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Ray Romano | Full Episode | Fly on the Wall with Dana Carvey and David Spade

April 19, 2023 / 01:15:29

This episode features comedian Ray Romano discussing his career, including his time on SNL, his new film "Somewhere in Queens," and his experiences in stand-up comedy.

Ray Romano shares insights about his journey in comedy, starting from his early days at the Improv to hosting SNL. He reflects on memorable sketches, particularly one with Tim Meadows.

The conversation touches on Romano's recent film, "Somewhere in Queens," which he co-wrote and directed. He explains how the story draws from his personal experiences as a father and the pressures of parenting.

Romano discusses the challenges of finding the right cast for his film, particularly the young actor who plays his son. He emphasizes the importance of authenticity in portraying family dynamics.

Throughout the episode, Romano and the hosts share humorous anecdotes from their careers and the evolution of stand-up comedy, highlighting the unique experiences of performing live.

TL;DR

Ray Romano discusses his career, SNL sketches, and his film "Somewhere in Queens."

Video

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Ray
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Romano like
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yeah Ray I like that we just had Ray on
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Ray is a good buddy of mine we did the
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uh we did standup together the Mirage
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last is a great standup very smooth
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funny standup hosted SNL was it twice
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twice yeah uh had some great sketches a
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classic sketch in there we won't give it
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away with Tim Meadows I don't know the
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name of it they're Sports casters yep
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Sports Center crazy funny and we break
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all that down and we go through his kind
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of his we break down to like powder we
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break it down so in the tiniest bits
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it's like sand yeah we break it down
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like this is how I went to the club then
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we break that in half this is how I got
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dressed we break that these are the
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shoes that I bought the night so we keep
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digressing eventually we got him back to
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a he's just
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born and his mother freaking
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he's done Ice Age he's done he just
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directed and co-wrote a movie that was
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very good no [ __ ] Dane and I both
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saw it we both without knowing it saw it
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and not comparing notes and on the
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podcast I have to say I thought it was a
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very interesting movie it is a bit of a
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roller coaster it's not just funny but
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it's it's kind of a tearjerker in places
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that was fun because I knew that we both
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love the film so we kind of go over his
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career in SNL because I didn't want to
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come out with it but at the end I think
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he was excited or happy because we
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legitimately love the movie and it's a
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lot of stuff for parents you know it's
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not like a dark drama but it's dramatic
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and it's funny at the same time and the
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name of it is somewhere in Queens
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somewhere in Queens I was going to say
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night at the
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Queens we turned into CIS Eber you know
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movies to me sis schol or
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I you're the guy that's Ray mono is also
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uh um yeah especially when you look at
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his resume especially humble and real um
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he didn't really get a breaking Show
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Business till he's 36 he worked at a
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bank till he's 29 so his story is very
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interesting and God he's done a lot
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after everybody loves met his wife at
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the bank met his wife at the bank and uh
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you know let's put it eventually he made
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a deposit on it okay sorry spoiler alert
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spoiler alert Dennis Miller will
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sometimes appear yeah on the podcast so
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Ray here he is Ray Romano you you know
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him you love him you know his voice and
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uh he was very uh very interesting to
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have a nice listen and remember 10 and
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two pull over and finish don't go to
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work or don't go into the store pull
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over and finish the whole goddamn
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podcast yeah and the commercials are
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really funny we don't like pauses we're
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not the pause guys there's no no 30
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second going forward not with this
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podcast do that with the other guys play
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that [ __ ] I we should do a podcast
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called The Other Guys kind of like the
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will phoh
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movie we just remake that movie I think
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the camera went off 20 minut they're out
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of film film what 192 he's like is there
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a spider
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[ __ ] Heather wow Smash It and
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kill it to
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[Music]
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death there's no pre there's no pre-
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interiew no to prep no no way to prep
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it's just being in the moment real can I
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can I bite a piece of bread while we do
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this yeah yeah is that is that
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disrespectful no not not at all
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especially because you've announced it
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now people listening all over the world
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by the way will be like that's cool he
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told us what was happening he wasn't
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having some kind of jaw jaw
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dysfunction right from my eye doctor I
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haven't had breakfast yet it's all right
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I usually eat all you want I talked to
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Dana for the first 10 minutes anyway oh
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okay so I discovered spade and Dennis
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Miller discovered was it Chris Rock or
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who did he or he also Schneider did
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anyone discover you in a Lynch Penny
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kind of way back in the day some club
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owner some big- time comic Hey
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kid you're gonna make it you may not
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have what do you mean like how did you
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discover those guys well recommended
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them that's a strong word Dennis not
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discover that's the wrong word but
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Dennis Miller he saw faadu
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thler and told Lauren Michaels about him
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right I believe right it's that kind of
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thing networking that's a big thing I'll
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answer for you because Ray's eating Ray
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was performing at probably the Sellar
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and he got yeah but I'll tell you one
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thing I'll tell you one thing before I
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got to the
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Sellar I was I was at the Improv I was
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just a kind of a still still a late
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night slash one you know maybe get on
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the Regular Show comic at The
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Improv and my buddy joh you know John
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manotti David I do yeah he he was a
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regular at the seller and on one Friday
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night some gu somebody cancelled they
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didn't have a guy blah blah blah they
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had a and the the the the the owner said
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who can we get down here and he said
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there's a there's a new dude at The
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Improv that's pretty good and they
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called he called The Improv and he
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called me he said can you get down to
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the seller in [ __ ] 15 minutes you know
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and I said yeah and I raced down there I
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got there and and that then became the
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seller became my club you know that was
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but but he's the one who got me in there
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I don't know if you count that you count
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that as anything yeah I'm gonna I'm
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going to count it I'm going to count I
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know there people disagree with me but
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so just for inside baseball
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so the The Improv which Bud Freeman had
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55th in BR 45th Street 44th and Ninth
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44th and the seller was in the Village
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Street yeah so it's like a 10minute cab
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ride to at least maybe more maybe more
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20 minute cab ride to Comedy Nirvana
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that could be your book If you ever read
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a book Dan I have a I have a technical
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question for Ray cuz I I I only I only
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met people at the Improv when I was
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staying out there and they said this guy
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Gary Grant could get you some Road gigs
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if you fly out there so I do two weeks I
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take a Subway to two times sare walk to
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the Improv sit there and meet some comic
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like you or some wasn't you but someone
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that was established would drive me to
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like BF pakis in Jersey and I would do
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yeah yeah 20 minutes and I'd get you
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know 60 bucks so in two weeks I could
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clear $500 which I did and it was great
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but the Improv stage it is is it
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elevated at all in um New York it does
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it seems like it's in the corner
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bit little bit it was yeah I mean that
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now it's an Italian restaurant The
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Improv but but what do you mean is it
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elevated yeah it was it looked like the
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one in La was like you walk upstairs and
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you're like you know you walk Three
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stairs I I was scared of that improv I
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got humiliated there once because I was
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doing the Mickey Runa show I was like
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25 and I was going to do sets at The
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Improv and I'm doing all my dancing
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around and singing and doing little
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funny moves and funny little voices and
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I thought I was doing really well and
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then a guy old guy probably 40 came up
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to you and go I like you you get laughs
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kid but they don't like you and he
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pointed to like 15 Comics hanging out on
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the other side of the club what they
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don't like you they don't get you wait
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the New York improv that was the New
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York New York improv yep
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1981 oh that was before that was before
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me but I do remember when I was coming
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up in there I remember you coming in
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Dana and this is when you were on
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SNL and you did so you did a spot and
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you were yeah you were the big guest
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star and I remember I think John litz
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was in the audience at The Improv was at
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the Improv also and so you you on stage
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said how do you guys like litz what do
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you think of John Lovitz you were asking
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the audience to see to get a reaction Al
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the dash fine now you have to bring you
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have to bring me up to try to get a
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laugh they like me better I remember
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yeah I was a young dude then thinging
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Ray who who were the good guys when you
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were starting who was like on the Slate
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Jerry no at at The Improv no Jerry was
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never there I never our path never
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crossed wow The Improv at The Improv was
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like Allan havy and Ron Daren I
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remember Chappelle was just start
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starting you know um Chris Rock was just
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kind of starting then and then at the
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seller you know I was more when I ran
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into like John Stewart and Louis
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CK
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um but you know the seller is the club
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that I still
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go didn't you shoot your what was the
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name of your your was Netflix special
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you started the set at the seller and
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then you walked to another club during
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the special another seller that's the
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annex of the Celler yeah it's around the
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corner it was it was called right here
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around the corner called jaunt and it
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was just a quick jaunt Ross were you and
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uh were you quick to get kind of what
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you would call your voice and like the
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way you do stand up now or was did you
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work with props and puppets and stuff
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and then get into your thing or was I I
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had a couple props God when we Dig Down
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D props I had props I had a you had a
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prop right what a puppet I I had no I
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had a I had a little duffel bag of uh it
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was it was at the end of my act it was
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at the end of my act and I would do
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Impressions I would do um the kid you
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always wanted to sit next to during a
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physics exam and it was nerdy hat nerdy
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glasses interesting and I would and I
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and I would turn around and do the old
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reveal clo and did he talk nope NOP he
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didn't
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talk it just visual all visuals so it
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was it was just a set a set four I think
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there were four things it was the the
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you wanted to sit next to during a
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physics exam boom funny set that same
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kid's mother I did his mother what she
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looked like and it was just wig with cat
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glasses you know so one after the other
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yeah
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and and then I uh I did with the wig and
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the glasses I don't know if you guys
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remember uh the Mets were uh this was 86
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so the Mets were in the World Series
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playoffs and there was a woman who sat
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behind home plate who tried to distract
00:11:04
the pitcher by doing this rolling her
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hands around and she was prominent if if
00:11:09
you watch the game sure on camera like
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this so with so with the wig on and the
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glasses I did that woman also oh God
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what a tricky laugh are these getting
00:11:19
equal laughs are these just all killing
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they they're doing they're doing very
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well yeah and then the closer Not only
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was props but it involved music I um mhm
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said the op now of course the counter
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the alter the counter to the nerdy guy
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was the cool guy who would come into
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class and it was just it was sunglasses
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sunglasses and half a cigarette and when
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I put my back to the audience a lot of
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back to the audience so far back to the
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yeah when I put my and this would crush
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when I put my back to the audience I
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would they would play the theme to um uh
00:12:01
eye of the tiger and it would
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be D and then on dun I would turn around
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and then on each dun my um I would move
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my head so I had glasses in the
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cigarette inspired go ahead the second
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one
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yeah and well then when the dunce end
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he would I would do with my lips I had
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the half a cigarette I would swallow the
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cigarette like that wow true swallow or
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fig swallow no no I would just flip it
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with my lips into my mouth and it just
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it crushed you're the kind of a guy I
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would hate to follow oh my God he walks
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off and goes follow that [ __ ]
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wait a minute I had one more I had one
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more one more prop and one more
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impression and it would be a nuclear
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explosion and I would take
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the rubber band uh that I don't know if
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you know this in broccoli in the
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supermarket the broccoli rubber band
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they're fat it well I would get one of
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those well and I would put it on my head
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and you could feel it creeping up so as
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it was creeping up my head you know the
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pressure of it I would do the whistle of
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the
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nucleon and when I would time it so
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and it would it would snap up my hair
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into a mushroom cloud it would be like a
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little bit like a mushroom cloud and and
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very seldom did did that not oh super
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kill well that damn I mean I know this
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sounds kind of crazy but uh are those
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bits still around for higher I mean I
00:13:49
got a couple Nickel in my
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pocketam visual there was one day on on
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you know when I when I got the TV show
00:13:59
what you got a TV show what was that
00:14:02
yeah yeah okay I got everybody those R
00:14:04
and Letterman Letterman was our producer
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you know so I would do Letterman at
00:14:09
least twice a year every year the show
00:14:11
was on so when I was running out of
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material
00:14:15
stuff one of those spots about five or
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six years in I I recalled that the all
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those Impressions sitting next to okay I
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you know I just showed Dave this is from
00:14:27
the old days blah whatever and they
00:14:30
crushed again I'm not joking that would
00:14:32
have been good on Star Search because
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it's quick it's [ __ ] score yeah and
00:14:37
you get your l you get four stars you
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move on I got um 1.5 stars on Star you
00:14:43
did star surge I Star Search I lost to
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uh I lost to G gei guyi guy jok grenade
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yeah did you do it did any of you guys I
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I didn't do it but did you use those
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bits on Star sege cuz I can't imagine
00:14:57
you losing at all I did I did you know
00:15:00
90 seconds of of stand up and it didn't
00:15:05
work and you know you get a two you know
00:15:08
it was one to four stars right so you
00:15:11
get you get a two just for showing up
00:15:14
you know and I got I got three two two2
00:15:18
and the last person gave me a one so it
00:15:20
it it averaged out to one
00:15:23
point set record that's the most dismal
00:15:26
score I've ever heard of on Stars no I
00:15:28
mean that's that's cruel how do you how
00:15:31
I ask people this how did you deal with
00:15:33
uh stuff that didn't work well in your
00:15:36
career like that thing like did you you
00:15:38
were you injured for a week mentally or
00:15:40
were you just W go they don't know what
00:15:42
they're talking about no I would yeah it
00:15:45
was a blow it was a blow but the the
00:15:48
story is actually has a happy ending uh
00:15:53
um because my wife was pregnant with my
00:15:55
first kid my daughter and she was do
00:15:59
about four weeks from from what that so
00:16:02
I fly out to LA to do star search and
00:16:05
you know if you win you you come back
00:16:08
you you go the next week week but but
00:16:11
they film it like a couple days later so
00:16:14
I would have had to stay and stay if I
00:16:16
won so I lost and I told my man my
00:16:19
manager we were going to stay for a
00:16:20
couple days I go let's just go home and
00:16:22
when I went home uh my wife's uh water
00:16:26
broke and she delivered the baby the
00:16:28
next day so I was lucky to be yeah did
00:16:32
you kind of intuitively rate the baby at
00:16:34
all with stars you know when you saw
00:16:36
your kid sorry well you know was funny
00:16:39
what was funny was they she was born in
00:16:41
the city I like it she was born I was
00:16:43
living in Queens and she was born in the
00:16:46
city you know and uh so I was going back
00:16:49
and forth and one the second night I
00:16:53
went to the cell just to say hello to
00:16:54
the guys and I went down in the basement
00:16:57
and you know Mike Sweeney you got
00:16:59
know remember Mike Sweeney anyway yeah
00:17:02
Mike Mike Sweeney was there and he saw
00:17:03
me and he goes uh Hey congratulations
00:17:07
man and I said I said no didn't you hear
00:17:10
I lost I thought he goes the baby you
00:17:13
[Laughter]
00:17:15
[ __ ] show show
00:17:21
[Music]
00:17:23
buiness Ray I audition for Star Search
00:17:25
at the mall in Arizona and they go big
00:17:28
audition I thought Ed McMahon would be
00:17:30
there he was not but they just had like
00:17:32
a cattle call so I waited line like a
00:17:35
chump I and I wore a white sweatshirt
00:17:38
that had a bat on it like a Batman not
00:17:41
even a logo that said just Dana it was
00:17:43
just this outline of a bat and I thought
00:17:45
that signified comedy somehow I don't
00:17:48
even know why like Batman like I'm I
00:17:50
don't know so I go up and I do my bit
00:17:53
you know they're just running a camera
00:17:54
and the guy's reading a magazine and
00:17:56
everyone just goes up and does like two
00:17:58
minutes and I thought literally when I
00:18:01
even got to my second joke it would be
00:18:03
like a movie he'd look up from the
00:18:04
magazine and then on my third joke he'd
00:18:07
start to stand up and then on the fourth
00:18:09
joke he'd like hug me and say we got him
00:18:12
and just like shut the place down and
00:18:14
say you're going to Hollywood literally
00:18:16
no one looked up I did my ACT no one
00:18:17
called me I go and even for like two
00:18:19
years I'm like it takes a while because
00:18:21
they got to get the tapes and they got
00:18:23
to review them and so I never got on God
00:18:26
damn I wanted that one bad I wanted both
00:18:29
you guys had the young comedian special
00:18:30
on HBO which I don't know if it still
00:18:32
exists but that was kind of a big deal
00:18:34
and I coincidentally host yeah hosted
00:18:38
Rays yeah yeah I didn't know that and I
00:18:41
I just my blink about you then was just
00:18:45
the confidence and I've gotten to know
00:18:46
you a little more over over time but you
00:18:49
came across so confident and right as I
00:18:52
was about to go out to introduce you you
00:18:54
said uh you said uh do re reintroduce me
00:18:57
as Regis so I don't even do an
00:18:58
impression of you but so I did reges
00:19:01
filming uh introducing did I say that
00:19:04
yeah you said do reges I want I want to
00:19:06
be brought out to reges and you crushed
00:19:08
do you remember who was on that one
00:19:10
Janine garfo yeah um help me out Kindler
00:19:15
Andy Kindler Andy Kindler who's
00:19:17
hysterical
00:19:18
comic Nick depalo yes another great guy
00:19:22
Bill Bellamy Bill Bellamy and and Jud
00:19:26
Appo
00:19:29
yeah really Jud was on that one I didn't
00:19:31
know Jud was on any of them Jud was on
00:19:32
that yeah and did that did that help you
00:19:36
that's that's kind of a boost back then
00:19:37
there wasn't much going on and HBO was a
00:19:40
big
00:19:41
deal yeah I mean I had I think after
00:19:44
that I got my own half hour special they
00:19:48
did those half hour specials sure so I
00:19:51
got my S my my own special um it was all
00:19:55
good but um you know the thing then was
00:20:00
to look to try to get a development not
00:20:02
to try to get a development deal but
00:20:03
that's what was happening and um nobody
00:20:06
was offering me anything I had done all
00:20:08
the I had done all of those things you
00:20:10
know the HBO The Young comedians they
00:20:12
you start to get nervous because you go
00:20:14
I'm out of like tricks here they they've
00:20:15
all seen me yeah yeah that's what I
00:20:18
thought it was like about 11 years in
00:20:21
and I thought well um no one's offering
00:20:24
and then it was it wasn't until you know
00:20:25
I got I got news radio I got you know
00:20:29
hired on news radio and then fired on
00:20:33
day two and yeah so it was it was right
00:20:37
around that then where I was like
00:20:40
wondering I love doing standup if I'm if
00:20:43
it's not going to happen it's not gonna
00:20:44
happen but then Letterman I got my first
00:20:47
Letterman and and Letterman made it
00:20:49
happen you know it it was Letterman or
00:20:51
nobody were you fired or were you it
00:20:55
when when I looked it up it said you
00:20:56
left there to go to your own City come
00:20:59
like the writers from there yeah yeah
00:21:01
that's what it says on on Wikipedia so
00:21:04
we we're going to have to challenge this
00:21:06
one look good never I've never seen that
00:21:10
ever isn't that great no I've never no I
00:21:13
was Stone Cold 6 o'clock in the morning
00:21:17
my manager called me at the hotel and
00:21:19
said they're going in another Direction
00:21:21
you know what was that direction that
00:21:23
phrase who played you who played you Joe
00:21:25
Rogan Joe Rogan yeah yeah so in a
00:21:29
parallel universe you're hosting the
00:21:31
world's biggest podcast right
00:21:33
now we both we both made out all right I
00:21:36
guess you know you know Ray uh Dana back
00:21:38
then I would say going on The Improv I
00:21:41
was just trying to kill but with Ry the
00:21:44
more important thing was which I
00:21:46
couldn't really understand they're just
00:21:48
looking for a personality back then to
00:21:50
write a sitcom about Tim Allen had Tool
00:21:53
Time so like this is his act he's like a
00:21:54
tough guy and they could they could see
00:21:57
a show around that I was just concerned
00:21:58
about doing good and getting laughs and
00:22:01
then you have to look at the big picture
00:22:02
like Ry they see his whole Persona up
00:22:04
there say we could see him as this and
00:22:07
do a whole show around that and I think
00:22:09
that's what happened right Ray well I
00:22:12
mean like I said nobody was was was
00:22:17
interested except for Letterman I mean I
00:22:19
don't know what he saw I was just like I
00:22:21
guess the every guy you know um but I
00:22:24
had a really good first Letterman spot I
00:22:27
mean as hard as I am on myself it was it
00:22:30
was one of the better spots I've had on
00:22:32
ever on
00:22:33
TV it's so good it's so there's nothing
00:22:36
like it yeah and Bernett Bernett Rob
00:22:39
Bernett called me on the following
00:22:42
Saturday it was a weekend and he called
00:22:44
me and and he said listen we're they
00:22:48
liked it we're interested uh don't don't
00:22:51
sign with anybody else and you know I
00:22:53
told them there's nobody else you
00:22:56
know easy to get
00:22:59
yeah how old were you at that
00:23:02
point I was like 30 36 maybe yeah and
00:23:07
and they sent me to La you know I had
00:23:09
three kids then I had three little
00:23:11
kids I had the Twins and the and the
00:23:14
three-year-old and um and they sent me
00:23:17
to La and I interviewed with I I met
00:23:20
with about 10 potential
00:23:22
showrunners and the first guy I wanted
00:23:25
uh turned it down the first guy was well
00:23:28
a a writer named Michael borow who who
00:23:31
was writing on friends at the time and
00:23:34
friends was the hot sexy show so I got
00:23:37
all I got all you know seduced by that
00:23:41
and he was cool he was you know uh he
00:23:44
was single though he didn't have a
00:23:45
family or anything and I went we offered
00:23:49
it to him and and he passed on it h and
00:23:52
then Phil roseno was my second choice
00:23:54
and you know if if that doesn't happen I
00:23:57
don't know you know who knows
00:23:59
yeah did you ever have a moment because
00:24:00
it's sort of a theme in the show of
00:24:03
maybe trying for Saturday Night Live
00:24:05
because everything in hindsight like
00:24:07
when you you're two hosting things which
00:24:09
we'll get to I mean you were great like
00:24:11
a great sketch player you know did you
00:24:13
have any kind of designs about that that
00:24:15
because it's either the sitcom path in
00:24:17
those days or pure standup or I I kind
00:24:21
of I kind of
00:24:23
knew I wasn't a a a really pure sketch
00:24:28
guy you know I didn't have voices and
00:24:31
characters and and and I didn't know but
00:24:35
but did I dream of being on ssnl yes I
00:24:39
did I did uh um you know I was uh 17 18
00:24:45
when it came out and we we stayed home
00:24:46
and watched it every night every every
00:24:48
week um but I I never thought I was
00:24:52
going to be a sketch player an audition
00:24:54
I never asked my manager get me an
00:24:55
audition for SNL because I kind of knew
00:24:58
I didn't have that that muscle in there
00:25:00
you know um but I wanted I wanted to be
00:25:05
on it it's very hit I mean it's it's a
00:25:07
cool road if you you blow up on the on
00:25:10
the classic show Everybody Loves Raymond
00:25:13
and then they call and then you're gonna
00:25:15
go host so your first thing is just
00:25:17
hosting that's quite a privilege you
00:25:20
know yeah yeah it was I mean it was
00:25:23
probably I think it was year two maybe
00:25:25
of everybody might might it was 99 mhm
00:25:29
so so three it was year three actually
00:25:31
were you a hit out of the
00:25:33
gate on on on the Raymond no no we were
00:25:38
we were on Fridays the fir you know for
00:25:40
the first 20 20 21 of the first 26
00:25:44
episodes we were on Fridays and we were
00:25:46
in a 100th place and then the only thing
00:25:49
that was keeping him from canceling us
00:25:51
was the reviews were pretty good so you
00:25:55
know Le it was Les Les moonz at the time
00:25:58
so he kind of hung on to us and then he
00:26:01
gave us a five-week trial at the end of
00:26:04
year one he put us on after
00:26:07
Cosby um and Cosby was you know the
00:26:11
their hit and he said that you know we
00:26:13
knew that that was our trial that if we
00:26:15
didn't deliver then we were gone and we
00:26:18
actually went up a tick from Cosby and
00:26:20
we
00:26:21
stay wow was Cosby at some point did I
00:26:25
read this right that at a given point he
00:26:27
would get 50 million people watching his
00:26:29
sitcom maybe that first one the first
00:26:33
this was the second this was the second
00:26:35
one you know I don't know I don't know
00:26:38
about 50 that's that seems like a lot
00:26:41
but I got cancelled at 25 million with
00:26:44
one of the boys with Mickey Rooney going
00:26:46
back to that one more time they go we're
00:26:48
stuck at 25 million we're out of here
00:26:51
really yeah that was now if you get now
00:26:54
if you get one a million you're a hit
00:26:56
right if your parents watch just shoot
00:26:59
me 700 million bigger than the Super
00:27:02
Bowl every
00:27:04
week no when you look back the ratings
00:27:07
even on Rules of Engagement oh a few
00:27:08
people remember thank you um that uh we
00:27:13
got you same thing every you know it's
00:27:15
just typical the ratings at that point
00:27:18
made us get on the borderline of
00:27:19
canceled today would be huge but it goes
00:27:22
down when then people go I got picked up
00:27:24
we got a 0.09 I'm like that's great yeah
00:27:27
yeah know what the ratings are 09
00:27:29
doesn't sound like a lot of something
00:27:31
yeah I don't either I used to watch
00:27:34
every anything out of a 100 out of one
00:27:37
out of what I don't I would look them up
00:27:40
every week man and I would check the
00:27:42
numbers every week yeah and uh now I
00:27:45
yeah who knows I can't tell what's good
00:27:46
and what's not good did you call that
00:27:48
hotline and it would give you the
00:27:49
ratings yeah yeah I would call something
00:27:51
I remember I would call something it
00:27:53
would make your day or it would crush
00:27:54
you it' be like oh yeah yeah yeah yeah
00:27:57
and we got for our finale the equation
00:28:00
was this we got uh if you took
00:28:04
Seinfeld's finale and subtracted Friends
00:28:06
finale that was the numbers for our
00:28:09
finale yeah like L exactly perfect buddy
00:28:13
yeah it was good it was good but
00:28:16
Seinfeld got like 75 friends got like oh
00:28:20
close to 50 or whatever we got close to
00:28:23
30 you know yeah huge damn hug that's
00:28:26
just gigantic that's bigger than the
00:28:28
Oscars I saw a sketch I saw a sketch you
00:28:31
did Ray about a sports center I mean we
00:28:33
don't have to get in all the sketches
00:28:34
but there was one when you were Tim yeah
00:28:38
yeah that was I mean that's the one
00:28:40
that's the one is that the one really
00:28:42
because I you know when you look them up
00:28:43
they're on YouTube and you jump around
00:28:44
but that one well that's the one that
00:28:46
has a little bit the
00:28:50
barest H nugget of a of a little bit of
00:28:53
a cult following because of the the
00:28:56
sweet sassy molasses I wonder if they
00:28:59
say it on TV and sports center now
00:29:00
because it's so [ __ ] funny that was
00:29:03
very inspired uh you know the the new
00:29:06
the sports guys they're at the desk and
00:29:08
I'm starting to watch it and then uh I
00:29:11
see the turn and I go oh damn that's
00:29:13
really see it coming yeah and then you
00:29:15
landed it so beautifully Ray I just like
00:29:18
yeah well we I have to thank uh Mike Roy
00:29:21
was one of the writers on on Raymond and
00:29:24
and they all flew him Phil and one other
00:29:27
writer flew with me and Mike kind of
00:29:32
threw that together like a couple nights
00:29:34
before and we we we we all then worked
00:29:38
on it but he came up with that and he
00:29:40
came up with the sweet sassy Massie you
00:29:42
know and um and it worked and you know
00:29:45
the guy it's it was a Tim meals was
00:29:49
playing Stuart Scott I don't know if you
00:29:51
real guy yeah yeah
00:29:54
unun yeah booah and sadly you know he
00:29:57
passed away right but he he had cancer
00:30:00
and and but I saw him probably a year
00:30:03
before he passed away the first time I
00:30:04
ever saw him and I didn't know whether
00:30:06
he was going to be into it or not but he
00:30:09
was all he couldn't have been more
00:30:11
flattered by it he was he was really
00:30:13
cool about it yeah um but that's the
00:30:16
yeah like every now and then I'll be at
00:30:18
a golf chat tournament and someone from
00:30:20
the side will yell out sweet sassy
00:30:23
molasses so Ju Just for people who may
00:30:25
want to look it
00:30:26
up sort of two news they start Sports
00:30:29
casters they start to use all these
00:30:32
colorful phrases to report the games and
00:30:35
Ray's character takes it in
00:30:37
this but he but he's known for the
00:30:40
character that Tim meows is playing is
00:30:43
the real guy who for that who was known
00:30:46
for having that catchphrase booah yeah
00:30:48
you know whenever he
00:30:50
would narrate a clip or something and he
00:30:54
has cold side of the pillow stuff like
00:30:56
that right yeah yeah the real guy is
00:30:58
booah and then your guy is Sassy Massie
00:31:01
I was I was bringing him I was the new I
00:31:03
was the new guy and I tried to match him
00:31:06
with sweet sassy
00:31:07
Mass yours had some racial stuff in it
00:31:10
that he wasn't happy yeah it's funny
00:31:12
when I look back at it I'm like there's
00:31:14
no chance I don't know if we would have
00:31:15
wrote that now you know yeah and then
00:31:18
and then the second the funny that was
00:31:21
the what happened was the night before
00:31:23
we flew in for
00:31:25
SNL uh was the go I think it was the
00:31:28
Golden Globe Awards it was one of those
00:31:31
Awards and Roberto benini won and he he
00:31:35
jumped up on the chair you know and he
00:31:37
and he went
00:31:38
crazy and and I was looking at him and I
00:31:41
was thinking I they I could look like
00:31:44
him they they could make me look like
00:31:46
bonini and on the plane there we we we
00:31:50
threw together the sketch that was the
00:31:53
second one up that night was the Roberto
00:31:56
Roberto benini comes into the restaurant
00:31:58
and goes nuts you know yeah was was
00:32:01
there any that was the same show same
00:32:04
show it was it was that's good out of
00:32:06
the gate boom boom for Center first and
00:32:08
then bonini was next yeah that is the
00:32:10
thing about SNL uh dim store observation
00:32:13
is that stuff is thought of and then
00:32:16
it's fully mounted 24 hours later and on
00:32:19
live TV there's some the immediacy of it
00:32:21
is there's something very good at it
00:32:22
yeah yeah yeah it it was awesome I mean
00:32:25
it was it's a challenge you tell them I
00:32:27
need to be Rober
00:32:28
they're like yep and then got it you
00:32:30
walk in the next day and they got you
00:32:31
all dialed in you're like where'd you
00:32:33
find this outfit well we matched it with
00:32:34
he wore at the Oscars we matched it with
00:32:36
this we got the wig from here and you're
00:32:38
like [ __ ] man these guys know what
00:32:40
they're doing so you're jumping around
00:32:41
like that did you get hurt at all you're
00:32:43
two time your hosting times on sketches
00:32:45
did you get hurt doing that I mean
00:32:47
anytime you're doing physical and it's
00:32:49
live and your brain is thinking of so
00:32:51
many things you can fall down and stuff
00:32:54
no I I didn't get physically I'm happy
00:32:56
to hear that yeah
00:32:58
mentally mentally you look so beat up
00:33:00
that was a question I want that's my
00:33:02
number one question for today did you
00:33:04
get her did you guys did you guys take
00:33:06
any any blows in the whole time well I
00:33:08
don't know if you can see it I got a
00:33:09
bump here I had a Grade Three shoulder
00:33:12
separation doing a pre-tape pratfall as
00:33:16
Dan Quail the vice president going over
00:33:18
the otoman like the Dick Van djk show
00:33:21
and I just crushed it and then I was I
00:33:24
went two more times not knowing and then
00:33:26
I'm walking around like a pirate with my
00:33:29
shoulder way up and Mary Tyler Moore's
00:33:31
husband was an MD and he goes hey what's
00:33:33
what's wrong he felt it and said I think
00:33:35
you got a shoulder separation so I went
00:33:37
they checked it out but it was just
00:33:38
barely on the edge of a surgery but I
00:33:40
did a show the next night it was very
00:33:42
painful switching cloes really fast with
00:33:45
a separated did you do that bit did you
00:33:47
do the bit well that was a pre-tape so
00:33:49
it showed in the pre-tape
00:33:53
pre-tape did you get hurt David I got
00:33:56
hurt twice one was uh Schiller Vision if
00:34:00
you weren't in the sketches he could
00:34:01
pluck you for a day shoot films and I
00:34:04
was me and Victoria Jackson We older
00:34:06
people and he Dr and bad luck they drop
00:34:08
an atomic bomb lands on my head but they
00:34:11
did it from a ladder and I have a bad
00:34:12
neck and it's a jammed neck and so him
00:34:15
dropping this thing no matter how heavy
00:34:17
it is it wasn't that heavy but it keeps
00:34:19
racking me and they keep doing take
00:34:21
after take and I almost can't stand up
00:34:22
anymore I'm like I feel like I have a
00:34:24
concussion I'm like I I can't do this
00:34:26
anymore but I can't say say anything cuz
00:34:28
I just want to be on the show yeah and
00:34:30
then Farley picked me up backwards we
00:34:31
fell through a table and motivational
00:34:33
speaker and then uh I sort of got rocked
00:34:36
Farley pick me up is a tough where does
00:34:39
that go and by the way it's not super
00:34:42
thought out in quotes so he's like I'll
00:34:44
pick you up and we'll kind of spin
00:34:45
around and fall through a table I'm like
00:34:47
sure and whatever happened you just
00:34:49
cross your fingers but uh yeah you
00:34:52
weren't hurt during Ice Age were you
00:34:54
doing that voice over yeah I was
00:34:59
you were the you were the mammoth that
00:35:01
was a big one are they still doing them
00:35:03
or is it over don't you want more we did
00:35:05
we did five of them five yeah five no
00:35:09
never never well you've done I mean you
00:35:11
guys have both done animation right
00:35:13
Transylvania did four and I'm like do
00:35:15
one more [ __ ] secret life pets
00:35:18
when you did it did either of you have
00:35:21
other actors in the room with you
00:35:22
because I never did for five movies no
00:35:26
Nobody David you didn't have what's craa
00:35:29
lacking you didn't have Chris Rock in
00:35:31
there no no I never did I we talked to
00:35:34
Andy Samberg who's in Hotel Transylvania
00:35:36
and I said I told him I thought Miley
00:35:39
Cyrus was first GNA be Selena your
00:35:41
Selena's part which we didn't even agree
00:35:44
on that so who knows if it's a lie and
00:35:46
then he said I never actually got to do
00:35:48
it with Selena and they play boyfriend
00:35:50
and girlfriend husband and wife right
00:35:52
and he and I'm like all four never he's
00:35:54
like no we don't even do read throughs
00:35:56
anymore you know we used do one read
00:35:57
through the beginning and then I I just
00:36:00
get pieces right I don't didn't really
00:36:02
know what I was doing or what the movie
00:36:04
was I didn't even know the plot just
00:36:05
start
00:36:06
yelling people would be saddened to find
00:36:08
that out I'm just a Mad Dog I don't know
00:36:11
and that was it and I see it I see it at
00:36:14
the premiere I go what I know I mean
00:36:16
listen it's it's great to do it you know
00:36:18
especially you got kids and all it's fun
00:36:21
but it's it's really creatively not that
00:36:24
much fun to to do them you know you're
00:36:27
and you can't even you can't move away
00:36:30
from the microphone too much you know
00:36:32
you're trying to animate yeah you're
00:36:33
trying to act I'm trying to be a mammoth
00:36:35
sliding down a ice Glacier you know and
00:36:39
they go R you got to keep your head
00:36:40
still you know you can't
00:36:41
move um well there's about five people
00:36:44
behind a wall of glass you're in a booth
00:36:46
by yourself or a little studio and you
00:36:48
just look up to if you can see them kind
00:36:51
of laughing you can't hear them if they
00:36:52
don't press a button and you're kind of
00:36:54
just in a vacuum thinking it's this
00:36:56
funny I would assume you could you could
00:36:59
improvise a little right because I could
00:37:02
they really didn't oh really they didn't
00:37:04
really encourage improvising not too
00:37:07
much they'd let you do it but you knew
00:37:09
later on they had a you know they knew
00:37:10
what the story was go oh now I'm going
00:37:13
to do minutes I kept trying to sneak in
00:37:15
George Bush Senor and I GNA do it they
00:37:17
go that's not even the show but I go but
00:37:19
it's funny but anyway that's a whole
00:37:21
another story yeah they go Ray you're
00:37:23
sounding like more of a coyote than a
00:37:25
mammoth and you're like no no that was
00:37:27
my fault I went into something else and
00:37:29
when I did Emperor's New Groove we did a
00:37:30
year and a half stop red the script when
00:37:32
I was going in like Dana said I was just
00:37:35
getting Pages it turned into just you
00:37:37
walk in and they're like this is a scene
00:37:40
you're on a log and they give you as
00:37:41
much as you can you go okay and you do
00:37:43
it and the magic of how good they are I
00:37:46
have to say Hotel Transylvania I would
00:37:48
laugh they were so cute and funny and
00:37:50
what they do with the animation and
00:37:52
emperor's new group they just they make
00:37:54
it so much better than it even seems
00:37:56
when you're doing it yeah you go this I
00:37:58
don't really get what's going on it's a
00:38:00
little jumbled in my head of like where
00:38:01
were we and what are we and then you see
00:38:03
it you go oh they know exactly what
00:38:04
they're doing yeah yeah I mean that
00:38:07
would be it every time they'd say okay
00:38:09
ray you're running away from this guy
00:38:11
and he's and I go okay all right I go
00:38:14
well Ray you're you're farther away than
00:38:16
that so you know we
00:38:19
need you're like am I scared or am I
00:38:21
happy they're like it doesn't matter
00:38:23
just run but isn't it great when your
00:38:24
animated character gets an incredible
00:38:27
laugh like a lands of perfect pratfall
00:38:29
and you're like yeah thanks you're
00:38:30
taking high fives in the theater well
00:38:33
that's what happened was like I would
00:38:35
get credit for an emotional part there
00:38:37
was an emot especially in Ice Age one I
00:38:40
think there was a part where it was a
00:38:42
little bit of tearjerker and it was the
00:38:45
music and the way they animated my fa I
00:38:47
wasn't even saying anything and I would
00:38:50
get credit as an actor for for getting
00:38:53
this emotion from these people I'm like
00:38:54
all right you know yeah I'll take it I
00:38:57
remember when it when it played in um
00:39:00
another country like the first time it
00:39:02
played in
00:39:03
Mexico so they use a different actor a
00:39:07
different actor does oh right does the
00:39:09
Spanish version so it's not my me it's
00:39:12
not my face it's animation it's not my
00:39:15
voice and I remember my agent
00:39:18
congratulating me on how well it's doing
00:39:21
in Mexico I'm like all right I don't
00:39:24
know if I get that but okay you know I
00:39:26
have nothing to do with it
00:39:28
but they're like copying you there's a
00:39:30
German David Spade that does my stuff oh
00:39:33
really so heyes or what I'm trying Hey
00:39:37
bu in
00:39:39
German get all my
00:39:43
nuances go in his his performance all
00:39:47
same
00:39:50
performance sorry fake German are we
00:39:52
going to get letters no I don't know I
00:39:55
know I took German in college CU my
00:39:59
girlfriend the girl I was dating at the
00:40:01
time spoke German I thought oh she'll
00:40:04
help me and then we broke up and I was
00:40:07
stuck in a German class yeah how do you
00:40:09
say yes I yes I have Perfection yes I
00:40:12
have
00:40:16
protection that's not how it works I
00:40:20
remember wait and what does that mean
00:40:23
that's
00:40:24
one yeah that's counting one to 10 in
00:40:27
German oh that's it I thought it was
00:40:29
some sort of pickup line no and then
00:40:32
dick is I love you and love dick Jesus
00:40:36
that's a little on the
00:40:39
edge is a good day what what about house
00:40:43
off gobbin is homework hastu Brer have
00:40:45
you Brothers nine but ab's wife Wester
00:40:54
Abracadabra Hitler used to be a magician
00:40:56
in the 19 he was
00:41:00
aain you don't know when the rabbit
00:41:03
comes sorry
00:41:08
[Music]
00:41:10
sorry could we just for a second just CU
00:41:12
you may have some Impressions we uh of
00:41:15
Lauren Michaels just going then we're
00:41:18
going to move on to because I think a
00:41:19
big part of your legacy is this gigantic
00:41:21
career you've had after uh your half
00:41:24
hour sitcom but um do you have any like
00:41:27
were you just intimidated or how how did
00:41:30
you just process being in the 17th floor
00:41:34
with all the writers you go in Lauren's
00:41:35
office and he's talking to you people
00:41:37
have talked to that moment I don't know
00:41:38
if you have any thing well I didn't I
00:41:41
didn't know how it worked you know
00:41:44
I'm I was you know very of course
00:41:47
nervous you know um and we yeah the
00:41:51
first day you go in the office right and
00:41:55
again this is 20 you know I haven't been
00:41:57
on 23 years but
00:41:59
um all the writers come in and sit all
00:42:02
over the office all over the floor right
00:42:05
yeah it's just packed with people and
00:42:06
they all pitch what they're thinking of
00:42:09
you sit in the only good chair right
00:42:11
next to Lauren and I didn't know until a
00:42:14
couple guys told me later
00:42:17
like sometimes they don't have anything
00:42:19
so they just make up a pitch right fake
00:42:22
fake pitches yeah got you're a caveman
00:42:26
afraid of Cav
00:42:27
but you hear everything you hear all
00:42:29
these I don't know 30 40 pictures of
00:42:32
different scenes and it's intimidating
00:42:35
because you're like you know one of them
00:42:36
is you're a southern farmer and and I'm
00:42:39
like I can't do a southern farmer I
00:42:41
don't know you know
00:42:44
um play a carrot stick okay yeah I just
00:42:48
I I I throw a I throw a bluff in Ray I
00:42:51
always go uh oh Michael Keaton can you
00:42:53
do Russian accent and he goes yeah and I
00:42:56
go
00:42:57
for no reason well well one of the WR
00:43:00
one of the pitches was um you're my
00:43:04
grandfather and you're this and my
00:43:06
knee-jerk reaction
00:43:08
was this is how stupid I was I was like
00:43:12
wow he thinks I look old enough to be
00:43:14
his grandfather you know not really this
00:43:16
is freaking sketch comedy they're gonna
00:43:18
make you look like however Everybody
00:43:20
Plays everybody that's funny yeah um but
00:43:24
Lauren uh afterwards we discuss some of
00:43:27
the stuff we heard I guess he was I mean
00:43:32
he was uh you know they they treat the
00:43:35
host really well right because yes yes
00:43:38
because they they he he defers to you I
00:43:40
mean that's that's what that's what it
00:43:42
felt like you know when we had when we
00:43:45
whittel down some of the sketches he was
00:43:49
really deferring to what I thought would
00:43:51
work and then of course he would put in
00:43:54
his thing you know and and and you you
00:43:57
are part of the process there you know I
00:43:59
guess as much as you want to be right
00:44:02
yeah it's some because you take his
00:44:04
advice because he knows the show but he
00:44:05
also lets the host go if you're not
00:44:07
comfortable or if you don't like and he
00:44:09
would do it like this if everyone's
00:44:10
talking talking talking silence uh
00:44:15
Raymond just that yeah what do you are
00:44:20
you sort of circling the wagons on what
00:44:23
you might want to do like he'd go uh
00:44:25
raise my grandma paw what did you think
00:44:28
of that one and you're like I don't know
00:44:31
and he goes is it because you have to
00:44:32
wear gray hair in it yeah no I just
00:44:35
didn't like the whole
00:44:38
feel you want to do Mr short shorts uh
00:44:41
you don't have to do Mr short shorts
00:44:43
short shorts I think it's a good visual
00:44:45
piece uh it doesn't matter but if you
00:44:47
don't want to do Mr short shorts you
00:44:49
don't have to and there's a song as well
00:44:50
and you'll dance around in little short
00:44:52
shorts yeah yeah well don't forget we
00:44:54
brought in we brought in we brought we
00:44:57
brought in like three sketches and and
00:44:59
two of them got on you know that's a
00:45:01
miracle cuz they don't like when you
00:45:03
bring your Goomba writers in there they
00:45:05
go oh here we go that's that's smart
00:45:08
yeah they get mad all the writers go hey
00:45:11
guess what next week Ray's bringing
00:45:13
writers and everyone goes boo but I but
00:45:16
but they were all you know it was
00:45:18
Higgins right it was Steve Higgins Steve
00:45:20
hiin producer great guy yeah and he was
00:45:23
the I guess he was the head writer then
00:45:26
yeah I think so and we you know we we
00:45:28
got in there and we worked on these
00:45:30
sketches that we brought and he he he
00:45:33
helped polish it up you know and um yeah
00:45:36
I mean I can imagine you know these guys
00:45:38
yeah they this is what they're living is
00:45:41
to write sketches for us and I didn't
00:45:43
even think of that and here we are
00:45:44
coming in with took food out of their
00:45:46
mouth took it off their plate and then
00:45:48
on the second time I did it we came in
00:45:51
again and they didn't they
00:45:54
didn't Crush as much those sketch were
00:45:57
they came up a little short the ones we
00:45:59
brought by the way Ray I don't think I
00:46:02
remember when host would bring writers I
00:46:04
think Jam Fox maybe Martin Lawrence when
00:46:07
they would bring writers yeah it was
00:46:09
very hard to make the transition because
00:46:12
they weren't quite exactly right you
00:46:13
know like the sketches were funny in a
00:46:16
way but you know how it is Dana like for
00:46:18
what the stamp of everyone knows and
00:46:20
read through sort of how everything
00:46:22
works maybe there's too many sets in
00:46:24
them or there's something weird about
00:46:25
them the point is they don't always get
00:46:28
all the way to the end even though I was
00:46:30
kidding everyone's well-meaning if it's
00:46:32
funny it's funny put it on but I think
00:46:35
you getting two on is you say two the
00:46:37
first one that's a lot yeah it was and
00:46:39
it was the first one and the second one
00:46:41
it was it oh they kill yeah SP Center
00:46:43
and bonini were back to back sound great
00:46:48
but listen I wasn't trying to we weren't
00:46:50
trying to step on anybody's toes I just
00:46:52
I you're fine insecure I was just saying
00:46:55
guys come with me we had we had
00:46:57
Phil Rosenthal and and and two guys you
00:47:00
know yeah the mafia you're the mob no no
00:47:02
no so so Ray because you're you don't
00:47:04
wear your stardom on your sleeve like
00:47:08
I'm just interested in um like if you go
00:47:11
drop into a club I maybe you're not
00:47:13
doing much right now but when you're
00:47:14
getting ready for your special and the
00:47:16
MC is like okay fasten your comedy seat
00:47:18
bels because the next gentleman yeah
00:47:21
they
00:47:23
know you're just you got a little piece
00:47:25
of paper you're trying to have you had
00:47:27
that experience of the expectation of R
00:47:32
Romano yeah I I I I first whenever I'm
00:47:36
in the city I I I go on I go to the
00:47:38
seller whenever I'm in New York I go on
00:47:41
and um you know I was just in Atlanta I
00:47:44
was working in Atlanta so I I I dropped
00:47:47
in on the punch line the Atlanta punch
00:47:49
line uh I don't know if you guys did
00:47:51
that I I did it like 30 years ago I I
00:47:55
when I was just doing the road I did a
00:47:56
spot at the a week at the punch line um
00:48:00
we have a special guest but yeah they
00:48:02
they pile it on I I I've been I've
00:48:06
been not a fan of that since forever you
00:48:10
know even before I was the guy they were
00:48:13
saying you know before they would they
00:48:16
would Goose it up like crazy you know um
00:48:20
and I'm like yeah just lower you know
00:48:23
let's come in with lower expectations
00:48:26
and
00:48:27
yeah um I've done standup with Ray he
00:48:29
always crushes it's it's not even a joke
00:48:32
he always it always works I you know
00:48:35
obviously angered by it but does a great
00:48:38
job yeah he does a great job I did five
00:48:40
years in Vegas with him off and on but
00:48:42
Dana filled in for you one week that's
00:48:44
right Dana David I open for for Ray in
00:48:48
no no we we co-headline we co-headline
00:48:51
but uh the show starts at
00:48:53
10: and so and then you do your set and
00:48:57
then uh whoever goes you on around 10:20
00:49:00
and then you wait and then you do a
00:49:01
little shtick afterwards you know I
00:49:02
usually get up at 6 you know so it was a
00:49:05
long day but for David David David
00:49:08
wasn't a fan of that either yeah I stuck
00:49:11
it out and then at the because we were
00:49:12
like I think for a while the trick in
00:49:15
Vegas is they have Boys to Men or
00:49:16
someone do a full show before us you
00:49:19
want to take that they do a full show
00:49:21
Lauren Michaels he has a live and then
00:49:23
it's they let the audience out then it's
00:49:25
cheaper just to go we have the room
00:49:27
people in Vegas it's 10:00 Ray and Spade
00:49:30
they're just to stand up just have a
00:49:32
stool and a glass of water so they just
00:49:34
said let's see who can come in so we do
00:49:36
a big show it was really
00:49:38
fun but I always thought can they
00:49:40
flip-flop us I think the shows before us
00:49:43
I think was shim liim after us they're
00:49:45
just very family oriented and ours are
00:49:48
usually more adult well you know what's
00:49:50
funny is the room the room we play The
00:49:52
Mirage is is was is really a great room
00:49:56
great we've been doing those shows at 10
00:49:58
o'cl for whatever like you said five
00:50:00
years I've been doing it longer than
00:50:01
that I was with Kevin James before you
00:50:04
came yeah and and those shows are just
00:50:08
killer shows and then there was one
00:50:10
wasn't there one weekend where we had an
00:50:12
8 o'clock show it was even better it was
00:50:15
even yeah it's such a great fresh crowd
00:50:18
Because by the time we get off it's
00:50:19
almost midnight and they're like what
00:50:21
the [ __ ] and in Vegas you know they've
00:50:25
been they've been going hard in Vegas so
00:50:28
it getss they get tired you know but but
00:50:31
but listen there was no complain but
00:50:32
what we would do at the end was we would
00:50:34
come out and do a Q&A and I know it was
00:50:37
fun I like that I always like that stuff
00:50:40
right and then we needed to close the
00:50:41
show so we would close with a just a
00:50:44
joke joke right that's right that's
00:50:46
right so I remember when David started
00:50:49
working I had to we we came up with a
00:50:52
joke for you to S to say right yes of
00:50:55
course I didn't have one I go oh do a
00:50:56
joke and you go well just well here's
00:50:58
one you gave me a good joke say you do
00:51:01
one then I'll do one yeah and you did
00:51:02
and they're kind of dirty dirty jokes
00:51:04
but you know whatever and I remember
00:51:06
they and every time you know we do it we
00:51:08
do the gig every what three or four
00:51:09
months or whatever two months and you
00:51:12
come back and you'd kind of half forget
00:51:13
the joke but the joke was bomb prooof
00:51:17
bulletproof for sure some one of you has
00:51:19
to say it CU if I was listening to this
00:51:22
podcast I want to go what was the joke
00:51:24
it's a little R-rated I remember time I
00:51:26
get it wrong and I would look at Ray
00:51:28
baffled because the most infuriating
00:51:30
thing was he goes all right let's just
00:51:32
end with a joke you got one I go yeah I
00:51:34
heard one from my roulette dealer and I
00:51:35
would say one and then he would say one
00:51:37
okay and his luckily was so good because
00:51:40
it he give me he gives me one that works
00:51:42
every time and then I would just look at
00:51:44
him and he'd stare at me and go you
00:51:45
[ __ ]
00:51:46
CU just mangling it and no matter how
00:51:49
you tell it it would get a laugh and I
00:51:51
couldn't believe it because I'd be a
00:51:53
little buzzed and I'd go blah blah and I
00:51:55
could see while I'm finding it while I
00:51:57
tell it I it's this okay this by way
00:52:00
it's not that it's not that good we've
00:52:02
overhyped it it's not that good by the
00:52:04
way it's five sentences it's past
00:52:06
midnight on the strip in Vegas Here
00:52:08
Comes David with his joke oh yeah Ray I
00:52:10
got one okay it's it's a
00:52:14
couple's uh see what's good is now you
00:52:17
you can't remember it now which is
00:52:18
exactly how you would do it there
00:52:20
exactly perfect re reenactment of you on
00:52:24
stage go and then I would back out yeah
00:52:26
I back out 3 two one what's your joke
00:52:29
it's a couple but they are 90 years old
00:52:32
so it's their 60th anniversary I'm just
00:52:36
making up numbers
00:52:38
60th anniversary birthday and so the guy
00:52:42
as a present the woman says I'm going to
00:52:45
go wait in bed I'm going to go uh get my
00:52:49
present ready in the bathroom and I'll
00:52:50
be right out so he lays in bed she goes
00:52:54
in there and strips totally naked except
00:52:57
for a
00:52:58
cape look at Ray's scared he's already
00:53:00
grinding his teeth going you're already
00:53:02
a little off the crowd is restless land
00:53:04
it yeah I come she comes out uh steps
00:53:09
leans at the foot of the bed and says
00:53:11
super [ __ ] and he goes I'll take the
00:53:15
soup he got he got through it right was
00:53:18
that out of the
00:53:19
way goes you you always run over super
00:53:23
[ __ ] which is supposed to be a laugh
00:53:25
but I rush to get to I'll take the soup
00:53:27
and that works enough yes but there's
00:53:29
two there he says super [ __ ] and that
00:53:32
gets a laugh but he doesn't he never
00:53:34
waits for the laugh he steps on the
00:53:36
laugh and goes I'll take the soup and
00:53:38
and it kills anyway yeah so the proper
00:53:41
way cuz would be super [ __ ] and get all
00:53:45
that laugh and then hit it get the D the
00:53:47
guy says and the guy says I'll take the
00:53:49
soup yeah you're almost like wait and
00:53:51
wait and then you go I'll take the suit
00:53:52
okay cuz there's going to be people
00:53:53
listening are going to tell this joke at
00:53:55
a cocktail party tomorrow thinking it
00:53:57
over and then he finally goes no I'll
00:53:58
take the soup and then Ray Tails a great
00:54:00
one but I won't give that away but
00:54:02
anyway uh let's talk about his movie
00:54:04
that uh I got I observe one one thing
00:54:07
quickly get to his movie because that
00:54:09
something that he's going to love we're
00:54:11
going to say to him in a minute um I
00:54:13
kind of feel like when I watch your
00:54:14
standup I go honestly I go is this guy
00:54:18
the best standup in the world I mean
00:54:19
some of your stuff on YouTube and stuff
00:54:21
I'm like it seems like it's almost
00:54:24
overshadowed by how much stuff you've
00:54:26
done
00:54:27
in acting but anyway go see Ray as a
00:54:29
stand up I I sincerely wanted to say
00:54:31
that but something happened very strange
00:54:33
last night here's a double whammy so we
00:54:36
get the screener of somewhere in Queens
00:54:40
I just got off the plane we just came in
00:54:42
David and I just came in from DC we're
00:54:43
really wiped out so I start watching it
00:54:46
I'm cooking dinner and I'm like oh know
00:54:49
getting into it getting into it then I
00:54:52
bring the laptop upstairs because I'm so
00:54:54
jet legged I go I got to go to sleep but
00:54:56
I got so engaged with the movie and I've
00:54:59
never had this experience this much like
00:55:01
the movie is brilliant I loved it it
00:55:04
complet captivated me and as a baby
00:55:07
boomer parent it spoke to so many themes
00:55:10
because I don't want to give it away but
00:55:12
it it's just the vicarious living of a
00:55:15
parent and what you'll do and I knew
00:55:17
dad's in the stands yeah who had a
00:55:21
superstar son and it was a it was sort
00:55:23
of a miracle but anyway honestly with
00:55:26
total sincerity and David too had the
00:55:28
same reaction we got back from that Mark
00:55:31
Twain thing for Sandler and we were like
00:55:33
I even said to Dana in Washington I go
00:55:35
isn't there something we're going to
00:55:37
watch from Ray but I never got anything
00:55:39
and then we got home and they go oh yeah
00:55:41
yeah guys here's a movie and we're like
00:55:43
oh [ __ ] so I watched on my laptop last
00:55:46
night first of all I thought it might be
00:55:48
a comedy did you write and direct it or
00:55:50
did you direct it or I I I co-wrote it
00:55:53
and I directed it oh it's so
00:55:56
heartbreaking in it and funny it's
00:55:59
heartbreaking when you're talking to
00:56:01
that girl in the car uh first of all the
00:56:03
the young the son's girlfriend she was
00:56:06
great she's like a Jennifer Lawrence she
00:56:08
really jumped off uh every light up
00:56:12
everyone's great I can't thank you guys
00:56:14
enough man I
00:56:15
I when when we're off the air I'm going
00:56:18
to ask you if you really mean it no we
00:56:21
we have we you know what we would say we
00:56:23
would say um we didn't get a chance to
00:56:26
see it would be the punt oh I get oh the
00:56:29
screener didn't play you know or we
00:56:31
might say it was it it it sure really
00:56:33
held my interest it's just fun to be
00:56:36
able to tell you maybe it's because we
00:56:37
were jetl but oh I think it has so many
00:56:41
themes in it and your character is so
00:56:43
heartbreaking I just being a father
00:56:45
myself and just the length a parent will
00:56:48
go to for the love of a kid know it was
00:56:50
it came the story
00:56:53
came out of nuggets of my real
00:56:57
experience with my kid and my family and
00:57:00
and my son was a a basketball
00:57:04
player and he start he was he's six fo
00:57:07
five my son so he was one of the star
00:57:10
basketball players in high school and I
00:57:12
knew he wasn't going to play in college
00:57:15
because he wasn't a guard and at 6 fo5
00:57:18
you're a guard you know um and so when
00:57:20
it ended I was really feeling sad that
00:57:26
I'm going to
00:57:28
miss sharing this with my son but if I'm
00:57:31
being truthful I like the I live
00:57:34
vicariously through him I was I like the
00:57:36
attention I was getting too which how
00:57:39
how pathetic how but if you think about
00:57:41
how pathetic that is I I don't have
00:57:43
enough you know I
00:57:45
have I'm in movies I'm on TV
00:57:48
and but that whole world is so different
00:57:51
and it's so interesting and you're not
00:57:52
an athlete I mean you might be athletic
00:57:54
but you're not to this level of these
00:57:56
guys which I wouldn't be and you sort of
00:57:59
admire people that can do stuff you
00:58:00
can't do and it's your own kid and so
00:58:03
you take responsibility you're like
00:58:04
that's my guy out there you can't help
00:58:06
your ego human ego gets gets intertwined
00:58:09
and and the other parents want that have
00:58:12
have the bench sitter kid or the kid
00:58:14
that barely plays and they would sort of
00:58:16
love to have that and they're trying to
00:58:18
get it's a whole social Dynamic with
00:58:21
parenting I mean it's an amazing ego
00:58:24
structure of look at my kids I had one
00:58:27
in junior it was CYO basketball so
00:58:30
there's the kid who's like 6'2 in eighth
00:58:32
grade so I'm sitting next to his dad
00:58:34
he's getting all the rebounds and he
00:58:36
goes look at my kid get all those
00:58:37
rebounds I go well he is a lot taller
00:58:40
than everyone else he goes that has
00:58:41
nothing to do with it he just like he
00:58:43
just wants to get the ball nothing to do
00:58:46
with it my son my son's 411 are you
00:58:49
kidding
00:58:50
me yeah I know and and well that that
00:58:54
was the the the the The Germ of the idea
00:58:57
for the story was was when I felt that
00:59:00
emptiness I just
00:59:02
thought I I at least have other areas
00:59:06
where uh you know my life will be full
00:59:09
but what if it was this poor schlub guy
00:59:12
who had nothing else had nothing else
00:59:14
but this you know who felt invisible in
00:59:16
his real life and and his son brought
00:59:19
this out but it's a smart way to do it
00:59:21
no the things that happened I don't see
00:59:22
coming uh your wife in it did not know
00:59:25
that who that was uh took me forever
00:59:29
because she does such a disappearing act
00:59:32
Lor Lor is so well obviously she's
00:59:35
incredible you both were great together
00:59:37
I don't want to give it away but there's
00:59:39
there is a scene where that you captured
00:59:42
the tension of someone being busted and
00:59:44
the way that whole scene built and the
00:59:47
way you landed it you just felt
00:59:49
viscerally you know shame for the for
00:59:51
your character so it's like not easy to
00:59:54
do it's not an easy to land in a movie
00:59:57
I'm glad you guys feel that way man that
00:59:59
makes me feel good telling you I was
01:00:00
balling out of the blue was crying
01:00:03
wanting it to be like because it's funny
01:00:05
moments because you're funny guy but
01:00:07
when you weave in which is very tricky a
01:00:10
real situation where you're not trying
01:00:11
to do like I'm GNA do a joke now it's
01:00:13
just the way people talk you know and
01:00:15
then someone's being kind of funny just
01:00:17
because that's the way you talk when the
01:00:18
girl comes over and someone goes she's
01:00:20
so nice and she goes I do not [ __ ]
01:00:22
like her it just come you know that
01:00:24
those things come out of the blue that
01:00:26
might not be a great example but you
01:00:27
just do funny things well you're talking
01:00:29
about the Italian my wife
01:00:31
who's what I wanted to do was take this
01:00:34
story which will be Universal I'm I'm
01:00:37
glad you identified relate to it yes but
01:00:40
but put it in this specific Universe
01:00:43
which I lived in I I you know I grew up
01:00:46
Italian in Queens but my wife I married
01:00:48
into that world that we see in the movie
01:00:51
you know the the the traditional people
01:00:53
the right off the boat people you know
01:00:55
everything with all with all the all the
01:00:58
traditions and the parties and the you
01:01:01
know all the the food and and everything
01:01:04
and I said let's just do the story and
01:01:06
this make it specific but it's like it's
01:01:09
kind of like the formula that worked for
01:01:10
everybody's Raymond we made it specific
01:01:13
but it was identified when it comes to
01:01:15
family everybody kind of identifies with
01:01:17
it no matter where you're from you know
01:01:19
yeah wasn't my I'm not Italian I'm not
01:01:21
from Queens I was just relating to
01:01:23
different things even heartbreaking
01:01:25
stuff with relationships and dating and
01:01:28
there's a lot going on where you go oh
01:01:30
godamn that's funny and then they catch
01:01:32
you off guard again and just one the one
01:01:34
character which the casting of your son
01:01:36
was he was amazing too and just had such
01:01:39
you know you I can't tell you how hard
01:01:41
it was to find a kid who can you know he
01:01:46
the kid's an introvert you know so he
01:01:47
has to he has to emote without saying a
01:01:50
lot and so he has to be a pretty good
01:01:53
actor and also a good basketball player
01:01:56
it was so hard to find a guy of course
01:01:59
he was shooting threes and oh yeah he's
01:02:01
a good player and and we we would get a
01:02:04
list of guys we would look at all of
01:02:05
them and we would narrow it down and
01:02:06
then we would say put yourself on tape
01:02:08
playing basketball for five minutes
01:02:10
because they all said they could play
01:02:12
and within 10 seconds you could see this
01:02:15
this guy
01:02:17
never yeah um but and this kid was
01:02:20
driving Postmates when we gave him the
01:02:22
role he was just you know he just had
01:02:24
college video that films that he did
01:02:27
he's a and he's a great kid too you know
01:02:29
so I'm I'm happy for him you you you
01:02:31
touched on so many uh just experiential
01:02:35
things that were just like like I knew I
01:02:37
knew a guy I don't want to give names
01:02:39
away but like his first love he's
01:02:41
20 and he basically told me that he'd
01:02:44
said to her all I'll love you no matter
01:02:46
what forever or something to that effect
01:02:49
and then she was having sex with his
01:02:51
best friend the next day or something it
01:02:53
was like he said he he he said I love
01:02:56
you forever yeah too early too
01:03:00
early and it's like there's a lot of
01:03:02
stuff in your movie that but she was
01:03:04
like oh I'm covered even though I'm
01:03:06
going to have sex with your friend
01:03:07
you're still loving me right that was
01:03:08
the deal and he's like well I'll love
01:03:11
you forever no matter what you know on
01:03:13
the second date or something it's like
01:03:16
you know oh believe me I used to pour my
01:03:18
heart out these girls uh but I I can see
01:03:21
writing wise because I've tried to write
01:03:23
movies the fact that you're rap up every
01:03:26
story is very hard to do I mean
01:03:28
everything sort of just falls into place
01:03:30
all the way to the very end yeah yeah
01:03:32
and sometimes we thought we don't need
01:03:35
to wrap up everything you know
01:03:38
but no but it's true but but but they're
01:03:40
all very nice I liked them all I love I
01:03:43
love Sebastian in the movie too he's
01:03:45
just a great a great tough
01:03:51
[Music]
01:03:52
brother can I ask you a question uh just
01:03:55
uh
01:03:56
just popped my head when did you know
01:03:58
your wife was the one so to speak was
01:04:00
that a long courtship or did you were
01:04:02
thinking marriage pretty
01:04:04
quickly we we worked in a bank together
01:04:07
my wife and I yeah and and I'm going to
01:04:11
be honest she was the third woman I
01:04:14
asked out in the bank the first the
01:04:18
first two security guards first W the
01:04:21
first the first two turned me down the
01:04:24
first two turned me down and um did she
01:04:28
know uh I think she knew you know yeah
01:04:33
that I was interested in this other girl
01:04:36
first um and then it was when I quit the
01:04:40
bank uh that we started dating you know
01:04:43
but but you know I had nothing man I was
01:04:46
living at home she I give her credit
01:04:48
because uh I wasn't a catch really you
01:04:51
know um I was driving my bike to work
01:04:54
and all and um she took a shot and now
01:04:58
she's um she's house shopping every
01:05:02
three months what is interesting pre
01:05:05
money pre Fame living at home working in
01:05:08
a bank and like yeah so the there's
01:05:10
something there's some nice stuff about
01:05:13
that you know um yeah but but but but it
01:05:16
wasn't love at first sight you know I'm
01:05:19
not going to say that but but hi but
01:05:22
it it was like a lucky it was just kind
01:05:26
of like getting fired from news radio
01:05:28
you know it was it was uh it worked out
01:05:32
yeah I mean it was it was my life would
01:05:35
be very different if it didn't happen
01:05:36
you know yeah I sort of like that little
01:05:38
Jennifer Esposito uh she did nice job
01:05:41
yes I did a movie with her once Master
01:05:43
disguise I thought she was also oh yeah
01:05:45
she was really good with that little bit
01:05:46
she did yep and she really I didn't know
01:05:49
where what was going on with that but I
01:05:50
just like yeah the tough dad everyone
01:05:53
everyone knows the tough dad and that's
01:05:54
just the way they are and
01:05:56
and and you being a full-grown adult
01:05:58
with a tough dad is hard to sit there
01:05:59
and eat it all the time yeah you have
01:06:02
you guys directed anything ever no no I
01:06:04
haven't man it scared the hell out of me
01:06:07
I can't tell you how frightening it was
01:06:09
leading up to it uh I wasn't gonna I I
01:06:12
wasn't going to direct it but my agent
01:06:14
told me you know it's too personal get
01:06:16
in there and do it and I was like
01:06:18
another 10 grand in it for you another
01:06:21
Union it's another Union you're in
01:06:23
another Union all of a sudden
01:06:26
but uh he you know I I so that's your
01:06:29
first directing job okay yeah yeah I
01:06:32
hadn't directed any Raymond I hadn't
01:06:34
directed anything um and you know I've
01:06:37
been in the edit room for the last 25
01:06:39
years I've been I've
01:06:41
been writing and kind of directing you
01:06:45
know with Raymond you're directing even
01:06:46
though you're not directing you know
01:06:48
yeah um but uh I know nothing about the
01:06:52
technical side of it you know I I didn't
01:06:54
know one lens from another I knew what I
01:06:56
wanted to see what why what I wanted it
01:06:58
to look like so he just you know he just
01:07:01
convinced me get a surround yourself
01:07:03
with the the great cinematographer who
01:07:05
can collaborate with you and and uh you
01:07:08
know just pay attention to what you want
01:07:11
on the screen and I mean it was so
01:07:14
nerve-wracking though before it started
01:07:15
once it started it was all good you know
01:07:18
but I do think the writer and it's so
01:07:19
personal it's great that you were
01:07:21
completely in charge you would have been
01:07:22
de facto in charge even if you not taken
01:07:25
the credit no I'm glad he made me I'm
01:07:27
glad he made me do it you know because
01:07:28
now having done it I would do it again
01:07:31
if it's some the weird thing is I got
01:07:34
offers to direct now and the movie
01:07:37
hasn't even come out and people heard I
01:07:39
directed so I got a couple little offers
01:07:41
to direct these other things and but if
01:07:43
it I had no desire if it wasn't
01:07:46
something I wrote you know or something
01:07:48
you really uh heart yeah something I was
01:07:51
super passionate about maybe but but I
01:07:54
think the next I would it again if I
01:07:56
write something again I I would try it
01:07:58
again you know and you have to demand
01:07:59
the DP from corki Romano that you
01:08:03
got give me the best of the best did is
01:08:06
is that true was he on Cor Romano oh no
01:08:09
I just that's a funny name it was a
01:08:11
chrisan comedy I know but it's a funny
01:08:14
word package Cory Romano it's a great a
01:08:17
great name of a human being can I tell
01:08:19
you of my SNL experience and I loved
01:08:21
every second of it and Sports Center is
01:08:23
the one that stands out right but if I
01:08:25
have to be honest and pick my favorite
01:08:27
sketch it was the one Chris
01:08:30
Katan when he was the lounge uh you guys
01:08:34
may not seen singer he was the lounge
01:08:36
guy yeah and and he brought up me I was
01:08:39
like a Shey green has been comic and and
01:08:43
uh it just had it was so much fun yeah
01:08:47
that was my favorite sketch I think of
01:08:48
the two times I think it yeah well he
01:08:50
does great on the show it's great that
01:08:53
was fun I mean yeah I like seeing you
01:08:55
out there and there's one called the big
01:08:57
baby well you know I think people will
01:08:58
look you up that's fun when we have some
01:09:00
of the podcast people go and look up
01:09:01
sketch look up Ray R big baby was will
01:09:04
frell yeah was will frell yeah yeah did
01:09:06
you did you overlap with Katan with
01:09:09
Chris Katan I did a little with Katan
01:09:11
one year with frell and the cheerleaders
01:09:13
and that and then I was on my way out
01:09:15
but uh I could tell I was like it's time
01:09:18
to go and there's good people here it's
01:09:21
in good hands how many years spech how
01:09:23
many years you do I did six D is seven
01:09:27
and I've hosted three David's hosted a
01:09:30
couple times twice yeah each one's
01:09:33
different when was the last time you
01:09:35
hosted Dana I think it was like 2011 or
01:09:39
something I found it the last time just
01:09:41
so it's it's really exhausting when
01:09:43
you're a cast member and there's two
01:09:45
sketches you can really focus uh I too
01:09:48
much of a control freak but there's also
01:09:51
a Whimsy to how the show unfolds you
01:09:54
know unless you try to write ahead of
01:09:55
time which isn't you know I think I
01:09:57
think for me it's like then I've been
01:09:59
there doing guest Spots I'm on Fallon
01:10:01
and Lauren will just walk down on a
01:10:03
Thursday uh you'll you'll do Church chat
01:10:06
uh this week you know I got a flight out
01:10:08
tomorrow you'll be doing Church chat
01:10:10
it's that thing of like Ted Cruz and all
01:10:12
that so I've gone back and done th guest
01:10:15
spots which are really fun and I love
01:10:16
doing Wayne's World on the
01:10:18
40th I love playing that character at 60
01:10:21
did you go to the 40th Ray no I didn't I
01:10:25
went to the 25th with Peter Bo I
01:10:28
remember with Peter Bo when's the next
01:10:30
one man what what are they coming up
01:10:31
three years will be the 50th
01:10:34
so do you want two for
01:10:39
yeah plus
01:10:41
one uh let's see go ahead Dana do your
01:10:45
kids do standup still are they still
01:10:48
doing it the now we we have a production
01:10:50
company and we're making content we just
01:10:52
we finished the scripted you know
01:10:54
standup has to well it's just rough out
01:10:57
there now uh it was heartbreaking to see
01:11:00
the it's either opening for me where the
01:11:02
audience is so jacked up or it's an open
01:11:04
mic where because I suffered so much in
01:11:07
bad open mics and it wasn't my fault you
01:11:10
know they're having dinner or you know a
01:11:12
bar you know but now doing content uh is
01:11:17
more specific more connected like we're
01:11:20
going to do this thing it's not ethereal
01:11:22
you know it and basically standup in the
01:11:25
end of the day is traveling if it's
01:11:27
really your job it's about traveling I I
01:11:29
didn't watch you know Jackie Gleason or
01:11:33
Carol Bernett in the 60s and go I go I
01:11:36
want to do that but I didn't think that
01:11:37
would mean uh we're gonna we're going to
01:11:39
push back from the gate in a few minutes
01:11:41
but right now we have some maintenance
01:11:42
guys coming on board you know so the
01:11:44
travel part of is the part I don't like
01:11:46
yeah yeah my son tried it my one son my
01:11:49
one one of my twin boys did a a little
01:11:53
road he went to Albuquerque he went
01:11:56
to and did these one nighters he did
01:11:59
like five of them and that was his only
01:12:01
taste of it and he got he gets a he got
01:12:05
depressed that you know he was at a bar
01:12:07
where they weren't even facing him you
01:12:09
know and yeah and and he was getting
01:12:11
upset that he was what if I'm not funny
01:12:14
I'm like you can't tell you're not if
01:12:17
you're funny or not from that you know
01:12:18
it's by the way you got to do that
01:12:21
that's the sad part about standup in the
01:12:23
beginning years you gotta muscle through
01:12:25
all that stuff yeah yeah and I I I went
01:12:28
to a lot of open mics and most open
01:12:30
micers the audience even if the audience
01:12:32
is pretty good the reason they're not
01:12:34
doing well is the audience doesn't get
01:12:35
what they're talking about like the they
01:12:37
don't set it up properly like Clarity
01:12:39
without Clarity which you learn over
01:12:42
time uh but anyway they they had nights
01:12:44
where they would crush you know but it
01:12:46
still has to be a a specific passion and
01:12:49
the stuff we're doing now they're
01:12:50
enjoying more oh good that's good also
01:12:53
standup sometimes leads to doing content
01:12:55
they're sort of just going let's get to
01:12:57
the part where we make stuff it teaches
01:12:58
you a lot to trust trust your blink and
01:13:01
that in the end of the day the
01:13:02
sensibility if it's similar in a room
01:13:05
it's so much more pleasant like with at
01:13:07
SNL there was a very narrow sensibility
01:13:10
and so when something worked everyone
01:13:11
all knew it sitting around the writer's
01:13:13
room oh that'll work that'll kill but
01:13:16
right you know anyway it's uh it's been
01:13:18
a good life David DAV good luck with the
01:13:21
movie Ray ah thank you man April 21
01:13:25
April 21 somewhere in Queens and it's in
01:13:29
theaters or April 21 it goes into
01:13:32
theaters somewhere Queens I highly
01:13:34
recommend it I I really do I think it
01:13:36
touches a lot of stuff it it lands
01:13:38
beautifully movies just don't work that
01:13:40
I mean the big sick was another one of
01:13:42
those kind of indie films that was sort
01:13:44
of or small yeah that this is this is
01:13:46
like this this is in that league if not
01:13:49
better or well it touched me more
01:13:50
because it was so specific to my yeah
01:13:53
too thank you I'll see you will I see
01:13:56
you in Vegas David where you going I'll
01:13:59
be over at the Venetian with Nikki
01:14:00
Glazer but I'll yell over because son of
01:14:02
a [ __ ] I know but it's 8:30 I'm playing
01:14:05
the I'm headlining the Mirage I guess
01:14:07
you're out of town on oh God I hope it's
01:14:10
right you're going to do it July 7th or
01:14:13
8th or 14th or 15th yeah July well I'm
01:14:16
there you know who took your place David
01:14:18
right is Brian rean oh great yeah that
01:14:22
guy is a monster for him yeah he's
01:14:24
pretty good have time to be opening jars
01:14:27
and stuff I don't can't do I love that
01:14:30
guy that's it walk him through the joke
01:14:33
give them super super [ __ ] yeah we we
01:14:36
loved it Ray and we hope to see you
01:14:38
around campus and Here There and
01:14:39
Everywhere appreciate it thanks fix it
01:14:41
fix it and post fix it fix it up it's
01:14:44
right it's going it's baked it's ready
01:14:45
to go okay thanks buddy take care thanks
01:14:49
for being
01:14:51
on this has been a podcast presentation
01:14:53
of cadence 13 please listen then rate
01:14:56
review and follow all episodes available
01:14:59
now for free wherever you get your
01:15:01
podcast no joke
01:15:04
folks fly in thewall has been a
01:15:06
presentation of cadence 13 executive
01:15:08
produced by Dana Carvey and David Spade
01:15:10
Chris Corran of cadence 13 and Charlie
01:15:13
finan of brillstein entertainment the
01:15:15
show's lead producer is Greg Holtzman
01:15:16
with production and Engineering support
01:15:18
from Serena Regan and Chris Basil of
01:15:20
cadence 13

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Episode Highlights

  • Somewhere in Queens
    A discussion about Ray's film, which is both funny and dramatic.
    “It's kind of a tearjerker in places.”
    @ 01m 18s
    April 19, 2023
  • Ray Romano's Career Journey
    Ray shares his experiences from standup to directing films, highlighting his late success.
    “He didn't really get a breaking show business till he was 36.”
    @ 02m 06s
    April 19, 2023
  • First Letterman Spot
    Ray reflects on his memorable first appearance on Letterman, calling it one of his best.
    “I had a really good first Letterman spot”
    @ 22m 24s
    April 19, 2023
  • Struggles of a New Show
    Ray shares the challenges of his show being in 100th place during its initial run.
    “We were on Fridays and we were in a 100th place”
    @ 25m 38s
    April 19, 2023
  • Sweet Sassy Molasses
    Ray discusses a memorable sketch that gained a cult following, featuring the phrase 'sweet sassy molasses.'
    “Sweet sassy molasses”
    @ 30m 23s
    April 19, 2023
  • Shoulder Injury on Set
    Ray recounts a painful shoulder injury he sustained while filming a sketch.
    “I had a Grade Three shoulder separation”
    @ 33m 12s
    April 19, 2023
  • The Art of Sketch Comedy
    Sketch comedy can be intimidating, especially when you're expected to play various characters.
    “These different scenes, and it's intimidating.”
    @ 42m 32s
    April 19, 2023
  • The Challenge of Bringing Writers
    Bringing your own writers to a show can be a double-edged sword.
    “It's a miracle because they don't like when you bring your Goomba writers in there.”
    @ 45m 01s
    April 19, 2023
  • Captivating Movie Experience
    A heartfelt movie experience that resonates deeply with parenting themes.
    “The movie is brilliant; it completely captivated me.”
    @ 55m 04s
    April 19, 2023
  • Finding the Right Actor
    Casting a basketball player turned actor was a challenge, but it paid off.
    “He was just a great kid too, you know.”
    @ 01h 02m 27s
    April 19, 2023
  • The Journey of Love
    A story about young love and heartbreak that resonates deeply.
    “I’ll love you forever no matter what.”
    @ 01h 02m 41s
    April 19, 2023
  • Directing for the First Time
    Facing fears, he took on directing and found it rewarding.
    “I would do it again if it’s something I wrote.”
    @ 01h 07m 51s
    April 19, 2023

Episode Quotes

Key Moments

  • Ray Romano00:04
  • Initial Struggles25:33
  • Sweet Sassy Molasses30:23
  • Shoulder Injury33:12
  • Sketch Comedy Pressure42:32
  • Emotional Movie Reaction55:04
  • Casting Challenges1:01:50
  • Young Love1:02:41

Words per Minute Over Time

Vibes Breakdown

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