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RE-RELEASE - Chelsea Handler

February 04, 202647:33
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All right, we got Chelsea Handler.
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Chelsea Handler, old friend. Old friend
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of the show. I see her out and about a
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lot. Always funny. Just did the
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Critics's Choice Awards. We talked to
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her. Uh
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>> and she was of course on fire getting
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laughs.
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>> Yeah, she's a She's a pistol. She's got
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a lot of energy. She says what's on her
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mind. Very funny.
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>> Um she's
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>> never been shy.
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>> Never been shy.
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>> Yeah.
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>> Um
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>> we covered a lot. We talk about dating.
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Uh we talk about standup tours, who's
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filling arenas at these days. All the
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ins and outs of her life. Uh had a lot
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of laughs. Anytime you have a just
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straight up comedian on, we have a lot
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of laughs.
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>> Yeah, we started laughing the minute we
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started and it went all the way through.
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So, here she is. Chelsea Handler.
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>> Chelsea Handler.
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Hi, my two penis face buddies.
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>> I don't know what's
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>> I saw Chelsea recently, Dana, at a
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little backyard get together.
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>> Oh, remember I came over on the couch. I
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said hi.
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>> Uh, was it at Ted's house?
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>> It was at Gervitz's, our manager.
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>> Oh, yes, yes, yes, yes. That was a
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really fun party. Apparently, I left
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that party too early. I heard it went
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all night long and that you got on stage
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and sang.
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>> No, you know what? That was the idea.
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There was It was going to be people
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would sing. But by the way, I got there
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at seven because everyone was a little
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older. So, I got there at 7:00 going,
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"Oh, no, no one's going to be there
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yet." And then people are leaving. I go,
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"Wait guys, this is I'm the old guy, but
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I wasn't the oldest guy there for once."
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And uh and then Dana, I don't think you
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went to that one, but after about nine,
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it was kind of slowing down and then I
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goes, "Are they going to sing?" And
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they're like, "No, they did a birthday
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cake." And then they go, "And then his
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daughter sang." Remember that, Chelsea?
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>> Yeah. Yeah.
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>> Lovely song. And then I said, "I guess
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that's it." And they go, "No, Eddie's
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not going to sing." And I go, "Oh, I
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thought we were going to all going to
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sing." Okay. So I leave and then about
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two hours later,
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>> Sandler's like, "You're up." But I'm
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like, I'm up. I'm in bed. I don't Are we
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doing this?
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>> And did you go back?
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>> No, he's too far away. It was an hour.
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>> Right. Exactly. There was a lull in that
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party after about two hours. And that's
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when a group of people left. I didn't
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know that we were supposed to stay and
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things were going to, you know, there
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was going to be an act too. So, I also I
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was we may as well have left together.
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David David like we've done so many
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nights of our lives
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>> so many times. And I liked it because
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the party was fun, but it felt like a
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long party and it felt like there was a
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cake and we weren't really bailing out.
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It was just like I thought they were
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trying to say scoot, you know, because
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there's probably 30 people left.
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>> Also, I feel like Gazentite, if that was
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a sneeze, Dana, I I also feel like
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>> I feel like LA is so lame. You know what
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I mean? Like no one is out at till 9. I
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mean, that's what time everyone goes to
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bed. Every party ends earlier. It's just
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there. It's almost like it's so hard to
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even go out because the scene is kind of
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just so subdued. So many people are
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sober. It's it's just not what it used
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to be. I'm going to just throw that out
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there.
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>> I was going to throw that out there to
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talk.
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>> Explain to me as a fellow human being
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why anybody
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>> in their right mind would go to a
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Hollywood party.
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>> No.
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>> Isn't it the most hideous? I mean, I I
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give me I like four people at your house
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for dinner. I'm not going to book it.
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That would be nice. Five. One
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conversation's happening. But the small
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talk uh derby, what's up with Chelsea?
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What's going on? Oh, yeah. You know,
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God, I don't know how you guys deal with
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it.
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>> Well, when it's hours of that and you
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keep walking to the same people all
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night, you don't know what to say the
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eighth time you see them. Yeah. And it's
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also like you have to question why
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you're at parties. Like what what's your
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motivation? Why are you why am I here?
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Like am I promoting anything? Like am I
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why am I going to an Oscar party? I'm
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not nominated for an Oscar. Why am I at
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the party? Like I always I'm like no,
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it's like you know, you got to show up
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once in a while to like refresh people's
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memories. But um I find LA to be I wish
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I I want to I want to have that place in
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New York. That's going to be my my goal.
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I think that's a little bit it's too
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unhealthy. Like I'm becoming almost
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elderly in this lifestyle. Whenever I'm
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here, which isn't frequently, I come
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back home and like last night I was
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supposed to go over for friends for
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dinner, which the kind of event you're
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describing or dinner you're describing,
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Dana, which is actually sounded really
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nice. But even getting in my car and and
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and I am in a compromised situation
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because I I just had some surgery, so
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you know, it's not fun. I can't drink. I
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can't really do anything. But I was
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going to get in my car and go over there
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and I was like, I don't think so. I
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don't think I would rather just sit here
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and watch mindless television and sleep
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as much as I can. I think I overheard
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one of you lesbians is saying that you
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slept for 11 hours last night.
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>> I did. Yeah.
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>> Wow. Wow. Did you masturbate to get
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yourself to sleep?
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>> No, but I I I woke up and I had
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completed the task and it was like, what
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the [ __ ] was I dreaming?
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>> Yeah, you can do it in your sleep.
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>> Oh, yeah. So, who started that? What I
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meant was the movement from in the
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stand-up world with women, females,
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whatever you prefer. And it seems to me
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that Joan Rivers made a turn where she
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really was more incendiary than the 60s
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Joan. And then there's this continuum of
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female standups just saying what they
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want. And I put you uh in that, you
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know, you're like the leader kind of in
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a way. There's younger ones coming back.
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I don't know. I mean, when did standup
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turn for women where squirting jokes and
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stuff like that could come out, you
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know? Who who
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>> just anything goes.
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>> Yeah. I don't know. I think it's like a
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rush of It's like a wave, if you will.
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No pun intended. A wave of squirters
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talking about squirting and women, you
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know, the more Listen, we're all talking
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about the same stuff. When you break
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down standup comedy, you're talking
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about your personal life, your
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relationships, your relationship to
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drugs and alcohol. you know, it's all
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the same pitter patter of idea ideas and
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it's just like how does your execution
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vary? So, I guess if you it's you know,
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the more women that are up talking about
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this, the more accepted it becomes by
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nature and there are more female comics
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than they've ever been, but I don't know
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when it started. I mean, Joan certainly
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paved the way for all of us. I can say
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that. Um, I didn't really realize that
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until she was dead, you know, like I I I
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was like, "No, I paved the way for
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myself." I had an arrogance about my own
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success. Like Joan Rivers wasn't
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somebody I had looked up to. And then
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you know when I did my homework and grew
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up a little bit I realized how how what
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she went through and like you know going
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to the comedy clubs like women didn't
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even get on stage without being like you
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know they would get on stage as
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characters like housekeepers or you know
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maids or or like you know just like
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>> Deler was kind of a character.
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>> Yeah. Right. And Joan was like being
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herself and dressing up and going to
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these gross comedy clubs. I mean, we all
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know how gross comedy clubs are. They
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are. That's where all disease begins.
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And I that's where the disease in my
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shoulder probably began.
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>> It's just it's just presenting now. Um,
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but yeah, she was a trailblazer, of
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course, which is an annoying word for
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some reason. I find that annoying. I
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don't like when people call me a trail
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blazer either because I'm not out there
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with, you know, blazing trails, but I I
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think that uh it's just good to see
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women succeed. It's good to see women
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being taken seriously. And it's like the
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idea that women aren't funny is just so
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dumb. And I know both of you know that,
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but like, you know, for so many men out
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there who really think that men that
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comedy is just a men's game, it's it's
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it's been so insulting for so long that
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you just kind of turn off that noise.
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Like, you know, when I was doing, for
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instance, my first talk show, Chelsea
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Lately, I didn't pay attention to any of
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that because it didn't I didn't go home
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at night thinking, what was it like to
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be the only woman in late night? Those
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were just comparisons that everybody
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else made. And I feel like if you spend
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too much time thinking about that aspect
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of it, you're it's taking away from your
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creative outlet anyway. You know what I
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mean? You should be creating. You should
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be doing your thing and not looking
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around to see what your your competition
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is doing. because I certainly didn't
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look at David Letterman and think I was
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in competition with him. You know what I
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mean? I wasn't. I was on the E network,
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you know.
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>> Um, so I that's what I think I have to
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say about that.
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>> Making making a buzz on the E network
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even though he's making he's on network,
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but E, you're helping E get wider and
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more looked at, which is interesting.
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Also, when I go to the comedy store,
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every you don't even blink. Every other
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comic is a female. I mean, everywhere
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you go, it's not even like, "Oh, you're
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not one of the comedians."
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You know how it used to be. You'd be
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like, "Wait, there's a female comic on
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the show tonight." It would be like Rita
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Rudder or something. When I, you know,
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Paula Poundstone and uh
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>> but now there's so many. So, it's great.
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I mean, listen, it's all if you got some
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game
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>> and there's they don't mention there's
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also bad male comedians. So, it's not
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like all the lots of them. guy ones are
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good and the females are bad. It's like
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if you're good, you're good. And so you
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see a nice mix. Um I've seen some on
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Instagram that are funny. Just pop in my
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feed. So,
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>> you know, I would when I was growing up,
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yeah, it was like the female comedian
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was referred to as they wouldn't say
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David Letterman the guy
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>> and that was more prevalent this woman
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comedian and woman woman. I I see less
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of that more than just comedian. And one
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thing that's kind of cool about you is
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you produced a show for Whitney, right?
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I mean, you you do a lot of producing of
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things and for other people. So,
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>> yeah, I did at that time. Well, yeah,
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Whitney's show didn't really last too
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long, but we tried. And then we produced
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a show for Ross Matthews. He wasn't
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really a production powerhouse at the
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time I was there, so it was really hard
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to get. We did after lately. David, you
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were on that show with us which was like
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a satire of Chelsea lately where I was
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just like in a really exaggerated
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version of you know the [ __ ] the [ __ ]
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that I am. But we we did we did so much
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like uh what was I what was I where was
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I going with this? We did so much
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producing Whitney.
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>> Oh yeah. It was really hard to get
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anything done in at E with them being
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behind anything. Like they were just
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trying to assuage me because we had a
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hit show. So they'd be like oh you want
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to produce this? Great. go ahead and
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then they'd be like, "Oh, it's not
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getting the numbers or whatever." But,
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you know, it was hard to get anything
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going on Eve. I mean, the Kardashians in
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my show were like, you know, and I don't
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know, Saving Sunset or whatever it's
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selling Sunset. Saving Sunset.
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>> I think that was later. You were really,
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>> you paved the way for shitty uh flip.
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>> Yes. Yeah. He really took a hit after I
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left and the Kardashians left. Like, and
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actually, I know this is probably coming
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out later, but I'm about to host the
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Critic's Choice Awards, which brings me
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back to Eid this next Friday night,
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which is a full circle. I'm going back
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to my birthplace.
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>> I love that show. When I first saw that
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show uh with you and the comedian stuff,
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it was one of the first like lowfi shows
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cuz cable was still coming up and stuff.
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And so it there are shows that do do
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that now, but you know, usually it was
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the band and the you know, so it was
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very cool how lowfi it was and casual.
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>> It was very casual.
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>> If you're just funny, you don't need
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much. You need a camera and then you got
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and then people like, "Oh, you don't
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need all this other noise." Because some
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of those shows there's only just this
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much comedy and there's little pieces,
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but those are harder what you're doing
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because it's just like, "Turn the
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cameras on. Let's just talk and we'll
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find things to talk about and and it
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just blew up." And that's why I I agree
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when you left it was a big hit on there.
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But also, you know, like it it was so
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much fun because you guys are from SNL,
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so you know about like Ensemble. But
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what was so much fun about that show was
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that the the c the casualness of it
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allowed us to like just book my friends
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on the round table. You know, so many
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comics that I didn't even know that I
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discovered on my own show whose careers
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have blown up like you know, Fortune
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Famster or Joe Koy, like Kevin Hart used
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to be on the round table, like all these
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people. So that and it was so unique in
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the fact that like at the time anyway
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because everyone's ripped off that show
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now too. I mean David you've even ripped
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it off but like you and I don't believe
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ideas can be ripped off so I don't care
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anyway. But like putting comics together
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when you know you become a comedian
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>> essentially to stand on a stage with a
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microphone alone like it's the most
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probably narcissistic you can be. And so
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to put to have comics to have four
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comedians on a round table at the same
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time sharing space and actually having
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to listen to each other and riff off of
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each other was a joy and also kind of
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unexpected because you don't see
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comedians interacting that much.
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>> No. Carson would in the early days he'd
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have people stay out there. So you might
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see Bob Hope and Don Rickles get in a
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fight or something, you know, but that
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went away and it was one guest one out
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and then highly highly organized with an
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outline of what you're supposed to get
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to in the commercial breaks. And so
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since your thing was I hate this one of
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my least favorite words was just
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authentic that when the comedians were
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riffing, you knew it was happening real
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time. There wasn't a rehearsal. It's not
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a set up. It's just pingpong which made
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it really pop. So I see why it went on.
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>> You can also do when I was doing David
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lately um which was not a ripoff when I
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was doing
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>> David Davey lately they um
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>> the part of the fun hosting is kind of
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hard but if you're dishing off you're
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not doing all the lifting anymore. So
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you give someone a subject and now
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you're just tagging what they say on
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their jokes and then someone else jumps
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in. Now you're like, "Oh [ __ ] these if
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you get good people in there that can
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just [ __ ] like that, then people
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just like to see like they're at dinner
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and just you're just bullshitting
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basically."
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>> Yeah. And that's what's you know, you
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hang out with comics all the time. Like
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the best things that happen are never
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being filmed. So you're like, "Oh,
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wouldn't it be great if we could film
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these conversations?" Which is
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essentially what that show became,
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>> right? The green room basically, you
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know, bring it out bring it out front.
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So, what um I guess we should mention
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before we get showing away is you have a
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you have a book, right, coming out.
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>> I have a book a book is called I'll Have
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What She's Having. That comes out
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February 25th on my 50th birthday. And
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then my special is called The Feeling
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and that comes out on Netflix on March
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25th, which is a month after my
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birthday. So, I don't know when this
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airs, but you can just piece it together
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however you'd like.
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>> We'll
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Yeah. So, The Feeling is Netflix. So
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which
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because I remember I came to see is it
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possible I came to see you at Caesar's
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Palace once years and years and years
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ago. Did you ever play Caesar?
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>> Yeah, I do. I actually Yes, I used to
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play Caesar's Palace. Now I do a
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residency at Vegas where I perform once
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a month which is how much time I'm
00:15:35
willing to spend in Vegas. I perform
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once a month at the Cosmopolitan at the
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Chelsea Theater. So I I perform inside
00:15:42
myself. But I was at Caesars's many
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years ago,
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>> years and years. Cuz I think it was
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during maybe your show and I think Brad
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Wallock, those guys were there. I think
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I think I think uh how many specials
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have you done? Which one is this?
00:15:58
>> I don't know actually. Four. Four or
00:16:01
five. Four or five. Probably five.
00:16:03
>> How did this one feel? Because I think
00:16:05
it's very hard. I did a couple. They
00:16:07
suck because I just I when you know you
00:16:11
have one there was a technical issue and
00:16:13
you have one shot and you've kind of
00:16:15
worked on this stuff in little clubs and
00:16:17
now you're in a barn with 1,400 seats
00:16:19
and three balconies.
00:16:21
>> So how did this one feel? Like your
00:16:23
experience of the other ones what you
00:16:24
want to land is like a feeling basically
00:16:28
of how you're authentically your best
00:16:30
self on stage, right? Not shooting a
00:16:32
special in a
00:16:34
>> Well, you're Well, no. I think you do
00:16:36
treat it like you're shooting a special,
00:16:37
but you're supposed to not You're
00:16:38
supposed to shoot two in a in a row. Da
00:16:41
d d d d d d d d d d d d d d d d d d d d
00:16:41
d uh D D D D D D D D D D D D D D D D D D
00:16:42
D Dana, sorry, David.
00:16:44
I'm too I'm too weak and old to do two
00:16:46
in a row.
00:16:47
>> Well, I mean, I guess so because that's
00:16:49
how you don't screw it up. If you don't
00:16:51
get what you want in the first set, then
00:16:53
you know to get it in the second set.
00:16:55
>> So, um, somebody should have definitely
00:16:57
told you that.
00:16:58
>> No, it's it's all
00:17:00
>> or you can do two shows in two nights.
00:17:02
More expensive, but you can do
00:17:03
>> Yes. Right. Of course you could do that.
00:17:05
>> Okay. Then topic-wise or material-wise,
00:17:07
is there is there something that is a
00:17:09
little surprising for your fans? This is
00:17:11
just me asking off the top of my head.
00:17:12
Like are you stretching the envelope
00:17:15
further in terms of honesty because it's
00:17:17
sort of your brand of like
00:17:19
>> Oh, I'm always honest. I'm always, you
00:17:20
know,
00:17:21
>> you're even more honest.
00:17:22
>> Well, yeah. I mean, these are some
00:17:24
personal stories. I have some I have a
00:17:26
really great Andrew Cuomo story in this
00:17:28
special. a personal Andrew Cuomo story
00:17:30
because I was trying to get penetrated
00:17:32
by him during the pandemic.
00:17:34
>> I remember that trending that you were
00:17:36
gonna try to [ __ ] Andrew.
00:17:37
>> I remember I was hoping it was going to
00:17:38
be a live stream.
00:17:40
>> I know. I wanted to to also live stream
00:17:43
it and I wanted to do it for my country
00:17:44
because he just fel felt so um like we
00:17:48
had leadership in a time where we were
00:17:50
so dehydrated for it. But I have a
00:17:52
really good story in there about that. I
00:17:54
have a great George W. Bush story going
00:17:56
to Kenny Bunkport compound like on 40
00:17:59
milligrams of THC and having to interact
00:18:01
with the president on a pickle ball
00:18:03
court, the former president,
00:18:05
>> right?
00:18:06
>> So there's a little um there's a lot of
00:18:08
sharing. The feeling is actually a
00:18:10
reference to something I did as a child
00:18:13
to like at the jungle gym at school to
00:18:16
get a certain feeling around my Pikachu
00:18:18
area that a lot of nine-year-old girls
00:18:20
did.
00:18:21
>> And so that's a reference to that. I
00:18:23
take you from my youth into my adulthood
00:18:26
and kind of telegraph the fact that I've
00:18:28
always been this way. But yes, the
00:18:30
special felt great. You know, I'm at a
00:18:32
point where I've done this for so long.
00:18:35
I'm very capable and confident in what
00:18:37
I'm doing. I don't have um I don't I'm
00:18:40
not worried, you know, about it. I I I
00:18:43
I'm like you get to a certain point, I
00:18:45
think, in your career as I hopefully the
00:18:47
two of you can also attest. You know
00:18:49
what you're you got you're still here
00:18:51
because you got yourself this far. So,
00:18:53
like you know what you're doing. You
00:18:54
don't have to be in your head about it
00:18:56
anymore. At a certain point, you realize
00:18:58
that's just such a wasted energy and
00:19:01
that you're successful because of you.
00:19:03
So, just keep doing you.
00:19:10
>> No, I agree. I I just I'm a little I
00:19:12
have a self-critical side of my brain
00:19:15
and I have if I do stand up in a club
00:19:19
one night from the other can be
00:19:20
completely different if I get into a
00:19:22
character or some idea. I like I like it
00:19:24
to be kind of riffing part material
00:19:27
riffing.
00:19:28
>> Right.
00:19:29
>> But very hard with like 19 cameras. I
00:19:31
don't know why they need that many. Um
00:19:34
and then I get locked into doing my
00:19:37
outline like okay I've got to get to
00:19:39
this next bit. But if I was live, I go,
00:19:42
"Oh, I'm gonna go over here and do
00:19:44
Anthony Fouchy for 10 minutes." So,
00:19:46
>> Oh, yeah. Yeah. You can't do that during
00:19:47
a special riffing. It would be very
00:19:49
difficult to capture because you don't
00:19:51
know, right?
00:19:52
>> Unless you did 10 nights, unless you did
00:19:54
a lowfi crew and did 10 nights. But, um,
00:19:57
so
00:19:58
>> or crowd work, that's tough on the
00:20:00
special.
00:20:00
>> Well, yeah. One thing I was just curious
00:20:02
about your take on this hot take that
00:20:05
this era of Netflix special and
00:20:07
comedians playing stadiums and arenas
00:20:10
and multiple nights of Madison Square
00:20:12
Garden. I don't know exactly when it
00:20:14
started, but it's a phenomena. And I
00:20:17
don't know if one of our great female
00:20:20
comics, sorry to put it in that box, has
00:20:22
made that leap
00:20:24
>> to arenas or Madison Square Garden or or
00:20:27
has someone done that because that
00:20:29
>> Yeah, Amy. Well, I played Madison Square
00:20:32
Garden, but not the I think I did the
00:20:34
theater at Madison Square Garden. I've
00:20:35
definitely done Radio City for multiple
00:20:37
nights. Amy Schumer played Madison
00:20:40
Garden, I believe. 20,000 18,000. Yeah,
00:20:44
it's a big one.
00:20:45
>> I mean that's going to happen. I mean I
00:20:46
Amy did arenas. I did an arena tour, you
00:20:49
know, at some point in my career. I
00:20:50
don't do arenas now. I do like usually
00:20:53
three to 4,000 seaters, but like I mean
00:20:55
it I think it's going to happen. You
00:20:57
know, there's so many people coming up.
00:20:58
Taylor Tomlinson, you know, she sells
00:21:01
tons of tickets. Atscu
00:21:04
um I mean there's a ton. So yeah, I
00:21:06
think it's also a choice. You know, some
00:21:08
comics don't want to move to that level.
00:21:11
like it's there's a there's a level of
00:21:13
intimacy.
00:21:14
>> I remember dating Joe Koy and Joe Koy
00:21:16
does um arenas
00:21:18
>> and I would go and do guest sets at his
00:21:20
shows and I'd be like this is too many
00:21:22
people like how can you I I have so many
00:21:24
facial expressions and like subtleties I
00:21:27
how can that be captured in such a big
00:21:30
stadium or arena and I remember getting
00:21:32
off stage being like oh easily. So, like
00:21:35
you kind of have this attitude like,
00:21:36
"Oh, I gotta keep it intimate." But then
00:21:38
when you're exposed to that kind of
00:21:39
audience, you're like, "Whoa, this is
00:21:40
[ __ ] awesome."
00:21:43
>> It's okay. Yeah, you need screens, I
00:21:45
would say.
00:21:46
>> Yeah, there's always large screens.
00:21:47
>> Okay, that works. Yeah,
00:21:48
>> a lot of my jokes are very small.
00:21:50
They're not even jokes. Actually, it's
00:21:51
not funny. None of my stuff is funny.
00:21:54
And so, it's harder to play any room.
00:21:56
>> That is difficult for for you, David, as
00:21:58
a comedian to not have funny material
00:22:01
andor be funny yourself. It's a deficit.
00:22:04
You do. so well under with all that um
00:22:08
those those problems of not being funny
00:22:10
and not having funny material. I've been
00:22:12
sometimes I do actually not on my own
00:22:14
but when I play the bigger rooms with uh
00:22:16
Adam or something same thing it's it's
00:22:19
harder because you see guys like in the
00:22:21
in the hallways where you like it's like
00:22:22
at a concert where you see those guys
00:22:24
there's guys selling beer over here
00:22:26
there's always someone talking there's
00:22:27
always people drifting off not
00:22:29
everyone's ever focused at once but if
00:22:31
they're locked into you like if it's
00:22:33
your crowd
00:22:34
>> I see I always say Nate Batsi his crowd
00:22:36
he plays big places and they're just
00:22:38
waiting for like throwaway jokes setup
00:22:40
jokes They're laughing at setups and
00:22:42
they're just like so intently listening.
00:22:43
I go, "That's the dream." Just get
00:22:45
people like waiting for every [ __ ]
00:22:47
thing you say instead of the big swings.
00:22:50
You're like, "Yeah, but daboo." You
00:22:52
know, you got to really Sometimes to get
00:22:54
everybody at once, you go bigger. I
00:22:56
don't know.
00:22:58
>> Yeah. No, I don't think you do now,
00:23:00
David. I don't think you do.
00:23:01
>> I don't even know what's going on right
00:23:02
now.
00:23:03
>> So, what you're a busy uh human being.
00:23:06
>> Entrepreneur. I'd like the word
00:23:08
entrepreneur even though I have no
00:23:11
I have no business.
00:23:12
>> We have a correction.
00:23:12
>> I have five books now.
00:23:15
Books do really well.
00:23:16
>> Why should people go buy this book? I'll
00:23:19
do a good great question.
00:23:21
>> Um I you know what? If you're into me
00:23:23
and you're into my stories and you're
00:23:25
into my humor, go buy the book. If
00:23:26
you're not, skip it. Like uh this is my
00:23:30
seventh book I t and my fifth or fourth
00:23:33
stand of special to be determined. We
00:23:34
still haven't figured that out. And um I
00:23:37
don't know. I'm I'm uh I like to be I
00:23:40
like to hustle, you know what I mean? I
00:23:42
like to do my own thing and I don't
00:23:43
really like direction from uh people.
00:23:47
>> So, as long as I
00:23:48
>> You are an entrepreneur. You're in
00:23:49
charge of your career. You're not a
00:23:51
you're not someone for hire. You do the
00:23:53
hiring.
00:23:53
>> Right. Right. Like I don't like to be I
00:23:56
I have been hired for jobs. But, you
00:23:58
know, historically I work best when I'm
00:24:00
my own boss. So, I do my podcasts, I do
00:24:03
my specials, I do my books, I do my
00:24:05
like, you know, TV stuff, but I try not
00:24:07
to have a long-term position where
00:24:09
anyone is giving me notes on anything.
00:24:11
>> I would say the only time I've really
00:24:13
not enjoyed show business and when I was
00:24:15
working with people with different
00:24:16
sensibilities and they had power over
00:24:18
me.
00:24:18
>> Yeah,
00:24:18
>> that's the worst feeling.
00:24:20
>> Um, you know, they're offering Oh, I
00:24:23
just want some advice for a sec. Like,
00:24:24
they're they're asking me, can I write a
00:24:26
book? just you don't have to answer this
00:24:29
in long form, but what's your advice
00:24:32
someone writing a book? I mean, did you
00:24:34
talk to a tape recorder? Did you have a
00:24:36
a writer's assist then? Do you just
00:24:38
start throwing stuff at the wall or how
00:24:40
how do you do it?
00:24:41
>> Didn't you you have a book, Dana? I
00:24:43
think I have your book, don't you?
00:24:46
>> I don't think.
00:24:46
>> No, I didn't.
00:24:48
>> Oh, maybe I'm thinking of your book,
00:24:49
David.
00:24:50
>> My book would be too dark. I mean, no
00:24:51
one would believe it as the problem, you
00:24:53
know, because I I, you know, don't have
00:24:56
that image. But yeah.
00:24:57
>> Yeah. Well,
00:24:59
>> I think it's pretty. I mean, listen, I
00:25:00
think as long as you're honest for me, I
00:25:03
just think honesty is a commodity.
00:25:05
There's a lack of it. People are a
00:25:06
little bit scared of honesty and like
00:25:09
conflict and uncomfortable things. So, I
00:25:12
like to like kind of go like
00:25:14
>> head first into that stuff. And that's
00:25:17
works for me. And it's like whatever
00:25:18
your point of view is, I think anyone
00:25:20
can write a [ __ ] book, especially
00:25:22
like in our industry, everybody does. So
00:25:26
that should be your first, you know,
00:25:27
barometer that you you can do it. And
00:25:30
your stories, the reason why they're
00:25:32
yours is because they're not believable.
00:25:34
Like everyone's stories, you could say
00:25:35
that about. So I would say I don't use a
00:25:38
No, I don't use a writer's assistant.
00:25:39
When I write my books, I do it all by
00:25:41
myself and I just start writing. I sit
00:25:43
down.
00:25:44
>> Yeah. I type everything on a computer
00:25:46
>> and then I have an editor look at it and
00:25:48
then when it's like shaped and it's in
00:25:50
some sort of form, I'll start sharing it
00:25:53
with people. But usually I don't I don't
00:25:55
like too much feedback. Like I have like
00:25:57
three or four people whose opinions I
00:25:59
respect and then based on on that I'll
00:26:01
be like okay like I'll go to them from
00:26:03
the cover or the title or um you know
00:26:06
like my editor named this book. I'll
00:26:08
have what she's having. I was like I'm
00:26:09
not naming a book. I'll have what she's
00:26:11
having about myself. That's so stupid.
00:26:13
And she's like no that's how you feel
00:26:14
after reading the book. I'm telling you
00:26:16
you want what you're having. And I was
00:26:18
like okay. And then I had to think about
00:26:20
it because usually I was like that's a
00:26:22
little but then I was like yeah you're
00:26:24
right I want people that's what I want
00:26:25
to inject people with. It's like a
00:26:27
little bit of optimism and in in sad
00:26:30
dark times.
00:26:31
>> What about when Harry met Sally where
00:26:33
she says I'll have what she's having.
00:26:35
Was there any conversation of maybe not
00:26:37
referring to a famous romantic
00:26:40
>> that's part of the famous
00:26:41
>> No that's part of the reference. Yeah.
00:26:43
So this is what you have to learn about
00:26:45
books. It's kind of like you know we
00:26:48
have a lot to learn. Dava. Dava.
00:26:50
>> Yeah. Yeah. We're we're that we're that
00:26:52
tight. We we go by one name, Dava. But,
00:26:55
uh, thank you. The only thing I'd be
00:26:57
interested for you is like you're very
00:26:59
honest,
00:27:01
>> but then you'll get to a chapter or a
00:27:02
point or a story where you you're going
00:27:06
to hurt somebody maybe um, and you like
00:27:09
them or you don't like them. Do how do
00:27:12
you navigate that or you just,
00:27:14
>> you know, do you just navigate that a
00:27:17
little bit? It's a judgment call. Should
00:27:18
I bury this person at the party where
00:27:20
they were drunk or keep it in? Stuff
00:27:22
like that.
00:27:23
>> Well, you have to legally shroud
00:27:26
people's identity unless they're a
00:27:27
public figure. So, like if I have my
00:27:29
story about Andrew Cuomo, which happens
00:27:30
to be in my standup special and in my
00:27:33
book, there's a crossover. It's two kind
00:27:36
of different like there's way more room
00:27:38
for detail and everything in the book,
00:27:39
but he's a public figure. So I tell like
00:27:42
one version of that story in the book
00:27:44
and I tell I mean it's the same version
00:27:45
but you know different storytelling
00:27:47
styles for standup for books
00:27:49
>> but like for him I don't have to ask
00:27:51
permission because everything I'm
00:27:52
telling is true for a friend of mine
00:27:54
that I'm writing about who I
00:27:57
>> like who isn't a public figure that I'm
00:28:00
saying something embarrassing or bad
00:28:02
about like I have to shroud her identity
00:28:05
so that no one will read it and
00:28:07
recognize who you're talking about. So
00:28:09
sometimes it's like I I'll make up a
00:28:11
character. I'll make a guy a girl or
00:28:13
make a you know you make them a
00:28:15
different age, a different part of the
00:28:16
world they live in and blah blah blah
00:28:18
just to kind of shroud their identity.
00:28:20
But that's what you have to do when you
00:28:21
write books. Also,
00:28:22
>> I've gotten all I need today. Thank you.
00:28:25
>> I have a question.
00:28:26
>> This is your motivational This is your
00:28:27
motivational talk for you guys this
00:28:29
morning for both of you. Dava,
00:28:31
>> I have a question about your um you
00:28:35
don't like bosses at work, but do you
00:28:37
like when you date someone, do you like
00:28:38
to be bossed around?
00:28:40
>> A boss in the bedroom? I mean, I would I
00:28:43
like being sexually bossed around. I
00:28:45
mean, no one's really going to boss me
00:28:47
around because that's just not going to
00:28:48
happen. You know what I mean? I don't
00:28:50
have time for that. But I do like
00:28:52
sexually when somebody kind of tosses me
00:28:53
around and tells me to shut up or like
00:28:55
pushes my head down, you know, like
00:28:57
playful sex. I like that.
00:29:00
>> Into the wall.
00:29:01
>> Did Joe Koy do that?
00:29:04
>> Um, probably when I asked him to. You
00:29:07
know, you got to kind of tell guys
00:29:08
luckily these days that you want that
00:29:11
and that you want to get like, you know,
00:29:13
so yeah, I'm sure Joe Koy was a little
00:29:15
bit, you know, trying to throw me
00:29:17
around. I'm sure
00:29:20
Yeah. You go, "Hey, Joe Koy."
00:29:22
>> During sex all the time, I would go, "Oh
00:29:24
my god, Joe Koy. Joy.
00:29:27
Oh my god, Joe Koy. Are you in? What's
00:29:29
happening?
00:29:30
>> I've never heard anyone just call him
00:29:31
Joe. I think it's always Joe.
00:29:33
>> I didn't know that he didn't know how to
00:29:35
spell Joe Koy. I thought Joe Koi. I
00:29:38
thought J O K O Y was like his birth
00:29:42
name and his name is actually Joe and
00:29:46
then Koi is a madeup name. So, and then
00:29:48
he combined Joe Koi. Joe Koy.
00:29:51
>> So, I don't know.
00:29:52
>> It worked. Yeah.
00:29:53
>> Yeah. So that was actually difficult
00:29:55
when I was writing the book because
00:29:56
there's a chapter about I talk about my
00:29:58
relationship with Joe Koy and I I I'm a
00:30:01
real big on spelling and grammar like I
00:30:04
find it to be a turn on when also people
00:30:07
pay attention to spelling and grammar
00:30:09
>> and so
00:30:10
>> I he spells his name J O K O Y and I had
00:30:14
to spell it J O E and then K O Y and a
00:30:17
space. I did. I couldn't spell it that
00:30:20
way that he wants people to spell it
00:30:22
just out of respect for myself.
00:30:25
>> It's not an actual
00:30:28
name in the English language. Joate
00:30:31
with a female.
00:30:32
>> Well, that's right. Women are who are
00:30:34
named Joe. It's J. And he's spelling his
00:30:38
name like a woman. So, I had to respect
00:30:40
him because I know he doesn't present.
00:30:42
He doesn't identify as a woman. So, I
00:30:44
wanted to spell his name correctly just
00:30:46
by chance he might see it and learn how
00:30:49
to spell his own name.
00:30:50
>> Yeah.
00:30:52
>> Well, Joe, yeah, it has it's whimsical a
00:30:55
little bit, you know. I don't know. Joe,
00:30:57
you know, Joe's like a Joe guy, you
00:30:59
know. Joe Joe, artistic
00:31:02
>> Joe. I wouldn't do it just because it's
00:31:05
a female name. Like I would change.
00:31:07
Maybe he doesn't maybe didn't know that.
00:31:09
>> Joe from Little Women you're talking.
00:31:11
>> Yeah. There's not that many musician
00:31:14
like you. Who's the better standup on
00:31:16
their best night? You or Joe Koy.
00:31:18
>> Oh, I would Well, Joe's a great standup.
00:31:20
I would never say that I'm a better He's
00:31:22
great. I mean, he is very good at what
00:31:25
he does. So,
00:31:26
>> it would help if you said you were
00:31:27
better.
00:31:28
>> I would never say that about any comic.
00:31:31
I don't need to say that.
00:31:32
>> He's powerful. Definitely. He's
00:31:34
physical. Uh he does a lot of uh voices
00:31:38
of other
00:31:39
>> Yes.
00:31:41
people around
00:31:42
>> different comics. She'll say that that's
00:31:44
>> best completely opposite ends of the
00:31:46
spectrum. Exactly. It would like it be
00:31:48
like comparing an apple to a pineapple
00:31:52
>> to a type Thank you. Yeah.
00:31:54
>> to a typewriter to
00:31:57
to a Dyson. It would like be comparing a
00:32:00
a clean air what is this called? An air
00:32:02
doctor. We all have to get air doctors
00:32:04
right after the fires. It would be like
00:32:06
comparing an apple to an air doctor. I
00:32:09
think uh
00:32:09
>> it would be like comparing a frontal to
00:32:12
the lunar module.
00:32:14
>> Yeah.
00:32:14
>> Yes, that's right.
00:32:16
>> David,
00:32:17
>> it would be like Oh. Um I don't have any
00:32:20
good ones of that, but I was saying that
00:32:22
maybe Chelsea,
00:32:23
>> the chemistry between the two of you is
00:32:25
palpable.
00:32:27
>> We
00:32:27
>> and I think the chemistry between the
00:32:29
three of us is very intriguing as well.
00:32:32
>> So pal palpable is good.
00:32:35
>> Palpable is Yeah. something you can
00:32:37
almost you can feel it and you can touch
00:32:39
it almost.
00:32:41
>> When you date a guy, do you feel like
00:32:43
you're a little intimidating or guys
00:32:45
scared to ask you out? Do you think?
00:32:46
>> Yeah, I think men are very disturbed by
00:32:49
me. Yes, I think that they is not what I
00:32:52
said.
00:32:52
>> I think they find me off-putting and um
00:32:55
some men really love me and that's nice.
00:32:58
But I think as men in general, straight
00:33:00
guys above a certain age are a little
00:33:03
bit put off by me. I'm not trying to be
00:33:05
intimidating or to turn people off. I
00:33:08
just have that essence about myself and
00:33:11
>> you don't seem like you're out trying to
00:33:12
turn them on either. You're not like
00:33:13
thirstily going after guys. You're just
00:33:15
doing
00:33:15
>> When was the last time you had sex?
00:33:18
>> Oh, uh, just a few weeks ago. I have a I
00:33:22
have a mountain I have a mountain lover.
00:33:24
I have a I have a mountain man that I
00:33:26
have sex with in my mountain house in
00:33:28
Whistler, Canada, where I ski. So, right
00:33:31
now I'm in LA and usually in the winter
00:33:34
time I have sex with a mountain man.
00:33:36
>> And does the mountain man have a big
00:33:38
burly beard and really husky? What is
00:33:41
it?
00:33:42
>> What are you getting at?
00:33:42
>> Yeah,
00:33:43
>> he he has a big He has a beard. It's not
00:33:45
burly like what you're envisioning, but
00:33:47
he has a beard. He definitely looks like
00:33:49
he's from the mountain.
00:33:51
>> You know what I mean?
00:33:51
>> Is it Burke Chryser?
00:33:53
>> It is not Bert Chryser. No. No. He has
00:33:56
never been on top of me inside of me. I
00:33:58
don't think he's been on top of anyone
00:33:59
except for his own wife. So, that's
00:34:00
probably for the best.
00:34:02
>> That's sweet.
00:34:03
>> Yeah,
00:34:04
>> that is We're gonna spin that sweet.
00:34:06
>> Well, you have a mountain man in a
00:34:07
cabin. You've got a bestselling book
00:34:09
about to happen.
00:34:10
>> Dial it in.
00:34:11
>> You got a You got a special. I mean,
00:34:13
what don't you have right now?
00:34:15
>> A baby. I don't have a baby. Thank God.
00:34:18
So, that's there's that, you know. Okay.
00:34:20
>> I think about all the things that I
00:34:21
don't have that I'm grateful that I
00:34:23
don't have, like a husband. I never
00:34:24
wanted to be married. I just find that
00:34:26
idea. I can't believe you've never
00:34:28
gotten married. David, did you get
00:34:29
married one time?
00:34:30
>> I don't think so.
00:34:32
>> Good for you. Like, for making that
00:34:33
decision, Dana, what about you? Have you
00:34:35
been married?
00:34:35
>> It's hard to make that decision to be
00:34:36
honest. Weird. Born to be married. I've
00:34:39
been married for 42 years.
00:34:41
>> Oh, wow. Congrats on that. That's nice.
00:34:44
>> I guess so.
00:34:45
>> That's why Dana and I have all the
00:34:47
sexual tension between us.
00:34:48
>> I just had a really weird childhood. And
00:34:50
I just uh I would get the walls would
00:34:53
close in on me over time uh if I was
00:34:56
just alone too too much, you know. So,
00:34:59
>> right. Right.
00:35:00
>> If you when you when you've had a great
00:35:02
boyfriend and he's not you're not
00:35:04
married to him and you're watching TV
00:35:06
and you're having fun and you have your
00:35:07
separate career in life, that's fun,
00:35:09
right? Because it's you get to share
00:35:11
stuff. It's fun, right?
00:35:13
>> You don't have to get married though.
00:35:15
Marriage is
00:35:15
>> No. Yeah.
00:35:17
>> No, I'm with David. And I mean, David
00:35:18
and I probably have some similar um
00:35:20
dating habits. I like just to have an
00:35:22
open field and even if I am dating
00:35:24
someone, it's it's very clear like this
00:35:27
is not, you know, this is nice and
00:35:29
everything, but there's not going to be
00:35:30
any sort of long-term commitment made
00:35:32
ever. And that's not the way I roll.
00:35:36
>> I don't think I've ever had that
00:35:37
conversation
00:35:40
or guys that look like me.
00:35:42
>> Bill Maher always says to me, "Everyone
00:35:44
wants me to get married." I go, "No one
00:35:45
wants you to get married. You don't
00:35:47
cares. We don't I married people don't
00:35:49
think that you've all got to be married.
00:35:51
So um
00:35:52
>> especially Bill Maher like who's worried
00:35:54
about Bill Maher getting married? Who?
00:35:56
Who? No one.
00:35:58
>> He says he says
00:35:59
>> exactly.
00:36:02
>> Dude, I go to Chelsea at things just to
00:36:04
go laugh because she's always going to
00:36:05
say something snipy and funny about
00:36:07
somebody. It's [ __ ] always funny. Um
00:36:11
you're always good to uh I think I've
00:36:13
even been to your house. I don't know if
00:36:14
it's that house.
00:36:15
>> No, this is a new house. You know whose
00:36:17
house I [ __ ] bought? RFK. RFK Jr.'s
00:36:20
house is the house and he and Cheryl
00:36:22
Hines. I bought this house. I didn't
00:36:24
know that they owned the house when I
00:36:25
bought it, which would have been a huge
00:36:27
>> take out the weight room.
00:36:29
>> Why do you I mean I have an I have had
00:36:31
an infection ever since I moved into
00:36:32
this house and I believe it's from him.
00:36:34
>> He's supposed to be health guy and he
00:36:35
got in from his
00:36:39
>> Look at this is from Look at this
00:36:40
bruise. It's from my IV. I have to have
00:36:42
a daily introvenous. Yeah. like from a
00:36:45
rough obsession with mountain man
00:36:47
>> with Joe right now. Yeah.
00:36:51
>> Congratulations. Me too.
00:36:58
I did a benefit for the cardiovascular
00:37:02
whatever and I think Ryan Street Crest
00:37:04
was on it but it was a horrible
00:37:06
environment and I went out there and it
00:37:08
was pulling a tractor and I bombed and I
00:37:11
came outside and I think you might have
00:37:13
been smoking a cigarette. I don't even
00:37:14
know if you smoke but you seem like
00:37:16
incredibly cool and confident and you
00:37:19
sort of you sort of went how many of
00:37:20
these do you do? like you basically in
00:37:23
my mind you were saying to me why would
00:37:25
you do this you know and I had the
00:37:28
disease to please and say yes and so
00:37:30
that's how I remember you and I thought
00:37:32
you were very cool.
00:37:33
>> Oh well that's cute.
00:37:35
>> Yeah I'm just cute.
00:37:36
>> Yeah. Chelsea part of her her attraction
00:37:38
is she's
00:37:39
>> she's not very pretty but she's very
00:37:41
like kind of a tough chick that you have
00:37:43
to you everyone feels like they have to
00:37:45
win over because she's not easily like
00:37:47
>> she doesn't she we're referring to you
00:37:49
now Ch. She doesn't suffer fools. She
00:37:52
doesn't suffer fools. I would not say
00:37:55
>> you got to throw something at her that's
00:37:56
decent because she's not going to she's
00:37:57
going to see right now.
00:37:58
>> There's a hurt little girl in there
00:37:59
somewhere and a vulnerable person behind
00:38:02
that Dennis.
00:38:05
>> There's a gooey sentimental
00:38:09
>> um cries real softy.
00:38:11
>> I think everyone has
00:38:12
>> By the way, I like that she's texting
00:38:13
during this. Anyway, we're giving you
00:38:14
all these compliments and you're like,
00:38:15
>> I'm just texting the I'm texting the
00:38:17
police. You're going you're going Can we
00:38:19
wrap this up? I have two question is
00:38:21
going to be on the podcast.
00:38:23
>> I have to say here's two names for your
00:38:26
next specials. Ready?
00:38:27
>> Okay.
00:38:28
>> Okay.
00:38:29
>> One is
00:38:31
more honest. That's not bad.
00:38:33
>> Oh, that's not bad. I like that
00:38:35
actually. More honest.
00:38:37
>> You're always because you're always
00:38:38
honest. But you have another special.
00:38:40
You're like,
00:38:40
>> I've got one.
00:38:41
>> Okay.
00:38:41
>> I've got the balls.
00:38:44
>> Okay.
00:38:45
>> Okay. And here's one more. Those are two
00:38:47
suggestions and one of them I like
00:38:50
>> I don't have a baby. Thank god.
00:38:53
>> That's right.
00:38:54
>> That's not a bad one cuz people are
00:38:55
like, "Oh, I want to hear what that's
00:38:56
shit's all about." You can never
00:38:58
>> I feel like
00:38:59
>> Yeah, I feel like I've said that so many
00:39:00
times that I like more honest though.
00:39:03
That's a good one. I'm actually going to
00:39:04
put that in my notes section. David,
00:39:06
>> two words. Yeah,
00:39:08
>> three two words, three syllables.
00:39:11
>> Mine was intentionally going for the
00:39:13
worst title ever, so his is actually
00:39:15
good. thinking of how about just Chelsea
00:39:19
with an exclamation point.
00:39:23
>> How about Oh, she's already done that.
00:39:26
Oh, she's already done that.
00:39:27
>> I've done it. Everything is named on
00:39:29
that name.
00:39:30
>> I've used that name up. I need a new
00:39:32
[ __ ] name.
00:39:33
>> You know what's funny? Whitney and
00:39:35
Chelsea, like there's Eliza. A lot of
00:39:37
the female comics, you know them by one
00:39:40
name. You don't know me by date. You
00:39:42
know what I mean?
00:39:44
>> You all you everyone knows you by spade.
00:39:46
Everyone goes by, you guys go by last
00:39:48
names. Well, some of the girls go by
00:39:50
last Yeah, it's true.
00:39:52
>> Sandler, Rock, Spade. We even call each
00:39:55
other that.
00:39:57
>> Yeah. Yeah, you do. That's right.
00:39:59
>> Speaking of Hollywood parties, are you
00:40:01
going to um GIO series house tomorrow
00:40:03
night, David?
00:40:05
>> Oh, I'm not because I have a [ __ ]
00:40:07
casino gig.
00:40:08
>> Oh, dear.
00:40:09
>> Well, I would love it. That's fun. I
00:40:11
would like to see you there.
00:40:12
>> I know. I was just going to see if you
00:40:13
wanted to go with me on my plus as my my
00:40:16
plus one. But you're I can't believe I
00:40:18
or as your you know if you were going
00:40:21
but um
00:40:22
>> well those are fun because he never says
00:40:24
who's going and I never ask. I just go
00:40:25
I'll just go and see what's going on.
00:40:27
But I I were shoot I'm shooting this
00:40:29
independent right now film and this is
00:40:33
my first day off in a while and I
00:40:35
definitely wanted to do this with you
00:40:36
because we it's been hard to sort of
00:40:38
organize but then tomorrow I have to go
00:40:41
do a m a show I had booked before I did
00:40:43
this so I am going to miss it. I would
00:40:45
like to do that. It's a fun night.
00:40:47
>> Well, I hope you have a great time at
00:40:49
your casino gig. What what what city is
00:40:52
that in?
00:40:53
>> No one knows. It's um
00:40:55
>> Exactly. You go.
00:40:56
>> Casinos are pretty tricky.
00:40:58
>> They're fun though. And when you get
00:40:59
there, they're not bad. Is it with
00:41:01
Nikki?
00:41:02
>> With Nikki Glazer. No.
00:41:03
>> Mhm. No.
00:41:04
>> No. We do a Vegas thing sort of like
00:41:06
Chelsea sometimes. And um those are fun
00:41:08
too. At least Vegas you can stay up
00:41:11
late. Chelsea.
00:41:12
>> Yeah. I like to gamble. I like to play
00:41:14
with like lots of money and gamble. I So
00:41:16
I I do my show. Usually I have a bunch
00:41:18
of friends or family or whomever. Like
00:41:20
they come and they get a block of rooms,
00:41:22
you know, we hook them up. They come
00:41:23
out, fly out with me and then we gamble
00:41:26
and I, you know, I love gambling. I love
00:41:29
blackjack. I love supplying everyone
00:41:31
with money to gamble for people who
00:41:33
don't have money to throw around and I
00:41:36
always start with a certain number and I
00:41:38
always leave and I always always walk
00:41:40
out with more money. Like I am so lucky
00:41:43
with gambling and I have made that
00:41:45
casino I believe luckier.
00:41:47
>> What What do you play? Blackjack. What
00:41:49
are you playing?
00:41:50
>> Yeah, Miracle Ear. I just [ __ ] said
00:41:51
it. a blackout.
00:41:52
>> I know. Well, I I have a fever.
00:41:56
>> I'm on antibiotics.
00:41:57
>> I'm also on antibiotics with a fever.
00:42:00
Just FYI, okay? So, stop your
00:42:01
complaining.
00:42:02
>> I apologize. I'm perfect.
00:42:03
>> You're on antibiotics?
00:42:05
>> Yeah. Intravenous. Look at this, you
00:42:07
guys. I have a pickline in my arm. [ __ ]
00:42:10
>> I have like a massive infection.
00:42:12
>> Amy Winehouse.
00:42:13
>> I know. I know. It's embarrassing. I'm
00:42:16
like falling apart at the seams. But, I
00:42:19
mean, I'll be okay. Just like you'll be
00:42:20
okay Dana Carvey once you get
00:42:22
>> Carvey the whole name.
00:42:24
>> Listen
00:42:26
Miz Handler.
00:42:27
>> I have a question.
00:42:28
>> You'll be okay. Miz Handler is the
00:42:31
toughest one.
00:42:32
>> Chelsea Handler. That's the special.
00:42:35
>> That's what George Bush called me when
00:42:36
we met at his Kenny Bunk board. He kept
00:42:39
calling me Miz Handler. Like to really
00:42:42
annunciate the like for my to represent
00:42:44
my like loose lifestyle. Miz handler.
00:42:47
like this this unmarried Helian
00:42:52
guy w
00:42:53
>> harlot. Yeah,
00:42:54
>> he makes Jezebel laugh.
00:42:56
>> Yeah. Well, you would know, Dana. I
00:42:58
mean, you played him for so many years.
00:42:59
That's your guy.
00:43:00
>> I'm talking You mean Bush Senior?
00:43:03
>> Oh, right. Didn't you play him, too? No,
00:43:05
I'm talking about Bush Jr.
00:43:06
>> You play Junior just in my standup, but
00:43:09
Will Frell did him on SNL, but I played
00:43:11
him. Everybody does W. He's a funny
00:43:14
funny character.
00:43:20
My podcast is called Dear Chelsea.
00:43:22
People call in for real life advice. And
00:43:24
it's
00:43:25
>> Yeah. So it's not like anything you guys
00:43:27
would ever listen to.
00:43:30
>> You take phone calls from fans and
00:43:32
>> from real people. No, not fans. People
00:43:34
who have [ __ ] problems and they call
00:43:35
in and I consider myself like a medical
00:43:38
doctor. Yeah. I'm I'm pretty smart about
00:43:41
giving advice to people. I'm really good
00:43:43
at it and I'm really a good like
00:43:45
motivator. like go get your [ __ ]
00:43:46
together and get, you know, make a good
00:43:48
life decision. So yeah, I I have a
00:43:50
podcast called Dear Chelsea and I'm
00:43:52
really excited actually, guys, to be
00:43:54
spending this. It feels like a Saturday
00:43:56
morning today, doesn't it? It's Friday,
00:43:58
but it feels like a Saturday morning.
00:43:59
>> I swear I thought it was Saturday.
00:44:01
>> This is the earliest we've done one. I
00:44:03
don't think we've ever in history gone
00:44:05
earlier.
00:44:05
>> Y Okay. Well, maybe that I get up early,
00:44:09
so I like this.
00:44:10
>> So do So do I. I always get up early
00:44:12
wherever I am in the world. They said,
00:44:13
"You have to be at the Beverly Center at
00:44:15
10, so we'll let you go." I guess you
00:44:17
>> Beverly Center. I [ __ ] hope not. My
00:44:19
god.
00:44:19
>> That's what they told us. They go,
00:44:21
>> "I [ __ ] hate malls." I grew up in New
00:44:24
Jersey, as you know, Livingston, New
00:44:25
Jersey, which you mentioned previously,
00:44:27
and I have had my run and fill of
00:44:30
shopping malls. So, please don't mention
00:44:32
any shopping mall to me again because
00:44:34
I'm I'm wrapped.
00:44:35
>> Well, where are you going to go to Lady
00:44:36
Foot Locker? They just have them on the
00:44:38
street. Well, don't you love food court?
00:44:40
>> Don't you love a good food court,
00:44:42
though?
00:44:43
>> You mean Sabarro? Yes, I do. A&W.
00:44:46
>> Panda Express.
00:44:47
>> A&W. Now, now we're talking. Finally.
00:44:49
>> No. Panda Express. I do not like Panda
00:44:51
Express. I would like to put that out
00:44:53
there on the record.
00:44:54
>> Put it out there for future dates.
00:44:56
Spade's going to get a Wendy's hamburger
00:44:58
at some point today.
00:45:01
>> I do still eat that once in a while.
00:45:02
Yeah.
00:45:03
>> Yeah. I I used to like Wendy's chicken
00:45:05
nuggets, but you know those that's not
00:45:07
chicken. And I had to come to terms with
00:45:09
that. Even though they're like my
00:45:10
favorite [ __ ] snack, I just had to
00:45:13
eventually just be like, "What
00:45:15
>> am I putting in my body?" You know, I
00:45:17
put so many chemicals in it already.
00:45:19
Does it really need these chicken
00:45:20
nuggets to put me over the top?
00:45:22
>> Yeah.
00:45:23
>> Yeah. Yeah. That doesn't appear.
00:45:25
>> Chelsea, I think we'll let you go. You
00:45:27
did a great job. And uh I just want to
00:45:28
say lastly, you did use the word ass. Is
00:45:31
that what you said earlier?
00:45:32
>> Assuge. As great. I wrote it down. Good
00:45:35
job. I learned I learned
00:45:38
>> I think you learned a few words today
00:45:40
quite frankly.
00:45:41
>> By the way, when I text, I gota if I
00:45:43
ever text you, I have to be less like yo
00:45:45
yo yo cuz I talk like a rapper. So I
00:45:47
have to probably I'll do all the
00:45:49
spelling stuff for you.
00:45:50
>> Okay. Well, don't worry. I don't think
00:45:51
anyone's confusing you with a rapper.
00:45:54
>> Make sure you change that wrap after we
00:45:56
hang up asap.
00:45:58
>> Yeah, change your wrap on your arm.
00:46:00
>> Oh yeah, Chelsea, let's get you
00:46:01
choppered out of there. Things aren't
00:46:03
going well.
00:46:04
>> Yeah, it does. It's been like this, you
00:46:06
guys. I'm I'm This is my life for the
00:46:09
next week, so it's okay. Don't worry.
00:46:12
>> You're perfectly charming on here. Thank
00:46:14
you for doing it.
00:46:14
>> Thank you. Nice hanging out. And uh I
00:46:17
don't know who said this to me, but
00:46:18
we'll see you around campus, which mean
00:46:21
>> Okay, great.
00:46:26
>> Hey guys, if you're loving this podcast,
00:46:28
which you are, be sure to click follow
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00:46:43
>> Fly on the Walls presented by Odyssey,
00:46:45
an executive produced by Dana Carvey and
00:46:47
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00:46:49
Holtzman, Mattie Sprung Kaiser, and Leah
00:46:52
Reese Dennis of Odyssey. Our senior
00:46:54
producer is Greg Holtzman, and the show
00:46:56
is produced and edited by Phil Sweet
00:46:59
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00:47:01
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That's audacy.com.

Podspun Insights

In this lively episode, Chelsea Handler joins the conversation, bringing her signature humor and unapologetic candor. The trio dives into a variety of topics, from the nuances of Hollywood parties to the evolution of female comedians in the stand-up scene. Chelsea shares her experiences with dating, her upcoming book, and her Netflix special, all while keeping the laughs rolling. The chemistry between Chelsea and the hosts is palpable, leading to hilarious anecdotes and insightful discussions about the comedy industry. With a mix of personal stories and sharp observations, this episode is a delightful exploration of life, laughter, and the challenges of navigating fame.

Badges

This episode stands out for the following:

  • 90
    Most quotable
  • 90
    Best performance
  • 85
    Funniest
  • 85
    Best overall

Episode Highlights

  • Chelsea Handler's Energy
    Chelsea Handler brings her signature energy and humor to the show.
    “She's a pistol. She's got a lot of energy.”
    @ 00m 17s
    February 04, 2026
  • Women in Comedy
    Chelsea Handler discusses the evolution of women in stand-up comedy and the importance of their voices.
    “The idea that women aren't funny is just so dumb.”
    @ 07m 58s
    February 04, 2026
  • Creating Without Competition
    Handler emphasizes the importance of focusing on creativity rather than competition in comedy.
    “You should be creating. You should be doing your thing.”
    @ 08m 32s
    February 04, 2026
  • Leadership in Crisis
    A heartfelt reflection on the need for leadership during the pandemic.
    “I wanted to do it for my country.”
    @ 17m 43s
    February 04, 2026
  • Confidence in Comedy
    Finding confidence and capability after years in the industry.
    “You get to a certain point in your career...”
    @ 18m 47s
    February 04, 2026
  • The Power of Honesty
    Discussing the value of honesty in storytelling and writing.
    “Honesty is a commodity.”
    @ 25m 03s
    February 04, 2026
  • Encouragement to Write
    Inspiring others to share their stories and experiences through writing.
    “You can write a [ __ ] book, especially in our industry.”
    @ 25m 20s
    February 04, 2026
  • Mountain Lover
    A lighthearted mention of a romantic relationship with a mountain man.
    “I have a mountain lover.”
    @ 33m 24s
    February 04, 2026
  • Marriage Decisions
    Discussing the complexities of marriage and personal choices.
    “I just find that idea hard to believe.”
    @ 34m 24s
    February 04, 2026
  • Childhood Reflections
    A candid moment about growing up and its impact.
    “I just had a really weird childhood.”
    @ 34m 48s
    February 04, 2026
  • Vulnerability Revealed
    A moment of honesty about inner struggles.
    “There’s a hurt little girl in there somewhere.”
    @ 37m 59s
    February 04, 2026
  • Health Humor
    Light-hearted banter about health issues.
    “I’m falling apart at the seams.”
    @ 42m 19s
    February 04, 2026

Episode Quotes

Key Moments

  • Party Stories01:21
  • Women in Stand-Up05:54
  • Creative Focus08:32
  • Cuomo Story17:26
  • Pandemic Reflections17:32
  • Mountain Man33:24
  • Vulnerability37:59
  • Health Issues42:19

Words per Minute Over Time

Vibes Breakdown