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Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias

July 20, 2025 / 53:51

This episode features a conversation with Steve Bronnius, discussing his latest book on the Pulking Horn trial, his writing style, and personal reflections on court cases.

Steve Bronnius shares his experiences covering the Pulking Horn trial, detailing the intense atmosphere and the challenges of writing daily updates. He highlights the complexities of the trial and the characters involved, including the accused, Dr. Philip Pulking Horn.

The discussion touches on Bronnius's reputation as a merciless writer, as well as the emotional impact of court cases on families. He reflects on the duality of his writing, balancing harsh critiques with sentimental pieces about his loved ones.

Bronnius also addresses the public's fascination with trials, noting how they can serve as both entertainment and a reflection of societal issues. He emphasizes the importance of storytelling in journalism and the responsibility that comes with it.

The episode concludes with thoughts on the aftermath of the trial and Bronnius's ongoing relationship with Pulking Horn, as well as the broader implications of the case on public perception.

TLDR

Steve Bronnius discusses his book on the Pulking Horn trial, exploring its complexities and the emotional stakes involved.

Episode

53:51
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first. >> Steve Bronnius, welcome to my podcast. >> Thanks so much. It was a pleasure to be
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here. It's very flattering to be invited. Thank you. >> It's It's really nice to meet you. I'm
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slightly um terrified in a way, I think. >> Ease your terror. >> Really?
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>> No, because I I you probably you've done you do so much writing, so you probably
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don't even remember this. And I only vaguely remember it because I think I've
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tried to block it out. But you I have been um a subject of one of your columns. One of those um
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>> Secret Diary. >> Yeah, Secret Diary. >> Was it the A Secret Diary of Dom Harvey
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>> something? Yeah. Yeah. Yeah. Yeah. I I was on commercial radio for like a
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number of years. David Bre on a station called The Edge. And I would have done something oish or buffoonish and I would
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would have deserved a public bollocking and um rightfully I I got one from the great Steve Bronners.
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>> I'm sure it wasn't a bollocking. It might have been a gentle mocking,
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>> but you you have been described as merciless. Merciless. What um if you
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looked up in the thesaurus, what are some other words for merciless? What does what does that mean?
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>> Um >> like savage. >> Savage, cold, unfeilling, lacking in empathy, ruthless. These are good
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synonyms. >> Is Is that fair? Are you merciless? Oh, I I I yeah, I would have to acknowledge
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that sometimes that that would be true. Um yes, uh professionally um that would be accurate and you know
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there's there's often not a a great distinction between your professional
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life and your personal life as well. So, um yeah, I I think that would be um mainly a kind of failing
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um as a person and as a as a writer and a journalist, but sometimes it it can be, you know, harnessed to good effect.
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Um, I guess I'm one of these sort of writers who um, you know, I just can't resist a lot of
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things. And um, you know, I'm the sort of person who will write something and think,
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"Yep, yeah, you you you should say this." And then, you know, subsequently regret
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it >> and and beat myself up. So, you used to think, [ __ ] that's a little bit mean,
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but [ __ ] it. YOLO. It's funny. Send. >> It's It's more of a sort of a matter of
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is it um is it does it belong to the story and is it accurate to the story? And um
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yeah, it the sort of god that I that that I've that I've you know kind of
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worshiped over the years is this idea of the story. You know the story has to be
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intact and the story has to be honest and um it's often at the expense of the
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person who writes it which is me. >> Yeah. cuz there was that column I found
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that described you as merciless but um if you do a deep dive or you know I know you've got a lot of fans a lot of people
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that have probably read all your work like there's some columns that you've
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written which are like about your daughter and about your personal life and they're anything but they're yeah
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they're very um you're very soft and gentle. Yeah, it can be. Yeah. I mean,
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you know, everyone is complicated, right? No one is any one thing. And so I don't I don't see it as any particular
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contradiction or surprise that I should you know spend a lot of time say writing
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about murder trials and often or sometimes at least quite unfeillingly towards say the accused and then spend
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you know a great deal of my writing life uh writing quite sentimental columns about my mom, my daughter and people who
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I love in my life. Uh we're all like that. M >> yeah and the crime stuff that you're
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talking about. So this is your latest book um which was shroud in secrecy. I had to sign an NDA to get a copy of this
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in advance. Pulking horn inside the trial of the century. So that's your latest bit of work and I'm looking
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forward to getting into that. Um I like a lot of New Zealanders I think last year during the Pulking Horn trial um
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were had an insatable appetite for your updates, your columns. >> Cool. Thank you.
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>> Yeah. Yeah. you've managed to combine this um this fascination of yours with
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um court trials along with um like a career in writing um which is masterful. >> Oh, thank you. I don't know about that,
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but thank you. >> No, no, to to get paid to do what you love. I think anyone that can sort of um
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get that one over the line is done well >> because you're not like a court reporter
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per se. It's like um in a sort of an opinion piece or an observational piece.
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>> Yeah. Yeah. There there are daily court reporters who do a really thorough and
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you know superb job of sort of summarizing the day's events. It's hard work too. It's real hard work.
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You got to think fast. Uh you've got to take all sorts of things into consideration and the people who do it
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and do it really well I tip my hat to. Um that's not what I do. I I guess they
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are sort of interpretive. Um I was always uh I was just sort of interested in the idea of um
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attending a tri a trial and making some kind of literature out of it. >> So the Pokemon trial did you did you
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attend every single day? >> Yeah. >> Yeah. Right. Right. Right. >> So So you were there so everything the
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jurors heard you heard? >> Yes. Um yes that's true. And um I think it's the
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I may be wrong in in thinking this but I think it was the first trial uh that I attended where I was writing
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every single day of that trial. And so typically, you know, uh the trial would finish at 4
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or sometimes early at 4:00 or or or 5. Either way, I would um catch the bus home.
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don't drive. And um start writing the story on my phone with with one finger, not very
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good at thumbs. And I would write the story real fast on my phone. Uh the speed was partly
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because after being a day in court, your phone wears down. I was never clever enough to take a a charger. I don't have
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a laptop. I just took in a notebook and a pen. And so anyway, the charge was getting down to like 5% 2% kind of
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thing, you know, and so you had to write it and continue keep saving it, keep saving it and file to the newspaper uh
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pretty much by the time I got home on the bus >> every day. And uh it was it was,
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you know, it was it was a very exciting thing to do, you know, to try and create
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this kind of tension which is already there on the trial. Every day was tense. Every day was um
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every day was really interesting. You never knew how it was going to turn out in the end and you never knew what each
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day was going to uh unfold and what the arguments would be and also what you never knew quite what you felt about it.
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You know, um you can't help yourself. You go there as a journalist. Um you're
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not on the jury. You're not a prosecutor. You're not you're not the defense. and you're certainly not the
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judge. And you know, your your mind, well, my mind anyway, kept changing throughout
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the trial. Uh like, you know, you'd hear a devastating day by the prosecution and
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you go, "Oh my god, this appalling. He's clearly guilty. This is terrible. He did
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what they said he did." And then other days the defense would tear it apart,
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tear it down, which they often did. And you go, "Hang on a minute." You know,
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reasonable doubt has been more than established here. Let that man go. >> And that was the latter, wasn't it, for
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the jury? >> Is is that what attracts you to court cases in general? Just the drama of it.
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>> What is it? >> Yeah. Well, um it's what gets said in a room about something which is,
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you know, happened usually very fast. It doesn't take long to kill someone or for
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someone to be killed by their own hand if that's the case. And it's this um intense recreation of
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something which has possibly only taken a couple of minutes to achieve. And um it's this huge test of character,
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>> you know, and um >> with the highest stakes imaginable. >> Such high stakes. Um
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it's the character of the accused and is also the sort of associated tragedies of
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the accused family and the families of the alleged you know victim. >> And um
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I think the time I I I realized I I I the first time I felt this most intensely about the families and their
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predicament. It wasn't a murder trial. I I I sometimes make a point of going to the
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most seemingly boring trial that there is. Uh a trial where no one from the press wants to go to. And you know,
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perhaps no one wants to read about. To me, that's fascinating. But why not? It's the same thing somebody whose life
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or freedom or liberty is on the line. It was a um it was a methamphetamine possession trial. media avoided it like
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the plague went on and on and I couldn't tear myself away, you know, like at the
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end of every day I go, "Don't go back and I'd be there at 10:00 a.m. the next
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day." And it was a it was an Iranian fella. It was all a fast. After the jury
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found him guilty, he he and between that and sentencing, he he he acknowledged >> his guilt. Um
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it was all a fast really, but it took forever. And and the point I'm trying to
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make is that there was barely anyone in the public gallery too, you know, which again makes it more interesting like why
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is everyone avoiding this? Why is there a vacuum here? And it gives it a certain
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kind of poignency and a tragedy that no one cares, you know. Uh, pretty much the only
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people in the courtroom that I remember was this Iranian fella's wife and child,
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very young kid, beautiful looking boy, gorgeous looking fella with big eyes. He was about three, I think.
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>> Used to play with him sometimes. And um I remember thinking that um the wife who came out of you know a
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terrific sort of loyalty to her husband uh I remember thinking of her as like a uh a balloon
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and the string was the trial. You know she had a place in this trial that she was attached to it and then she came to
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realize that she was totally irrelevant actually. It was all being performed without her and you just sort of saw her
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or sensed her float to the top of the room. She was unnecessary and it was so incredibly sad to see and um and you see
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that you know uh the frustrations of family uh particularly of of of the alleged
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victim and murder trials. You know, they're so frustrated they can't say
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anything. They can't do anything. they just have to let it pass in front of them while they float around this
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courtroom having no sort of corporeal existence. >> Um so yeah, that sort of thing is is
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terribly sad. The poignency of it is is is attractive. Um and it all takes part it all takes place
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in one room for you to observe and to listen and to watch. >> So Dr. Philip Pulking Horn. Um,
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>> did you like him? Would you say your mates? >> I did like him. Yeah. Um, I did like
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him. We We It was highly unusual. You know, the accused in these cases normally sort of sequestered away behind
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glass. And Philip had the run of the courtroom. He took up a whole expensive row of real estate to himself in the
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courtroom. And so he was very accessible. And you'd go in the morning and each day and go, "Morn, Phil."
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Have a chat during the daytime at recesses. Um, >> about what? >> Often it was small talk. Sometimes it
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was big talk. I suppose he um I remember he he he he said at one quite crucial point, it was a bad day for Phil that
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day. Uh the prosecution were banging this drum of his um of his uh enjoyment of sex workers and it made him look
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super bad. You know, Phil failed the test of character in that trial, didn't he? Nobody liked him.
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>> Pretty sure the jury didn't like him. >> But it was uh it was this huge sort of
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character assassination. And of course, it had a point to the prosecution. And they were they were tying it to to the
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killing to the death rather of Pauline Hannah his wife. But often it did seem kind of
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sensationalist. It seemed very tabloid and it seemed irrelevant and unconnected to what had happened that night.
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And that one one of those particular days he was seething with rage and and you know as we put on our coats it was
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winter time to leave he was putting on his coat and I said bye Phil see you tomorrow and he said come over here you
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know I said you all right he said no I'm disgusted you know shocking day shocking day and then he
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said you wait you wait till the science you wait till we bring out science science.
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I thought, "Yeah, sure. I'll wait." Um, but he was right. It was the science
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which um surely liberated him. >> Did Did he read your columns? Like when you called him what did you call him? A
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like a malignant malignant malignant sex dwarf. >> Yes, that's that's the one.
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>> It's a hell of a line. Did he like does he pull you aside and say, "Hey, Steve,
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that was a little uncharitable." Or >> do you do you write something like that
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and think that's a great line, send? And then the next day you're like, "Oh my
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god, these are the guy I wrote it about." >> Yeah. Every day. Every day of my
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professional life. Dom, you've summed it up. Um, yeah. Malignant sex dwarf. Um, I I don't
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think he did read them. Um, pretty sure that Ron Mansfield, his his his brilliant defense lawyer, who, you
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know, constantly will say, "I don't read my press. I'm pretty sure he was reading
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them >> every day. Uh there would be the occasional time I'd refer to his
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expanding waistline and he would come in in the morning and pat his tum and glare
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at me. >> Yeah. The book just the observations in your book like talking about um Pulking
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Horn's lawyer, Ron Ron Mansfield. talk about his the the shape of his teeth and
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how that that little and how how he eats Royal Gala apples and just these little
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nuances, a little behind the scenes that no one else would potentially notice, but you do. And I suppose that's one of
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your strengths. >> Yeah. It's not part of the normal court record, is it? Yeah. Yeah. Um Yeah. I
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mean, the closest I I I did perform uh the role of a daily court reporter years and years ago. Uh, I I was lucky enough
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to get a job at the Greymouth Evening Star and they wanted me as a court reporter, which I'd never done before,
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never been into a courtroom. And um, you know, it it it it was a kind of at least a good grounding for the kind of
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writing that I was to do many many years later, decades later really. Um, and it was uh it was it was so
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I didn't really do anything about courts until 2005. So from like 1985 to 2005, 20 year absence really. And
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what got me back into it was the Anthony Dixon murder trials with the guy with the samurai sword
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>> who people always forget, you know, he wasn't on trial for the samurai sword.
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He was really he was on trial for picking up a uh a machine gun, I think, something like that. and and shooting a
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guy who had never met before in a service station just cuz I mean he did go at and attempt to
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murder two women with this sword but yeah there was a 20-year gap in between and um I was you know I found court
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really interesting as a young guy and Greymouth and Greymouth kept you pretty busy as a court reporter you know there
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was lots of things going on. Assault was the main thing. Um, yeah, it was like it was like, you know,
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it's a pretty small town. You know, it should really the court really by rights
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should only been sitting two to three days a week, but it was full every day. You know, Greybar's got a particular
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sort of set of circumstances which is going to lead to the district court being real busy every day. Um but yeah,
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I didn't write about um the shape of people's of courtroom lawyers teeth and
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the way that they tore into gala apples as a metaphor for the way that they uh approached trial work back then. That's
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for sure. >> I suppose that comes with um you earn that right over the years with the
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experience. >> I don't know. What do you think? >> H [Music] I don't know. I I I I never looked at it
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that way. It was um >> I mean, as a junior reporter, they're going to be like, "Brawnous, go back to
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your typewriter." >> Yeah. >> No one cares about the the type of apple
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it is. >> Yeah. True, true. They would have if I'd attempted to write something like that.
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Um I don't know. I mean, it's always seemed like a um it always just seemed
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like a good idea >> to to when I eventually did start to write that way about courtroom trials,
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it seemed like a good idea to attempt to write some kind of literature um about them. You know, one one thing I
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learned from that um experience in Greymouth is that when there was a particularly
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interesting um case in Greymouth, I never had to buy a drink. >> Go to the Golden Eagle pub after work
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and people, "Oh my god, Bronnius, have a beer. Tell me what happened today. What
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happened?" And um people were fascinated, you know, and of course that was kind of writ
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slightly larger really during the pulking horn trial, you know. I'd be I'd
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get off the bus still typing on my phone as it got down to 1%. >> And people be coming up to you between
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the bus and my house going, "What happened? What was it like? What happened? What did you think? What are
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you writing?" Well, I'm writing it now. Leave me alone. >> You get her on premium. You'll read it
00:21:16
tomorrow. >> That's right. But yeah, it was that similar sort of um it was that similar sort of thing. This
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this you know pretty I've always thought that that the fascination that people have with with
00:21:31
with trials that I've covered. Um yeah, there's an element of of vulturism.
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Yeah, there's a a small element of voyerism, but really I I think it's a
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totally excusable and tolerable human emotion. uh almost a decent one, you know.
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>> Um >> I thought that particularly during the Grace Mlain trial >> and the way that people were interested
00:21:58
in that, it wasn't anything dark or like a dark tourism. >> I don't think there was any nasty in our
00:22:06
great interest in that trial. I think it was out of a a common sort of decency that we uh you know even before we
00:22:14
learned that Grace had been killed, >> Grace was missing. Do you remember that,
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Dom? >> Oh, absolutely. Absolutely. I I think everyone could sort of feel like they
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knew a Grace or there was a huge amount of empathy in an outpouring for David and Jillian.
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>> Yeah. Yeah. And you know what I'm I'm trying to remember the exact days. I
00:22:34
think there were maybe three days >> of this sudden announcement. Grace is
00:22:38
missing >> and and it kind of >> seized the nation with this longing to
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find her. Where is she? And for it to end like that in this like really appalling way with the suitcase.
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Um people were so devastated by that and they followed the trial out of this sort
00:23:03
of >> huge warmth and suffering that they felt for for grace. So yeah, a long way from any kind of um
00:23:13
gaining some dark thrill with pulking horn. Um that was a different thing. That was not the same feeling at all.
00:23:23
Um there was I mean this is an extraordinary sort of thing to say I suppose Dom but the sense that I picked
00:23:33
up of people constantly coming up to me during that what was it eight weeks >> and talking to me or getting hold of me
00:23:42
by email and stuff. Uh well the word I would use for it was happiness. I think it I think there was
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>> some sort of entertainment. >> Hate to use that word. >> Yeah, I know. It's it it it doesn't seem
00:24:00
apt, does it? Neither does the word happiness. >> Um I think it was more than
00:24:04
entertainment. I do think it was a it was a sort of a happiness. It was a uh it was a hard winter.
00:24:11
>> Uh the recession was coming in. The cost of living was this huge remains. But it
00:24:17
first became this huge issue. you know, everyone was feeling a pinch and along comes this thing and you know, when
00:24:25
people would come up to me, it wasn't with a furrowed brow. It was with a huge
00:24:30
grin, >> you know. Um, and it wasn't about obviously, you know, the murder of
00:24:36
Pauline, and it wasn't a matter of taking any kind of delight that Pauline had died. It was a a delight in the um
00:24:46
the private life of this guy being revealed in in such sort of excruciating and sorted detail.
00:24:59
>> Yeah. I suppose it just highlights that no one's perfect. Like we've all got
00:25:02
like dirty laundry, don't we? Um and none of us would want all our dirty laundry like every last garment exposed.
00:25:08
And that's exactly what >> Is this our opportunity? Do are you go But did did do do you think as someone
00:25:15
that was there um for every moment of every day, did the jury get it right? >> If you if you were a juror,
00:25:25
>> good jury, by the way, >> what makes a good jury? >> They were they concentrated. They were
00:25:31
attentive. at least um at least 11 of them. >> 11 out of 12 ain't bad.
00:25:43
>> Pardon? >> 11 out of 12 isn't bad. >> It's it's pretty darn good really. You
00:25:49
know, the amount of juries you see and it's not an indictment on them. I mean,
00:25:53
it's boring a lot of the time. from a murder trial. These arguments between prosecution, defense over some sort of
00:26:01
very small point which is not germanine or relevant. Um so yeah, a lot of a lot of
00:26:11
a great number of people on juries are constantly visibly bored out of their tree. Not this one. Not this one. This
00:26:20
one. Same with the melain actually. I mean that was that was impossible for them to
00:26:27
be bored by that. But the amount of writing that I saw them uh do in the Malay trial, man, that's that they must
00:26:36
have written >> honestly at a guess 700,000 words. >> Wow. Well, to put that in perspective, your
00:26:46
new book, that's what 80,000 >> I think. Yeah, it's about 80 to 90, I
00:26:50
think. Yeah. Um and that Yeah. the jury on that one. Sorry, your question was, did they get it right? And
00:26:58
I'm sorry not to answer that directly. The answer would be yes, >> as in
00:27:04
what they were presented with. Um, yeah, they they they I mean, they did that really fascinating
00:27:14
thing at the end where they handed in the note to the judge. You know, it's always interesting when a
00:27:22
jury does that. you know, they get sent out to deliberate and they very often will will um is this this this custom
00:27:29
dom. It's it's kind of it's often kind of terrifying. The jury gets sent out and when they are
00:27:38
either ready with their verdict or they want to ask a question, they knock on the door that they're behind. This knock
00:27:47
and it can be so frightening. Oh my god, it's it's going to happen. We're about
00:27:53
to find out this person is either going to go away or they're not. And it's so frightening. And you think
00:28:00
back to the death of the person and the families involved and you know, word goes around the court, calls are made,
00:28:09
texts, everyone sort of swarms back to court and and you see them come back to court
00:28:17
as families and they can barely breathe. You know, >> I remember it was like that at
00:28:26
nighttime. It was a nighttime verdict. If I pretty sure I'm accurate in remembering this,
00:28:32
it was a nighttime verdict. Uh this is a very unpleasant trial, the Louise Nicholas trial, Clinton
00:28:41
Rickard's, Brad Shipp, Grant Scholam, all accused of rape as senior police officers.
00:28:50
And yeah, the jury, the knock came in and you know, if you just happen to be sitting in court at that time like doing
00:28:59
stuff and you're there to hear the knock, so frightening. >> And yeah, sorry. I I I heard them. I
00:29:06
heard the knock uh in the Pulking Horn trial both times, one for the note and one for
00:29:13
the verdict. and the note. Getting back to that, they knocked on the door to say that they had
00:29:19
a note. So, you all converge. It's just the note is there's not this feeling of tension in the air, but a
00:29:26
little bit of it. It's like, what do they what's their question? What what
00:29:29
they got? Sometimes it's it's of no consequence. This one was very consequential.
00:29:37
They they they had a note and it said, "Some of us do not believe there is enough proof
00:29:48
that this was a suicide. Equally, some of us do not think there is enough proof for a verdict of murder.
00:29:58
What do we do?" And it was this like kind of gnomic question. Oh. So she didn't kill herself. Ergo, she
00:30:10
must have been killed would be the logical >> reading of it. But it wasn't like that.
00:30:15
It was like we don't believe in anything. And the judge did what the judge had to
00:30:22
do, which was like, we're not here to um rule on a suicide. We're here to rule on
00:30:28
a murder. If you don't think there's enough proof for a murder, then you kind of got your verdict. And yeah,
00:30:36
they came back not not too long after, maybe it was the next day, I'm not sure.
00:30:43
And they said not guilty. So yeah, they they they they got it right. There wasn't there wasn't enough proof. The um
00:30:49
and Pulking Horns, you know, comment, very angry comment to me one day early in the trial about you wait, you wait
00:30:56
for our science. He got it. He got it. He hit the nail on the head. He was totally right. When the defense began
00:31:03
their their defense of uh Dr. Philip Pulkinghorn, they called in two forensic pathologists who both said with great
00:31:13
resolution and conviction. There is no evidence to suggest that this was that she had
00:31:21
been hanged. >> And they were so persuasive. They were so unmovable. They did not equivocate in
00:31:31
cross-examination from the prosecution. They held to that ground. And it was like, wow. You could just
00:31:39
feel like the whole sort of circus tent collapsing. The show was over. >> Uh, you know,
00:31:47
accuse somebody of murder, the murderer, the accused says, "Prove it."
00:31:53
>> That's it. That's it in a nutshell. >> That's the criminal justice system.
00:31:57
Prove it. you um yeah, you don't have to answer this. Uh but you can if you want.
00:32:02
Do do you think uh Dr. Pulking Hall is responsible for the death of Pauline Hannah?
00:32:07
>> Uh it's the it's the one question to ask and of course you should ask it. And um
00:32:12
I've got a disappointing answer. I I was I was open to it >> when I entered the trial.
00:32:22
Still open to it. >> Um I don't know is the answer. No, no, I only only one person does.
00:32:31
>> Yeah. Yeah. I Yeah, >> I I should be able to, you know, come down on one side or another. I honestly
00:32:39
should, but um it just wouldn't be accurate. >> I don't know. >> Getting
00:32:46
>> I don't know what I think. >> Yeah. >> Yeah. H getting to know him the way you did
00:32:52
through the 8week trial, like how did you feel in in the leadup to the verdict then when the verdict was was read out?
00:32:58
Was it like a a sense of relief? Um a sense of rage, indifference? >> I like your last word. Um it was closest
00:33:08
to it was closest to indifference. >> Um it wasn't exactly that. It was
00:33:15
closely related to that. It was um was a kind of emptiness, you know. >> It was
00:33:28
all that for for for this. Um it was sad. >> It was sad on so many levels. It was,
00:33:40
you know, one of the one of the first sort of sad consequences of it was that um you had
00:33:46
to then accept by that verdict that it it's like turning the jury's note around. Oh, if
00:33:56
she hadn't been killed, then she must have ended her own life. That's what
00:34:00
you're saying to me, isn't it? >> And that was sad to to to entertain that
00:34:05
possibility. Mhm. >> Um it was really sad for Pauline's family. I um really more than Phil. Um I
00:34:15
really like Bruce who was Pauline's sister. Pauline's brother, Bruce Hannah.
00:34:22
Hell of a nice guy. Fair dinkham. Kiwi guy. um straight up, honest, >> warm,
00:34:33
devastated, you know, really liked him. I really liked um her best friend who came to the
00:34:40
trial most days, if not every day. Um Feeasant Reedan, lovely woman. Um there's a uh
00:34:51
Did you watch the documentary? >> Yes. >> Yeah. >> Yeah. The one with the the private eye.
00:34:57
and the and the the nothing phone call which I'm you reference in the book like
00:35:03
she had a phone call from a woman a couple of months before that said I think my husband's cheating and then
00:35:06
hung up and there was no she thinks it may have been Pauline but she's not really sure
00:35:11
>> yeah what a >> I'm pleased you highlighted that in your book because it's like what is that
00:35:16
>> yeah what is that exactly what a what a nonsense um yeah no the reason I
00:35:23
mentioned the documentary which was otherwise um other other than her the privateized non-involvement and vain
00:35:31
parading of herself throughout the show was otherwise really excellent uh quite meticulous
00:35:38
um and it was true to the trial too which is what what what I hope the book is Dom is true to the trial in as much I
00:35:46
I I hope my book and I think the documentary were true to the spirit of the trial and its and its its wildness
00:35:54
you know >> the the documentary century. Um, you know, it it's it's wildly
00:36:02
entertaining. It's got this incredible interview with um woman who we haven't
00:36:09
mentioned yet, which is Madison Ashton, >> who just, you know, it's it's it's real
00:36:15
life stuff. It's true crime to to to coin that that unfortunate phrase. Um, Madison steals the show. She's so
00:36:23
watchable. She's so funny. She's so vivid. Um, and indeed she uh, you know, she gives a
00:36:33
long interview in my book and you know, her answers uh, the way she spoke so great. She's so clever.
00:36:43
Honestly, you know, I'd love to be able to talk like that. She she talks like a
00:36:48
writer. These perfectly formed sentences. >> She's really interesting. Um
00:36:56
yeah. Uh uh >> you can see why he was charmed by her, can't you? >> Oh yes. Yeah.
00:37:06
>> Yeah. Yeah. You can um you know she deserved better. You know, she's a
00:37:16
lovely person. Got a lot to give. she deserved a uh a really good solid loving relationship, you know, as much as
00:37:26
anybody does really. Um, and I think that was um that that became a huge issue in the
00:37:34
trial because she felt that the cops she was going to be called as a witness for
00:37:38
the prosecution and it may well have been she didn't appear. Had she appeared, it may well have been
00:37:46
really devastating and it may well have got the guilty verdict over the line. >> She didn't appear because she felt the
00:37:54
cops disrespected her and that they didn't look upon um the fact that she had a relationship with Pulking Horn
00:38:01
with any uh with any kind of they didn't acknowledge it was her feeling. you
00:38:06
know, they just regarded her as a sex worker, which is her occupation. But her her whole relationship with
00:38:16
Pulking had sort of evolved from him being a client of of hers um to them, you know, having a de facto
00:38:27
relationship. >> And she felt as though the cops never acknowledged that. And she felt really
00:38:31
angry about that. And she flipped them the bird and said, "I'm not coming. I'm
00:38:36
not attending your stupid trial. And uh it could have been really crucial. We don't know.
00:38:43
>> Yeah, we'll never know. Um the last chapter of your book uh chapter 13, it's
00:38:48
called At Home with Pulking Horn. So this um I found this riveting. It doesn't paint him as a very nice man.
00:38:57
Yeah, just in terms in terms of how he's still denies using meth, blaming it on
00:39:01
Pauline, just being really uncharitable to this woman he supposedly loved after her death, whether it was at his hands
00:39:07
or otherwise. Um, >> uh, Madison referring to her as basically like a work colleague and a
00:39:15
professional relationship gone wrong. >> Um, just turning himself into a victim for
00:39:21
the way the police put him in a car and locked him in there for 15 minutes with his own thoughts.
00:39:25
>> Mhm. Um, yeah, he does like regardless of what you think about the trial,
00:39:30
whether he got away with murder or didn't, he he doesn't seem like a very
00:39:33
nice man. >> Yeah, that that that that was the the heavy sigh I gave before, Dom. It wasn't
00:39:40
wasn't at you raising it at all. It was an acknowledgment that what you're
00:39:44
saying is quite right. Um, I mean, you know, silly old Phil he does have a at the very least, you know, he
00:39:56
does have a terrible unpleasantness to him. And for for him to say those things and the way he said them,
00:40:04
you know, about about people, I thought that's not right. You know, even down
00:40:10
well, not even down, but including the um who's he's so steadfast in denying that he possessed the
00:40:20
methamphetamine, you know, which he pleaded guilty to at the outset of the trial. And his explanation for that was
00:40:26
that the defense, his own lawyers said, "Well, look, you should we advise you to
00:40:31
do that. It's just going to be another can of worms." >> He said, "Oh, well, you know, I'll do
00:40:37
it, but it wasn't mine." And you know, at sentencing, the judge is like
00:40:43
something like, "Oh, look, you know, you're still denying that." You know, I
00:40:47
mean, he didn't say this, but basically the judge said, "Ah, [ __ ] you. M
00:40:52
>> you know >> you're going down for that cuz he pleaded guilty to it. That's why he
00:40:56
reappeared at sentencing. It wasn't for Pauline's death. It was for the methamphetamine and you know what did he
00:41:02
get community service or something like 150 hours. >> Yeah. And >> yeah but trying to blame it on her. I
00:41:08
mean there there was Yeah. She had searches on her phone like what are the effects of methamphetamine? Like she had
00:41:13
no she was clueless. She had no idea what it did >> quite Yeah. It would it would seem to be
00:41:17
the case. Right. Yeah. Yeah. That was >> Yeah. I mean, dear old Pauline, I wish
00:41:24
I'd met her. You know, she sounded fun. She sounded pretty stam again with her
00:41:30
internet searches. She was searching, >> you know, she was searching all these uh
00:41:37
authors, you know, not too long before she she died. I remember one of them was uh
00:41:43
Gustav Flo who's the author of Madame Bovery and she would have loved that book you know she would have really
00:41:51
loved that book about a >> it's about a woman who marries unwisely [Music]
00:42:00
>> love to have sat down with Pauline and her brother Bruce over a bottle of wine
00:42:07
and Bruce Bruce had a signature dish Indian meat deal that he liked to that he liked to make.
00:42:14
>> Uh wouldn't it have been wouldn't have been would have been such fun to have
00:42:17
met them totally outside of this tragedy >> and go hi you seemed really terrific.
00:42:22
Let's let's let's drink this bottle. Let's have this meal uh and have a good old chat, you know,
00:42:30
and and I would have to say, you know, and fulfill not to be present. [Music] >> Yeah. Will you keep in touch with him at
00:42:38
all? the the at the beginning of the book there's a text that he sent you in
00:42:41
regards to um >> your older brother's um death recently which was >> charitable.
00:42:46
>> Yeah, it was very charitable. This is the thing he's you know at the very
00:42:50
least he's an unpleasant person but it's not the only thing about him. I did like
00:42:55
him you know a fair bit by chatting to him constantly throughout the trial and getting a sense of him.
00:43:04
Um, and he is likable, you know, he is he has a Yeah, I think he has a genuine real generous streak. He's got a a
00:43:13
spirit of generosity. Um, yeah, my my brother died uh in December just before Christmas and um he
00:43:24
sent me this text out of the blue and I was really touched by that. Um I'm kind of I'm kind of um I'm more than
00:43:34
aware actually that when I when I interviewed Madison and you know I would have said to her oh look I I you know
00:43:42
for what it's worth I liked him. She said don't you don't you do that you
00:43:46
know don't believe a word that comes out of his mouth. Anything he says to you which you regard
00:43:52
as nice is just him using you. You're just this was her metaphor. you're just
00:43:58
toilet paper to him. >> Um, hell of a hell of a metaphor. Honestly, uh, I respect Madison and and I think almost
00:44:08
everything she said I I I, you know, thought was entirely accurate and true. Um, but again, I I I would I gave uh
00:44:18
Phil uh the benefit of the doubt as per the death of his wife and and as per being a nice guy. Uh I I think
00:44:28
everybody's pretty much everyone is capable of being a nice guy um regardless of something they may have
00:44:35
done. >> Well, thanks for sharing those insights. Yeah. Yeah. Is that the you do will he
00:44:42
read this book? What do you think he'll think of it? >> What's the extent of your relationship
00:44:47
moving forward? Gee, um I think the last time I the last time I heard from Phil was uh when the
00:44:58
documentary was screened or before it was screened, the documentary makers had a had a
00:45:05
launch uh a private launch a private screening for it to which I was invited. You know, lots of journalists came to
00:45:15
that. And I get this text from Phil saying, "Hey, are you going to the screening?" Said, "Yeah, yeah. How are
00:45:22
you going?" "Yeah, I am." Sure. Well, I don't know why I ever been invited.
00:45:27
I thought, "Wow." Um, I suppose he got a point, you know, that he would take
00:45:32
umbrage at not being invited to a screening essentially about his story. Um, but conversely, you know, uh, uh,
00:45:42
equally, you know, I I'm having a a private book launch for this book. Uh, love you to come to that, Dom, but I'm
00:45:50
not going to invite Phil. >> I think that would be in poor taste. >> Has he asked you to write his book? I
00:45:57
believe he's been shopping around a book even though he's not a writer. >> Um,
00:46:03
>> apart from medical documents. >> Yeah. >> Which I believe are quite good.
00:46:07
>> Yeah, he is. Uh he's been he was working on the book during the trial quite
00:46:12
assiduously. You know I I said to him one day um you know he he'd sit in front of his
00:46:18
his his screen all day and I would slowly fill up with these quite dense long paragraphs
00:46:26
and uh you couldn't quite see what they were they were about. But I had this
00:46:30
epiphany one day and when court finished for that day I took him aside and said you're writing a book aren't you? Yep.
00:46:37
You damn right I am. >> Um, what do you say it's called? Guilty until proven innocent. Not a bad title.
00:46:45
>> Um, oh, you know, good luck to him. Uh, in in in writing it and in finishing it.
00:46:54
Uh, anyone who writes a book, that's you you know yourself, Dom, it's it's a it's
00:46:59
a pile of work. >> Terrible payday as well. terribly hourly rate. >> It's not a good hourly rate, is it? But
00:47:08
no, good luck to him. Um, you know, his book is going to be a document which which sets out his um sets out his
00:47:17
innocence. Um, he was found not guilty. So, you know, fair enough uh for him to want to
00:47:24
do that. He's not the person not the kind of person to just walk away, >> you know. He um he's an interesting guy.
00:47:32
Um there was that comment that a um a witness made during the trial. Myra Rington was her name. Probably the
00:47:42
most interesting witness that we saw. She lived in an apartment block on the Northshore
00:47:50
and she was there to say that she saw Pulking Horn arrive drive up regularly at this apartment to have
00:48:00
appointments with a sex worker who lived there. And her one of her remarks was um he's a man who likes to
00:48:10
stand out. This was in reference to his was Merc with the license with a with a a catchy uh license plate to the fact he
00:48:21
wore bow ties. Um >> that's right. Sometimes he turned up in his like medical scrubs.
00:48:27
>> He did once. Poor form, isn't it? Really? Good grief. Um >> that's right. With a bottle of
00:48:34
champagne. >> Yeah. He did not arrive discreetly, you know. He was like, "Here I am
00:48:41
in my Merc um wearing scrubs or a bow tie, you know. Um it's so similar to that. He he,
00:48:53
you know, he he's not a person in the in the in the aftermath of this extraordinary trial.
00:49:02
He's not a person to fade gently away. >> Cuz that would be easy to do, wouldn't
00:49:07
it? Just move to Australia somewhere. Move to Brisbane. Be a face in the crowd. >> Oh my god. You I
00:49:13
>> He's got the resources. >> I You know, I caught up with him not
00:49:17
long after. And I said, "So, >> what are you doing here?" You know, um,
00:49:25
move to the Gold Coast. Get the hell out of here. You know, I couldn't imagine him walking
00:49:31
around the neighborhood and putting up with people staring at him or or hissing at him or maybe worse, you know. Um I
00:49:42
haven't actually read it yet, Dom, but I gather there's a story in the paper at
00:49:45
the moment. Have you seen this about his real estate sign? >> Oh, yeah. Just last weekend, um yeah,
00:49:51
someone graffitied it with the word killer, >> right? >> Why would you want to hang around that
00:49:56
kind of scene, you know? Um well it his answer would be I didn't do anything
00:50:02
wrong. Um leave me be. I like you know he he likes Oakland. He's got he's got
00:50:11
people here. >> He's got his his sister here lives down the road from him.
00:50:18
Got every right to be here I guess. Um, not not I'm not arguing against that,
00:50:23
but gee, you >> you think nine people out of 10 would go, you know what? I've always wanted to
00:50:30
live in Paraguay. >> Well, what is he now? Like 73 72 73. >> Yeah. Must be around there.
00:50:37
>> So, another another 10 15 years left maybe. Go and enjoy it somewhere. >> Paraguay. Yeah. Cheap property.
00:50:45
>> I don't know actually. >> Yeah. I mean, he's been he's at the very
00:50:50
least, you know, you would think he's been cancelled, >> but he refuses to acknowledge it and
00:50:55
walks around to this day, you know. Um, free as a bird. Um, I don't know. It's
00:51:02
his choice. It's his personality. It's his it's his thing. Um, let him be, I
00:51:09
guess. >> Thanks for those insights on Pulking Horn. It's a Yeah, it's a great book. I
00:51:14
read the beginning of it and the end of it. Um cuz I I only had limited time before this podcast, but I'm looking
00:51:19
forward to reading the rest of it cuz I'm legitimately enjoying it. >> Look, I I I thoroughly enjoyed this
00:51:24
chat. Um >> Oh, no, no, no. We're not wrapping up the chat. >> Oh, really? I thought I thought I
00:51:29
thought we were shaking hands. >> No, it's the poking horn section. >> That's the poking horn section. Is there
00:51:34
a worse one to follow? >> No, not not at all. But you haven't done a lot in the way of podcast. I was
00:51:38
telling you before we came in, I heard one on because once a podcast is published, it remains there until the
00:51:43
publisher removes it. And you've done one with Simon Sweetman who's a uh a
00:51:47
writer. >> Oh yeah. >> Um >> and there's another one with Graham Hill
00:51:51
which was like a radio segment which was posted online on the podcast platforms.
00:51:54
But this is your first long form platform about Steve Bronners >> I guess. Is this what this is? Yeah.
00:52:00
Would be. Yeah. Yeah. I'd forgotten those two. I mean they were >> they were chats. Were they podcasts?
00:52:05
Were they? >> Yeah. They're on the various podcast apps, >> right? Podcast apps.
00:52:10
>> Yeah. Like Spotify and Apple. You you're playing dumb, right? You you've got a
00:52:14
your daughter's what 18 19? Yeah. You know, you even mentioned Taylor Swift before. You you know about podcasting.
00:52:23
I I I certainly know about it. I've never play your character. >> I've never listened to one in my life.
00:52:28
No. No. No. Actually, I listened to one a few years ago. Put me off for life. Really? Um I'm not I'm not a Yeah. God
00:52:37
mighty. The idea of this seems contradictory to say because I'm recording a podcast with you, but the
00:52:43
idea of sitting down to to to listen to somebody chering on. Oh, the [ __ ] death. Steve Bronnius talking about
00:52:52
Pulking Horn and his brand new book Pulking Horn inside the toile of the century is out now. That part of the
00:52:58
podcast came from a bigger conversation that we had which includes stories about
00:53:02
Steve's life, his career, his thoughts on aging, the future, uh, so much more
00:53:07
than that. That episode with Steve Bronnius, an insight into the man himself. It's going to be out later this
00:53:13
week. It's the next episode released on the Dom Harvey podcast. As you heard
00:53:17
just there from Steve himself, it's his worst nightmare. Just a couple of people
00:53:22
chering on, as he said. But yeah, if you like Steve Bronnius and you like that episode and you're curious to know more
00:53:29
about one of New Zealand's greatest writers, check it out next on the Domy podcast.

Badges

This episode stands out for the following:

  • 75
    Most intense
  • 70
    Most shocking
  • 70
    Best writing
  • 70
    Most unpredictable

Episode Highlights

  • Merciless Writing
    Steve Bronnius discusses his reputation for being merciless in his writing.
    “You’ve been described as merciless. Merciless.”
    @ 01m 27s
    July 20, 2025
  • The Tension of Trials
    The unpredictable nature of court trials keeps journalists on their toes.
    “Every day was tense. Every day was really interesting.”
    @ 07m 44s
    July 20, 2025
  • The Poignancy of Trials
    Exploring the emotional weight of trials and their impact on families.
    “The poignancy of it is attractive.”
    @ 13m 05s
    July 20, 2025
  • The Fascination with Trials
    A look at why people are drawn to court cases, beyond mere voyeurism.
    “There's an element of voyeurism, but it's a tolerable human emotion.”
    @ 21m 44s
    July 20, 2025
  • Grace's Disappearance
    The sudden announcement of Grace's disappearance seized the nation with a longing to find her.
    “Where is she?”
    @ 22m 44s
    July 20, 2025
  • The Jury's Dilemma
    The jury expressed uncertainty about the evidence, leading to a not guilty verdict.
    “Some of us do not believe there is enough proof that this was a suicide.”
    @ 29m 41s
    July 20, 2025
  • Pulking Horn's Denial
    Pulking Horn's denial of responsibility raises questions about his character and the trial's outcome.
    “He doesn’t seem like a very nice man.”
    @ 39m 33s
    July 20, 2025
  • Pulking Horn's Book Title
    Phil is working on a book titled 'Guilty until proven innocent.'
    “Not a bad title.”
    @ 46m 42s
    July 20, 2025
  • Witness Testimony
    A witness described Pulking Horn as a man who likes to stand out.
    “He's a man who likes to stand out.”
    @ 48m 07s
    July 20, 2025
  • Phil's Future Plans
    Despite the controversy, Pulking Horn refuses to leave his home.
    “He likes Oakland. He's got people here.”
    @ 50m 11s
    July 20, 2025
  • Podcast Insights
    The conversation dives into the nature of podcasting and its challenges.
    “I've never listened to one in my life.”
    @ 52m 33s
    July 20, 2025
  • Upcoming Episode Tease
    An upcoming episode features insights into Steve Bronnius's life and career.
    “It's going to be out later this week.”
    @ 53m 10s
    July 20, 2025

Episode Quotes

  • I thought, 'Yep, you should say this.' And then regret it.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias
  • It's shocking to see someone float to the top, feeling irrelevant.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias
  • I don’t know is the answer.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias
  • It was closest to indifference.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias
  • You’re just toilet paper to him.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias
  • He's got the resources.
    Inside Philip Polkinghorne’s Murder Trial - With Steve Braunias

Key Moments

  • Maximize Performance00:22
  • Trial Tension07:44
  • Emotional Trials13:05
  • Nation's Longing22:42
  • Jury's Note29:41
  • Pulking Horn's Denial39:33
  • Phil's Book46:42
  • Pulking Horn's Choices50:11

Tension Over Time

Words per Minute Over Time

Vibes Breakdown