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The Man Behind New Zealand's Biggest TV Shows!

May 03, 2026 / 01:41:43

This episode features Phil Smith discussing his experiences as a journalist and entrepreneur, including his time in war zones, health challenges, and creative endeavors. Key topics include his near-death experience with heart surgery, his career in journalism, and his transition to television production.

Phil shares vivid memories of being a war correspondent in Tanzania and Romania, detailing moments of danger and survival. He reflects on the impact of these experiences on his life and career, including the emotional toll of witnessing violence.

Phil also talks about his successful ventures in television, including the creation of shows like "Eating Media Lunch" and "The Casketeers." He emphasizes the importance of authenticity in storytelling and the evolving landscape of media in New Zealand.

Throughout the conversation, Phil discusses his family life, including his wife Leanne and their son, who is involved in music. He expresses pride in his family's achievements and the importance of maintaining a balance between work and personal life.

The episode concludes with Phil's thoughts on the future of media, the role of AI, and his ongoing passion for creativity and storytelling.

TLDR

Phil Smith shares his journey from war correspondent to successful TV producer, discussing health, family, and the evolving media landscape.

Episode

1:41:43
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A guy was a crane firing at people on the street. That's gunfire. That's
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gunfire. He actually shot people. You don't know you've got them until you're
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I was in surgery within days. Who is Phil Smith? >> I'm a bit of a dreamer. Smith, if you
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think you can write, you're dreaming. You cannot write. It really scarred me
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for a long time. My dad leaning in the kitchen reading the Herald and going, "You wrote that?"
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>> Did you ever feel like your life was in danger over there? >> We just got ourselves right in the
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center of a firefight. That 50 m run, I probably did it faster than a sprinter by shaking so much. ANC had their main
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training camps in Tanzania. They could get rid of you in a nanocond. They'd hose you down once a day to start to
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rot. My father had sadly died. My mom died last year. I was lucky. >> Oh god, you're here. Come on. This is
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the center of performance. Whenever there's a top performance in New Zealand, it all comes from here. That's
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Lisa Carrington. She's been doing that for days. That's the boys who got the
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holl in more. He did it again. Hey Finn, how's the performance going? >> Top tier.
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>> Nice. This is our generate room. In here, you'll find our top performers
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helping Kiwis maximize their Kiwi Saver investments. Get in here Finn. >> Maximize. Generate.
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>> Putting performance first. >> Phil Smith. Welcome to my podcast. >> Brilliant. Great to be here. Very
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special day, isn't it? >> Oh, my birthday. >> Yeah, it's your birthday. February the
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3rd. What a day. What does it feel like to be um almost 50? >> I'm 53. Oh, that was a that was a that
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was a sweet intro. That was a sweet joke. I feel I feel good. How old are you? What are you
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>> I'm 61. >> Right. How do you feel? You you feel exactly the same?
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>> Really good. Really? After the triple heart bypass. Um Yeah. Great. >> Actually.
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>> Yeah. Yeah. >> When? >> Uh 7 years ago. Yeah. I just um didn't
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feel great and had a test and I had a thing called widow makers which is you don't know you've got them until you're
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dead. And uh I was in surgery within days. triple heart bypass and I was back at work uh within two weeks and now I
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can walk up hills and I pump oxygen through my heart. So basically I've had the spouting done and feel great.
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>> Do you need annual checkups or anything now or >> Yeah. Yeah. Yeah. You you do you do but
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you know effectively your heart's now getting heaps of oxygen, heaps of blood
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and so you know it gives you another 20 years of life. So I was I was really fortunate that you know I think a lot of
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people both male and female testing you know testing testing. I've seen evidence
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of people not tested and then they get bad news and the thing is is yeah it's
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all available to us now. So I was really lucky. >> Are you are you quite good with your
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health now? Like you watch what you eat, watch what you drink. >> Yeah, I sort of got into keto um a long
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time ago and that that proved to me that you know I could knock about 7 kilos off. And so instead of rocking at you
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know 88 kilos, I'm sort of 82. Um watch my diet, don't drink too much. um
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exercise, you know, 10,000 steps a day, something like that, when when I can do it, uh keeps me really fit and healthy.
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>> What an interesting start to the podcast. I I I never knew I never knew
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that about you and but and then I've I've done all this research and there's
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so much stuff that I never I never knew about you because you you and I um uh met through a mutual friend, Matt Heath,
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who does the afternoon show on ZB. Um you came around to my house for New Year, I think a few years ago. We caught
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each other caught up with each other on the the New Year's Eve just gone and I I
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just thought, "Oh, Phil's a nice guy. Does some TV stuff, but I didn't really
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know much about you." But holy [ __ ] you're a legend. >> Well, yes. And I must say about that
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that visit to your your home. I do still have your airline pajamas that you gave
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me at the end after I got out of the spa uh where we celebrated New Year. It was
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a wonderful night. And Matt obviously is a dear friend of yours and mine. So, yeah, he brings people together. Well,
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by the way, I need to I don't know if I'm talking out of term here, but I need
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to tell you something about Matt Heath. Um, so he ran his first marathon last year. He did the Queenstown Marathon. I
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was um I was ing anding about coming down and sort of, you know, running with him like a sherper.
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>> And uh I said, "I think I've left it too late. I've got nowhere to stay." And he
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he he told me I was welcome to stay at your house. >> Yeah. >> So, I'm just I'm just letting you know
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that he's um Yeah. >> He's basically got a got a key to your house.
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>> He virtually has. Yeah. Well, we don't I shouldn't say this. We don't really have
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keys, but um you know, we're we're 25 years down there and Le and I pretty
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much would know how to lock the house, and that's the truth. Uh and our house
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is halfway through the marathon, so if Matt wanted to drop out or you wanted to drop out, you can just swing into our
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place and jump in the spa. Oh, >> which is what he did at the end of the marathon. So, yeah.
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>> So, okay. Who is Phil Smith? >> Me? >> Yeah. Um, oh, I guess, uh,
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>> apart from bass player of the the nation's dreaming, nation's dreaming,
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>> a band that made $55 all up, I believe. >> Yeah. Yeah, we did. Um, yeah, we had a
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we had a short but spectacular career. So, um, I can talk about that later. But, uh, who am I? Uh, I guess I'm
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someone who loves, uh, creativity and ideas. I guess I'm a bit of a dreamer.
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I'm always sort of drifting off a bit. And you know the question where's Phil
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is famous within the company because I just tend to go to the next thing that I'm thinking about and in my head I'm
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often thinking of things and opportunities and ideas and so I love the fact that I can take that and
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convert that into employment and something physical for New Zealanders and you know it opens up so many
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exciting things. So work-wise, that's what I am. And then, you know, I'm a dad
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and I've got my beautiful son, beautiful wife, and we've got a really great
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little family, and we have a lot of fun. So, you know, those are my my two big things in life.
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>> That's a great answer. Um yeah, it's it's always interesting when you ask
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someone who who they are and how they answer because um the the internet answer is um sort of like career
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highlights, I guess, which includes 30 film and TV awards and 60 odd TV shows that you're responsible of making. with
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with those um 30 odd film and TV awards, is there one that means the most? >> Um yeah, and definitely uh drama writer
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of the year uh for me was kind of affirmation like when I was in the sixth form, I wrote something and my teacher
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um he he basically read it out to the class and said, "Smith, if you think you
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can write, you're dreaming. You cannot write." And like it really scarred me
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for a long time and I thought, "Wow, okay, I can't write." And so I sort of
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took that into journalism and I I learned through some really great friends to Murphy and Paul Hlet at the
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Herald. We're all little cadetses. They sort of taught me how to write. And um
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from there on in I've kind of been able to tell myself, "Yes, I can ride." And
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then getting that award kind of I went, "Wow, yeah, yeah, I can definitely write." And so, you know, it was it it
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only took 40 years for me to get over uh John Kelllet and you know, at Westlake Boys, but um but yeah, that was that's
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the thing. >> So, you you wanted to be at Westlake Boys, you wanted to be a writer, you'd
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indicated your interest in being a writer when that's >> that is so damaging. Like, did you did
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you use it as um you did it sort of like um crush you temporarily at least or did
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you sort of use it as fuel? >> Um I still was had a passion for like the world, you know, as a kid. I was
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always like fascinated by Africa. I was fascinated by sport and the All Blacks and I kept scrapbooks and I followed the
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news and I was into the media. And so it was at Westlake where following year teacher just put me in touch with a guy
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called Richard Beck who now sort of runs the Warriors media and he got me onto a
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journalism course. And so I got a lot of opportunity out of that school in the end. They got me onto a journalism
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course. And then, you know, we were incredibly young. Like, I I think I was um 17 when I went to ATI journalism
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school. And then by 18, I was on the Herald. And um I still remember writing my first front page lead, which was it
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was about a David Bowie concert and everyone breaking in at Western Springs, getting through a fence, you know, of
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course that was a riot in those days. And I remember my dad like leaning in the kitchen reading the Herald and
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going, "You wrote that?" and it like destroyed all of his faith in journalism. He's like looking at me
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going, "How could they publish that?" Like, you know, it wasn't it wasn't uh
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he was super proud, but at the same time, he was gobsmacked that someone so young who had just gone through puberty
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is now published on the front page of the Herald. So, yeah, it was a young we were young. Yeah.
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>> What percentage of you do you think is um now like a a TV guy or a media guy
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and what percentage of you is entrepreneur? Oh, that's a wow, it's a really good question. But I think um
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having the skill of left and right brain is is quite uh that's what has got me to
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where I'm at. And I can see some of my contemporaries, the likes of like a Julie Christie, I think we both have
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left and right brain. So we're thinking business, business and ideas, concepts.
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And so a lot of people, you know, will be leftrain or rightrain, but when you can balance the two and you know,
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through my family, like my dad was an entrepreneur, he had his own company. Um, I sort of learned about business and
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it was sort of in my DNA. A lot of my friends had their own businesses. So, you know, I'm sort of 50%, you know,
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half the time thinking about the business, but then I've got the ability to be able to just click over and then
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use creativity. But by being creative and also being business, you can create for the business and that gives you an
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advantage. So when I'm writing and all of that, I know we can't shoot that
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scene or I know that this is what the client wants or I know these networks internationally want this kind of idea.
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So as a writer, I can use the creative side to achieve the business goals. >> [ __ ] this is going to be such a great
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chat. There's um Oh, there is uh Yeah, there's so much so much to get into.
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>> It's such an honor to have you here today and get get to know you on a
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different level to to um just sharing a sparkle with you. >> Yeah. >> So, born and raised in Southland before
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moving to Aland. Um I've heard you describe Southlanders as the border collies of the world, meaning the uh
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sort of friendly, curious, um and always wanting to help. What What sort of a dog
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breed would you be now? >> Um yeah. Okay. Uh, you know, I'd probably want to be what was what was
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that red dog? Uh, you know, the one in Australia in the movie, but um, probably more I think I've learned to be sort of
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less compliant and less worried about what other people think. So, I think a border collie is very, you know, very
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much a people pleaser. And at some point, you have to learn that people pleasing is a great endeavor. And I I
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probably have been that for most of my career, but sometimes I've learned the
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hard way that that's not the way to the top. That sometimes there has to be a
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bit of collateral damage. So you do have to have a bit of mongrel in you. So I'm
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going to be choosing a dog with I'm not a Rottweiler, but something with a little bit a little bit more spark than
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than that that people might back off from occasionally and realize that there is a sting in the tail. like, you know,
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it's not about retribution, but it's just um basically if people think you're
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weak and they sense weakness, then you're possibly not going to succeed. And so, you do have to have a tough
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spine. And um the border collie, whilst it's a lovely dog, it's it's the gravy
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really. It's the it's it's really beautiful, but you do need that you do
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need that spine. >> Maybe a German Shepherd then. It's a nice dog, very compliant, but you don't
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[ __ ] with one. >> Yeah. Yeah. you want to be like that. Yeah. >> It's that's disappointing to hear that.
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Um cuz I I I think you like from my dealings with you and these aren't business related dealings. They're just
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social dealings like you are just a really nice guy. Um it's a shame that you need to um develop that sort of
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streak, I guess, to succeed in business. >> Well, you do because you're really in
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business for your family. Like that's why I do it. I do it so that I have a nice family life and I do it because I
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find it really fun. So you do have to be on the game and very aware otherwise people you know will ride over you. It's
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a tough commercial industry now um our industry in particular. So you know that the the week will be flushed out and so
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you have to be very sharp especially in this day and age. >> So you mentioned before um your first
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journalism job um and the Bowie piece on the front cover of the New Zealand Herald. Um, yeah. What did journalism
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give you, if anything, that you still use in life now? >> Uh, well, it taught me uh that I'm
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lucky, you know, like I I I just can't believe how lucky New Zealanders are.
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And, you know, you see the world and you talk to people and you're you're
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inquisitive. And I've never been so happy to get on a plane and fly back to New Zealand at the end of last year from
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the UK, um, having spent like a month there and and working. And I was like, man, you know, we think, you know, you
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get back home and sometimes, you know, the Herald, we know their algorithms are pumping out, you know, boy dies, man
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dies, shooting, death, stabbing, and all this. Man, you know, cost of living is a
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big thing, but the cost of living is the same everywhere. And one thing I've
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realized is just how blessed we are to actually be a little bit removed from the world. You know, there's thousands
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of Americans trying to get visas to come to this country now. And so, it's made
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me kind of look at the world. journalism taught me to look and talk and what it's
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done is made me appreciate like where I am and what we've got as a nation. >> I I think that relent relentless
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optimism that's something that all entrepreneurs have in common. I've been
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lucky enough to have um like three of New Zealand's um like big dogs on the podcast like yeah Rod from Zero Sir
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Peter Be from Rocket Lab and from Zuru and Zealand now you and there's there I
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mean you're different different levels to the game. you're not in the private
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jet level, but you've done all right for yourself. But but one thing I've noticed
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all entrepreneurs, regardless of the size of them, have in common, it's just
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this um this this this I don't know, this optimism and this glass half full attitude.
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>> Absolutely. Like you just have to believe that you're going to convert
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something, which is a crazy observation and convert it into an idea that could be worth 10 or 15 million. And so you
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have to have complete optimism because you have to convince other people to risk their careers to give you money and
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trust you. So yeah, you have to be constantly optimistic and and and that's what I do. So you know, I take small
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ideas and then just uh convince people that you know this is going to be brilliant. But it's based on my my gut
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belief, you know, what my gut believes. But the thing is is that you know the people that you've you've listed
00:14:25
effectively have a missing chip and and and that is like you would be worried to
00:14:30
death if you went to bed every night and went through everything that can potentially go wrong and how many mouths
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you're feeding and how many people you've got within your company and what
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if this goes wrong. You just worry yourself to death. And so most people choose not to do that. You know,
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probably 90 95% of people go, I'm happy to just go to work, do a job, go home,
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get paid, have a brilliant life, and I'm fully support that. I wish I'd done that
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sometimes. I don't actually. I don't. I don't. I've been very lucky to be free,
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you know, cuz you know, it's freedom. And that's one of the great things in
00:15:03
life that you need. But they it's a missing chip where you just, >> you know, there's risk, but you still
00:15:09
push forward because you have an inner belief. You absolutely believe you're
00:15:13
going to succeed. Yeah. Why didn't you just stick with journalism? >> Uh, well, I kind of merged out of it
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because I went from print journalism in Africa and then I saw a lot of television journalists working there and
00:15:27
met them and I sort of became their runner basically. I was so young and they were so old and I and I was seeing
00:15:34
so much in Africa visually that and trying to write about it. And then when I saw TV people come and film it, I
00:15:40
thought that's the way to go. I love that. And so I kind of said to them, I want to get into television. And they
00:15:45
said, what you should do is go back to New Zealand. You're lucky. Take your journalism back, get into television
00:15:51
journalism, and then see how it goes. And I did that. And I became a TV journalist and TV producer. And then the
00:15:57
entrepreneur kicked in, which is my dad like, you know, always, you know, work for yourself, work for your own
00:16:03
business. And, you know, I, you know, again, I saw Julie Christie running her company, Touchdown. Looked at that and
00:16:08
thought I could do that. And so I just converted the business side and the journalism side together. And we're
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still journalists like we still produce um you know 30 40 episodes of the Hoie every year which is current affairs
00:16:22
which I executive produce. So we've got a lot of journalism coming out of the
00:16:26
company and journalism feeds into everything that I do. So, back to your earlier question, like when you're
00:16:32
writing drama, um, because when I was a young journalist, I started out by going
00:16:36
to the port and seeing doing the shipping news, then you do the council news, then you do the police news, and
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you start to see how every system works. So by the time you're 20, you kind of
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know how the system works, how society works, and you've met people who are underdogs, you met wealthy. And so now
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when I go to write drama, I've got this absolute bank of knowledge. Like I know
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how the shipping works in the world. I know how a council works and and and how they fight and bicker and all of this
00:17:04
and how the police work and and what detectives are like. And so for me that journalism has given me this huge bank
00:17:11
of information of how all of these systems work within society. So it's been useful.
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>> Yeah. So you you were sharpening the ax. You didn't know what you were sharpening
00:17:20
the ax for, but here we are. You mentioned Africa just before. Yeah. By by the age of 21, which is painfully
00:17:26
young. Uh you were the only Western journalist in Tunisia. >> Tanzania. >> Tanzania. Yeah. Any any PTSD or the
00:17:33
things that you saw that still haunt you to this day? >> Yeah. Yeah. Um yeah, definitely you know
00:17:38
like um I think I think in our days when we were doing war and war correspondence
00:17:45
pretty much the solution at the end was to go back to London or go back to base and then go out and drink some booulet
00:17:51
with the guys there and tell a few stories then go home and so nowadays you know you're going into you know
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psychologists and counseling and talking about what you've seen and seeing a lot
00:18:02
of death and destruction and all of that. And so I I did see that um pretty rampantly when I when I visited Bundi uh
00:18:10
and that was unintentional, but by going there and seeing just how brutal the world was um was really shocking. But
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you know, I didn't do anything about it. I just decided to live with it. And
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everything else like you know, Romania and other places like seeing people die a lot a lot, you know, I just we just
00:18:30
had to live with it basically. So, I've just kind of kind of put it away in a
00:18:35
corner. >> Comes out. It comes out after a few drinks at dinner parties sometimes. And
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I think Leanne, my my wife, would prefer me not to. She's, "Oh god, Phil's going
00:18:43
to start telling more stories now." >> Your partners had them for she's like
00:18:49
booking an Uber at that point. Yeah. And everyone else is like, you know, it it is difficult sometimes.
00:18:56
>> Uh, what's the most frightening you've ever been? Like, did you ever feel like
00:18:58
your life was in danger over there? >> Oh, yeah. Yeah. Yeah. Totally. I've I've
00:19:02
had multiple times. Uh Romania um we just got ourselves right in the center of a firefight. Um and uh my son still
00:19:11
watches the footage of it where we're driving into a town Timwara and you know
00:19:16
it's absolutely rampant. You know, security ters still firing at at the public and a guy was up a crane firing
00:19:22
at um people on the street and we were driving and the cameraman said, "Oh,
00:19:25
that's um there's a train going past or something like can you hear that?" And
00:19:30
then it was like then someone said, "No, [ __ ] That's that's gunfire. That's
00:19:34
gunfire." And like we stopped the car and we looked up and there's a guy
00:19:37
basically in a crane just firing firing at everyone around him from a crane. Completely crazy. So we got out
00:19:46
of the car and all I thought like I could see him turning and sort of looking to us to fire and I just got my
00:19:52
head behind the wheel hub. You know, it was only two wheel hubs you could hide behind. And we all naturally put our
00:19:58
heads there because we'd seen what full metal jacket bullets do through they
00:20:02
straight through cars, you know, so cars no protection. And then we had to run from the car to a bus. And that that 50
00:20:11
m run, I probably did it faster than a sprinter, but each one of us, we just watched and looked at the guy and he was
00:20:18
sort of firing around and looking. And then you just had to time. And as he turned, I was like, I just sprinted and
00:20:23
sort of looked at him and he sort of was like, "Oh shit." And you know, by the
00:20:26
time he turned around and sort of took aim, I just sprinted my 50 m behind this bus where all these people were. And I
00:20:33
always remember they had they had a milk bottle full of coffee and like this guy
00:20:37
said, "Here, have some of this." And I took it and I shaking so much I dropped
00:20:42
the milk bottle and became really unpopular behind the bus because I was the guy that had broken the the milk
00:20:47
bottle full of coffee. And um but like to finish that story, this guy was just gladly, you know, he hit people. We saw
00:20:53
him hit people. He actually shot people. a tank pulled up and this guy sort of popped his head out and then a couple of
00:21:00
soldiers ran around and um one of them just climbed up the crane quietly and we've still got footage of it and he got
00:21:07
to the top and he just got his machine gun and then he just popped the lid and just went and just fired into the thing
00:21:14
and this guy is standing there like happy and next minute he just got lead right up him and then everyone just that
00:21:21
was it. The guy got down, had a smoke, got back in the tank, the tank just drove off. It was just you just witness
00:21:27
these things like >> you're looking looking back looking back now from the perspective of a of you
00:21:32
know 60-year-old man like do you think you truly understood the risks you were taking at that time?
00:21:37
>> No. No. I no I there's a lot of things I didn't realize like even in in Tanzania.
00:21:43
Um I um thought that you know hey I'm a journalist and I'm the only western
00:21:48
journalist in Tanzania and Tanzania is safe. But I didn't realize it's a
00:21:52
socialist country uh supported by North Korea, supported by China, Russia, and um I naively turned up and they very
00:22:00
quickly thought I was actually a South African. They thought he's just a South
00:22:05
African. What we didn't know is that ANC had their main training camps in Tanzania. And I actually eventually got
00:22:11
to them and went to the ANC conference and met amazing people. But um you know within about 2 months I was I was being
00:22:19
followed. But the guy, it was such a poor country, he would wait outside and I'd basically uh let him in my car and
00:22:26
he'd just drive around with me for the day watching what I did. And so his job
00:22:30
was just to follow me around. And I look back now and think, yeah, you know, if they wanted to get they could off you,
00:22:36
they could get rid of you in in a nano second. But I was kind of lucky the Financial Times said Tanzania first.
00:22:42
They said, "We'll give you a soft little safe country before we send you to
00:22:46
Nicaragua," which was the next one, or or Ghana or Nigeria. That was that was
00:22:50
the plan. And uh so I was kind of lucky even though I got arrested and you know,
00:22:54
time in jail there and expelled from Tanzania. Um it was uh it was a soft kind little country cuz I got out of
00:23:02
life and I look back now and go, I was lucky. >> Yeah. Let's talk about the the expulsion
00:23:07
and the the incarceration. How long were you incarcerated for? >> A week. Oh, a week.
00:23:12
>> Yeah. >> Oh, I sort of imagined like half a day or a few hours while they a week.
00:23:16
>> Yeah. >> How was that terrifying? >> Uh, yeah. No, it was um a lot of
00:23:19
negotiation um from who? >> Uh well, fortunately the British High Commission kind of adopted me is one of
00:23:28
their own like because I was Financial Times and because I knew the British High Commission really well um they came
00:23:34
in to bat for me because there's no New Zealand high commission there. It was
00:23:38
the British Embassy. But it was just a misunderstanding. Of course, it's always a misunderstanding. But um
00:23:47
I, you know, I just thought I was I I was operating uh in incorrectly in a country when you're based and resident
00:23:54
there. Like I I had reported a couple of things that you kind of have to leave to
00:23:59
journalists that are visiting and I actually I actually reported them and so they got on to me and decided I had to I
00:24:04
had to leave the country. But in terms of that process of expelling me, they they bang me up in Arouchia, which is
00:24:10
right beside Mount Kilimanjaro. So, um, I got picked up, uh, I was doing a story
00:24:16
on Prince Charles. They picked me up slow. It was a slow arrest. I didn't realize what was happening. Back to the
00:24:21
back to the police station into a cell and then now we're going to, you know,
00:24:25
we're going to work through this process. So, they were pretty nice to me and in the end they but then they just
00:24:30
dumped me on the border and and left me there. Um, and uh, you know, it was very
00:24:35
difficult. Kenya didn't want to take me in. So I spend a day on the border trying to get into Kenya. But I was a
00:24:39
PI, a prohibited immigrant from Tanzania. And they made me sit and wait the whole day. And at the end of the
00:24:45
day, I was thinking I'm going to be left in this gap of, you know, 100 meters.
00:24:50
And this guy said, "Okay, we'll let you um we'll let you come into Kenya for 24
00:24:54
hours." And then I went back to London and they just laughed and said, "Oh,
00:24:57
we've all been chucked out of, you know, one guy been pied about 30 times." Like
00:25:01
it was not it was nothing. >> But they in your employers the >> Yeah. Yeah. They're just like, "Oh yeah,
00:25:06
you got chucked out, so uh like move on." It wasn't interesting. It barely
00:25:10
wasn't interesting to these guys. >> There wasn't a lot of duty care in the
00:25:14
mid '80s, was there? >> No. No. No. I mean, no, there wasn't. But it was it was terrifying cuz Kenya,
00:25:20
they they don't like journalists, you know, they the the local Reuters journalists have been tortured when I
00:25:26
was there. And um I met him and I worked with him and they had a they had a process in um in Kenya called the
00:25:34
swimming pool at the police station which is they put you in a room like this and they just put water in about a
00:25:40
foot of water and you just stand in it and then your feet rot then you sit on your bottom and your bottom rots and you
00:25:46
stand on your feet and they hose you down once a day and they leave you in there for like days and you just start
00:25:51
to rot. They just it was cruel. And I met this guy. He spent he'd spent days
00:25:55
in the swimming pool. So you you got to be careful in those countries. And yeah,
00:26:00
so and long answer to short question. Yeah, I was lucky. >> And have you got possessions over there?
00:26:08
I believe you left behind like a a bag of wheat. >> I was chucked out. Yeah. I mean like
00:26:12
bangi was it was just absolutely they just wrapped it up into fish and chip paper. It was probably 20 cents and you
00:26:20
just got got masses in those days. Look, I was in my early 20s and smoked a bit of dope. I wasn't crazy on it, but um
00:26:27
but we learned I could just you could just buy anything virtually for free. You had so much money and you could
00:26:33
exchange on the black market. Like I just had stacks and stacks of money and I carried it around every day and give
00:26:38
it to lepers and stuff like that in Tanzania. Um, so yeah, there was I have got uh everything I had there I left
00:26:46
there cuz from Arouchia I was out over the border into Kenya. And so I still get messages from this guy years later
00:26:52
saying, "Your crap's still on the corner of the Reuters's office in Darus Salam."
00:26:57
And I'm like, "Shit, I hope they don't open the top drawer because there's like
00:27:00
there's half an ounce of of weed in there." But um >> might want a disciplinary disciplinary
00:27:06
hearing with you. >> Yeah. Yeah, exactly. But um yeah, it it it'll be wonderful to go back, but I
00:27:13
think that you know, even Tanzania's changed, you know, it's not as it's a
00:27:16
different country now. So >> yeah, for sure. >> Um yeah, so this this is pre- internet
00:27:21
and everything. So your poor parents back back in New Zealand, they would have been blissfully unaware of what was
00:27:25
going on in your life. >> Yeah. No, there's a story in the Oakland Star about, you know, journalist in
00:27:30
prison in Tanzania. My mom worked as stock broker in a stock broking agency. Um and uh she was really proud of me and
00:27:39
like she she always pushed us away like get out there see the world don't worry
00:27:44
about me you know my father had sadly died and so but he too was was quite a risk taker so my mom uh she enjoyed the
00:27:52
stories you know of oh you know my son's doing this and that you know like all
00:27:56
parents and so um but yeah she was worried of course she was worried but uh she didn't really know what had happened
00:28:01
in Tanzaner until I was out and back in London so so That's when she found out
00:28:06
so she didn't have to worry. >> Was was it around this period of your life that you connected with Jane
00:28:11
Goodall? >> Yeah, that was Yeah, just um you know I basically I met the Brits you know you
00:28:17
go into a town I sort of had the Hunter S Thompson approach which is you know you get a cheap motel a typewriter and a
00:28:22
rental car and you can do anything and I sort of followed that. So I was I was obsessed with Hunter S. Thompson and
00:28:29
every everything about him was a journalist. And so yeah, I um got into Tanzania and the first thing I rang the
00:28:36
British High Commission and the embassy and there's always a woman there called
00:28:39
Katherine there. I don't know why all the women in Africa are called Katherine, but she invited me out to the
00:28:44
yacht club and I went out to the yacht club cuz there were very few um Europeans in in Tanzania at the time.
00:28:51
And um it was a little refuge away from you know the craziness of living there. And a woman uh one day said, "Oh, you
00:28:58
should meet Jane Goodle. She's a great friend of mine." And I I went and met
00:29:02
Jane. And uh Jane was absolutely lovely. I just went to her house and drank tea.
00:29:07
And you know, she had a cunning plan. You know, there was a little bit of black hatter about it. She had a plan.
00:29:12
And um she wanted me to go up to GMI. And so she facilitated that and just said, "Just cruise up. I'm there for a
00:29:18
month. Come and stay with me. Um you know, I've got a I've got a story for
00:29:22
you." which was um basically chimpanzees being smuggled out of Bundi for AIDS
00:29:27
experiments which was true and it was happening. So they were they were needed for AIDS experiments and it was
00:29:34
devastating to Jane that they were kind of trying to get chimpanzees from her region which is GMI. And so she kind of
00:29:40
wanted to know what was going on but boy you know that was a dangerous assignment. You know I I went to GMI. I
00:29:46
hung out with Jane >> for a couple of weeks to start with. Then she's like all right on your bus
00:29:50
you know up to Bjan Bora which is pretty much like catching a bus the you know these little boats to pull in and then
00:29:57
just up to Bjan Bora. And then I investigated the story about chimps and yeah that was pretty pretty crazy. But
00:30:03
staying with Jane I went back and um it just established a it's not a friendship. It was more like she was
00:30:10
sort of like my mom home away from home because her son Grub was exactly the same age as me and he was in London and
00:30:17
so she had this like kid turn up. So she was sort of able to, you know, sort of mother me a bit and, you know, fuss and
00:30:24
ask me about whether I had a girlfriend and all of this and and she loved examining people. So at night, you know,
00:30:31
she would famously and, you know, she liked scotch and so she would do a day up the hill. She was absolutely I went
00:30:38
up the hill with her a few times and she would just race through the jungle and follow her chimpanzees and you were just
00:30:44
like, where where's she gone? She could move like incredibly and then she'd just
00:30:48
sit and wait. So I went up and saw all the chimpanzees a lot. The end of the day, you know, she'd sit down and and
00:30:53
talk to me about what she'd observed and what she was thinking of doing and and
00:30:59
um asking me about my life and drinking scotch and you look over Lake Tangana to
00:31:04
Zire in the Congo and yeah, it was it was spectacular. Amazing. Amazing. >> Uh I actually had that on my card here.
00:31:10
I was going to ask you if you smoke if you if you drunk scotch with her. I I I this caught me by surprise, but I don't
00:31:15
know if you saw this, but there was this fabulous interview on Netflix which was
00:31:18
like um it was recorded I think in the last year of her life. Then they vaulted it until she died.
00:31:23
>> So anything Yeah. Yeah. Yeah. And she was like she was sipping scotch or
00:31:27
whiskey through that uh interview. Loves it. >> Yeah. She Yeah. I think in that
00:31:32
interview she said, "Oh, my voice, you know, I was like, oh yeah, yeah, yeah.
00:31:35
She just really likes a little tipple just to get her thinking. Like a lot of her writing she Yeah. She wouldn't drink
00:31:41
a lot. She she's very measured, but she would just light a fire on the beach,
00:31:46
have a short shot or two, and then start telling stories. And her stories, you know, I still draw upon her stories
00:31:53
today. Um, and you know, >> like what >> uh uh there's the ghosts, that was her
00:32:00
big story. Uh there's two stories there. One one is that she said at night you
00:32:04
might hear chains like dragging and I was like, "Yeah." And she said, "We've
00:32:08
all heard chains dragging." And that is absolutely the caravan, the path that
00:32:12
the slave trade took right through GMI. That was that was the path back to um the ocean and that's where the slave
00:32:20
trade went. And she said, "You're hearing the ghosts of the souls of the
00:32:23
people who died around this region." So that freaked me out cuz then you go to a
00:32:27
you know, you didn't have electricity at GMA. You go back to your room and this
00:32:31
there was that. And also um you know I did work up an idea where Jane told a story where um she said uh one night uh
00:32:40
we woke up and it was light uh in the middle of the night. The whole region was was light. It it just night became
00:32:47
day and she said we've never understood what happened what it was. And I asked
00:32:52
some other people then and everyone talks about it as a phenomena. there was just this sort of glitch and like no one
00:32:58
can explain how it was completely daylight and so that's always fascinated me and I I have actually used that as a
00:33:05
concept >> uh in a drama but you know pluribus has kind of used a bit of that now we wrote
00:33:11
something called the sighting so I did write something based on that >> um she told you not to follow your
00:33:16
passion but to follow what you're good at >> um did you listen >> yeah yeah I think she kind of also
00:33:24
taught me uh not to be not to have an employer. Like that's really why I left
00:33:30
um TVNZ to set up my own company. She just said, you know, like happiness is, you know, freedom is is one of the great
00:33:36
things in terms of being happy. Um and so I just uh I I did listen to her a lot and so um yeah, her advice in terms in
00:33:46
terms of that was was really key in a lot of decisions I made. M is the is the dream for most people listening to this
00:33:53
or watching this to try and find an access somewhere. So your passion is what you're good at.
00:33:59
>> Well, the thing is if you're good at something and it doesn't actually put,
00:34:02
you know, food on the table, then you're pretty stupid to follow that passion.
00:34:06
You know, like your passion might be that you want to be um something where there's there's not a chance for you to
00:34:12
flourish. And sometimes if you're good at something, it's pretty wise to go,
00:34:16
okay, I'm good at that and then I can earn enough money to pursue my passion.
00:34:21
And so, and I'll have a comfortable life. And uh so sometimes uh that advice
00:34:27
is not necessarily correct. And so I I subscribed to do what you're good at.
00:34:32
And yeah, despite what I got told at school, I I was okay at writing. >> See, I still say I was okay. Um, and so
00:34:40
I thought, you know, that was what I was good at. And so it wasn't necessarily a
00:34:44
passion. >> So it was writing that I was good at that I was able to use. Like um, you
00:34:49
know, we had writing in our family. Like my grandmother was the first woman to get uh, an English degree at Otago
00:34:56
University. First woman to go to Otaga University and get a degree. So writing was in me. I followed what I was good
00:35:02
at. And then off that I was able to pursue my passions. Like I was in a band. That was a passion. But it wasn't
00:35:08
going to make me a million dollars. >> Made you 55 bucks, I believe. >> 55. Yeah.
00:35:12
>> Um, someone else that you went on to work with when you came back to New
00:35:16
Zealand that I suppose had a similar piece of advice to Jane Goodall about um, you know, being your own boss. Um,
00:35:21
Sir Paul Holmes, >> didn't he say to you something like, um, you don't want the gun pointed at you,
00:35:25
you want to be the one holding the gun. >> Yeah, >> he did. Yeah, that was a piece of advice
00:35:30
he gave me when when I was a young reporter at TVN Zed. and Paul and I um I came back and I was a little bit you
00:35:37
know liberal left unionized at the time and my first meeting with Paul was um wasn't so good because I was
00:35:43
representing the journalist. I became the journalist spokesman in the newsroom and something happened and it sort of
00:35:49
opposed Paul and Paul kind of like um went upstairs and came down and found me in the newsroom didn't even know who I
00:35:56
was and said you're finished you're finished down here and up there and you
00:36:00
know he was you know brutal threat and I just laughed at him and I said you know
00:36:05
that's really amazing threat Paul and he went yeah and I said but there's one
00:36:09
problem he said what's he said I don't care I don't care because I don't even
00:36:13
want to be here So, I just don't care. And he sort of looked at me and he kind
00:36:16
of started laughing and then he went away and kind of went, "Who is that little shit?" Like, you know, pretty
00:36:22
much, you know, that's when he got an interest. And then, you know, I went on,
00:36:26
I worked as one of the producers on Homes and a reporter, but I mean, there's greatness in homes. I wasn't one
00:36:31
of those great Mike Valentine's and Cameron Bennett and all those wonderful reporters who were on there but I got to
00:36:37
live in their world and and um you know I got to produce the show for a while and uh it was it was incredible. Yeah.
00:36:45
And Paul did give a lot of advice and the one about you know he definitely said at one point he said look you're
00:36:50
kind of he could see you are kind of an entrepreneur you you don't really want
00:36:54
all these bosses like doing the home show like if you put a show out you would you had like you know the head of
00:37:01
news and current affairs you had the CEO of TVNZ you had the minister of broadcasting you had the prime minister
00:37:07
they would all ring you pretty much after the show and you're sitting there really young they r say that was good
00:37:12
that was bad that was good that was bad you had a lot of masters is in those days. Of course, I don't think Chris
00:37:17
Luxon rings up Jeremy Wells now, but uh in those days it was a much more political show. You know, we'd have
00:37:24
Bulger on and you know, I I loved that form of journalism. You know, we'd be
00:37:27
going, "Why'd you do that today?" You know, how does that affect the people?
00:37:30
And Paul was always for the people, you know, and even in and giving me some career advice. He was he was for the
00:37:36
people. Yeah. >> Oh, look, for anyone um under a certain age, it's probably hard to imagine or
00:37:41
fathom just how how big this show was. like homes 7:00 p.m. on TV1. Uh yeah, how many how many viewers? Like 800,000
00:37:49
a night, a million a night. It's like it was massive. And if anything happened in
00:37:52
the news, you were sort of summoned onto the home show. Like I've had um Justin
00:37:56
Marshall on the podcast and he had an incident where John Hart took him off the field and he got caught on Mike
00:38:01
swearing saying this is [ __ ] [ __ ] And it was became such a media thing he was sort of summoned to homes
00:38:06
the next day to to make a public apology. >> Yeah, it was the court. Yeah, it was.
00:38:10
Paul was the was the judge, you know, and he gave people, you know, Jonah had, you know, a huge moment on the show
00:38:17
where um, you know, over one of his marriages and his personal relationship situation, cried on the show, hugely
00:38:24
emotional. That rated, you know, obviously off the charts, but Paul had an ability to to have empathy with
00:38:30
people. You know, that's the one thing, you know, he definitely had a soul and
00:38:34
so greatly missed. >> When were you there? What years were you on the home show? I can't remember, but
00:38:39
it' be uh I I've I'm such a dreamer. I have problems. But it' be like late 80s. Oh,
00:38:46
no. No. See, I can't even remember if it was 90s. I I honestly can't recall my
00:38:52
timeline, but um yeah, it was Yeah. No, it was been 90 95 97. Yeah. 90 around 97 98.
00:39:03
>> What was um that ballering you got before you worked for him down? Was that
00:39:06
the best bowler king from Paul Holmes or was there better ballikings? >> Uh, no. Subsequently, Paul Paul once
00:39:12
you're in the team, you're in the team, you know, and there's a lot of good
00:39:15
people like that in New Zealand journalism once you're on the team. So once you're on the inside and he trusts
00:39:19
you, cuz trust is a big issue with Paul. Like he was a little bit paranoid. >> Um, he shared all sorts of inappropriate
00:39:26
things with you. Like he was an open book from there on in. And he he was very open about his life, you know. Um,
00:39:31
he shared a lot and had had his own struggles with things. um uh deserved a much longer life. So, uh yeah, in terms
00:39:41
of in terms of bollockings, uh no, from there he he was always pretty good. It's
00:39:45
like if if something went wrong, the team, you know, it was it was pretty much a team thing. What you know, what
00:39:50
did we do wrong? But man, he worked like, you know, and you know, >> he was up, you know, radio and then he'd
00:39:56
come into the morning meetings. He was better briefed than everyone. He knew what was going on in New Zealand, in the
00:40:01
world at, you know, 9:30 in the morning for the first meeting. Paul knew the agenda before anyone because everyone
00:40:06
else is just waking up and got their first coffee and he's like been on air for hours and so he's like I need to get
00:40:12
to Tapo. I need to talk to the grieving wife. Get me a helicopter. I'll be there
00:40:15
at 11:00. I'll be back at 1:00. I'll pre-record this. I'll do that. Man, what
00:40:19
a day and then and then knock it out live and do it again the next day. Unbelievable.
00:40:25
>> Oh, he he's he's phenomenal. And his his flaws made almost made him um yeah, the
00:40:30
the broadcaster that he was. I I had um Sir John King on the podcast a couple of
00:40:34
years ago. He told a story about uh when he was um I think in the early days of his prime ministership going out for
00:40:39
dinner at Parnell somewhere and Paul was there and Paul said, "Come and join us
00:40:43
for a wine." So she had a bottle of wine and then he he was like, "We'll get
00:40:46
another one." And John was like, "No, Paul, you I'm I'm being interviewed by
00:40:49
you on Q&A tomorrow morning." Um so John went home and then the next day went
00:40:53
there and Paul was like, "Oh, I'm hung over." And then as soon as the the
00:40:56
cameras were on and the mics were on, bang, >> bang, on fire. >> Yeah. sharp, super sharp and just funny.
00:41:03
I mean, Paul was just funny, you know. He's he was so clever, like musically
00:41:08
talented, funny, um, literate, uh, unbelievable understanding the arts, you know, like John Clark is where he
00:41:15
started in comedy, you know, and with his famous, um, I think it was a it was a flea race or something that he did
00:41:22
down at the shadow, which was the turning point in his life. was John Clark really created the Paul Holmes
00:41:27
character and that I don't think that story's ever been told but but Paul
00:41:30
Holmes >> How do you mean John Clark as in Fred Dag? >> Yeah. >> Yeah. He created Paul Holmes basically
00:41:36
and it is a story that hasn't been told but John Clark Fred Dag. They did a show
00:41:40
and Paul was doing a race. I think it was like it was a flea race and he was doing a comedy sketch and basically he
00:41:48
did it as um he he did Paul Holmes comedy just hi I'm Paul Holmes and all this then he did this good good
00:41:56
afternoon ladies and gentlemen and welcome to the race it's the race of the fleas and they're going to race and and
00:42:01
and they did it and all the mata farmers they all laughed like [ __ ] and when they
00:42:06
left John Clark in the van turned to Paul and he said that is the Paul Holmes you talk like that and Paul went good
00:42:14
afternoon and I'm Paul Holmes and welcome to me and and that's when he was
00:42:18
discovered and so Paul used that form of addiction from that moment where John Clark said that's how you perform
00:42:24
everyone loves that. >> Wow. >> Yeah. >> Well, I've heard him referred to as um
00:42:30
like an Uncle Arthur sort of character which was um a character on some Australian comedy show. Interesting.
00:42:35
Came from John Clark. >> Yeah. Yeah. That's courtesy of Tom Scott, that story.
00:42:42
>> So, is it after the home show that the entrepreneurial chapter of your story
00:42:46
began? >> Yeah, I kind of I'd read a book called Primary Colors, which was it was a ghost
00:42:51
book about Bill Clinton. Bill Clinton had a thing called uh FaceTime before, forget the word FaceTime. Unfortunate
00:42:58
phrase now, but he if he ever had a problem, he would wouldn't fax people or
00:43:04
ring them. he would demand facetime with them, get them in to use his charisma to
00:43:08
convince them as to what he wanted. And and this book was all about you got to, you know, do facetime to get to the big
00:43:14
time. So I was at TVZ producing away and I thought I'll meet all of the bosses at
00:43:18
TV and Z. I'll go and meet them because we weren't allowed to go up to the fifth
00:43:21
floor. So I made appointments to meet all the bosses and went and met one and was Mike Latton and I said look I want
00:43:27
to go out and be an entrepreneur in this industry and I was doing FaceTime. He was like initially he's like what are
00:43:34
you doing here? you're you're a producer down on that floor. We don't talk to
00:43:36
people down there. And in the end, he said, "Oh, look, I've got uh I own the
00:43:40
rights to the golf show." Um, and you're into you're into golf and sport. I I'll
00:43:45
give you them for a dollar. And so I went, "Okay." And I walked out of the
00:43:49
meeting. I rang Sky that virtually rang them straight away and said, "Hi, I own
00:43:53
the rights to the golf show in New Zealand. It's really big in Australia."
00:43:56
And they went, "Great. Come and talk to us." And like within a few weeks, I had
00:44:00
the Golf Show and Philip Leechman and Air New Zealand and Golf Harbor all on board. and I just left. And that suited
00:44:06
me as a producer like you know it's people wonder why you do producing because there's a horrible saying but
00:44:12
you spend your life pissing on bush fires which is what you do. It's you know you're constantly solving problems
00:44:17
but you know I love it because um it's kind of just part of that creative process of getting things made and yeah
00:44:25
>> why why did he sell you the rights to the golf show for a dollar? That that
00:44:28
usually when when a dollar transaction usually happens that usually means you're buying a whole lot of debt as
00:44:32
well. He he just wanted to help me because I had the audacity to go up there. Incredible. And he wasn't going
00:44:37
to use it at TV and Zed. So, he just went, "You can have it." And uh he he
00:44:43
just because I'd put myself forward and taken this advice, which is get in front
00:44:48
of people, talk to people, you know, FaceTime, which is really important in this day and age when people are now
00:44:54
sitting behind, you know, monitors and terminals and and not communicating directly, but direct engagement, you
00:45:00
know, is is so important. That's why, you know, we hear people today like Scott Galloway, Professor Scott
00:45:05
Galloway, saying that young people should be um drinking more um and going out and meeting people and yeah, making
00:45:13
a few mistakes because they're at least engaging with people and instead they're
00:45:18
sitting in bedrooms and the damage that it's doing to their mental health is way
00:45:22
worse than a slightly bad hangover from going out and meeting real people and engaging in life itself.
00:45:29
>> Yeah. Yeah. that um that FaceTime theory that you talk about, it's probably never
00:45:32
been more applicable than what it is now. I don't think that's really powerful.
00:45:35
>> Eh, yeah. A lot of people write about it now and like it's all memes like you
00:45:39
know 100 nos, you know, going out and seeking 100 rejections. You know there's
00:45:43
a lot of stuff you know that's the good side of social media that encourages
00:45:46
people to do some positive stuff which is authentic. Um you know uh the you know let them let them say what they
00:45:54
want. Mel Robbins and all of her stuff, the 5-second rule, you know, but it's
00:45:58
all it's all old old stuff. Like to me, in some ways, I've applied quite a few
00:46:02
of those rules, but that FaceTime one, >> it you're always going to be much closer
00:46:06
to getting what you want if you meet the person and and they can physically engage with you.
00:46:12
>> Yeah. >> Yeah. It it is all regurgitated. Like some of the some of the best books I've
00:46:15
ever read are like the really old ones like Napoleon Hill or Dale Cariegi >> like um and it's all just the same stuff
00:46:21
regurgitated, but it's all powerful. >> Yeah. The E-Myth is, you know, that's
00:46:25
what started me. The E-Myth is is um, you know, you either work in your business or on your business. And that's
00:46:31
the E-Myth. >> And, you know, I've helped a lot of people, but that's a very old um, uh,
00:46:38
form of advice, but um, >> you see it regurgitated today in social media, but it's the fundamental
00:46:44
principles there. So that golf show that you're talking about with um the late great Philip
00:46:49
Leechman um so you guys built that up and then sold it to a company called UpLink.
00:46:54
>> So Upink was our company. >> Upink was the company. >> Yeah. And then we we built it up. Yeah.
00:46:58
And um you know that was again that was probably one of the best examples of um of the way the way I think uh and the
00:47:08
way I think everyone should think was and it was one key thing that we did and that was we needed someone to do the
00:47:13
golf tips and we're sitting around the table. Our office was the Gypsy T-Rooms
00:47:18
in Greylin. We were there for 7 years before Gypsy T-room and Phil rightfully suggested Phil Tartarangi and you know
00:47:24
Grant Mohead and Ela and all these people and I said no we want some do golf tips it's massive you know like
00:47:31
let's start with you know Tiger Woods and work down from there and so we had a
00:47:35
list of and Phil just sat there like you're crazy you're crazy so I got on
00:47:39
the phone I rang around and somehow I found Gary Player and he was launching golf courses in Malaysia and so I got
00:47:47
his son in South Africa and he Dad's up in Malaysia launching golf courses. If
00:47:52
you fly up, he'll give you like a day or two days or whatever to do golf tips as
00:47:56
long as you show the golf courses he's designing. So, I flew up there, met Gary
00:48:01
Player, who was absolutely incredible. And Gary is just an absolute natural with the TV. He just said, "Whatever you
00:48:08
want, whatever you want, I'll do." So, I just filmed him non-stop for two days.
00:48:12
Golf tips, golf tips, golf tips. So, we had Gary Player doing our golf tips. Then what happened was this Australian
00:48:18
company, you know, we went to um ESPN and said, "Do you want our golf show?"
00:48:22
And they said, "What a New Zealand golf show. Who hosts it?" And I went, "Gary
00:48:26
player." And they went, "Ah, I didn't say Phil Le, sorry, Phil." But um Gary
00:48:32
Player, they bought the golf show and as a result of that, and a big international company came in and said
00:48:38
to us, "Oh, you make a golf show. What's it on?" "Oh, it's on ESPN. Uh are you
00:48:42
interested in it?" And they said, "No, we won't buy the show. We'll buy your
00:48:45
company." because we had that show on ESPN. So, it was thinking big got us all
00:48:50
the way through to a massive buyout of our company by a British company. >> So, it seemed like you hustled hard like
00:48:56
and you were thinking big, you know, in order to get like a Gary Player on. But,
00:48:59
um, was it like creative? You weren't lying, but creative with your phrasing.
00:49:04
>> Oh, you mean with Gary Player? >> Oh, no. With saying it's on ESPN and
00:49:08
saying Gary Player. >> Well, it was on ESPN. Yeah. It genuinely was on ESPN and Gary. No, we pushed Gary
00:49:14
to the front of our international version. So, it did feel like Gary was So, it was Phil and Gary. So, it was
00:49:21
there. It was It was for real. Yeah. And because I shot so much material in two days with him cuz he just talked
00:49:28
non-stop for two days. So, about everything. So, >> Amazing. So, by 31 um you'd made enough
00:49:35
money to be set up for life. >> Yeah. Well, well, yeah. Yeah, I had enough to be mortgage free and own own a
00:49:42
home and and all of that. Yeah. Yeah. And bought a place in Queenstown and >> Yeah.
00:49:48
>> Yeah. That ended up being a smart investment. You still got it to this day.
00:49:51
>> Yeah. >> Yeah. Yeah. >> Did Did you um Yeah. buy a cool car or
00:49:54
do anything foolish at the time? >> You're 31. >> Yeah, I know. No, I was I was pretty
00:50:00
pretty cautious really. Like that's the Southland coming out and you the Scottish heritage is like you don't want
00:50:07
to be showy and I've never been showy. Um the only showy thing we've ever done
00:50:11
probably le and I is I bought her Mustang for her 60th birthday and otherwise um yeah but we have got a
00:50:20
beautiful um sort of farm down in Queenstown and it's amazing. Yeah. So >> yeah, I I found a quote from you. Um, I
00:50:28
just need enough for a penino and a steak at the end of the day. Don't need anything more than that.
00:50:32
>> Yeah, I think yeah, finding your happiness is that I do see people with a
00:50:36
lot of clutter. Um, in particular in Queenstown, a lot of possessions. um it's just a lot of encumbrance and it's
00:50:44
it's so much to manage and uh it makes life really complicated and you know I
00:50:49
do think that um you find happiness in the simple things and decluttering and getting rid of all that it doesn't
00:50:56
always lead to a happy existence so um yeah >> material things they only bring you the
00:51:03
briefest amount of happiness e >> they do it's a car the first couple of
00:51:07
drives in it a watch first couple of times you wear it then it just becomes >> yeah background noise
00:51:12
>> but financial freedom is a great feeling and I was lucky to have Sir David Lavine
00:51:17
work with me and um you know David often said that you know he remembers the f the day where he became mortgage free
00:51:24
and how he felt >> and so yeah pretty pretty great great feeling to have that and anyone can
00:51:30
aspire to it. M so selling that company uplink at 31 and becoming um yeah mortgage free and yeah financially
00:51:37
secure did did that change your relationship with risk? No, I just wanted to keep creating and
00:51:43
growing the company and I always just felt a responsibility like I had uh you know I basically set up Great Southern
00:51:50
and Great Southern was just a new idea and I got on with Sir David Lavine as my partner and I just wanted to tell New
00:51:57
Zealand stories like I just felt like you know I wanted to get out of sport and get into drama and comedy and things
00:52:04
that I was really into and I had to learn about it and so I it was just a chance for me to be able to put money
00:52:10
into a and grow a new company which is Great Southern and just sort of grow that up
00:52:15
you know and it's gone through multiple iterations and you know it's been cool
00:52:20
it's been corporate it's been family it's been big it's been small it's you
00:52:25
know it's gone through so many iterations through through all the phases of the media so yeah
00:52:31
>> yes so David Lavine who who you've mentioned um your wealthy businessman
00:52:36
anyone over a certain age will remember the the chain of stores Lavine and Yeah.
00:52:41
>> What would you compare them to now? What's um what's the >> Brisco or Oh, no. He died.
00:52:46
>> Paint and decorating. It was massive. There was like 50 branches around the
00:52:49
country. It was a massive massive chain. >> So, how did you connect through your
00:52:52
involvement as a volunteer with Outwardbound? Is that how you >> Yeah. He um uh so we had the golf show
00:52:59
and um Leanne's auntie introduced me to Sir David uh Elaine Lunan. She introduced me and basically David wanted
00:53:07
to raise money for Outbound. So, we met and I said, "Why don't we do a charity
00:53:10
golf tournament at Golf Harour and we'll gift you one episode of the golf show
00:53:15
and the charity can sell all the advertising and all the sponsorship around it and we'll put it on air, you
00:53:21
know, on, you know, all around the world basically." And so, they were able to
00:53:25
sell that one show for about 100 grand and hold this tournament. And so, it raised and so David saw that and he kind
00:53:33
of was listening to all these people on the board and he go, "Oh, be quiet. What
00:53:36
are you saying, Phil?" like he listened to me because we'd got the money and and
00:53:40
he just was a real advocate of me because he David uh was a young person in an old man's body in a way. He just
00:53:47
didn't want to go cuz he loved it so much being an entrepreneur and he was so
00:53:51
clever and so good good with it. So he sort of said you know uh what you're going to do next. So, I owned Uplink at
00:53:58
the time, you know, I'll be in there. And so, when um when Uplink finished and
00:54:03
been sold, I I set up Great Southern and David became a partner. >> Yeah. >> Yeah. The the the story I heard, and I
00:54:09
don't know if this is um um you truth or not, he like gave you a million bucks
00:54:13
and said, "Here, set up a company and give me half of it." >> Yeah.
00:54:17
>> Is is that a lot of pressure? >> Um >> like taking taking that sum of money off
00:54:21
someone else? >> Really think about it cuz I put some of my own money in as well. So we had to
00:54:25
set up editing and in those days all the hard costs, hardwire costs were greater,
00:54:30
edit suites, you know, Avid's, you know, you can edit a show now on a laptop, but
00:54:34
in in our day it was hundreds of thousands. So it did it was capital investment. Um, but is it pressure? Uh,
00:54:42
>> yeah. Yeah. But he was such a kind person. He never really threw a wobbly
00:54:47
or anything, you know, because he just said he used to get frustrated because I'd say we got this show and this show
00:54:52
and this show and I go in and only one of them would be happening and he'd go
00:54:56
it's all just dreams and would get frustrated cuz he was used to produce paint, sell paint, you know, boom boom
00:55:03
it was a transaction whereas ours is all ethereal and you know someone at a network might just suddenly say I don't
00:55:09
want your show I don't like it for whatever reason you know they might not like you they might not like the idea.
00:55:14
So David struggled in a way to understand how how how weird our industry was, but but it was a good
00:55:22
relationship >> and and you built that company up into to being something amazing which you're
00:55:26
still at now. Uh 2017 you sold 70% of the company to Yeah. Australian outfit. >> Yeah. Like all our competitors in New
00:55:34
Zealand, our big competitors like SP, South Pacific Pictures, Screen Time, Baner, um Greenstone is owned by Cordell
00:55:41
Jigsaw. So the big competitors are all foreignowned. And so the thing is now we have to put a lot of money in to show.
00:55:47
So if I'm making a drama like say, you know, I'm not even sure, but Blue Murder
00:55:51
Motel is on air at the moment. Well, I have to guarantee about $4 million of that money uh to make the show. Um and
00:55:58
then we make it then we get it back at the end as a rebate. But you know, it's
00:56:02
at any given time I got, you know, 4 8 10 12 million out. And the thing is it does come back, but it's a lot of risk.
00:56:10
you know, it's a risky business. It's like the indie film industry. What if it
00:56:13
doesn't come back? Then you've got a problem. And so our competitors like SP
00:56:18
are foreignowned. They're owned by, you know, billion dollar company and and
00:56:21
good on them. There's no issue with that. But they've got the financial security behind them. We're just a
00:56:26
little Kiwi company. So for us, having a foreign channel like a channel 7 coming
00:56:31
and buy us is a great opportunity. So we got seven to invest in us and that gave
00:56:35
us the ability to borrow uh to to grow because I could only underwrite two three dramas a year personally out of my
00:56:44
own money. Otherwise uh we needed someone to back us. And so we did the deal. Seven bought us. Three years
00:56:52
later, seven studios, billion dollar studio making, you know, restaurant shows, making Home and Away, all these
00:56:58
incredible shows. They just shut it overnight. They just closed seven studios and so they owned 17 production
00:57:04
companies and in the end I got Great Southern back. Today I sit here looking all relaxed. Um because you know three
00:57:10
years ago I bought it back for you know you know I did a deal with seven and and
00:57:16
they they pretty much gave the companies back to the to the all the companies owned around the world. they kept New
00:57:22
Zealand because we were financially successful and very useful being connected to Australia and then in the
00:57:29
end they agreed that it was better that um that I took it back because uh they just couldn't leverage owning a New
00:57:36
Zealand company when they only had one and they had no one to run it basically. They didn't have a studio. Did did you
00:57:41
buy it back for a similar price to what you sold it for or >> I I think there's something in the
00:57:45
contract that says I can't disclose that. Wow. Some people have said it was an Allen Bond moment. Uh which is but it
00:57:52
was >> you sold high and bought low. >> Yeah. I think it'd be fair to say it
00:57:55
was, you know, I they very kindly invited me to pay less than what they paid for it. Um which was which was very
00:58:02
kind. They they were good when they closed. They they actually gave companies back to a lot of the Brits.
00:58:07
So, you know, they they were they were pretty good about it, >> mate. That's amazing. What a story. Um
00:58:12
there's a a quote which um has stuck with me my entire life from um someone that you name dropped earlier, Gary
00:58:17
Player. Um the harder I practice, the luckier I get. >> Yeah. Yeah. And that's that thing, you
00:58:23
know, to young people today, you know, the fear of rejection is such a a weird thing. Like you've just got to, you
00:58:29
know, the more nos, you're closer to a yes. And like even New Zealand on air
00:58:33
and network say when they ring me up and say look you know we don't want that
00:58:36
show. I think I've got a reputation for being the person that cares the least. I
00:58:41
just kind of go oh yeah anyway I've got this. I just switch. I just go decision
00:58:45
made. Move on. I don't even hold the rejection. >> I just go sweet. What are you looking
00:58:51
for? What was wrong in that proposal? Uh >> oh okay. We've got that. I just move on.
00:58:56
I don't dwell. I mean retribution you know revenge. You know, you got to dig
00:59:00
two graves if you're seeking revenge and you know, you got to remember that. So,
00:59:04
if you are vengeful, it's a wasted energy. Take that energy, put it into the next thing. So, the more rejection,
00:59:10
the better. You know what about if like you're you're a smart guy and you've
00:59:14
been in TV for a long time. What about if you know it's a great show? >> Oh, yeah. You can really feel
00:59:20
disappointed. Uh but you can come back you know if you really think this is a this rocks um you can convince people or
00:59:28
you can put it in a drawer like you know we had one lane bridge which I wrote originally is called blueb blood
00:59:33
>> um and you know a bit like Barney with whale rider you know he had that that's
00:59:39
John Barnett from SP he had whale rider and bottom drawer that script for years and he waited for the moment it had been
00:59:46
rejected and turned down then just when someone says we need dong dong dong Bang. It's It's live. And so One Lane
00:59:53
Bridge was an example of that. Like we had the idea and the concept. It was a drama we made down in Queenstown. And it
01:00:00
was just waiting for the moment. It had had some init initial rejection. Then boom, it was just live. So you know your
01:00:07
ideas, they can wait this time. >> Yeah. That's a great show that you referenced, One Lane Bridge with um Joel
01:00:12
Tobe. It's sold to like 20 countries around the world. >> Yeah, it's sold I think 42 actually.
01:00:18
>> Oh, 42. >> Yeah, 42 countries. Yeah, but All Three Media, which owns SP, uh we've had a
01:00:24
wonderful relationship with them. Uh right from the start, they um the first show I ever offered them was The Lion
01:00:31
Man. Uh we're making The Lion Man, which was up north, and they bought it and
01:00:36
sold it around the world. And they sold that to over a hundred countries. And so
01:00:39
I was this little like hero in New Zealand who'd made this crazy show. It just sold everywhere, The Lion Man. It
01:00:46
was phenomenal, you know, tragic end to the story, but um it was good at the time. So yeah. Yeah, we we use all three
01:00:53
and and One Lane Bridge um traveled really well during co and was highest rating show in New Zealand and a drama
01:01:00
in a decade or something. It was massive. >> All right, let's get into the sexy stuff
01:01:04
then. The the TV stuff. Oh, first of all, you I remember the line man with um what was his name? Craig Bush. Yeah. Was
01:01:10
that his? Yeah. And it was like a lion park up in Fungaday. What what's the tragic end of the story?
01:01:15
Oh, just everyone fell out and his partner died and he went to court and, you know, got prosecuted and stuff and
01:01:22
Craig, you know, Craig left New Zealand and the park fell into disrepute. The mother got into a battle with him and,
01:01:29
you know, that was all really unfortunate because it was, you know, fundamentally a fantastic idea and, you
01:01:35
know, with trusted partners, it could have flourished, but instead it died. >> It was a great show. You I think it was
01:01:41
like Sunday night 7:00 p.m. or something like that. >> Huge. Yeah, Paul Castley voiced it and
01:01:46
the opening song guy Peter Black wrote it. Not the Peter Black, but um like I wanted a song cuz uh but to say, you
01:01:54
know, it was from the depths of Southern Africa, the big cats they have and he's
01:01:58
the lion man doing all he can. And I took that off Gilligan's Island because
01:02:02
they have, you know, four men in a leaky boat and they tell the story before the
01:02:07
show starts. So I saw that and applied that to the lion man. So we told the story of the line man in the opening
01:02:13
titles and uh so you kind of got his vibe, you know, he's doing all he can to
01:02:18
make a sanctuary for big cats and all that. So the show just was warm and family and it just it just took off. Um
01:02:24
but you know, it was a little bit like Crusty the Clown, you know, behind the scenes, our lion man was was was a
01:02:31
different person, you know, and you know, um you know, I have I have empathy for him him and his family, but he's now
01:02:37
in Africa and doing well. So, you know, good luck to him. >> What are the best shows that you never
01:02:42
made? >> What's what's your whale rider? What have you got in the bottom drawer?
01:02:47
>> Uh, yeah. Well, um, yeah, I'd say the drama that I've written, uh, that I see
01:02:54
being replicated all the time, which we did have with anonymous content in the US, is the new America. Uh so I wrote
01:03:01
that about 10 years ago which is basically people fleeing America due to unrest and setting up a sanctuary in the
01:03:08
South Island of New Zealand and living behind um closed walls. And so the new America was a sort of utopian place but
01:03:17
also a dystopian place. So it was after an event and uh you know I had all the research and all the stories because you
01:03:24
know we kind of knew a lot about you know havenization way before other people went and did things in Queenstown
01:03:30
cuz these were sort of our neighbors doing it you know so our neighbors ended up being you know people that own the
01:03:36
Empire State Building or Levi Strauss or that guy's from the CIA and like we're
01:03:41
surrounded by that in Queenstown is real you know and um a lot of people Peter Teal you know they're building he's not
01:03:47
building a bunker But the bunkerization of Queenstown, so the new America, uh, I
01:03:53
think I could rewrite it and make it today. Everyone loved the title. They just wanted to know exactly what it was.
01:03:57
And I I'm probably more mature as a writer now. I could take it back to them, but it would feel almost like too
01:04:03
obvious now. >> I wish I had it today to put it on here tomorrow. >> Is that an insight into um where the
01:04:09
ideas and inspiration come from? Like you just said then, you know, your neighbors and Americans that you
01:04:14
>> Yeah. Or or where do the ideas come from? I think it's a mix. Like people
01:04:19
say write what you know about, but I think it's absolute nonsense. Like um you can you can write about anything if
01:04:25
you can research it. And but I do get I do get uh a lot of inspiration from living down south. You know, Queenstown
01:04:32
is obviously such a a a wealth of different characters. It's a really quirky place. Like it's almost on a lay
01:04:38
line. People are a bit crazy there. >> Parties are crazier. Uh the ambition's
01:04:43
crazier. Look at bungee jumping. There's an elevated energy in Queenstown when
01:04:46
people get there, they're just like suddenly a bit bumped and so it's um a
01:04:50
super cool place. So I I draw on that a lot. I've got a new show that I've been
01:04:54
in the UK writing for a month um called Hunter Valley which is based down there.
01:04:59
So that's in development at the moment. That's that's a show that I you know
01:05:03
really believe in. So um often drawing on that but then you know I'm also writing writing another show that's um
01:05:10
completely different. So, you know, normally got a couple of dramas on the go at once. Um, we've got we've probably
01:05:16
got one of the better drama teams in New Zealand. Um, in terms of woman called Kathleen Anderson who was from TVNZ and
01:05:23
she's just got a lot of talent in terms of packaging drama and so way we go.
01:05:29
>> When I had um Dame Julie Christie on the podcast, she I asked her this question.
01:05:33
I'm going to ask you the same one about which TV show do you wish you made? She
01:05:36
said um David Lomass's missing pieces and also something that was out on Netflix at the time um a documentary
01:05:43
about Martha Stewart because she just liked the way it was shot using your B-roll and not actual interviews.
01:05:48
>> What about you? What TV shows do you wish you made? >> I I always have the same answer. I mean
01:05:53
if you want to know what show wish I created, >> Mythbusters. >> Yeah. Have you heard of Mythbusters?
01:05:59
>> Of course. Yeah. With the two the two siders. >> That show has gone on forever. They are
01:06:05
brilliant. It is sold everywhere and it made a fortune. I'm not about making
01:06:10
money because it was also educational. Kids could watch with their parents. So, it was crossover. It was just
01:06:18
everything. It was science, technology, it was quirky. Everyone in the world wanted to watch it. And it it was just
01:06:26
brilliant. Like that show. I look at that and I go, that was perfect, >> you know, to be honest. uh you know and
01:06:32
in drama you know obviously we do factual and we do drama um you know uh there's so many good dramas but you know
01:06:40
obviously um I think you know for me succession is probably you know my favorite sort of show just for dialogue
01:06:47
and character and just just how bad people behave. So >> yeah. >> Um some of the shows that you have been
01:06:53
responsible for making um >> yeah you mentioned Paul Castley before the name as um the voiceover for the
01:06:59
Lion Man. Uh he was also involved with um Eating Media Lunch which is one of yours. That would never be made today. E
01:07:05
not in a million years. >> Funny you should say that. Um >> Oh really? Oh, well, you know, we've
01:07:10
it's often been thought about bringing it back, and I talked to Jeremy last week about it, and and I I haven't
01:07:17
talked to Paul yet, but we kind of agreed that the way it's the way it is and the way it behaves, uh, is that it
01:07:24
would be misinterpreted now because it was satire. And so, you know, it never kicked down. It always kicked up. And
01:07:30
that's what satire does. You know, it highlights, um, failings in society and
01:07:35
takes on people in control. And it's different to comedy. And so, but if people read it on paper and they saw us
01:07:42
doing some of our sketches, like the theme behind it was one of ignorance. You know, we're saying, why do people
01:07:48
hold these ignorant opinions? And we would replicate them to highlight them. But if you did a day in black and white,
01:07:54
it would be killed. It would be killed. Like it couldn't go to air. Incredibly
01:08:00
online, it is having a huge resurgence. You know, hundreds of thousands of viewers. Um, you know, for example,
01:08:06
Jeremy, um, he walked down K Road and ate kebabs and slowly became a Muslim and by the end he was reading the Quran,
01:08:15
which of course, as we know, doesn't actually have that much insightful text
01:08:18
in it, but reading the Quran and was um, planning to blow up the Sydney nuclear power plant. Um, and what we're saying
01:08:26
there, whilst that looks completely ethnosentric and dangerous, what we're saying there was how freaking ignorant
01:08:32
are we, that we think that every Muslim we meet is actually an aggressive person. And of course, we learned
01:08:38
through Bondi that they're not. >> You know, we learned that um that there
01:08:42
were people that were Muslims who were willing to take down Muslims uh in, you know, for the good of humanity. You
01:08:48
know, it was it was interesting. >> That show was iconic. I I don't think I
01:08:52
ever missed an episode of it. >> Yeah. Uh, it was incredible. Um, I've heard you say the name Eating
01:08:58
Media Lunch came from a a Ben Elton book. Yeah. >> What What like What does it even mean?
01:09:02
>> Um, so it's in a book called Inconceivable or Maybe Baby, I can't
01:09:06
remember which one, but it's two guys uh one guy's at the BBC. This is in the
01:09:11
book and it's fiction. And his best mate is his boss and he goes out to lunch
01:09:16
with his best mate and he slowly realizes that his best mate is making him redundant. And so there's this
01:09:23
moment and he said there I was sitting there having lunch with my best uh there I was you know with my best mate um
01:09:30
being made redundant dot dot dot eating media lunch and I just I I was in the [ __ ] down in Queens. And I said to
01:09:37
Leanne, "I love that phrase, eating media lunch. It's really good." And you
01:09:41
know, and I'd already wanted I'd already worked with Jeremy on a show and Paul,
01:09:45
we'd made a ski show called Shred, which was pretty much an excuse for us all to
01:09:49
go to Queenstown and um and to go down and do a show. Leanne hosted it as well, Jeremy. And we had a great time, but I'd
01:09:57
already worked with them. And then we made Shred. And that's when Paul and Jeremy started to get really
01:10:02
problematic. Like, you know, we had complaints about it. And it was a ski show. Like it was edgy. And I said, "Why
01:10:09
are we doing a ski show when we can do the world? Like let's forget skiing. Let's take this attitude out of shred
01:10:16
and put it into eating media lunch." That was my idea to grow their world out. And it was all out of BFM. So it's
01:10:22
a whole, you know, Great Southern really is is kind of a BFM iteration cuz we were all at BFM. You know, I was doing
01:10:29
the wire and Marcus was doing breakfast and Mikey was there, Jeremy was there, Paul was there, Graeme was there. So,
01:10:35
they all got involved in one way or another um you know into Great Southern. So, um and eating media lunch uh I had
01:10:44
the name and then uh you know, we all love shows like uh the dayto-day which is a British show, very funny. Alan
01:10:52
Partridge is on it and that was what inspired us into eating media lunch. M >> it was but it seems um like unfathomable
01:10:59
that you got over the line like the layers of management that you had to go through at TV and Zed to get like it was
01:11:05
one it was the most incredible pitch. It was incredible like I had a picture of Jeremy you know looking like you know
01:11:13
the young Jeremy or looking you know like a big Greek god. And then I wrote eating media lunch on the other side and
01:11:19
I held it up to the programmer at TV2 Julia Balis. I said, "We got this." And
01:11:24
she went, "I [ __ ] love it. I want that." And then she went, "What is it?"
01:11:31
And she just went, "What is it?" Like, and I went and and then it was bluster
01:11:35
because what was it? You know, we, you know, we did go down south down to Queenstown and Paul and I and Jeremy
01:11:43
spent a weekend, you know, whiteboarding and thinking up ideas and all this. We came up with a few like celebrity share
01:11:49
market and a few things like that. Um but then in the end Paul just went h [ __ ] it. We'll just do what we feel like
01:11:56
you know we'll just go back and when we start we start we'll just you know so it
01:11:59
wasn't a format. It was sort of like what's an idea of the week and then
01:12:04
Jeremy um you know they started out with stutter which was the first um the first
01:12:09
episode and we sent it into TV and Julia rung up and she was just absolutely wetting herself with laughter. It was
01:12:17
unbelievable. It was so funny. >> Is that when he was finding tool back stations with a
01:12:20
>> stutter? Yeah. And doing the Mari de Mari dea and all that and um Yeah. And then he did
01:12:27
the Tenoto challenge and stuff and you know it's just um you know satire does
01:12:34
challenge things and the there really isn't any satire in New Zealand at the
01:12:38
moment. It's comedy and it's really good like seven days. you know, all of our
01:12:42
brilliant comedians who are all so talented and doing so well on the international stage like Rose Metafo and
01:12:48
Chris Parker and all these it's incredible what what these guys are doing. Satire is kind of like not
01:12:53
comedians. Like we're actually just a bunch of little shits. Like we none of
01:12:57
us would ever stand on a stage and do standup. So, it's a different form of comedy. It's kind of like taking pot
01:13:03
shots at everyone, but always aiming up and never never kicking down. And that's
01:13:09
that's why it was so charming. the uh Tenoto challenge that you're talking
01:13:12
about. I remember that clearly. It was just Yeah. Jeremy again ringing talkback stations and um when the host um
01:13:18
introduces him just saying Tenoto as many times as he can before they they cut him off. What was the record like 18
01:13:24
or something? >> Oh yeah, I think that was Southland TV and uh of course being Southlanders they
01:13:30
were way more polite and let this guy go cuz a they probably were trying to interpret what the word was and um b
01:13:36
they were just more gracious about it. But um Michael Laws uh was the shortest. He was he snapped us off really quick
01:13:43
and >> one get rid of him. So um yeah, they they targeted the right people, you know,
01:13:51
like every year um I was always staggered by who the New Zealander of the year would be and like Paul Castley
01:13:57
has just got such a um different perspective on things like he can just find things. He goes, "Oh, it's obvious
01:14:03
like >> who the New Zealand of the year is." And it was a guy who got pulled up for a
01:14:08
speeding ticket driving down the northwestern motorway and he had no arms and he was driving with his feet and
01:14:14
he's he was doing 140 ks an hour down the northwestern motorway when he got pulled over. So we presented the New
01:14:20
Zealander of the year award to him, you know, like that's the way we were thinking, you know, it's like finding
01:14:26
these different things and you know, there's some really um really boundary pushing. You couldn't do it today. You
01:14:33
can still do satire, but it just has to be you have to understand that when it does go out onto social media in black
01:14:39
and white and you see it written down, it looks what it looks and what it is saying is kind of two different things.
01:14:46
It would be very it would be dangerous, but it can be done. >> Oh, so you got to think of the optics of
01:14:50
how it look out of context. >> Yeah. When it goes to the BSA, like we went to the BSA few times with eating
01:14:56
media lunch, never had one complaint upheld because the adjudicators said this is this is satire. this is in the
01:15:03
name of this and the complainant doesn't understand the context of what they were
01:15:07
saying and so we could always sit behind satire but today in black and white when
01:15:11
you see it and you take it in a little piece and you don't understand the context of what's trying to be said uh
01:15:18
people could go crazy and you know it's a shame because it's the 3% that make
01:15:22
the most noise to get the most attention we've now got the other 97% in New Zealand down in you know it's huge in it
01:15:29
university eating media lunch they all love it cuz it's saying the truth. It's
01:15:33
say it's authentic. >> Yeah. It's the the noisy minority. A and often people that that that
01:15:39
>> don't even watch the show or may not even be offended, but they're just like
01:15:42
virtue signalers or something. Yeah. >> So, but the the show just looping back
01:15:46
to something you said before. So, the show in some form could make a comeback. >> Uh we Yeah. I I think that, you know, as
01:15:54
I was saying before, the split from comedy to satire is one where I think highlighting a lot of the absurdities in
01:16:01
New Zealand, in our society is ripe. It's absolutely ripe. But I do think, you know, you proceed with caution, but
01:16:08
and you definitely I always say it's like an America's Cup course. You sail
01:16:11
right out to the point and you tack and come back. We would be sailing more not quite going out like eating me lunch
01:16:18
went out over the course and then turned because they were always going a little
01:16:22
bit further and but you can still do it like like society still deserves a voice
01:16:28
you know and so many people are down rabbit holes and everyone's got their thing that they know so much about now
01:16:34
and um it's it's got really concerning to see people so sort of polarized and
01:16:39
so the media has changed so much. There's so much to lampoon and so much to look at. I I think yeah, it easily
01:16:46
can have its day. >> Wow. Another one of your um amazing shows is the Casceteers.
01:16:53
>> Yeah. >> How how did that come about? Did did you did you sort of meet the Tiffany's in in
01:16:58
passing and think this would be a good idea for a show or did someone um like you put them on your radar? How does
01:17:05
that come about? Um so we we we basically were making the hoie but um so Annabelle Lee is a wonderful producer
01:17:13
Mhei Forbes they kind of were leaving MI television and they came to me and they
01:17:19
had three ideas and they had the hoie um New Zealand wars and casketeers first pitch ever where people have walked in
01:17:29
three ideas all commissioned and all went forever. So the hoie is still going. New Zealand wars are still going
01:17:36
and the casketeers are still going. This is 10 years. >> So So um Annabelle Belle said, "Look, I
01:17:44
know these people who are kind of like a TV show, but they're for real. You you
01:17:47
should meet them." And so I went out and I I didn't go out, but she filmed them.
01:17:52
And I talked to them, and they were they were incredible. So Annabelle shot some
01:17:57
footage of them and I then went into a suite and cut like a 4-minute promo one weekend, gave it to TV and it and you
01:18:05
know it got buried for about a year. >> Excuse the pun. >> Yeah, that's a terrible pun. Oh god.
01:18:11
Yeah. Okay. Uh so I'm going to have to watch that from here on in. But you know
01:18:15
there was sort of like they just didn't want to show on Undertakers. That was
01:18:19
fair enough. Uh but I was trying to say this is funny. This is really good. And in the end, um, we managed to do a deal
01:18:26
with TVNZ that worked for everyone for TVNZ. Uh, and we got the funding and the rest is history. In fact, uh, I sort of
01:18:36
knew we're on to something because one of the first calls we got after the first episode was Paul Cassie saying, "I
01:18:42
want Jeremy to go out there and do a show on Seven Sharp about them." And and
01:18:46
that's when I realized uh because Paul has got a knack for knowing what's Kiwi
01:18:50
and what's going to get under what's going to infiltrate society and he so he
01:18:55
went out there and I thought this is going to be something really special and the people you know the Tippines are are
01:19:01
awesome people. You know the media had a crack at them about a year ago. Um and >> problem not a problem with them though
01:19:06
with the staff member right? Yeah, it was with a staff member and when the full truth came out because you know
01:19:11
there was some some reporting that you know had to be redacted uh and and the reportage and and the company did redact
01:19:19
and and acted responsibly but it just gave them the ability to assure people that this was a a lone wolf operator and
01:19:27
that they do have a fantastic company which they do. My mom died last year. Of course, the casketeers, my mom had
01:19:33
insisted, Francis and you know, Ky going to bury me. Don't you have anyone else?
01:19:38
So, of course, the moment my mom Heather died, you know, I rang the casketeers and they did a wonderful job. And so, of
01:19:45
course, they did, you know, and because it got such heart, you know, that's what
01:19:48
everyone loved, you know. >> Yeah. >> It was actually um I completely missed
01:19:52
the show. I I think it must have been broadcast on Netflix in Australia and my sister in Perth, she was like, "Oh my
01:19:58
god, you've got to watch the Casceteers and I watched it on TV and Z Plus, but
01:20:02
um yeah, I thought that was interesting." >> Yeah. Well, it's a beautiful combination
01:20:05
of character, but also culture and society and so and language. So, it sort of tied everything in and it taught us,
01:20:12
you know, like obviously as Pakiha, you know, our version of death and death ritual is quite sort of it is quite
01:20:19
Scottish really. It's sort of like Yeah. Whereas like you know there's a
01:20:23
celebration aspect. So for I think um Pak New Zealand were able to see that you know death is part of a process and
01:20:29
it it you don't have to be so scared you know of these things and so it sort of
01:20:33
elevated people and and it was very educational but what wonderful teachers and they're off in a few weeks off
01:20:40
overseas doing another series. So we switched them out from we'd sort of done
01:20:44
enough leaf blower and buried enough people in enough cultural learnings and TV and Zed were fantastic. They said,
01:20:49
"What else can we do?" And we were like, "Well, they can go on the road and look
01:20:53
at um sort of life and death on the road." And so they've already been and
01:20:57
done one series which is hugely successful. They're about to do another series we're about to shoot. So it's a
01:21:03
it's a it's a good one. >> Yeah. And a lot of fun. >> Um these stories are great. By the way,
01:21:09
I've got like a massive list of these shows, but unfortunately we got a limited time. But oh, another one. Who
01:21:14
wants to be a millionaire? Um, there's a rumor I heard that you you didn't even
01:21:19
have a million dollars to give away as prize money. >> Well, I was, you know, I said I was a
01:21:24
bit dreamy earlier on in the interview. I was sort of a bit like a little bit vague in the producing fronts on the
01:21:30
insurance and what we're covered for like and we did we did give away I think
01:21:36
we gave away 250,000. It it was all through insurers basically and where we were covered. And so um I
01:21:44
uh there was there was gray area. There was gray area when when I was in Australia. I think I went gray. I
01:21:50
remember I was walking ironically I was walking past a hotel in the main street called the Great Southern Hotel which uh
01:21:57
same name as the company. I remember TV and said and I said to them, "Yeah, but
01:22:00
you know if we got to this point, you know, you you have agreed you' put in that amount." It was like, "No, no, no.
01:22:06
We'd only do it once and we'd already given away." And I was I was like,
01:22:10
"Yeah, but our insurers say this." And it all got a little bit uh but that's
01:22:14
the risk you take, you know, like um it's high-risisk business. >> That's terrifying.
01:22:20
>> Yeah. Yeah. Yeah. We we we we got away, you know, Husking was incredible. I I
01:22:25
think, you know, he's sort of it's a bit sad with Mike because, you know, he's
01:22:31
he's so good on radio, but he was so good on television. Like he's he was the
01:22:37
master, >> you know. He he he came in and did that show just in a blink and he was as good
01:22:41
as the Australian host who'd been doing it for a decade and all the Australians
01:22:45
said that and he did it on the first episode. >> Oh, he's a phenomenal broadcaster. Yeah.
01:22:49
The radio stuff you're talking about in t in terms of TV, he did breakfast for a
01:22:53
while and he did seven sharp. Why do why do you say it's a bit sad with him?
01:22:56
>> Well, he's not on TV. >> Oh, right, right, right. >> Yeah. like I just wish uh there was
01:23:01
something you know to get his viewpoint across you know he's got he's got an
01:23:05
interesting viewpoint a lot of people agree with it and he's got a lot to say
01:23:09
um but he doesn't need it you know he's he's comfortable he's done really well
01:23:14
um but occasionally I'd like to encourage him to push himself and maybe consider you know giving something back
01:23:20
or giving a perspective that might help uh the wider you know community that's
01:23:25
that's helped him become who he is >> I wonder there there was um when he was
01:23:29
on seven sharp a few years ago, there was um like this big change.org petition to like to get him off TV. I wonder if
01:23:35
that had some sort of impact on him. You'd probably never get him to admit it. Um but I remember it felt really
01:23:40
really mean and personal at the time. >> Yeah, >> I think he subscribes to the don't let
01:23:44
the bastards get you down uh theory. I think he he lives he lives a really uh enjoyable life and I think uh it doesn't
01:23:52
bother him too much >> and he's actually um he's actually like yeah super hardworking, super positive,
01:23:58
super optimistic, super enthusiastic. >> Yeah, great guy. >> Yeah. >> Um how do you feel about the uh current
01:24:05
state of media and in particular TV in New Zealand? Um well it's obviously in a
01:24:10
huge change cycle you know and it's less of a pivot and more of a kind of a complete reconstruction of how the
01:24:16
fundamentals operate and that's mainly because like everything what we're doing
01:24:20
it's about eyeballs and we're all competing for eyeballs. Eyeballs have moved. They've moved on to YouTube.
01:24:24
They've moved on to streaming services. Traditional networks have got less money
01:24:28
because there's less people watching. So advertisers pay less and they're taking
01:24:32
their money elsewhere. you know, an advertiser now can target something like if they want a 16-year-old boy in Mangry
01:24:38
who wants to buy a bike somewhere within an algorithm, you will be able to find an advertising campaign uh on social
01:24:46
media that can get to that boy. Television can't do that. It just sort of blasted out everywhere. So,
01:24:50
obviously, we've got that challenge and then at the same time, we've got AI
01:24:53
colliding with this change. So, it's how you adapt to AI and and the non-humanity
01:24:59
of that. So multiple challenges but the New Zealand government to be honest has been really supportive and understands
01:25:05
that we have to grow the industry. you know, we have, you know, uh, wool, meat, fish, timber, all diesel, all put in
01:25:12
ships, sent overseas, carbon toxic. People in Europe don't want to touch it because it's come so far. We still sell
01:25:20
a lot, but that's not our growth. Like our industry, $3.5 billion, can grow. We
01:25:25
think, you know, it can be a $5 billion industry and we send it down a fiber optic cable. So, my view is that New
01:25:30
Zealand can become a film set. You know, it employs so many people and generates
01:25:35
so much money. So we have got good government support New Zealand air film commission government itself to grow it
01:25:41
to make it bigger because we need alternative industries and Rod talked about this
01:25:45
>> you know we can't be just putting up forests that destroy our towns and you
01:25:50
know and having uh milk powder that's got beef and all of that you involved in
01:25:56
in in the manufacturing of it when we can use our IP and our brains that's our
01:26:01
future. So I believe optimistically that once all of this settles down again, AI
01:26:06
is going to disrupt a lot, but there's definitely some blocks there in terms of
01:26:10
what humans want to see, um, we're going to see networks settle into more of a a
01:26:16
new normal and, uh, away we go. So I remain optimistic. >> Yeah. Yeah, you you are you're a
01:26:23
relentless optimist. Um, can AI be a good thing in your industry? >> It's useful. uh but uh you know I think
01:26:30
people are probably people need to be reassured that there are controls and systems in place but it's the people
01:26:36
themselves that are going to decide you know like there was that Tilly Norwood the the synthetic actor was launched
01:26:42
last year to the world we're going to have a synthetic actor and these people
01:26:45
thought they're the smartest people in the world and they're going to get an
01:26:48
agent in America and she's going to star in a movie well she got crushed man all
01:26:53
of the slop that is on social media and coming out on streams The new generation, Gen Alpha, is about
01:27:01
authenticity. And thank God for them. They're going, I want real. I don't want to see Benny,
01:27:07
you know, in LA beside a swimming pool with an umbrella. I want to see on the couch telling me exactly how she feels
01:27:13
at the moment. That's what I That's authenticity. And all the artists are
01:27:17
getting into it. So now when you come up with a synthetic character, it's absolutely not going to work. They said
01:27:23
they're going to give it an agent. The agencies ran from it. So AI is going to
01:27:27
help us to be more efficient. But human stories, human actors are always are going to be core, you know, because I
01:27:35
think AI could become a genre within like horror, that's an AI movie. But when you want to go to a movie and you
01:27:41
want to see an actor like a Robert Downey Jr. and you go there and you know, I know his journey. I know he is
01:27:46
good and then he was bad and then he's really naughty and then he did this and
01:27:50
now he's back and he looks good and you know, I'm part of him. He's part of he's
01:27:55
lived and he's telling me a human story. AI doesn't have a heart, you know, it's
01:27:59
scanning and skimming everything that's gone before, you know, so it's not real.
01:28:04
And so, you know, we we still believe that humans are going to are going to be there even though it's going to be more
01:28:11
cost effective and there's going to be some advantages, it's still about the
01:28:14
heart and soul. >> Yeah, I love that. That's such a great take. If you could commission one last
01:28:18
show with no ratings pressure and a big budget, what would you make? Uh uh yeah that that's interesting. Like I
01:28:28
would I'd probably just want to make you know like a plurabus you know a massive
01:28:33
high-end show in New Zealand like you know maybe you know something like the new America but be given the money to
01:28:40
actually make it uh the way that shows like I've just watched Night Manager which Amazon put a lot of money into.
01:28:46
It's just incredible. Um they the Jackal was you know all around the world. I'
01:28:52
I'd just want to be given uh I'd be happy with, you know, sort of 40 million
01:28:57
an episode and eight episodes. It's possible. >> Is it is that >> Yeah, we could do that. You know, I I
01:29:03
believe we >> That sounds like a lot like an unfathomable amount of money.
01:29:07
>> Yeah. It disappears quick. >> Does it Does it really? >> Yeah. Doesn't matter how much you got.
01:29:12
It doesn't matter. Like, you know, there's major movies in New Zealand that
01:29:15
come here. And uh they'll always turn around and say, "We haven't got enough
01:29:19
money." even though they might have two or 30 hundred million. There's never
01:29:22
enough money. They they always have to take the water cooler away and cut back on musli bars. So, it's just it's just a
01:29:29
bizarre thing. But, you know, at the moment, we play in the, you know, 10 20 million game. If we can start bringing
01:29:36
bigger dramas, then it's going to help everyone in New Zealand because it stimulates so many jobs and and so much
01:29:43
um so much tax basically. It's good for us. >> When are you at your happiest? either
01:29:48
either at work or out of work. Yeah. When when are you peak happiness? >> Leanne would say it's when I'm on my
01:29:54
ride on listening to a podcast. So, I mean, we've got, you know, I we mow about uh 10 acres of of grass land on
01:30:02
our place down there. So, I love being in Queenstown, having the barbecue on. Uh you know, it's really beautiful down
01:30:09
there. It's quiet and um just hanging out with mates. you know, obviously, you
01:30:14
know, friendship and companionship's also very important to your, you know, your life. Uh, freedom and purpose, they
01:30:21
say, are the two keys. I think that's something out of some text somewhere, Hinduism or something. But, uh, I think
01:30:28
for me, you know, being down in Queenstown, being on the deck, cooking a barbecue, watching the cricket, chatting
01:30:35
to Leanne, and just um doing simple things. Yeah. As long as we win the cricket, of course.
01:30:42
Well, you Yeah, you you control what you can. Um, yeah, Leanne, you've mentioned
01:30:46
her a few times. Lean Malcolm, very well known and respected New Zealand journalist. That's been a successful
01:30:50
partnership. Hey, you guys have been going a long time. >> Yeah, we have. >> Longer than Mythbusters.
01:30:54
>> Yeah. Longer than Yeah. Well, that's that's ironic, but no, Le's like
01:30:58
reinvented herself into a musician and she's called Gina Malcolm and she's
01:31:02
released an album that's um been really positively reviewed internationally. Um
01:31:07
and uh we've got a recording studio on our property now and uh but she records
01:31:13
um uh at another uh recording studio in the South Island and um she's recorded
01:31:19
some really good music. So she's having a great time doing that and uh yeah she's she's wonderful broadcaster like
01:31:26
you know she was one of the best when she was news reading >> incredible >> and um you know she she's just you know
01:31:33
bit bit of a chameleon is has changed and she's always her family is very musical Greg Malcolm her brother's
01:31:39
acknowledged New Zealand artist and um you know I'm into music as well my son's
01:31:43
into music he he's drum and bass and he tours around New Zealand plays the festivals um played a festival at the
01:31:50
weekend. Um, so he's he's quite successful as well. So music's our our
01:31:55
big thing in our family. That's what keeps us all together. >> At 61 years old, have you got your head
01:32:00
around drum and bass? >> Uh, yeah. Yeah. Appreciation for it. >> Drum and bass, you know, it's more like
01:32:06
jungle and and you know, which is more like reggae. So it has, you know, there's there's trance and hardcore and
01:32:12
beats per minute and really intense drum and bass. There's c certain aspects of
01:32:16
it that that are accessible. And so he's not really in that just full-on manta uh
01:32:23
kind of like thing. And we've we've met the whole drum and bass community
01:32:26
globally like you know we've had the founder of drum and bass whose best mates were the stone roses stay with us.
01:32:32
So we've met the guys who tour and uh we've met Dutch drum and bass all of
01:32:37
them have come and stayed with us. And the one thing I've learned is that there
01:32:41
was a there was a drama in New Zealand recently where they had these drum and bass guys. They were involved in a
01:32:46
murder plot. It was one of these local things and the writer wrote the drum and bass guys and they all had tattoos and
01:32:51
they're driving a valiant. They look like heavy metlers and I was like this person has never met a drum and bass
01:32:58
exponent in their life but they should have because drum and bass people are you know they're not tattooed they're
01:33:05
nerdy. They wear glasses. They're quite conservative. They might even wear almost a rotten gun shirt. like they're
01:33:11
they're actually quite weirdly conservative people in a way who make these huge sounds globally. They don't
01:33:18
want to wear a rotten gunship, but they're they're not that. So, you know,
01:33:24
it's quite fun. So, we meet, you know, through Joel doing his um his altercation through that we just meet
01:33:30
all these incredible musicians. Yeah. So, >> you being at a venue when some hardcore
01:33:35
drum and bass is being played, I don't know what your cardiologist would say
01:33:37
about that. >> Yeah. No, it's No, I've talked to Joel about the beats per minute. He's he's
01:33:42
he's very on to that. I think I can't I think drum base 180. Yeah. Beats per
01:33:47
minute. But then jungle drops down. So, >> yeah. But, uh, you know, he played to 2
01:33:52
and a half thousand people like right in Paradise at the weekend. I mean, it was
01:33:56
the most stunning thing you could ever see down south. They basically had it in the woods way out the back of Paradise.
01:34:02
So, this is south of Gleni. 2 and a half thousand people went to and they lit all
01:34:06
the trees and it was a full moon. and this music in the middle of the night, you know, um it was certainly a night. I
01:34:12
think they had a psychedelic tent there, uh rehab tent, so they were responsible,
01:34:16
but it looked like a hell of a time. I got to admit. Yeah. >> You're so proud. E I can tell like when
01:34:22
you talk about your wife's achievements and your kids achievements. What's um
01:34:25
what would you say your best and worst habits are? Uh definitely too much time being
01:34:30
inquisitive and online, you know, like scrolling and like I've got no social
01:34:35
media, so I so that's probably why I do sit anonymous. I I I don't post anything. Um but, you know, I you know,
01:34:43
I'm always I'm always inquisitive about finding out stuff cuz you can use it in
01:34:47
writing. It's where you find ideas. So, too much of that. Uh, you know, not enough time probably out just walking
01:34:53
and refreshing your brain and making it cleansing it. You know, exercise is good. Leanne made me go and swim, you
01:34:58
know, 20 laps the other day and, >> you know, she's she's really healthy and
01:35:02
she plays tennis and walks and does all this good stuff. So, it's it's it's
01:35:07
good. It's good for me. Yeah. >> Yeah. >> Yeah. Is it that bad a habit? I I feel
01:35:12
like that maybe stem from your journalism roots in a way. >> Yeah. Yeah. I yeah I think well
01:35:17
apparently my iPhone says I spend too much time on it. It's it apparently somewhere in there it says you've been
01:35:22
on it for this amount of time you know get a counselor. Oh, we've got a counselor online, you know. So, hold on.
01:35:28
I'm trapped in this loop now. This like tech loop. But, you know, chat's been is
01:35:33
is a great tool that actually speeds things up for me, you know, it's such a
01:35:37
such an awesome tool. >> GPT. Yeah. >> Do you just use it as like a glorified
01:35:41
Google or >> Yeah, pretty much. Yeah, same. >> Don't I don't use it like obviously, you
01:35:45
know, we we're pretty much, you know, we've pretty much prohibited ourselves
01:35:49
from using it in a creative space because it's not creative. It's just skimming what other people did in the
01:35:54
past. So, and it's not it's not real. So, you know, in terms of being a creative, it's it's it's a it can assist
01:36:01
in terms of writing sort of not it can assist in terms of researching and telling you of things, but then you
01:36:10
write like everything that comes out of Great Southern, we have a human stamp that we put on our projects in the
01:36:14
bottom corner. Human stamp generated by humans. Like too many humans now are just sending [ __ ] out that's written by
01:36:20
AI. In fact, I heard of someone recently who sent someone else an email applying
01:36:24
for a job and at the bottom of the application they it had in there, >> do you like this version? I could next
01:36:31
um modify it and tell the employer they left that on the bottom. You know that >> oh my god that's so dumb.
01:36:37
>> Yeah, it's the dumbest thing ever. Like right back going mate uh to actually
01:36:43
read what chat's written like. So um yeah, but what's your question? What's
01:36:48
the best things and worst things? But proud of Yeah. >> Yeah. >> Do you have any regrets?
01:36:54
>> I'll probably It does take up a lot of time, you know, like and I probably
01:36:58
work. >> Yeah. Like, you know, it's seven days a week because there's always there
01:37:03
generally there's always a problem and as a producer, not a writer, you're
01:37:07
always trying to resolve something, you know, it just comes out of the blue. It will just be and it's constant two or
01:37:12
three things a day in general where but because I'm older now and I've seen it
01:37:17
before I can reassure the younger people don't panic you know it's okay I've seen
01:37:21
this before we can solve this and you know it's always through good communication um so in terms of regrets
01:37:27
yeah I a I wanted to go back to Tanzania and I haven't been back uh you know I'd
01:37:32
like to travel a little bit more um and and see some amazing sort of I I do like
01:37:37
going to dangerous weird places you know like so I've got some travel plans there
01:37:42
and um but otherwise no I I I am really proud of of what we've achieved and in
01:37:48
particular our people at Great Southern. So yeah, >> you're never going to retire, are you?
01:37:53
>> No, no, not retire because it's that sort of like stop thinking like I'll get
01:37:59
myself into a place where you know it suits me more as I get older. Uh so that I'm doing slightly less. But if you look
01:38:05
at John Barnett, you know, amazing guy, you know, tragically died last year and missed by the entire industry. But John
01:38:12
was still he still had massive projects. He just shot Dark City. >> John had big projects. He was still
01:38:18
going and he was 78 because >> you're part of the community. So it's
01:38:22
just scale. But, you know, I'm always thinking of ideas and going, is that an
01:38:26
idea? Is that a concept? Could I use that? You know, like, you know, I hear things like I heard a phrase recently
01:38:32
someone everyone was going on about Seven Sisters, which is a suburb in, you know, London. And, you know, my brain's
01:38:39
like, "That's a good name." Seven Sisters is a good name. You know, like
01:38:42
my brain works like that. I'm going I can see that on a tile. And these days
01:38:46
we're designing for tiles. And a tile is, you know, on Netflix, the tile is just the little icon you click on. You
01:38:52
have to be able to sell your show, its name, and its concept on that one tile. Now, that's how distilled our creative
01:38:59
process is now. You have to have it right there. And so, I'm always trying to think of the next idea.
01:39:05
>> Yeah. And there's that saying, don't judge a book by its cover, but um the
01:39:07
thumbnail is the complete opposite of that. Thumbnail is everything. >> It's everything. You know, like when
01:39:13
you're going through your Netflix options for the night, you know, you kind of the thumbnail is really,
01:39:17
>> you know, you'll stop and it'll be an actor or name or you can just sense a
01:39:21
genre. So, that's a real skill getting that right. And so we we now really try
01:39:26
and distill our shows down and go what is its absolute essence like down to three-word log line and its title and
01:39:34
the visuals. You know what is our what's the pitch? Because if you can't go into
01:39:38
a network and go it is just this and you go let me explain it. It's a long story.
01:39:43
They just go glass over. You've got to be able to go bang. It's this. And then
01:39:48
of course, you know, in this modern day and age, the other thing is, you know, you need the script, you need the
01:39:52
writer, you need the screen, you need the actors, and then you need the showrunner as well. So, you got to bring
01:39:57
in the director, the actors, the script. You got to have it really well packaged
01:40:01
now with drama. So, >> [ __ ] you've done so much and you've still got so much to give. Um, last
01:40:06
question, Phil Smith, are you proud of yourself? >> Yeah, I guess I am. like you know and I
01:40:11
think even if someone like Cass is watching I've always sort of uh you know to sell you you have to give people
01:40:19
confidence in you so you have to sell yourself and and a lot of young people today don't sell themselves so I'm proud
01:40:25
to say you know things like yeah okay I've won a lot of TV awards or you know
01:40:30
when we go internationally people have to have faith that you're going to um
01:40:35
deliver for them so you have you have to learn to sell yourself if you're not
01:40:38
going to sell yourself no one else will. So, yes, I'm proud to tell people that
01:40:43
I've been successful. I don't do it on a big sort of pariting stage and go on
01:40:49
social media and say it all, but I'm proud of our achievements. I'm proud of
01:40:52
my my family, and that's pretty much really what you want in life. And yeah,
01:40:57
no regrets. >> This has been a great episode. I feel like it's um it's a border collie I've
01:41:02
met today. >> Oh, all right. That's nice, Dom. Yeah. No, you've had so many incredible
01:41:07
guests. Really good. like and and this is the beauty of this format. You can, you know, you can talk and you can share
01:41:13
and tell these stories and and actually get to the essence and get something out
01:41:17
of it. >> You know, it's well done. >> Yeah. Well, you're you're a great mate
01:41:21
and um now a great podcast guest and it's been wonderful to connect with you
01:41:24
in front of the microphones today. >> Yeah. Thank you. >> Cheers.

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  • 70
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Episode Highlights

  • The Impact of a Teacher's Words
    Phil reflects on how a teacher's criticism shaped his writing journey.
    “You think you can write, you're dreaming.”
    @ 06m 11s
    May 03, 2026
  • Phil's Entrepreneurial Spirit
    Phil discusses the balance of creativity and business in his career.
    “You have to have a tough spine.”
    @ 11m 07s
    May 03, 2026
  • A Dangerous Assignment
    The journalist recounts a harrowing experience in Romania during a firefight.
    “We just got ourselves right in the center of a firefight.”
    @ 19m 02s
    May 03, 2026
  • Meeting Jane Goodall
    A chance encounter leads to a significant friendship and impactful stories.
    “She had a cunning plan.”
    @ 29m 09s
    May 03, 2026
  • Paul Holmes' Career Advice
    Paul Holmes advised to be your own boss and take control of your career.
    “You don’t want the gun pointed at you, you want to be the one holding the gun.”
    @ 35m 21s
    May 03, 2026
  • The Power of FaceTime
    Engaging directly with people is crucial for success in today's world.
    “Direct engagement is so important.”
    @ 45m 00s
    May 03, 2026
  • Building Great Southern
    The evolution of a media company through various phases.
    “It’s gone through multiple iterations.”
    @ 52m 13s
    May 03, 2026
  • The New America Concept
    A drama about people fleeing unrest in America to find sanctuary in New Zealand.
    “I could rewrite it and make it today.”
    @ 01h 03m 08s
    May 03, 2026
  • Eating Media Lunch Origins
    The title was inspired by a fictional story about redundancy and friendship.
    “I love that phrase, eating media lunch.”
    @ 01h 09m 37s
    May 03, 2026
  • Casketeers' Impact
    The show highlights cultural perspectives on death and rituals in New Zealand.
    “It taught us... death is part of a process.”
    @ 01h 20m 29s
    May 03, 2026
  • Authenticity in the New Generation
    Gen Alpha values realness over synthetic characters in media.
    “The new generation is about authenticity.”
    @ 01h 27m 01s
    May 03, 2026
  • Pride in Achievements
    Phil Smith reflects on his career and family with pride and no regrets.
    “I’m proud of our achievements. I’m proud of my family.”
    @ 01h 40m 54s
    May 03, 2026

Episode Quotes

  • You think you can write, you're dreaming.
    The Man Behind New Zealand's Biggest TV Shows!
  • I was chucked out.
    The Man Behind New Zealand's Biggest TV Shows!
  • Whatever you want, whatever you want, I’ll do.
    The Man Behind New Zealand's Biggest TV Shows!
  • If you are vengeful, it’s a wasted energy.
    The Man Behind New Zealand's Biggest TV Shows!
  • The split from comedy to satire is one.
    The Man Behind New Zealand's Biggest TV Shows!
  • AI doesn’t have a heart, you know.
    The Man Behind New Zealand's Biggest TV Shows!

Key Moments

  • Firefight in Romania19:02
  • Meeting Jane Goodall29:09
  • Career Advice35:21
  • The Lion Man's Downfall1:01:27
  • Casketeers Success1:17:39
  • Industry Growth1:25:02
  • Authenticity Demand1:27:01
  • Personal Pride1:40:54

Tension Over Time

Words per Minute Over Time

Vibes Breakdown