. It was like
00:22:59
uh there was a certain like just this this excitement about it, this palpable excitement. But then I remember it was
00:23:07
just the three of us on set lugging our costume and art department and everything ourselves. I remember having
00:23:12
to wake up early, go to Roland's house, get into your garage, which wasn't human
00:23:17
height. So, we had to like dip into the >> garage 10 crates of random costumes, put
00:23:23
them into the car, >> and then it was poorly planned. So, we kind of would arrive on set and we
00:23:28
haven't finished the script. So, we have to kind of come up with it on the fly,
00:23:30
which was the way we tended to do things. So, >> like it, yes, I look back on it very
00:23:34
very fondly, but at the same time, I we've got such an incredible team now. Our crew is so amazing.
00:23:40
>> Uh, and we can shoot more content at a higher production quality than we ever
00:23:45
could. And so, >> yeah, I miss it, but I also I'd much choose right now.
00:23:50
>> Well, I suppose like back then you your dream actually it was probably too big
00:23:54
to even dream is what you had. >> Oh, yeah. Oh, if if you back in even 2018 said you'll own a studio
00:24:01
>> uh with a a mass Oakland's biggest permanent green screen uh a full
00:24:05
medieval tavern and like a tech store set >> a full working crew >> and a full crew and you've got like uh I
00:24:11
don't know at least 10 of constant employee how many do we have on constant employment
00:24:17
>> that and that we would just be like oh sure >> and that when you days when you shoot
00:24:23
will be 30 40 sometimes 50 60 people >> and have and you guys don't I guess
00:24:29
don't have to go to first scene anymore to hire the costume. I think we get the
00:24:32
odd thing for person still not knowing that we don't have >> we don't have we still 16 staff did you
00:24:38
say >> I I lose >> so like on a on a quiet day we've got 16 permanent staff but as I say that ramps
00:24:45
up when we get into filming and it can a normal day would be about 30 maybe 40 I
00:24:49
I remember like we it was a creative outlet was one of my my few creative outlets was probably the most important
00:24:54
and I I genuinely enjoyed doing it as well but there was definitely a point there where we we uh We any sane person
00:25:03
probably would have stopped. >> Well, we often I do remember this one point out
00:25:08
>> Yeah, this is years ago where we were actually before Adam where we' had the
00:25:13
the group the old group had disbanded. The music videos was kind of over. >> Me and Alan were just making the
00:25:19
occasional episode of this board tech series. >> Every time we released it just
00:25:23
>> was just not doing well. And I remember out on the balcony having a cigarette
00:25:27
just just going um what did I say? I said >> maybe we're not that good.
00:25:32
>> Do you know bro? Have you ever considered like maybe we're just not
00:25:35
that good? >> And it was just really this this big bombshell like I mean the the all the
00:25:41
evidence was pointing to that was probably the the real the the truth. >> They were right
00:25:47
>> and and it was all and then we gave up and now we're here. Um >> yeah, we're not that good but this guy
00:25:53
came this guy. But no, there was no way to argue it because like I thought we were pretty good. I thought we were on
00:25:57
to something. But yeah, every time we released a video, it would tank and >> I feel like your response to that was
00:26:02
something like, "But people who aren't that good don't ask that question."
00:26:06
>> Yeah, that's right. I was >> something like that. >> I did say that, didn't I?
00:26:09
>> Early days. >> Yeah. Well, that was a smart response. Yeah, it's profound
00:26:13
>> cuz there are a lot of people cuz I know a good good friend and actor Ben uh
00:26:18
Vanlair who we work with, he's got a a really good expression which I I don't
00:26:21
know if he made it up but the expression goes uh follow your dreams but don't
00:26:25
follow them off a cliff >> and and that's that one of the things when you get like cuz the truth is most
00:26:31
actors don't make it statistically or most Twitch streamers or most YouTubers
00:26:36
or most most people statistically don't make it >> most creative and You know, the truth is you
00:26:45
>> that's a likely scenario, but a lot of people like that don't necessarily ask
00:26:49
the question, maybe I'm just not that good >> that they kind of in a bit of a blind
00:26:55
kind of if I just keep making stuff, I'm sure it will eventually work out. >> Yeah.
00:26:58
>> So, in in hindsight, were you good enough then or did you just need to keep
00:27:01
like tweaking until you found the >> I think we I think there was a spark there. There was
00:27:07
>> absolutely magic. I remember watching all of the music video before I actually
00:27:11
kind of got engaged with you guys when we first met. I watched all of everything basically
00:27:16
>> and I was like, man, this the production quality is a bit ropey here and there,
00:27:20
but there's a absolute spark. >> Yeah, I agree. Yeah. There's obviously a lot that we we've
00:27:26
improved a lot since then, but there was still this undeniable >> like Yeah, I guess spark is is a great
00:27:32
word for it. >> Yeah. So, so in the early years, um, you were getting a bit of YouTube money coming
00:27:37
in. I I don't know what else. What were you doing? Were you just reinvesting it?
00:27:40
You're giving Rowan 200 bucks initially. >> That was that was literally it is just
00:27:44
putting it back into the videos into buying props, costumes. >> Oh, yeah. And most of those were
00:27:50
>> rent and food. >> Yeah. But like before then we were for the first few years we were just
00:27:55
investing in the in it. Like it would all come out out of our pockets, >> but it was almost nothing cuz I just I
00:27:59
owned all the camera equipment already. Yeah. Yeah. >> Uh we could film in most locations kind
00:28:03
of for free >> cuz you just don't tell anyone. >> Cuz you just don't tell anyone.
00:28:06
>> You're just gorilla film making. >> Yeah, 100%. >> And then the locations we were using
00:28:10
like Playtech, they were lovely enough to let us film there for free and how historical village were allowed let us
00:28:16
film there for free for the first few years. >> I I think it might have been free. Yeah.
00:28:21
>> It was free. Yeah. >> Oh, wait. Is is Playch an actual store? >> So Tech Town the the show the store in
00:28:27
the show now is fake. that's at our studio. But Playch, which it used to be in, is a real store on the North Shore.
00:28:33
And the owner was just lovely enough when you guys first asked to say yes. >> Great guy. The store is very, it's a
00:28:38
very cool store. >> We had a really like symbiotic relationship in the early days where he
00:28:42
he obviously had a really good business sense and saw even though we weren't
00:28:45
massive at the time, we were like 20 maybe less 20 less than >> No, it was it was 20,000 plateaued at
00:28:51
that for like a couple years. Yeah. >> And and we we basically approached him
00:28:54
and said, "Hey, could we film this new little tech store series you want to do
00:28:57
in your store?" And he was very com he was like, "Okay." >> Um, and he saw these, you know, this is
00:29:02
free publicity if if they do well. And it did very well. But, um, >> when we left Playtech, we were on 3
00:29:08
million subscribers. >> Oh my god. So, you 20,000 when you started. >> And did you say you plateaued? You pl
00:29:14
you sort of plateaued on 20,000. >> We plateaued at 20,000. This is from memory, but after the kind of the music
00:29:19
video. >> 22 was the number I remember. >> Yeah, I think around 22. We just we were
00:29:22
just we weren't the dial wasn't moving from there at all. And that that was
00:29:26
after we' done the music videos and we were starting to just uh do the sketches. But the sketch
00:29:30
>> there was even the plateau at 22 for a few fair few months when I started as
00:29:34
well. And it wasn't until >> we really started doubling down into let's try and do two. It was that first
00:29:40
two videos a week and then three videos a week that it really started to pick off.
00:29:44
>> Yeah. It rewards consistency, doesn't it? >> It does. It's really important.
00:29:48
>> And um Yeah. Was it was there a tipping point moment or did was it just sort of
00:29:51
like gradually? >> For the most part, it's been quite gradual. There've been little little
00:29:55
moments of of like acceleration >> but nothing like nothing. >> We've never had a video that it's like
00:30:01
ah this is your 15 minutes of fame and then get off the stage. It's all little
00:30:05
spiral viral spikes and then just consider >> there were more kind of like I feel like
00:30:09
the first instance of okay I think this is really starting to work and we're
00:30:13
seeing the the trajectory change and angle upwards might have been epic man. >> Yeah. Like we started doing that and we
00:30:20
started noticing that that started bringing in more >> literally from the very very first
00:30:24
episode of Epic. Man, it was quite clear. Oh, we've hit on >> something good here.
00:30:28
>> And then the next one was when we started doing uh PUBG logic uh do this
00:30:32
game called PUBG which is uh was a massive game when it first came out. Uh and it's just like this kind of war game
00:30:38
battle style. It's still it's still big, but it was it was just this it became
00:30:43
like the most popular game of all time for for significantly like maybe a few years. Uh, and it's it's still the most
00:30:51
ever consecutively, is that the word? like at any one time it's it still holds
00:30:56
the record in there. Like it was just it came out and we saw uh a gameplay of it
00:31:02
and realized like you can make skits about this for like almost no money cuz the vast majority of the game was kind
00:31:08
of somebody that kind of looks military, not too military, quite low budget military, uh holding often just scraps
00:31:15
of gun like small a pistol or a basic shotgun or something in an open grassy field. And we were like
00:31:21
>> all those we have those things. We literally have them all. And and the
00:31:25
beautiful thing about how Viva was and this is something that I miss a little bit was that we could we just called up
00:31:30
each other which we >> let's do it you guys free on Saturday >> and we so we just got out there and and
00:31:35
did it without any planning required because there's nobody else to wrangle and we just got out there and did it and
00:31:40
we literally rode the coattails of PUBG uh creating this uh content called PUBG logic which is just leaning into the
00:31:46
gags of of PUBG >> and they went gang busters and for the longest time that was our largest draw
00:31:52
card. A lot of people would find us through PUBG and then they'd see this other stuff that we're doing like epic
00:31:57
men in tech town over there. >> Um, but those they were they were very secondary to PUBG and luckily luckily
00:32:02
the PUBG popularity kind of dropped down and epic. >> There was a period there where I was
00:32:06
really scared that we'd become the >> PUBG guys. We didn't want to become
00:32:10
>> saying that to you guys like [ __ ] >> Yeah, >> we really need to diversify cuz are we
00:32:13
going to become the PUBG guys? >> Yeah. And then you'll be holding into a
00:32:16
game of like if a game isn't popular anymore then you're you're just in a lot
00:32:19
of trouble. But luckily Epic CN and Tech Town, which are our two main things, are
00:32:23
by far and away like our biggest rock out and continue to be to this to this day.
00:32:27
>> Yeah. >> Jeez, you must have all been single at the time, right? >> No.
00:32:31
>> Well, you had relationships. >> From what you've explained, it seems
00:32:34
like every weekend was like the 48 hour film festival for >> basically. Yeah,
00:32:38
>> it was. Yeah. >> I remember getting to a point where we were like, what's the point of doing the
00:32:43
48 hour film festival? >> We're doing it constantly. We did do it one year and we got second place
00:32:47
actually and it was second or third actually. >> I might have been third but third
00:32:51
actually and um and after that we did it twice and it was the second time we kind
00:32:56
of went >> why are we doing we do it twice or do we just do it one time? There was the
00:33:00
charity run and then there was the photographer one. >> Oh the photographer one. Yeah. Right.
00:33:04
>> And um and then now these days we actually sponsor the uh the 48 hour do
00:33:10
the comedy award. >> Yeah. Like I genuinely remember 48 hours before doing Viva was 48 hours was a
00:33:14
really important thing for me because it was like proof that I could make something
00:33:19
>> and then even just witnessing it even if you make something kind of [ __ ] just
00:33:23
have seeing it on the screen in front of an audience like cool this is possible like
00:33:27
>> I think it's one of the best things that's ever happened to the New Zealand
00:33:30
film industry is iconic filmmaker should be entering 48 hours. So 2022 is when you did that Kickstart uh campaign.
00:33:40
Yeah. Oh, >> the second one. >> Wait, is that the one that where you got
00:33:44
millions? >> Yeah. >> When was the first one? >> First one was in 2019.
00:33:48
>> And what did that generate? >> Uh like seven was it 700,000,000 new
00:33:54
that was to make a that was to make a film. >> Yeah. >> Called Balen's route which did really
00:33:58
well. >> Yeah. It's just a little half hour short film that we did set in the world of
00:34:01
epic NBC man. >> Yeah. So, it's sort of like proving to our audience and to ourselves that we
00:34:05
could film create bigger stories within the world of epic museum. Uh, but the second one that you're talking about was
00:34:11
uh, yeah, the one that we gang busters. >> How much did it make? >> $4.2 million New Zealand dollars
00:34:16
>> in 3 days. Four days. Three weeks. Almost a month. Yeah. >> So, were there any big donors? What was
00:34:22
the average amount? >> There were some really big ones. >> Yeah. The average amount is actually
00:34:26
only $70, but there were four people that gave $30,000. Um, I think 10 people gave 15,000.
00:34:34
>> Some fans are just like >> That's the thing, like if if you have a
00:34:37
large enough fan base, some of them will just be doing quite well. >> There's some fans out there who are like
00:34:42
millionaire people gave $100. >> Yeah. >> This is where you're so lucky that less
00:34:46
than 1% of the population is Kiwis cuz Kiwis don't like >> Yeah, totally. We're always blowing.
00:34:51
>> Feel weird about giving money to So, what were your expectations when you
00:34:54
started this? Like what were you thinking? What were you thinking a good result would be
00:34:58
>> of of the that Kickstarter or or or of Viva? >> No, the Kickstart that one.
00:35:02
>> I remember kind of thinking, man, if we get a million >> like I I was
00:35:06
>> even by the way, even that's an outlandish number, right? I I was kind
00:35:10
of hoping for like $500,000 would get us something. A million would get us something. Okay, that would probably be
00:35:18
great. I and I think we were we weren't don't we weren't crazy confident, but I
00:35:23
remember we were gauging it from the previous Kickstarter we done where we' raised 700,000. So, it's like okay, like
00:35:28
we know people are willing to donate, >> but this one was such such an unknown
00:35:32
because it wasn't another film or project. It was a very specific thing we were asking for which was like invest in
00:35:39
the future of the company kind of not invest donate for the future of the company. Um,
00:35:43
>> in many in many ways like it was um you could interpret it as help us get a
00:35:48
mortgage. >> Yeah, we we made it we dressed it up real nice, but at the end of the day
00:35:52
that was what we were asking for. We were like help us get a studio and the studio will do all all of these things
00:35:57
that allow us to upgrade shows and and make new shows, but at the end of the day like that we got the money and just
00:36:01
all went on to the the >> it paid for um a good a good chunk of it, but we we still got a massive
00:36:07
mortgage to pay for Yeah. >> the rest of it. All the sets and the renovation.
00:36:11
>> Yeah, we put a lot of work. I remember like when we first started and I was
00:36:15
imagining maybe if we're real lucky we I might get a million dollars out of this
00:36:17
then we could invest in our own and the kind of studio that I was imagining we could get is basically like a a a room.
00:36:23
>> Yeah. >> Yeah. >> Yeah. A room. >> A room. >> Yeah. Yeah. Yeah. Maybe we could hang a
00:36:26
green screen. >> And we could hang a green screen on it. Um and so when we got $4.5 million New
00:36:31
Zealand dollars, I was just like, "Oh." And we could now look at like big spaces
00:36:36
big warehouses and stuff. >> That was mind-blowing cuz that's massive.
00:36:40
>> Yeah. Yeah, I'd love to see in real life at some point. It looks incredible. Um,
00:36:45
I just can't I can't understand why that wasn't a big part of the mainstream news
00:36:49
cycle in New Zealand. >> We we had we had an interview on on >> Was it the project? I think No. No. Or
00:36:58
am I going crazy? >> I think you're going crazy. I don't know if we did any any publicity about it.
00:37:02
>> No, I don't think we did. No, >> it seems crazy. There three Kiwi lads
00:37:05
doing this thing with this support internationally. >> It's like it's an unbelievable amount of
00:37:09
money. >> Yeah. Yeah. Absolutely. Were you guys Yeah. What was that period like for you
00:37:13
guys? Were you constantly refreshing each other? >> There's a I love There's this particular
00:37:19
clip of the last few seconds of the Kickstarter campaign where we made a lot of money in the last like 2 hours live
00:37:25
streaming it >> and and the three of us losing our absolute minds as uh as it kind of
00:37:31
closes on $4.5 million. >> It was difficult to comprehend it because it we couldn't fathom what it
00:37:37
actually represented. Like we knew it meant huge support internationally, which was huge,
00:37:41
>> but then what what it literally meant and like we didn't know. We had this
00:37:46
idea of what the studio was we could hypothetically get, but it was just this it was it felt like it was unlocking
00:37:53
something new to us and it very much has. And so it was a just insane amount of money.
00:38:00
>> When when the dust settled on that, did it feel like a huge amount of pressure
00:38:02
like like you owe? >> We are still fulfilling the obligations from the Kickstarter. We're just about
00:38:07
done. >> That's true. Yeah, cuz a lot for the Kickstarter, you get a lot of uh like um
00:38:12
for for all the donate every donation would often have like a if you can donate this much, then we might um give
00:38:17
something in return. Uh but but yeah, we're still we're still paying those
00:38:21
off. >> Yeah. If we can get to a million dollars, we'll do the Sims logic show.
00:38:27
>> We started because we started making so much money, we started just throwing new
00:38:31
ideas out there. We'll do this and we'll do that. Like because we kind of had all
00:38:33
our goals and like we threw our list like what are new things we can do. There was one which is like um we we did
00:38:38
think about this. We did we knew what we're getting into, but we were like for
00:38:42
for every donation over $100, we'll write your name on the mural on this mural wall.
00:38:48
>> Yeah. >> Knowing and we were like >> we get a thousand of those or something.
00:38:51
Oh, like even if more than that, but just going we'll just commit the time over and then and then and then it just
00:38:57
became a nightmare trying to like fix. >> We ended up we ended up getting 14,000
00:39:01
people at that uh tier and above which meant that we did the maths on it and it would literally be days.
00:39:08
>> We' still be writing to this day. >> Yeah, it would be days into weeks of
00:39:10
8our days of writing. >> And we found a way to digitally do it with our handwriting and stuff and get
00:39:15
get on the wall. But yeah, it was >> we genuinely tried a lot of ways to make
00:39:18
like make that work, but it was too much. There was too much too much support. >> It's a it's a wonderful problem to have.
00:39:26
>> So So with that money, you get um you go to the bank and you get a mortgage on
00:39:30
this uh on this property. >> Yeah. >> Yeah. >> Yeah. >> And and why did you you build build like
00:39:36
the uh the giant green screen and also a medieval tavern which looks like something out of Lord of the Rings? Why
00:39:40
why a tvern? Was that a big >> epic epic NBC man is uh is all fantasy and it was kind of going to serve two
00:39:49
purposes. It was going to serve the We've also got a second channel where we
00:39:52
play D and D and we wanted to have a nice cool space, a nice cool backdrop for our D and D games. So, it was going
00:39:58
to be the tavern for the backdrop for DN D, but then also the tavern for uh our Epic MBC for for Honeywood. And we we
00:40:08
thought those two will be pretty useful, but we've used it for so many other
00:40:12
shows, so many other things. >> It is actually probably the the main out of those three sets. We got the tecton
00:40:17
set, the tavern set, and the green screen and the tech and the tavern would be the one we use the most. Most
00:40:22
surprisingly. >> Yeah. >> Yeah. I I can't remember if there were
00:40:24
ever any other discussions about other things there. Maybe we considered a castle like a fully
00:40:29
>> like like permanent >> a permanent like was it was it down to tavern or something else? I think
00:40:33
>> so. I think we we would have always gone in my mind it was like the most
00:40:36
important ironically the most important thing is the tech town set. >> Yeah. Yeah.
00:40:40
>> That's the one that we we need to have. >> We know we'd use it a lot. And then the
00:40:43
next thing was that and then the green screen has come second cuz that's like
00:40:46
you can do anything with the green screen. And then third uh still important but least important uh was the
00:40:51
tavern cuz we will use that for doing D and D games >> and and but I think that would would
00:40:57
have always been the way we thought about it. But >> yeah, >> never thought that the tavern would just
00:41:01
be gets used so much. >> But I can see why now cuz it's just like this incredible well-made tavern.
00:41:08
>> So beautiful. >> Just beautifully made. >> And how do how does it work with team
00:41:11
decisions? Do you do you get one vote each and it's majority rules? >> That's exactly it's just whatever I
00:41:16
want. I get >> not easy. >> We basically as the it's the rules commander and
00:41:24
chief CEO. >> Uh it basically works that just like Okay, guys. I'm I'm sorry. It's I want
00:41:29
it this way. >> Just remind you I am Rowan. >> I want it this way and that's the way
00:41:32
it's going to be. Thank you. >> Thank you. And then we just follow his
00:41:34
lead. But it's the great thing about having three is is that any just >> any tiebreaker. Yeah. anytime and it's
00:41:40
it's very I mean it's we have to make a lot of decisions and it's very much a I
00:41:45
I suppose we're all pretty desensitized right now if you're the one that's
00:41:47
outvoted it's just like ah whatever kind of vibe >> we're all very and have been for the
00:41:51
longest time all very good at going okay I mean I think the opposite to you two but it's funny often will say that like
00:41:57
you kind of go I I don't I don't like this thumbnail I think we should do the
00:42:00
other thumbnail >> and the other guys go like no we both like that thumbnail like and you this is
00:42:04
like a running g you go okay well you guys are both wrong but that's cool >> yeah but they're both
00:42:10
Oh yeah, cuz the thumbnail was so important. E the thumbnail. >> I heard a podcast, I think it was Lex
00:42:15
Freedman podcast with Mr. Beast on and he was talking about if he's got a great
00:42:19
concept but the thumbnail is not great, he just won't do the idea. >> Yeah, wild. That's really
00:42:26
>> Mr. Beast really lives and dies by his thumbnails for sure. >> And that's so important because in many
00:42:31
ways for a lot of people the thumbnail the thumbnail is the entire marketing campaign.
00:42:36
>> It's everything. It's it's the first and only thing that someone might say.
00:42:39
>> Yeah. >> And it's the and they're either going to click it or not because of the
00:42:42
thumbnail. >> I know it hurts our crews feeling sometimes, but you say the phrase that
00:42:47
the thumbnail's more important than the video because people aren't going to
00:42:50
watch the video unless they click on the thumbnail. >> Which goes against everything we were
00:42:54
raised with. Don't judge a book by its cover. It's like literally judge it.
00:42:57
>> Judge it. Judge >> judge between the thumbnail, any text on the thumbnail, and what the title is on
00:43:03
YouTube. all so important >> and we've struggled with it for like it's an constantly evolving process of
00:43:09
going >> what maybe these these thumbnails feel a bit too >> kind of um over saturated and colorful
00:43:15
and this that what and well let's change it a bit let's we we're constantly
00:43:19
trying things with our thumbnails like we're never satisfied >> feel like we're going through a big
00:43:22
change again at the moment because they've got too samezy and too >> not that we use AI in the thumbnails but
00:43:29
they just look a bit like too overly edited or something they're too photoshopped and they look they But it's
00:43:34
just hard, man, cuz you like you're trying to make we we release uh multiple
00:43:38
pieces of content every every week and to to try and tell a story and try and find find the optimal thumbnail for that
00:43:44
particular video is such a huge job. >> I think we've got a pretty good system
00:43:50
down to like very at the very least like do do the video justice. But like yeah,
00:43:54
there's you could have a whole team dedicated to Mr. Beast does. >> Yeah, exactly.
00:43:59
>> Well, yeah. Creatively then, how does it work for you guys? Are are you guys in
00:44:02
the weeds with every aspect of it? >> A lot of us. A lot of us. >> Okay, I'll give you an example. So So um
00:44:07
I saw a clip yesterday that you guys put up. I don't even know if you guys have
00:44:10
seen this, but it's you in the Techtown store. A guy comes in. Uh he wants to
00:44:15
speak to a man. >> Oh, yeah. Yeah. Yeah. >> And there's two really knowledgeable
00:44:19
girls that try to serve him, but you end up screwing him over with some >> I always Yeah.
00:44:24
>> Yeah. But so are you guys are you guys over that clip? You guys aren't in the
00:44:27
clip, but >> I'm over I I did direct that one. Yeah. Yeah. Yeah. So I I directed that and uh
00:44:34
we were all in the room when it got written. >> Yave may have been written by one.
00:44:38
>> Give you a bit of an like a from start to finish the process. >> Yeah.
00:44:42
>> So the the way the process works is we start with a writer's room which is
00:44:46
where we're going today's writer room is we're generating ideas for uh for
00:44:51
Techtown say and and so we'll have a big what about this? What about if a customer comes in and they or or for
00:44:57
that example, what if a customer comes in and they're a bit of a chauvinist and
00:45:00
they only want to speak to a man like okay okay >> who's the worst man we could put up
00:45:05
Rowan. >> Yeah. And then Rowan comes in and then so we go who wants to write that one and
00:45:08
someone gets allocated to write it and then they'll write that one and everyone
00:45:11
else writes other ones and then the next writer's room is we're reading the
00:45:13
scripts and we're giving notes on the script. So all of us together with also
00:45:16
with other great writers >> uh and then we go okay these notes that one's not quite landing change this
00:45:22
change that until we're happy with the draft and then it goes into the filming
00:45:25
and it goes uh and then that script gets picked and then on the filming day uh we
00:45:30
got we got the scripts now and we'll film it and in that case you were directing that one. Uh it's not it's not
00:45:36
always I'm not I'm not sure. It might might be one of might be one of these
00:45:39
guys directing it or it might be an outside director. Uh, and then we we film it. And then the next part of the
00:45:44
process is after filming is the editing stage. So we we don't edit anymore. We've got editors, but they'll give us a
00:45:50
first draft and then we'll go through and we'll give notes. >> So it's such a huge relief. We don't
00:45:53
have to edit anyone. >> Such a taxing. Oh my god. >> Because especially when we had uh jobs
00:45:59
during the day, you'd I mean there was a per there was a period where every Ron
00:46:02
was doing the majority of editing, but also >> there was a longer period where each of
00:46:06
us did one episode each You come home from, you know, 8 10 hours of work and then be like, "Oh, I got to edit.
00:46:12
>> I got to edit. I'll have dinner and then I'm going into my office to edit for a
00:46:16
bit." >> Yeah. That's that's why I'm amazed. I I asked before if you ever came close to
00:46:19
giving it up because it's um the tenacity required like uh you do it as a passion project, but um as soon as a
00:46:25
passion project becomes a drag. It's like that's when you question what it's
00:46:28
all about. Yeah, man. >> I do remember editing sometimes most of the time was a drag, but I do remember
00:46:35
the odd time being really jazzed about about what we were making and just being like, I want to be doing this right now.
00:46:42
It's late. It's 9:00 p.m. and I'm technically working still, but >> it was the closest thing to the the
00:46:46
dream that we had really, I guess, like making our own stuff even though nobody was watching it yet.
00:46:52
>> Um, the we were making our own stuff and that's that's worth something. It's
00:46:58
obviously like we would much prefer to have >> had views come along with that, but um
00:47:03
it was it was the closest thing that we had to to feel like we were putting our ourselves and our work out there.
00:47:08
>> Especially in those early days when you're like you haven't inverted commas
00:47:11
made it yet and you're kind of going okay this one could be a really good one
00:47:15
and you're kind of excited about editing and okay I think it's quite funny guys.
00:47:18
I remember there was a there was a real like there was cuz editing is another opportunity to re almost retell the
00:47:24
entire story like not so much with sketches where the duration's much shorter but you can really get some
00:47:29
definitely >> but you you um I remember being really jazzed when you get you've really nailed
00:47:35
a certain moment and you can share it with the guys and then there's a certain
00:47:38
beat that works really well and you've managed to just perfect that moment. I
00:47:42
remember editing the gold shirt saga and I was so proud of those videos. I was like, "Guys,
00:47:49
>> check this out. >> Here they are." Oh, lots of notes. Oh, no.
00:47:53
>> That's the other thing. Yeah. Yeah. You had to use You also had to some eat
00:47:56
humble pie sometimes. >> You got There's got to be no notes because I [ __ ] nailed this. And then
00:48:01
it's like, "Oh, wow. There's 20 notes. >> What is all What? [ __ ] you."
00:48:05
>> And you really Yeah, I do remember taking as a real personal insult a lot
00:48:09
of time. No. Oh, so you hate me obviously. >> Well, you're wrong. Well, you're wrong.
00:48:13
>> I I must say it it one it's good to have editors. You're right. But our editors
00:48:18
are so one so freaking amazing at what they do. They give us such amazing edits. But I do feel really bad from
00:48:24
time to time because the curse of an editor is all the feedback they're getting is this is wrong, change it to
00:48:29
this. >> We we need to keep in our minds to say, >> let's do a great job. I sometimes have the
00:48:37
impulse to cuz we get this this software called frame II where you can go through
00:48:40
and at that at 1 minute and 3 seconds you can stop it and put a note on the on the edit and I sometimes get the impulse
00:48:46
to just go hey this is great >> but I'm also aware that's a note >> that's that's a that's a note they'll
00:48:51
receive and they'll have to filter that okay that was a compliment and they'll
00:48:54
probably start getting quite annoyed by it actually that was another compliment like
00:48:58
>> so we always we give whenever we go we'll say love it great work we've
00:49:03
chucked our notes in like we do do that >> yeah I try to specific sometimes. Love
00:49:07
it. That moment at the thing was [ __ ] hilarious. >> Yeah, we use frame here as well. So, so
00:49:11
how many people have got access to it? How many people are allowed to contribute?
00:49:14
>> Can I can I ask you, do you need to log in every time you use it? Do you do you
00:49:18
review it if you're giving a note? Cuz every time, we haven't figured this out
00:49:21
yet. Every time we >> If you're in chatio, stop making us log in every time.
00:49:26
>> I I don't the team out there. Sha, do you have to log in every time?
00:49:29
>> YES, ABSOLUTELY. >> IT'S ANNOYING. >> FRAME.IO FRUSTRATING.
00:49:33
>> Why did you do that? Just let me stay logged in. It's like >> a verification code.
00:49:38
>> Yes. >> Yeah. >> Hey, Frame. I'm sure you're listening.
00:49:42
Um, please, please figure that out. >> Can you at least just do the 30? Remember me for 30 days?
00:49:47
>> 30 days. I'll take 30 days. >> Still me on my phone giving notes like
00:49:50
it was yesterday. >> Like it was yesterday. No one. Nobody stole my phone and is trying to give
00:49:54
notes on >> Yeah. Calm down. Calm down with your security. So, how many full-times? How
00:49:59
many full-times and what are they? What are the >> roles? 16. >> Yeah. On the quietest day, we've got
00:50:04
about 15 or 16 people. Um, and then as I was saying before, it goes up to >> like 20, 30, 40 on a busy day.
00:50:11
>> This is wild. E, so just three creative dudes having a bit of fun and you've
00:50:15
created these these job opportunities for so many New Zealanders. >> Yeah, that is [ __ ] cool.
00:50:19
>> Yeah. Thanks, man. That comes with a lot of pressure obviously because it is
00:50:22
cool, but it's like, okay, now we really can't stuff it up. I also love I also
00:50:25
love that we're importers technically because we are we sorry exporters because we're sending stuff out to the
00:50:31
world and bringing back American money bringing into the economy. >> Yeah.
00:50:36
>> Uh and the team is is ranges from we've got multiple editors, we've got
00:50:41
production, we've got a social media manager, uh design, we've got uh art
00:50:47
department, costume all inside our >> our space. Um, yeah, it's a fullyfledged
00:50:51
like production company >> where everybody they they do wear multiple hats. Some some you kind of
00:50:57
have to cuz it's still like we are much larger than we used to be obviously, but
00:51:00
it's still in terms of a actual production company, relatively niche. >> It was one of the things I never
00:51:05
>> I never sought out was to become like a boss. Uh, I I was like, "Yay, I want to
00:51:12
I can't wait to be a creative and do videos and stuff." And it it kind of
00:51:14
snuck up on us. It's like, "Oh, we have employees now. We have to be like uh run
00:51:20
do the business side and do management. >> Yeah. >> Performance reviews and stuff.
00:51:24
>> Yeah. Performance review. >> Do do you guys do that or do you have
00:51:26
like an HR person? >> We do some of >> we do some of them. >> Yeah.
00:51:30
>> But between the production team and us, uh we've seen our producer and us, we do
00:51:34
we do them all. >> Yeah. >> It's fun. >> And if you had to do like a pigraph,
00:51:40
where does where does your income come from? Like how much is like brand deals? How much is YouTube? Yeah, you really
00:51:46
need eggs in every basket because I would say maybe 20% from YouTube, 20% from Facebook.
00:51:51
>> I'm just going to make it easy. 25% from social media, 25% from our own paid
00:51:55
subscription website, which >> we have our own website called Viva Plus, which is people subscribe. It's
00:52:00
like our own Patreon. >> Yeah. And your merch store, by the way, it's phenomenal. Really great merch
00:52:04
store. Does that go all right? >> Uh that goes all right. >> It's a trickle. It's just another
00:52:08
constant revenue stream. Uh and then another 25% would come from uh sponsor jobs. and another 25% from
00:52:15
miscellaneous. >> Sponsor jobs are typically like a video game company or someone will come along
00:52:19
and say, "Hey, could you make a skit about our video game and put it on your
00:52:23
channel and we'll pay you to do it." >> Yeah. >> Uh and in many ways it's it's often a
00:52:27
bit like filming an advert like um but we try and really put give it our own flavor.
00:52:31
>> But that's that's a big part of our kind of a revenue stream as well.
00:52:34
>> I I um I've watched a ton of your videos. I I couldn't notice like a I
00:52:38
don't know a can of Celsius or a Google t-shirt or anything anywhere. We we don't do like product placement in terms
00:52:44
of it's just like sitting over here as a Coke or whatever. Like we generally what
00:52:48
we'll do is we'll do a dedicated video for that brand. So if it's a a video
00:52:53
game comes to us, they'll say what the new things in the video game are and we'll just make a full skit about their
00:52:59
video game. And so it's very obvious when we do sponsored jobs and we try to
00:53:04
make them as entertaining and high quality as and funny as well. >> The the best feedback is when someone
00:53:09
that gets right to the end of the skit and then there's our call to action. I
00:53:11
go, "Oh, I didn't realize that was sponsored." >> Yeah, that's cool. We made it. But we
00:53:15
also have like ever revenue streams from uh from exciting things outside of our medium, which is uh we've recently done
00:53:22
uh card game which is coming out. So, we just our third Kickstarter, which has just recently wrapped up. Uh so, a card
00:53:27
game's coming out. And we did a video game last year, so a bit of revenue from
00:53:30
that as well. So, it's like there they've got like different >> trying to set up as many little revenue
00:53:34
streams as we can. >> What's the biggest brand deal you had to turn down because it didn't fit,
00:53:37
>> you know? Oh my god, it wasn't turned down. So this is ah this is um okay so
00:53:42
so we we got a mass it's okay I can talk about it now it's been a few years I can
00:53:46
talk about this >> you can talk about it man >> we had through EA Electronic Arts a huge
00:53:51
sponsor job lined up for their newest Battlefield game Battlefield which was a few years ago now Battlefield 2042 or
00:53:57
something >> and it was the most money we'd ever seen in our like Viva League lives we knew
00:54:03
more money existed out there but we'd never been offered this much um and we
00:54:08
were like yeah 100% % it was like it was all go go go and then the funniest thing
00:54:11
happened co came along and so we couldn't film it and we were just like oh oh the the and the release date was
00:54:19
sneak out really really fast and we reached out to them and we were like okay so so we can't film and release
00:54:24
this we're going to film a whole series called FPS Logic season 2 which was going to be this big bombastic series
00:54:32
with with action and explosions and military vehicles and um We we we were location scouting. We were getting it
00:54:40
was all storyboarded and scripted. Then CO hit. We had to try and reschedule. They said, "Don't worry about it. It's
00:54:45
fine. You can you can we'll reinitiate this contract once the game is live and
00:54:50
we'll we'll do it for >> the first patch, >> the first kind of uh seasonal whatever
00:54:54
it is. They release like seasonal updates >> and then the game released overwhelmingly negative reviews. So EA
00:55:03
and their infinite wisdom were just like stop all marketing, cut all like so just
00:55:08
so that the job that it was just like just >> we were so excited by it. >> So um we were so pumped to make it and
00:55:14
it and it just didn't happen. So that would have been the most heartbreaking
00:55:17
part. There wasn't a pass on money. We just didn't we wanted it. >> We do turn down a lot of sponsored jobs.
00:55:24
>> We do. You get ones from mobile games or uh gambling companies and things that we
00:55:32
just don't associated with. We had a mobile game once ask us to make a very not R18 but very very risque video and
00:55:41
we were just like absolutely not. >> What was that one? It was that uh I don't know if I want to say the brand,
00:55:48
the one where it was like a devil woman uh walking towards camera and then she with big with hardly any clothes on and
00:55:57
they said they wanted could you please get Brit to play this character. >> I don't remember that one but
00:56:02
>> and then she mounts a devil man and like not simulated sex but like kind of like
00:56:07
they're grinding it against each other. >> I'm glad >> I didn't know we know I didn't know
00:56:11
those details. Wow. Yeah, I'm glad to I knew the costume >> and they said, "Yeah, can you please
00:56:15
essentially recreate this with Brit and one of you guys, I guess?" And uh remember the cinematic that they
00:56:20
reference and then lots and lots and lots and lots of money. >> And we went, "Nope,
00:56:26
>> no, >> cuz that's gross as hell." >> Is that is that quite a robust
00:56:29
discussion or you all pretty much on the same page? Like >> No, we're t typically very much on the
00:56:33
same page and things like that. >> Yeah. Stuff like >> that's one of the things that has been
00:56:37
to our success is we're almost always on the same page. talking about having
00:56:42
disagreements before and having to vote two. >> Disagreements are always quite trivial
00:56:45
trivial. >> Yeah, it's actually usually about very trivial things. The big things we're
00:56:49
always in alignment on >> Yeah, the trivial things. Now >> um now you built this thing on YouTube
00:56:56
and it it I mean you've grown to such a such a big um stage. Does it worry you
00:57:01
that it's like it's their platform and not your platform? >> Yeah.
00:57:04
>> Is this something you think about at the stage you're at now looking towards the
00:57:08
future? 100% so many things over the past 10 years that uh the platforms changed things at a whim
00:57:16
and don't obviously tell creators when they're changing something to do with
00:57:19
the algorithm. And like one time I can't remember how many years ago now, but our
00:57:24
Facebook account just stopped monetizing. And I mean talking to Facebook or trying to get it was like
00:57:30
talking to a brick wall. >> At the time Facebook was like a massive part of our revenue as well. It was like
00:57:36
over 50% of our overall revenue. >> Um, and it just suddenly just stopped >> zero overnight.
00:57:41
>> And we were and we were like what what's happened? What's happened? And and we
00:57:44
started kind of trying to we didn't have a contact. So we >> all there's just a little notification
00:57:48
in the top corner where everyone gets their notifications in Facebook saying you have violated our policies.
00:57:53
>> And then it go and and you go what what what have we done wrong? And and it says
00:57:56
look at the policies try and try and figure it out. Try and figure it out yourself. And we were and and so we
00:58:02
luckily we managed to find someone who knew someone we got. >> It was difficult. It was
00:58:05
>> it was very difficult and weeks passed and then we we even like heard that you
00:58:09
can apparently contract contact Mark Zuckerberg if you just email like something
00:58:13
>> Mark Facebook market Facebook back >> surprisingly we didn't didn't get a
00:58:17
response but eventually we got we got through to someone who was able to say >> they they figured it out and the reason
00:58:22
was the algorithm randomly just thought that we were selling guns. Yeah, because
00:58:28
we make videos about about shooting about shooting games. Do you want to go to something else? I did try to pivot
00:58:35
the channel without Is that what happened? That's what happened. >> This is um yeah, incredibly stressful.
00:58:39
Like suddenly the stakes are a lot higher. >> Luckily, we didn't have many if any
00:58:44
employees. That's definitely the most high stakes one. But like it happens, not every day, but a lot where you go,
00:58:50
"Oh god, that video didn't go off for whatever reason." Like on our website on
00:58:56
Viva Plus most like depending on what the content is most videos are within a small bracket of views like most things
00:59:02
get watched >> whereas on YouTube and Facebook it can be I mean especially Facebook some
00:59:09
videos can get almost nothing can can get right up here and so it's just >> possible
00:59:15
>> and that's the reason why we made Viva Plus our own subscription service is to
00:59:19
try and escape the algorithm. That was kind of our slogan when we first started. It was like we just need a safe
00:59:25
place we can gather an audience and it's going to give us avenue steady revenue
00:59:30
away from this unpredictable algorithm. >> How's Viva Plus doing? It always takes a
00:59:33
while to build these things audience. >> It does. Uh we're really happy with it.
00:59:37
So it's been out for I I guess verging on 2 years now. >> Uh and we're really happy with the with
00:59:43
the numbers and and there there's going to be a lot more >> uh content on the way there. So, it's
00:59:48
almost like I think we've got our like our hardcore fans that were just like
00:59:51
there to support us. They're there now >> and now we need to step it up.
00:59:54
>> And now we need to step it up and start producing content that draws in like a
00:59:57
wider audience. >> Do you guys have like a a business development manager or
01:00:03
>> the three of you? >> We don't. And it's actually something
01:00:05
that I've often thought about. >> It's one of those weird things. >> No, we know everything. I don't I don't
01:00:10
think there's anyone. We actually we we briefly dabbled in getting a marketing/
01:00:17
business person uh in Viva and it didn't really work out. There's there's no one
01:00:22
in New Zealand in my opinion that has enough knowledge in that singular person who's not already smashing it in some
01:00:29
other job. we would absolutely have to get someone from the UK or from America who's already working at YouTube or
01:00:36
Google or some highpowered company. >> But even then, that's such a different
01:00:39
beast compared to what we're trying to what we're trying to do. >> Like in a in a weird way, it's almost
01:00:45
like we are like, and I might be naive, but the the we are the right people for the job cuz we've been here since day
01:00:50
dot. And if we got someone who was very knowledgeable from like a BBDO or Sachi and Sachi or something,
01:00:58
>> they just wouldn't have the right mentality for our fast and loose comedy.
01:01:02
They would have this marketing lens on it which >> I don't know right if they were young
01:01:08
like us gone through this this marketing kind of >> it would have to be this like really
01:01:12
disruptive like disruptive uh vibe that like a lowbudget disruptive vibe but ironically attached to this big thing
01:01:20
that we've built that >> I see I don't even know what what we're
01:01:24
pitching for and that was a big part of like uh when we were trying to find a person for this role we really didn't we
01:01:29
were like we're trying to craft an entirely new role here >> but we do have a great team behind us.
01:01:33
So like our team is very knowledgeable. Our social media team is great. Our marketing is great. We also are ripped
01:01:39
by our CA creative artist agency in the states and they are very wellconed worldwide.
01:01:46
>> They they know their stuff. They're very good. >> They're not necessarily they're just our
01:01:50
agents. They're not our business managers, but they almost act like our business.
01:01:53
>> They have some really good ideas sometimes. Yeah. So, we've catch them
01:01:57
regular. >> Have they pitched any celebrity collabs or anything? Like a cameo from
01:02:02
>> We would We would genuinely if we were in the States, we'd be doing a bunch of
01:02:04
that, I think. Uh, >> so who who are some of some of your um A-list fans? >> T
01:02:13
um you know, and we're a fan of you, T. >> And we're a fan of you, T.
01:02:18
>> It makes me so happy hearing that. >> That's what makes me so happy as well.
01:02:21
You you hear about these odd little T's probably the most famous one that we
01:02:26
know of, but you hear of these odd little celebrities here and there. You go, "Oh my god, that person
01:02:30
>> Joey Batty Joey Batty >> Joey Batty the guy." So he's Joey Batty
01:02:33
who who played Dandelion in The Witcher opposite Henry Cable the in the TV series.
01:02:37
>> He messaged us. >> He messaged us after Witcher wrapped up. He was like cuz we did Witcher Logic and
01:02:42
where uh we played Geralt and I played Dandelion. Very much inspired by his portrayal and it was just so cool to
01:02:48
know that he's seen that. I would love to hear from Henry Caval. >> I want It's one of those things where
01:02:55
I've you always wonder like there must be like people who Joey Batty's watching
01:03:00
it. Surely he's going he would have shown Henry. He would have and I bet he laughed and laughed and laughed and
01:03:05
laughed and laughed >> and subscribed. I have to think about that. What other big F all we know Brad
01:03:12
Pit like is a is a quiet little fan and love and is a bit of a nerd like >> you and watches our thing. you who knows
01:03:18
and I'm and I often kind of want to say like if you are famous >> if you're a big famous person can you
01:03:24
[ __ ] just reach out and say hi >> so so we can go oh awesome didn't didn't
01:03:30
realize that's awesome >> I'm in New Zealand >> t stop being so cool right
01:03:36
>> I think that'll be a good fit like you your humor is very um nerdy humor but
01:03:40
it's it's very Kiwi humor as well >> very Kiwi humor >> which makes it even more more amazing
01:03:44
that it's connected with an international audience rather I think I think that's why it's connected with an
01:03:48
international audience. Like the Americans love Father of the Concords. They love Taika. And I I think that's
01:03:54
part of the reason why we've gone so well is we do have a lot of shortorthhand for our acting and our
01:04:00
writing. And one of those short hands is whenever we're getting into, you know,
01:04:05
silly, I want a silly serious mode is to go Kiwi accents >> or the opposite is what we like. We
01:04:13
could be like doing a Techtown uh skit and we're just talking like, "Oh, did
01:04:16
you bring the thing?" And then the music might do to a big dramatic beat. We
01:04:19
suddenly start talking English. How how dare is the very like ethos of epic and me seeming quite kiwi in its in its and
01:04:27
like beginnings where we're following quite a lowly >> just average guy underdog that's the
01:04:34
whole I mean same with tech I guess to an extent just we're just following regular dudes the underdogs
01:04:39
>> so yeah like then we will often flip that idea in EpicNC man we've got this
01:04:44
this big dark lord who's evil and trying to take over the world with his fire
01:04:49
magic and then when someone goes Uh sir, your your flies on it. Oh [ __ ] Really? Oh no. Oh
01:04:54
no. >> Oh no. Oh but what? Oh the adventurers are coming. Oh [ __ ] >> I'm going to take we become resting.
01:05:04
>> If in doubt go restart. >> If in doubt it's it's worked well for
01:05:07
us. >> Absolutely. I >> I read um an old interview where one of you guys said uh trying new things is
01:05:12
our mantra. >> What interview was that? >> Oh years ago I think maybe I remember
01:05:17
that. I I I can certainly relate to that in the early days like back when we were
01:05:21
like um music videos aren't working let's try this halfstone skit's not
01:05:26
working let's try this we just keep trying until we kind of landed on things
01:05:30
that was definitely if we didn't keep trying new things like if we were still
01:05:33
trying to do music videos I don't know if we the context of uh I think the the
01:05:39
answer that we gave then is still I I feel is still valid cuz we still do new shows to this day uh is
01:05:44
>> we still do new shows and still iterate on the shows like Tech Town and NPC man
01:05:48
like they're still constantly evolving and we'll try something and and sometimes it won't work and we'll move
01:05:54
on. >> That actually is a conversation we've kind of recently had in the writer room
01:05:56
is like um should we have a writer room and try and generate like a brand new series like and try and um just come up
01:06:03
with new stuff >> and we have done a bunch of new stuff recently. Some of it's not landed and
01:06:07
you kind of go well we enjoyed making that it's not landed we'll move on and
01:06:10
then some of it has landed and we've g some awesome new things to do. >> So the writer room what does that look
01:06:15
like? Who's in there? Three of you, >> three of us, and then three others. So,
01:06:18
we got Ben Vanlier, who's kind of our head writer. We've got Gabe uh I was
01:06:22
going to say Gabe Newle. >> I was going to say Gabe New. That' be great. He's he's a very We don't have
01:06:28
>> Gabe Gabe Lunty and uh Brit Scott Clark, who's Ben and Britt are both very
01:06:32
prominently featured in in our sketches as well. >> So, are your weeks quite structured now?
01:06:38
>> Yeah, quite >> but at the moment that just shocker. >> Yeah. Yeah. Busy busy.
01:06:43
>> Yeah. >> Yeah. >> And when do you do you film? Do you film constantly or do you film a certain
01:06:47
period each year? >> So, we used to when when it was just us, we'd film like every second or third
01:06:52
weekend probably and just try and get as much as we could, which often wasn't
01:06:55
more than one or two sketches. No, we probably got pretty good actually before >> by the time we were doing three sketches
01:06:59
a day. It would be kind of like, okay, let's we're filming on Saturday at
01:07:02
Howard Village. Let's try and get five. >> Yeah. Yeah. But it was and then we had a
01:07:07
producer join us, Alex, a few years ago after we did our short film, Balance Route, he jumped on for Balance Route
01:07:11
and he kind of he re he he made us reevaluate our entire structure, which was he was like, "Why aren't you guys
01:07:17
doing filming blocks?" And our weird resistance to it cuz it was just wasn't
01:07:21
the way we did things. But I remember we then more weird him out, the more it made sense. Like we could b we could
01:07:26
book out um external crew much easier because they'd be on for numerous days.
01:07:31
Same with cast. like it would just and and then it would be cheaper and you get more out of it and we tried it out and
01:07:36
it was immediately sold. So we for the longest time did four filming blocks a year which probably averaged about two
01:07:42
weeks each time. It's about 8 weeks of filming and then now we we're trying
01:07:45
this year we're trying >> two was it not three weeks >> two and a half generally maybe two and a
01:07:50
half. Um and then now we're doing three >> we're triing this year just even less
01:07:55
filming blocks three big filming blocks. So, we've just come out of big filming
01:08:00
block and uh it's kind of shed us. >> Yeah. No, we're super giant. That's why
01:08:04
that's why I look the way I do. >> No, you usually look like that. >> Yeah, I do. I actually look like.
01:08:08
>> Yeah. Thanks, man. Thanks, man. >> And and the release schedule. So, the
01:08:10
the clip I'm I was talking about earlier that came out yesterday. Um I saw it
01:08:14
last night. Had been up for like 5 or 6 hours. So, I'm guessing it came out like
01:08:16
11:00 a.m. >> Uh they come out and so 9:00 a.m. is our release time. >> We used New Zealand.
01:08:22
>> Why is that? Where's that peak time in the Interestingly, we used to for the
01:08:25
longest time, for all time essentially, release at 1000 p.m. New Zealand time. The reason being is it's just before
01:08:33
people wake up in the East Coast in the States. So, the video would be ready for
01:08:37
them when they wake up and they're having their breakfast or going for a poop or whatever. And then essentially
01:08:42
the video would get views as the sun rises around the world. >> Yeah. >> Um,
01:08:45
>> we follow the poop. >> We follow follow the poop around the world.
01:08:49
>> That's your mantra. That's the mantra. It's on the wall. >> Follow the poop. uh releasing videos at
01:08:54
10 p.m. once you've we've now got a very established crew and people who are
01:08:57
trying to work 9 to5 was starting to become a little bit of a nightmare. >> If there's any any little errors or
01:09:02
something, you go, "Oh, that thing's wrong. That thing's wrong." You can't
01:09:05
fix it or you can't change it until the next day, >> which is a bit of a shame. So, we were
01:09:09
having a bunch of uh videos be delayed to 9:00 a.m. anyway. So, we were like, "Well, let's try a different time." And
01:09:15
9 a.m. kind of makes sense. It's it's kind of that's midafter afternoon in the
01:09:21
east coast of America. So you're getting people on the way home or their lazy
01:09:25
afternoon scrolling type thing at work and then following again it's following
01:09:29
it's afternoon poops following the afternoon poops >> and I suppose also in in Europe
01:09:34
>> follow the poop >> for any any night owls that might might be awake to still to still see them kind
01:09:39
of like >> cuz on YouTube and Facebook still to this day the algorithm rewards that
01:09:43
first 24 hours. So if you can just get a good circle of the globe >> I I I know it's not it's not practical
01:09:49
for us. I feel like the perfect time to release would be like 5:00 a.m. or something cuz cuz then you go that's uh
01:09:56
hitting America or all just kind of early early morning and it's also it's
01:10:01
5:00 in the afternoon for like Europe. >> So like yeah to be honest. Yeah. I think
01:10:05
the time that we were doing it maybe midnight would be like the perfect time. New Zealand time.
01:10:10
>> We were we were doing 10 p.m. because it was just we could just kind of hit go
01:10:14
live before you go to bed. >> Yeah. Final checks and stuff. Do one of you must still bother about the
01:10:19
analytics. Sit there looking at it the first hour. >> I used man I used to live by that. Um
01:10:25
nowhere near to the same extent I used to just like you used to like like just follow the views. I mean what I was
01:10:30
saying the comments as they were rolling in. I I for the longest time was so engaged with uh analytics but especially
01:10:36
the vanity number of subscribers which I like >> just have that as a tab open.
01:10:41
>> Honestly it was one of the first things I checked when I woke up. Do >> you know the part that sucks the part
01:10:45
that kind of almost probably ruined it for you? >> Yeah. and me a little bit is when there
01:10:48
used to be social blade would give you a live count. >> Yes. >> And so you could literally open it up if
01:10:53
if we had it now. We'd open it up and have it here. >> Yeah. >> And you see the number just go like uh
01:10:58
up >> up. You're like >> down. Who was that? Down. >> And the thing is we'd find them and we
01:11:04
force them to resubscribe. >> It's fun to watch. It's just fun to watch your little number your little
01:11:09
number. This number that represents your success just moving. Yeah. You look at it.
01:11:12
>> And you I really like I I don't know. I think this says a lot about me, but I
01:11:16
put so much value on that number to the point of like but I think that was it's
01:11:19
a natural thing to do, but it really doesn't mean as much as people think, man. Like we we I I used to lean on it
01:11:25
very very hard. I think some sometimes it still works in our favor of people being like, well, they've got x amount
01:11:30
of subscribers and so we can approach them with a sponsor job or something. >> There there are channels significantly
01:11:35
smaller than us that get more views and channels significantly larger that get less views. It doesn't really
01:11:40
>> It's all about engagement on each video rather than the subscriber number.
01:11:43
>> Yeah. How much um does the algorithm play into your into your process when
01:11:46
you're in the writer room now, >> if at all? Do >> you know what? It's not the algorithm.
01:11:52
And I've heard actually Mr. Beast say this as well is it's not the algorithm
01:11:55
is not your fault. It's it's it's your audience. Like you need to think about
01:12:00
what your audience wants. And I mean the algorithm is the audience. If they're
01:12:05
not watching and not liking it, then more people are going to not watch it and not like it. And the algorithm is
01:12:10
just the barrier of that essentially. in terms of the ideations that I don't give
01:12:14
the algorithm any thought which is quite >> we just try and make stuff that we think
01:12:18
is funny >> that we like and that and by virtue of that the fans will like
01:12:23
>> yeah and five to 10 5 to 10 years have you thought about yeah where do you see
01:12:28
yourselves >> I we will do you plan that far ahead can you plan that far ahead
01:12:33
>> it's quite >> no >> I don't know it's a tricky one I I
01:12:36
>> we definitely plan a lot further ahead than we these days we used to like I
01:12:40
would say some things are being planned 18 months to 2 years ahead. >> We would we would have done a feature
01:12:46
film in 5 years. >> 5 years. One thing that we're really passionate about at the moment is making
01:12:52
video games. I would say video games. >> Another one maybe two video games.
01:12:56
>> 5 years from now, I'd love to be like sitting on a really really really
01:12:59
successful video game. We we enter I'm super passionate about both those those were we we entered this space
01:13:07
being our two passions were film making and video games and for like 15 years we've been doing just the film making
01:13:13
the video game it's time to do some video games we've done one we did a video game and released last year which
01:13:17
went really well um which was a really it was a small it was small indie um game set in the world of epic semen and
01:13:25
and we're so stoked with how how it went and Conrad and the team at at Fusion and
01:13:29
played so well. >> Um, but yeah, we want to make bigger and better games as well.
01:13:34
>> It's been creeping and I haven't had this little daydream in at least 12, 13,
01:13:39
14 years, but it's starting to creep into my daydreams again to be like, h there's this little dream of being at
01:13:46
the Oscars, receiving an Oscar for the dream. It never went away >> for a feature film.
01:13:50
>> Yeah. Yeah, it has. >> Is it coming back? >> It's kind of creeping back.
01:13:54
>> Manifest manifest >> of going, >> did you ever push away? I always I give
01:13:59
myself like Oscar acceptance speeches in the car sometimes. Like I never I never
01:14:03
stopped. >> I I I kind of did stop for a long time going I'm really happy with where Viva
01:14:08
is. >> Yeah. That's >> and I but now it's because >> the we've been having a lot of
01:14:15
conversations about doing feature films within the last kind of 3 four months >> and it's got and I'm kind of going oh
01:14:21
wow it's pretty real for us to be possibly doing that soon and the little voice in my head going what if you want
01:14:27
to ask her? I just like to thank the academy. >> Then you'd finally have made it and you
01:14:30
can be >> and then I'll be eternally happy and never have to be if you get an Academy
01:14:34
Award. You'll be eternally happy. >> What's this expression of Jim Carrey?
01:14:37
Like I wish everyone could win an Oscar so they realize how much it doesn't matter.
01:14:40
>> Well, let me be the judge of that. >> I will be happy forever. I'll finally be
01:14:44
happy. >> And can can it be on the three of you or if one of you decides you've had enough
01:14:49
and you just don't want to do it anymore? Uh what have you seen? >> So the Okay, hang on. Okay. Okay.
01:14:54
Hypothetical. Let's say right now we all died in a car crash. What What do you
01:14:59
think would happen to Viva? >> I'd be very surprised how the car hit us
01:15:02
right now. >> Okay. Let's say after the three people uh right now >> I I think even now even now right at
01:15:12
this moment it would it would somehow find its feet again. And >> I think people could like
01:15:18
>> it would struggle. Don't get me wrong. whether or not we all died or if we just
01:15:22
slowly all kind of disbanded. I I feel like we've got such an awesome cast now
01:15:27
and like a main cast with us like Ben and Brit then a secondary cast. >> That's the thing I was going to say if
01:15:33
one of us went away like there's the Ben could step in. Um but >> yeah, I don't I that it would be tricky.
01:15:42
I'd hope it would because it's just the I I think Viva I want we want to
01:15:45
establish Viva as the thing that that outgrows us out >> and and that in 10 years or more that
01:15:52
there's there's some other people running the dayto-day of the skits and
01:15:57
stuff. >> My 10 year thing is I I always want to be doing this sketches in some capacity
01:16:01
but just not being as beholden to them as we are now. Right now we're very much
01:16:05
it's all we've been doing for the longest time. I've done over 1500 videos
01:16:08
now, which is like I'm so grateful to be able to do it, but I would love to be
01:16:11
able to be more creatively involved in longer form content over here and come back to the sketches just kind of
01:16:18
whenever I wanted. If there are a few YouTube channels that are vastly different castwise than they used to be
01:16:24
10 years ago, like College Humor is >> basically there's no one surviving from
01:16:30
the original College Humor crew. >> Yeah. Still gone. and like uh Corridor
01:16:35
Digital like they've really brought up a bunch of talent. It's still got Samo,
01:16:39
but they've brought up a bunch of people. >> This is like an extreme example, but
01:16:43
when Funny or Die launched, if you knew the website Funny or Die, which was launched by Will Frell and Adam McKay
01:16:50
and somebody else, I think, but they and they would just they just help they it was a platform for all of these other
01:16:56
really talented comedians and filmmakers to make content and they would pop in once every while. And it was much
01:17:01
different to the infrastructure than what what we've got with Viva. But um I
01:17:04
I love the idea of of doing that of like just not completely leaving and always it'll always be comfort food for me
01:17:11
coming back and just doing sketches even after we make a feature. I'd love to
01:17:14
come back and keep them. >> Yeah, because it's a lot of work you guys are doing. You do do you have
01:17:17
moments where I suppose it never happens on the same day where you're all feeling
01:17:20
the same way, but you must have moments where you just feel creatively bankrupt.
01:17:23
>> 100%. >> That's it doesn't it very rarely happens with all of us at the same time. And
01:17:28
that's one of the benefits of having three people. >> Sadly, it did happen all at the same
01:17:32
time a few days ago. >> Recently, >> straight after the the first writer's
01:17:35
room after the filming block was just like, "Okay, ideas, guys. What do you
01:17:39
got?" >> All right. Be funny. Go. >> Funny. You got something funny.
01:17:42
>> But generally, that's the great thing about three people is one will be down,
01:17:46
the other two can pick up the slack. Maybe two down and one can affect >> do a lot of heavy lifting. I
01:17:50
>> I I do worry about it. Like it is something I I'm constantly striving to
01:17:54
try and find a bit more work life balance. Um and and it sometimes it feels like we've go go straight from
01:18:01
Christmas to the next year and straight into it to the next. >> We haven't stopped since the start of
01:18:05
this year. It's actually this has been a crazy one in particular. >> Yeah.
01:18:08
>> So I it's something I would >> genuinely to an Yeah. work life balance
01:18:12
is something we need to focus on where we we are kind of victims of our own self-inflicted success
01:18:18
>> which uh we're so obviously blessed and privileged and stoked to have. But yeah,
01:18:23
there's >> a YouTuber burnout is a big thing. So many people talk about it.
01:18:28
>> Is it actually >> genuinely? Yeah. Yeah. A massive thing. The the amount of YouTubers that give up
01:18:34
and their the reason for giving up is burnout is >> because you become a slave to the
01:18:38
frequency of it's an inferno of content, isn't it? >> Absolutely. The reason why he says
01:18:44
specifically YouTuber or like in like um that kind of burnout is because >> you've got this expectation of this
01:18:50
schedule and you got to keep that algorithm going other if you stop for a period of
01:18:56
time there's a chance that it can kind of like >> it's the same kill your algorithm
01:19:00
>> same with Twitch and Tik Tok and Facebook Facebook >> there was this huge like this this this
01:19:05
exodus of YouTubers in the last like it was like a year ago or something I just noticed like so
01:19:09
>> so many really big key YouTubers I'm done. I can't I can't do it anymore. It
01:19:14
was just that that their dream had turned into a nightmare and they were uh they were just feeling trapped and
01:19:19
stuck. >> About a year ago, wait, there was a large number that gave up last year
01:19:24
>> and I was Yeah, we were it's it's so different if it was just >> most of them felt like they were just
01:19:29
one it was like one person YouTubers, the solos cuz we've >> even if it's a rough day like we're
01:19:34
doing a rough day with mates and we can kind of like you know lean on them a bit
01:19:38
but um but yeah, I couldn't imagine it. wouldn't that would never have lasted
01:19:41
with doing one person wouldn't. >> If you had to start again today with
01:19:44
zero audience, what would you do the same? What would you do differently? >> I'd be pissed.
01:19:50
You know what? I'd be really angry after starting. >> That's an interesting question because
01:19:54
it's a totally different world now. You couldn't just I don't I think starting
01:19:59
>> a whole brand new skits channel from scratch would be harder now cuz you've
01:20:03
got cuz back when we started there was just YouTube basically and Facebook. Tik Tok and all these reals.
01:20:10
>> You just YouTube just kind of accepted anything that was pretty cool. >> You know, we it was it was we got our
01:20:17
growth because we it was we we were doing just something quite endearing which was doing parody music videos and
01:20:22
and that unto itself was like worthy of viewership even though they weren't particularly good. I I think it was this
01:20:27
this innocent time where if you changed a couple of words in a song and re-released it, it was like that's cute.
01:20:32
But now it's so overwhelmingly like like just oversaturated that uh that that
01:20:37
just can't couldn't fly. >> Even when we started doing sketches like
01:20:40
there weren't many people doing high quality comedy sketches on YouTube. There was smosh written link college
01:20:49
humor funny or die and that's kind of it. Now, now if you starting from scratch, it's just so saturated. I it
01:20:56
would be really if if we had lost out because because there is luck involved as well. It's I I
01:21:03
luck is a really key ingredient. It's consistency and creativity and passion
01:21:06
and all the rest of >> I had to start from scratch like start again like say the somehow the channel
01:21:11
just completely died or whatever and >> everybody could I don't know if I could
01:21:15
start from scratch >> and but then we No, but you've got 15 years of exhaustion behind you.
01:21:21
>> Yeah. Yeah. Yeah. Yeah. >> What do what what luck did you guys have? Where's the luck?
01:21:26
>> The luck is um >> I think just having videos connect and having them go viral on YouTube
01:21:32
>> just being the algorithm picking up on them. I mean >> some I mean
01:21:36
>> a lot of that's trial and error though. Like I don't think you're giving
01:21:38
yourself enough credit for the hard work. So some of the things that I'd put
01:21:41
in vercom luck is in the early days >> your post going off on Reddit was really
01:21:46
important like um and that way was could often be luck like you post it and if those first 20 people that stumble upon
01:21:52
it just go h and download it then it just very quickly like those first 5 10 minutes on Reddit if it doesn't do if it
01:21:58
doesn't hit hit it then it's gone it's buried >> that's luck like literally who were
01:22:03
those first kind of people >> we like but we'd make good I mean this is if we decided like look let's keep
01:22:09
going cuz I don't know how to do anything else. We I think we've got the
01:22:13
we've got the knowhow and the >> I think yeah, we've got all of the
01:22:16
knowledge. The knowledge is something >> consistency. Uh make sure you're doing
01:22:21
like you got a consistent schedule. Find a thing that has a consistent schedule.
01:22:26
Find a niche like our niche is gaming comedy. Um make sure make sure whatever the content
01:22:32
is has got a good niche and then just make sure it's good videos and have fun.
01:22:36
>> And have fun is pretty important. It turns out >> you guys mentioned Reddit just before.
01:22:40
Are you are you um are you affected by comments at all? Like if there's some
01:22:44
comments saying that you guys have jumped the shark or you're not as funny as you used to be or
01:22:48
>> I got a great one the other day where just someone just said um [ __ ] Adam's
01:22:53
looking old and that was that was the that was the um that was the comment >> and you and you just went and that's the
01:22:59
one you obviously all these wonderful positive comments now that one I'll put
01:23:03
in my brain. >> I just remember that one. He's he's But he you did actually reach out to us
01:23:08
about skincare routines the other day as well. >> Did that coincide with like
01:23:12
>> Absolutely. >> You're only human. Um it was funny though 500 good comments but one bad one
01:23:18
and that's the one that stands out. >> Yeah. They don't affect me anywhere near
01:23:20
as much. >> I'm very >> I'm very like a tough skin to an out.
01:23:25
>> The to be honest I can joke about it because even when I first read it it
01:23:28
didn't actually really affect me that much because I am just getting older and
01:23:32
that's affected life. But what the ones that really do hurt me is where people
01:23:35
are just saying absolutely factually incorrect things in our comments and not lying willingly, I guess, but like we'll
01:23:44
do a video being like, "Hey, come check out Viva Plus. We've got so much cool
01:23:48
content over there." And these [ __ ] sellouts got they've got literally
01:23:53
millions, billions of dollars. They're famous, rich YouTubers, and they're
01:23:56
asking us for money. And it's like, "Oh my god, if you only knew how difficult
01:24:01
running our business was." >> Yeah. Yeah. Yeah. Yeah. Yeah. How does it work? So, you guys all draw like a
01:24:05
salary each month or >> salary? Salary. >> Yeah. >> Is it all right?
01:24:10
>> It's it's good, but it's like um there's a lot of overheads and a lot of
01:24:16
bills. >> Yeah. >> So, yeah, it's a it's a constant stress kind of going
01:24:23
we still paid good. >> Yeah. >> It's the hardest way to make an easy
01:24:26
easy living. This space we're sitting in now, this is a business I set up 15
01:24:29
months ago. It's my first time owning a business in my life. and you realize
01:24:33
you're the last person to get paid. The plant hire's got to be paid. The every
01:24:37
[ __ ] subscription has to be paid. And then like the random little things like,
01:24:41
oh, someone needs to come by and check the fire extinguishers every 3 months that charge to do that.
01:24:48
>> Oh, all the randomst like like regular expenses that come up owning a studio is
01:24:52
insane. >> And you guys didn't ask for this. You guys just wanted I just wanted to make
01:24:57
cool content, Dom. >> That's all I wanted. >> Yeah. >> Yeah. It's like you become like business
01:25:01
entrepreneurs without even trying to ask us for that. >> Totally. We we I I set out to make just
01:25:07
be making cool videos and now we've found that we would I would say that that our uh business/creative split is
01:25:13
about 50/50 >> between having like meetings and and actually being creative.
01:25:18
>> Yeah. >> Which but it's that's that's I get it. We totally understand and we're very
01:25:23
lucky to have that because it means the business is working. Um, but it's just
01:25:28
it's it's much more skewed towards business than I would. >> Oh, it's a lot to it. You you're keeping
01:25:31
a lot of balls in the air. All three of you. >> Oh, the the the clip I've mentioned a
01:25:35
couple of times that went live yesterday. Um, I know this morning when I wake up there's like over a thousand
01:25:40
comments there and the Viva Leert League account had responded to some of them. Who Who's got um like comment rights?
01:25:47
>> That would mostly be Tara. >> Tara, I jump in a lot as well. Still to
01:25:51
this day, I I don't check uh view, sorry, what not views, analytics as much anymore, but I still love jumping on and
01:25:59
giving a bunch of hearts and a bunch of comments. So, it'll either be Tara or
01:26:02
me. >> I jump in on we've got a Viv live stream. We've just launched like 24/7
01:26:07
skits all the time. So, I'll jump in in there sometimes as is Viva Delague cuz
01:26:11
there's just this ongoing of all of our >> about half of our sketches right now.
01:26:14
We're going to upload more and more, but it's just like it keeps going and going.
01:26:17
Uh so there's a constant stream of uh conversation happening there we can jump
01:26:21
in on and then on Viva Plus as well is where we all jump in from. >> It's almost like a Viv League TV channel
01:26:27
that's just constantly running on YouTube. >> Yeah. >> Yeah. >> Are you guys good at switching off?
01:26:32
>> I'm not. >> No, I'm not. >> I'm I'm famously in the crew really bad
01:26:37
at switching off. Yeah. >> Yeah. I I I I it's hard to No, it's still even at like
01:26:43
9:00 p.m. I can be like I just want to clear the messages. So I kind of go like sweet just going to check that one more
01:26:48
time. Oh, there's 10 messages. Ah, cool. Ah. Um just that one doesn't concern me.
01:26:53
That one doesn't Oh, I need to make >> Yeah. But even on for me just talking
01:26:57
about weekends or holidays or anything like this, there's a there's and it's
01:26:59
something that I'm very aware of wanting to work on is I I there's an anxiety
01:27:03
that kind of builds up within me if we're we're not making if I'm not making
01:27:05
progress towards something. the same thing >> where it's something that I cuz I would
01:27:09
love to be able to just enjoy holidays. That'd be cool. And relax. Uh but it's
01:27:13
it's very much part of my of my um of my DNA, I guess, is is wanting to be actively working towards something.
01:27:21
>> It sounds like a strength and a weakness at the same time. >> I mean, a strength is and it's got you
01:27:26
as far as what you've got. >> But let me enjoy it now. >> Please brain.
01:27:30
>> Yeah. Yeah. >> You go. >> I was going to say I often call my
01:27:33
anxiety a superpower. like it it is it is a mental health condition but it has got me to where I am today. Like I I
01:27:40
have the same thing as Alan that I I I can switch off for a couple of hours, play a video game, read a book, do some
01:27:47
gardening, whatever. But then the anxiety will creep in of going, you're not being productive. You should do
01:27:53
something. >> What I can say is I've actually I've started enjoying the process of of what
01:27:56
we do a whole lot more. Like for the longest time, I was always so hyperfixated on the final product and
01:28:00
releasing it, getting it out there and just quickly moving on to the next thing. when now I'm managing to be more
01:28:06
present and just enjoy being on set set with mates which is a really cool >> I think I think the one thing that we
01:28:12
would all benefit from which is hard to do is the ability to take like a a threemon complete break
01:28:20
>> that's such a foreign concept there's no way I could do it >> and there's no way we could do it cuz it
01:28:23
would just be con you go if I I could ignore if say say you you planned it you're like guys I'm not going to part
01:28:28
of the next shoot block I'm not going to be here for 3 months I'm going away on
01:28:32
holiday or whatever you're doing I'm I genuinely say it and I feel I'm getting
01:28:36
fear already >> and then but my my fear is not the is not the FOMO. It's the the amount of
01:28:41
messages that I would have to catch up is the trying to catch up on afterwards. >> It's not even FOMO per se. It's it's
01:28:48
what I just said before is the I wouldn't feel productive. I wouldn't feel
01:28:52
>> my mind immediately goes to like and this is like confronting as soon as okay
01:28:57
3 months. Okay, I guess I I'm writing for the 3 months and I'm going to take
01:28:59
my lap. What can I take my laptop and I'll write? >> Oh, great. I don't have to do Viva for 3
01:29:03
months. That's great. What else can I do? What else can I >> Yeah. How else can I be productive?
01:29:07
Which again, yeah, is a a strength and a weakness. >> Yeah. How how many days would it be
01:29:10
before you you start getting itchy feet? >> One. >> I I might push it out to two.
01:29:15
>> But that is that is the thing. It's really really hard to actually completely sign out.
01:29:21
>> Yeah. >> A lot of jobs you can work really hard. You can be like a really busy person and
01:29:25
stuff and then you can you sign out and you don't think about it or be affected
01:29:28
by work. Broadly speaking, it doesn't bother me too much because the smaller
01:29:32
things I love doing. Like I love jumping into the YouTube chat and and uh talking
01:29:38
with fans or getting on Discord and talking with fans or checking some messages here and there. It it can be a
01:29:43
lot though. >> Do you know I'm I'm sc I remember this one time I kind of did this.
01:29:47
>> Me and Byron went away on a photography trip u and we're uh way in the South
01:29:51
Island. We had like >> I was away from full on reception for like 5 days. Like I had no reception. Um
01:29:58
and and it was incredible. >> But then I I remember being when I got back when I came back into reception
01:30:07
>> and and the amount of stuff for months I was catching up on like kind of going
01:30:10
there oh what what is this meeting? What is this discussion you guys talking about?
01:30:14
>> Oh it was that thing thing and I'm like when was oh [ __ ] and I felt gas lit the
01:30:17
whole time going like did you tell me about this? I was trying to >> you went on holiday.
01:30:23
>> Wow. >> How dare you? >> This is this is your punishment. You abandoned us.
01:30:28
>> That's scarred me ever since. It's like, yeah, you're just trying to even sign
01:30:32
out for 5 days. Yeah. >> How do you know if you're burning out or do you not know? You probably don't
01:30:36
know. I guess >> I don't I don't know. It's I think burnout is one of those things where
01:30:40
it's easy to say you're burning out, but I don't know what the true definition of
01:30:45
burnout is. >> Being tired and being burnt out are two very different things.
01:30:49
>> You can be very tired, >> but I feel like the like phrase burnout
01:30:54
is a medical condition, right? M >> is it is it when you do like there's
01:30:57
just like one of the one of the symptoms is just suddenly there's just no passion
01:31:01
or no creativity I don't it's not even that it's like when there's literally no
01:31:05
gas in the tank and no matter you could go on holiday for 3 months and even that
01:31:09
wouldn't fix it like you're like you're proper dumb >> yeah I don't know it's a
01:31:15
>> yeah I'd love to know what the early onset signs are >> I I thank you so much for sharing these
01:31:20
insights like it sounds it's it sounds like a hamster wheel >> as we said having the three of us and
01:31:25
then having a freaking awesome dedicated crew behind us. It makes it so much different
01:31:33
because they're solo with a tiny tiny crew. whereas we can really lean on each other and
01:31:40
>> and we have to take stock like I know I just talked about how like the the the
01:31:44
tiredness and the you can't take a break and stuff but then you've got to take
01:31:48
stock and go [ __ ] we're lucky >> like to have the amount of people that
01:31:51
would be just like would love to have this life like to make fun videos with your friends um make a living out of it
01:31:58
>> and you say going away for 3 months there is absolutely a world where one of
01:32:02
us could go away for 3 months and the company would ab keep functioning perfectly fine for the most Yeah.
01:32:09
>> Yeah. We're our own. >> I'm taking the next 3 months off, guys.
01:32:12
Can you more warning, please? We need more time. >> Say say you guys were Destiny's child.
01:32:17
Who's the Beyonce? Who's the Who's likely to break free and go solo?
01:32:22
>> Oh my goodness. >> Or who's who's most likely to go solo?
01:32:25
>> I think we're all Beyonces, you guys. >> We're all Beyonce.
01:32:28
>> I see the three of us as three Beyoncees. >> I remember I remember years ago I did.
01:32:32
>> You thought you were >> Do you remember like years music video days? I I kind of like made my own
01:32:36
little YouTube channel. >> You did. That's right. You did because you were Beyonce.
01:32:40
>> Cuz I was sick of the drama. I was I'm going to do it myself. I don't need you
01:32:43
guys. I'm the star of the show. >> I'm back. I didn't like that. It all
01:32:48
work out. >> Yeah. >> I think those videos are somewhere. >> I think I think genuinely all three of
01:32:52
us would would if we chose to go off and and succeed. >> They would be all three different to us.
01:32:59
>> You'd go off and become a famous writer. I think so. You'd go off and become a
01:33:02
famous actor and I'd go off and become a famous director, I guess. >> I guess so. That's where Yeah. Yeah.
01:33:07
>> What are you each most proud of with VLDL? >> I mean, it's a boring answer just saying
01:33:12
that >> cuz it's it's everything. Um, so I'm not going to be boring. I'm going to say
01:33:16
I'll choose something specific. >> I can I can say something if you want to
01:33:19
think for a bit. >> I'm actually most proud of the community. Like that's one of the things
01:33:24
that >> that's part of the reason I gave up on that winning an Oscar dream is because I
01:33:29
kind of went, man, we've really won at life here because >> we won our Oscar here.
01:33:33
>> We've won our Oscar with our community are our Oscars. >> No, the the uh making a TV or movie
01:33:39
series, you have a quite a one-way relationship with the audience. It's here it is, watch it. I hopefully you
01:33:45
enjoy it. Oh, bad scores, good scores, whatever. With our audience, we're constantly in communication. We're
01:33:50
constantly hearing from them. We're getting immediate feedback. We can literally stream on Twitch if we want
01:33:54
and have immediate conversations with them. And it's awesome. Our our audience
01:33:59
are very cool as well. >> And it's hard one. An audience is hard one. Anyone that's tried to be a content
01:34:04
creator will know. >> Yeah. Hard one and then hard. Like you got And you can't take it for granted.
01:34:08
We we don't. >> And then in a purely business sense, like once you have an audience, there's
01:34:13
so many things you can do. Like we had the cheat code for Twitch when we decided we want to start streaming on
01:34:17
Twitch. Instant audience. We want to make a video game. instant audience like >> well yeah no that's that's a very good
01:34:23
answer um I >> copy paste >> a copy paste but also I for it would be
01:34:28
uh balance out a short film that we made 5 years ago um we made a 35ish minute uh
01:34:34
short film >> and for me it was it was a milestone because it was the longest thing that
01:34:39
I'd written to date that was actually being made so a short film not a feature
01:34:43
film but um and it was proof that we as filmmakers could make longer form content than 3 to four minutes which was
01:34:49
like our average which I I think at that point I was a little bit worried like is
01:34:52
this all we can do like I don't even the idea of making something longer was a
01:34:55
bit scary and daunting >> uh but then it proved to ourselves that we not not only could we be do that as
01:35:00
filmmakers but we could make longer form content in the world of epic NBC man which is our intellectual property we
01:35:06
the world of our um sketches >> um and yeah prove to our audience and they they're just hungry for more
01:35:15
content like that so that that would be cool so that came out like 5 years ago next month.
01:35:19
>> Yeah. >> So, yeah, >> for for me, I'm probably like the kind
01:35:23
of a boring answer is just the fact that we were able to make a living out of this that that I never thought that was
01:35:28
ever going to happen. So, that I'm so proud of that moment, wherever that moment was where we could make a living
01:35:33
out of this. But on a more kind of practical like visceral level is our studio. Like the fact that we we now own
01:35:40
this incredible studio space that has these incredible sets and that it has this incredible uh cast and crew that we
01:35:49
have and actually the fact that we we are we've able to >> employ people and give people
01:35:54
employment. Absolutely. >> That's that's cool. >> Yeah. That's really cool.
01:35:57
>> That's really cool. >> It's huge. Creative jobs in New Zealand.
01:35:59
There's not a lot of them around and you guys have you guys have done it. >> Yeah. I suppose everything becomes sort
01:36:04
of, you know, novelty or semi Sammy after a while. But yeah, what's it like when you drive up to your own [ __ ]
01:36:08
studio? >> It's still very cool. Very cool. Very cool. Yeah. Like I still sometimes will
01:36:14
just at the end of a day just walk through the studio being like, "What?"
01:36:17
>> And then whenever you get a friend over who's never seen it before, a new
01:36:21
business meeting, you're showing them around the studio of >> this is the green screen. This is what
01:36:26
happened. This is the thing. And it's always a reminder when how like jaw-dropping they are. I'm like, "Oh,
01:36:31
that's right. This is incredible. forget cuz you get used to things. >> Of course. Yeah.
01:36:35
>> [ __ ] you guys have done it. Are your parents proud? >> Yeah, they're proud.
01:36:39
>> I remember uh when I was really young, so Epic NBC man, which Alan was talking
01:36:43
about just before, is based mainly on World of Warcraft, which is a very large video game, been around for 23 years. Uh
01:36:50
when I was 13, I begged my mom if I could have uh a subscription to World of Warcraft, and she said no. initially
01:36:58
begged enough and she ended up giving me a a subscription and I have had I pay for it myself now but
01:37:06
she still >> love of your mom. >> Um but uh had it for 23 years and uh
01:37:13
when we got to a million subscribers I think it was I sent my mom a text and uh and kind of said hey look thank you so
01:37:20
much. Shame. >> Shame. >> No, basically just saying thank thanks so much because you allowing me to be
01:37:28
who I wanted to be as a kid has got me here. >> Yeah, that's powerful.
01:37:32
>> Um, for for me, my parents have always been really supportive and stuff, but
01:37:36
there there was the early days where I could tell that they were doing their best to be supportive of a thing that
01:37:41
wasn't that successful. But my mom, all my parents are massive supporters, but
01:37:45
my mom particularly is so proud that she'll she almost doesn't want to gloat
01:37:52
too much around her like she's almost whereas my my stepdad's kind of like go
01:37:56
n he's famous and this that that many views. Mom's kind of like she's kind of
01:38:00
almost being a bit kind of koi about it. My my he's he's so proud of him, but I don't
01:38:05
want to brag. I don't want to brag. >> My dad does the exact same thing your
01:38:08
stepdad does is whenever he meets new people, oh my son's famous. Look, check
01:38:12
it out. Here's the thing. >> Yeah. Well, you guys have done great and it's all been done independently as
01:38:16
well. >> You know, you think like 20 20 years ago you'd be reliant on someone from TV3 or
01:38:21
TV a director of programming to rubber stamp it. >> That's another thing I'm very proud of
01:38:25
is that we we're just operating our own little bubble and unaffected largely by
01:38:30
the the the the creative world around us. We can just keep doing whatever we want to do and
01:38:35
without intent. It was never our intention, but we we've become this completely self- sustaining little
01:38:39
ecosystem where we can like from from ideiation all the way through until execution and to like the literally
01:38:45
releasing and having the audience for it and the platform for it. We're like it's
01:38:48
all self-contained >> which is which is mind-blowing like it's the coolest thing. And one of the fun
01:38:55
little stats I like talking about not having to go to media works or TV and zed or someone is if you take our
01:39:02
monthly views which is some 50 60 70 million views uh on any given month uh and then just take that 1% of New
01:39:09
Zealanders so it goes down to 400 500 600,000 uh views per month. Uh we are always in the kind of top five of the
01:39:18
Neielson ratings just under country calendar. the country. >> We declare war on country calendar. Damn
01:39:25
it, country. >> We'll beat you. >> Yeah. Well, relax. You got You got
01:39:28
plenty of time. Country calendar's been going for like 60 years or something.
01:39:32
>> You guys are just kids and we just want to trip them up. >> Oh, this has been this has been great.
01:39:36
I'm I'm super proud of you guys and what I feel almost like slightly embarrassed
01:39:41
that um I wasn't aware of this amazing work. >> Nothing to be embarrassed, man. Some man
01:39:46
of people who don't know about us. >> Yeah. >> Yeah. Well, Adam, Alan, and Rowan,
01:39:52
>> Viva Dirt League, >> that's us. >> Thank you so much for coming on the
01:39:54
podcast today, guys. Thanks for having us. Thank you so much.

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Episode Highlights

  • Origin of the Name
    The name 'Viva Dirt League' came from a gaming mishap.
    “We were so bad at this one particular video game that we gave ourselves our own bracket.”
    @ 06m 39s
    June 07, 2026
  • Unexpected Success
    Despite doubts, the creators achieved significant success with millions of views.
    “Month to month, we’ll get tens of millions of views.”
    @ 10m 37s
    June 07, 2026
  • The Reality of Pursuing Dreams
    A candid discussion about the challenges and doubts faced in the pursuit of acting careers.
    “Maybe we're not that good.”
    @ 25m 31s
    June 07, 2026
  • The PUBG Phenomenon
    Their content exploded in popularity thanks to the game PUBG, which they creatively leveraged.
    “We literally rode the coattails of PUBG.”
    @ 31m 40s
    June 07, 2026
  • Kickstarter Success
    They raised $4.2 million in just a few days, a huge milestone for their project.
    “It was difficult to comprehend it because we couldn’t fathom what it actually represented.”
    @ 37m 33s
    June 07, 2026
  • The Editing Process
    The team discusses the relief of not having to edit anymore, sharing their past struggles.
    “It's such a huge relief. We don't have to edit anymore.”
    @ 45m 52s
    June 07, 2026
  • Turning Down Sponsorships
    They recount a significant sponsorship opportunity that fell through due to timing and circumstances.
    “We were so excited by it, and it just didn't happen.”
    @ 55m 14s
    June 07, 2026
  • The Risks of Platform Dependency
    The creators express their worries about relying on platforms like YouTube and Facebook.
    “The algorithm randomly just thought that we were selling guns.”
    @ 58m 25s
    June 07, 2026
  • The Release Strategy
    They discuss their unique video release timing to maximize views.
    “We follow the poop around the world.”
    @ 01h 08m 46s
    June 07, 2026
  • The Burden of Success
    The creators discuss the challenges of maintaining a successful YouTube channel and the pressure of content creation.
    “You become a slave to the frequency of it.”
    @ 01h 18m 37s
    June 07, 2026
  • The Struggles of Burnout
    Discussing the fine line between being tired and experiencing true burnout.
    “Burnout is one of those things where it's easy to say you're burning out.”
    @ 01h 30m 36s
    June 07, 2026
  • Proud of Our Community
    Reflecting on the importance of their community and the success they've achieved together.
    “We’ve won our Oscar with our community.”
    @ 01h 33m 33s
    June 07, 2026

Episode Quotes

  • I wish we had a different name.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away
  • Maybe we're not that good.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away
  • It’s like literally judge it.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away
  • The algorithm randomly just thought that we were selling guns.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away
  • I will be happy forever. I'll finally be happy.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away
  • Burnout is one of those things where it's easy to say you're burning out.
    Viva La Dirt League's Honest Story: The Night They Nearly Walked Away

Key Moments

  • Parental Disappointment15:31
  • Backup Plans16:01
  • Chasing Dreams22:57
  • Writer's Room44:44
  • Editing Relief45:52
  • Platform Concerns57:01
  • Oscar Dreams1:14:01
  • Creative Burnout1:17:20

Tension Over Time

Words per Minute Over Time

Vibes Breakdown