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Susan Morrison - Author of LORNE: The Man Who Invented Saturday Night Live | | Fly on the Wall

February 19, 2025 / 01:04:42

This episode features writer Susan Morrison discussing her book, "Right Lauren: The Man Who Invented SNL," in celebration of SNL's 50th anniversary. Key topics include Lauren Michaels' career, the evolution of SNL, and insights from various cast members.

Morrison shares her experiences interviewing notable figures like Tina Fey and Steve Martin, who contributed quotes to her book. She highlights the challenges Michaels faced during his career, including the struggles of the new show he directed in the 1980s.

The conversation touches on the chaotic nature of SNL's live productions and the unique culture that Michaels fostered within the show. Morrison reflects on the creative process and the importance of deadlines in comedy.

Throughout the episode, the hosts and Morrison discuss the impact of Michaels on American comedy and the significance of his legacy as the show approaches its 50th year.

The episode concludes with Morrison sharing her hopes for the book and how it captures the complexities of Lauren Michaels as a person and a producer.

TL;DR

Susan Morrison discusses her book on Lauren Michaels and SNL's legacy, featuring insights from notable cast members and the show's chaotic production history.

Video

00:00:00
Dana today we have Susan Morrison a
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writer uh we don't always have writers
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we have SNL writers but she's a writer
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SNL yeah yes yes she wrote a big fat
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book about
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Lauren and it's the 50th anniversary of
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SNL it's a good time to have it out um
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Lauren the man who invented
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SNL and uh she covers a lot she's
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telling things to you listeners that
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even we don't know you're going to
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here's something that's a a little
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shocking a little surprising how's that
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for a tease but if we do a deep dive the
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man the moment Lauren Michaels uh based
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on the book and what she learned by
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interviewing I got interviewed I don't
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don't my quotes are probably silly I got
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interviewed got interviewed everyone got
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interviewed everyone talked and it's
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just sort of a comprehensive look at
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Lauren Michaels through his childhood
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all the way through his travails Seasons
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that were rougher than others and on and
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on so it's a very interesting
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Sayan oh yeah and they got you know Tina
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Fay and Steve Martin and John malany
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there's all these quotes up front and
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everywhere you turn you know who they're
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talking about so very indepth took years
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to put this together years to put it
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together and uh and it was very
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interesting talk we went on and on so uh
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yeah here she is and you're going to
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learn a lot
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Morrison and I started forgot I I had
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forgotten until
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recently the the wonderful accent thing
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that everybody says the igles oh the
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igles
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right so you claim to have a book I do I
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actually can even show it to you just
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it's coming out okay I don't know when
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this airs but it's February 18th it's
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called right
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Lauren the man who invented SNL that's
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right independed Saturday night life we
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decided that Lauren has monomial status
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you know like or Madonna Madonna you
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know one one name does it Lauren you
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know you can tell the rookies because
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Lauren is such a uh name that comes up
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millions of times in our podcast and in
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life but the people that call him Lauren
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and they spell it Lauren like the female
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name is pretty interesting because you
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know they're an outsider and I don't
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listen to one thing they
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say it's like the people who say skits
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and instead of
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sket immediate disqualifier right d oh
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boy don't even me oh skits gets him
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going it's kind of interesting to me I'm
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just thinking out loud to myself is that
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because of his hallowed place and his uh
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Mount Rushmore you know thing that's
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been going on for the 50th um he had
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left for five years did a lot of things
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left SNL in 1980 none of them really
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landed comes back in 85 has a rough
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season and then then I meet him so
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probably in this whole 50 years that was
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would it be a n i I went to State School
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his nater or something I think no I
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think that's right and Dana I remember
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that when I interviewed you you told me
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that when you showed up there you
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thought you were probably going to be in
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the last cast of SNL you thought it was
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on its way out and it was kind of a hail
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marry pass and you know it's interesting
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because I'm met Lauren when he was
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perhaps at an even lower point you know
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I work for him well I worked for him
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when he did the new show which was new
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show yeah remember public spectacular
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flop and you know I don't think people
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thought he was going to be coming back
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from that and he also lost his own money
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in that show it's strange it was such a
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flop because it was packed with Talent
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you know the writer room was incredible
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Jim Downey Jack Handy George me wow John
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John Candy did amazing work on that show
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it's worth looking up food repair man no
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I watched it was funny it was just that
00:04:08
besides In Living Color which was a
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niche kind of um prime time and it was
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on Fox in the day Prime Time sketch I
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did one that didn't make it Martin Short
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did I you have to line them all up
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that's your next book why was there
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bazillion sketch shows in prime time the
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50s 60s and into the 70s and then so
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many swing in a miss you know I don't
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know if you have I've never totally
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figured that out I I mean I I have a I
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have an a theory Lauren press he loved
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uh oh sure we've been recording don't
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worry I'm kidding Lauren loved variety
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TV you know he grew up watching um you
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know Sid Caesar and your show shows and
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all that stuff and when he went to LA in
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the 60s and 70s he just bounced around
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from one Cuddy variety show to the next
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you know Perry Como Burns and shriber pH
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what about Burns and shriber where he
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met his wife yeah but but um the thing
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is he liked the form but he thought that
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it was like stuck in the 50s you know
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the people writing those shows were guys
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who had written for radio and his big
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idea was to take that format and bring
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it into the modern world you know movies
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were cool you had Terrence Malik and
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Robert Alman music was coool but
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television was like a really weird
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Backwater so he was the first person who
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said let's make variety TV something
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that has something to do with what
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people in their 20s are like you know
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let's put drugs on yeah and in my age
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group uh you remember that when George
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Carlin was on Ed Sullivan in a suit and
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tie in a short
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haircut yeah and he he was like so a a
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symbol of this change and one one lane
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of it when he became the hippie long
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hair and all that so there was a whole I
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don't even call it counterculture but
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laugh him maybe was the last water
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cooler sketch show that was so different
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of course than SNL but yeah it was it
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was in The Ether and then Lauren Lauren
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picked up the toys off the carpet and
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said okay we're gonna play with the but
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you know the I mean the other thing that
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Lauren will say is that when he he was
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pitching a show like SNL for years and
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nobody wanted it
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and what happened is that they needed
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something in late night on SN you know
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on NBC to replace Carson's reruns and
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Lauren had never thought of late night
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and but the thing it ended up being what
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made the show work because the way he
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put it you know the network thought of
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late night as like a vacant lot on the
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edge of town they weren't going to pay
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attention to what was going on there
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they weren't going to meddle you know he
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just got to do whatever the hell he felt
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like and with no notes you know no
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interf
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right and you can be a little dirty like
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even TV shows on at 8 versus 9 when I
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was a sitcom you can say a little more
00:07:07
at 9 cuz kids are asleep you say way
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more at 10: and when you're way up there
00:07:11
at 11:30 they don't worry so much about
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content as much yeah I think he thought
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they were probably not even watching you
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know well they didn't care it was anti
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anti slick and and late so it right out
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of the bat I'm just a little curious
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sorry David did you have something to
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say not at all to interrupt him did you
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see the movie Saturday night uh and what
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was your reaction to it I mean obviously
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it's trying to get a feeling rather than
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a linear story yeah but um did you how
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did you feel about well I had I I guess
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I had several simultaneous reactions you
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know the journalist in me was watching
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with my head exploding because there
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were so many things that were
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fictionalized or you know five years
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worth of events were kind of crammed
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into one night but I I did think that it
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it it captured some of as you guys know
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you've lived this you know just some of
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the nail-biting knife edge chaos that I
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think gives the show its U continues to
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fuel the show it's funny I talked to
00:08:15
some of the current people the people at
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the show now some of the writers and
00:08:19
casts and they were indignant about it
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um they said that it was sort of like
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watching somebody you know Screw Up Your
00:08:27
Song in a karaoke bar or you know that
00:08:30
someone they were feeling proprietary
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about it what did you guys
00:08:35
think well well I went in into it with a
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you know kind eyes because I knew it was
00:08:40
an impossible thing to really capture so
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we interviewed Jason the
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director and um there were things that I
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really liked we you know in real
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time uh that there probably wasn't a a
00:08:56
bulletin board on 8 with like 80
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sketches on it right before air or that
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Lauren Michaels was the update guy until
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right before air so you have to kind of
00:09:05
give into it and see Did It capture the
00:09:07
essence I wasn't there then they weren't
00:09:10
famous the show wasn't famous because as
00:09:13
it evolved it would never no one would
00:09:15
go ice skating right before the show and
00:09:18
most of the show is Disappointment even
00:09:21
in the best seasons and the best shows
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I'd say maybe if you can get one out of
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five great sketch pretty good most the
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time I was just there for 10 weeks most
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of the time we all went well I guess
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that's it and just walked off
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stage no I I mean I found it enjoyable
00:09:40
to watch it kind of you know it felt
00:09:42
like the Poseidon Adventure or something
00:09:43
you know it was almost like an adventure
00:09:45
flick you know I love that that
00:09:48
reference I love theic yeah there's got
00:09:51
to be a morning
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after there has to be a party after the
00:09:56
show other people I know told me they
00:09:59
had similar reaction to to mine at the
00:10:02
very end when it comes off and they do
00:10:04
the Wolverine sketch and Chevy comes out
00:10:07
and says live from New York and Saturday
00:10:08
night I mean I kind of teared up a
00:10:10
little bit because it made you realize
00:10:13
how improbable the whole show was and
00:10:16
how close it came to not happening you
00:10:19
know it it could easily have not
00:10:21
happened I did like little things I
00:10:22
didn't know now Dana I was going to ask
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Jason about that Lauren one for update
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because I did like the chaos I did like
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it was almost obviously too chaotic but
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definitely
00:10:34
knowing no no Fame it just shows people
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it's like sort of here's what it was if
00:10:39
you don't know how it started this is
00:10:41
they weren't famous no one thinks of Dan
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Aid or Belushi is not famous you know so
00:10:47
you have to go back and say hey they all
00:10:49
get a job it's a cruddy place they're
00:10:52
just throwing [ __ ] together and then it
00:10:55
there's you know Billy Crystal leaving
00:10:57
those are cool moments where you go oh
00:10:59
my God there's just so many things that
00:11:01
happened where everything there was
00:11:03
lifechanging you get me in the first
00:11:05
sketch Chevy's on update like this this
00:11:08
he's a big good-look dude I thought
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there was a lot of parts about I really
00:11:11
did like and uh and you're right when it
00:11:15
all came together like what are the
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bricks on the stage I don't even know
00:11:18
like I don't know what part was real
00:11:20
what wasn't you know fictionalized that
00:11:22
was real so that was real they were
00:11:23
hammering those bricks in the day of the
00:11:26
first show and of course the old-timers
00:11:28
on the crew
00:11:29
looked at Eugene Lee the designer you
00:11:32
know who wanted brought in old oak doors
00:11:35
and bricks and they said what the [ __ ]
00:11:37
are you doing you know we just use
00:11:40
Cyclorama walls and you know the way it
00:11:42
used to be in Old variety shows where
00:11:44
instead of a set you'd have like you
00:11:47
know a window frame or a tree in a pot
00:11:51
yeah suggests a park but Lauren's idea
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was that you wanted this hard wall
00:11:55
reality and um it looked counterculture
00:11:58
and I did love when um was it JK Simmons
00:12:02
who play he played Milton Burl and he's
00:12:04
doing a song and dance number and that
00:12:06
was a really interesting ju toos because
00:12:09
the writer shows everything was shiny
00:12:11
and clean and 8h still looks the same
00:12:14
it's kind of beat up and if you walk in
00:12:16
there without an audience you're like
00:12:17
it's kind of a [ __ ] hole everyone thinks
00:12:19
it's tiny people go this isn't where you
00:12:21
because I went back to do Hunter Biden
00:12:22
it was just again like when Dana going
00:12:25
back you go oh so here's Tom wardrobe uh
00:12:31
you know this a lot of the same people
00:12:33
and a lot of it's obviously bigger and a
00:12:35
little fancier in places but you get out
00:12:37
there it's the same tiny stools even
00:12:40
people I was with were like this isn't
00:12:42
where the audience this is it this is
00:12:45
this is where every sketch is this tiny
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room yeah I know wow it is that's the
00:12:50
fun of it you know can I I just unless
00:12:54
you have something you need to say well
00:12:55
one thing I was just going to say to you
00:12:57
know we were talking about the improb
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ility of it and how those people weren't
00:13:01
famous it's one of the things that was
00:13:04
fascinating for me to learn is Lauren
00:13:06
had trouble hiring people like who
00:13:07
wanted to be on this late night show
00:13:10
with this weird Canadian guy no one had
00:13:12
never heard of had ever heard of and you
00:13:15
know Chevy almost didn't come on because
00:13:17
he was doing a play like a dinner
00:13:20
theater with Paul Lind you
00:13:23
know didn't take the J I like Broadway
00:13:28
yeah and uh I love that Paul Lind stood
00:13:31
in the way of another hire alen s Bell
00:13:34
almost didn't because he had been
00:13:37
offered a job in prime time writing the
00:13:40
questions for Paul Lind in the center
00:13:42
square of Hollywood Squares I have I had
00:13:45
a dirty joke about Paul L you want to
00:13:47
hear it anything about Paul cut um Paul
00:13:52
ly walked into a party and he goes it
00:13:54
smells like [ __ ] in here I think
00:14:00
anyway Dana back to you no I will say I
00:14:02
don't I don't get the reference I just
00:14:03
thought he was a funny guy I mean I
00:14:05
don't understand Paul was a hero by the
00:14:07
way with Hollywood Squares unreal when I
00:14:09
was a kid I laugh everything that dude
00:14:11
said oh he was always hilarious and I
00:14:14
Bewitched my God and bewitched and
00:14:16
wherever he was M had a great kind of
00:14:20
Rhythm you know just naturally funny I
00:14:23
was just curious so you knew Lauren
00:14:25
during the new show is that when you met
00:14:27
him yeah I uh
00:14:29
I I uh was brought into the brill
00:14:33
building um in 83 by Tom gaml gaml and
00:14:37
Fross who i' gone to college with and I
00:14:40
met Jim Downey uh for the first time and
00:14:43
Jim hired me just one second I I can
00:14:45
talk to you in a little bit I'll just be
00:14:46
right back I'll be right back no I want
00:14:48
I want to talk to you I really do but I
00:14:49
gotta go sorry go ahead stay right there
00:14:53
yeah stay right here so but yeah so Jim
00:14:57
in a rare Act of decisiveness right
00:14:59
hired me that day um rare act deis funny
00:15:03
to be his assistant I was 23 my gosh I
00:15:09
was 23 years old my job chiefly
00:15:12
consisted of ordering shitloads of food
00:15:14
from the Carnegie Del I mean you know if
00:15:17
I didn't know what chicken in the pot
00:15:18
was you know then I I wrers writers eat
00:15:22
they have to eat hle feed their brains
00:15:25
and you know it was a great thing for me
00:15:27
I was really young my mom had just died
00:15:29
suddenly and and I was kind of at Sea
00:15:33
and so I got to go to this place with
00:15:35
all these funny people every
00:15:37
day and they were so kind to me you know
00:15:40
and think about it I mean what a and
00:15:42
Christina mcginness and Lauren and
00:15:45
George Meyer and Jack Handy you know Z
00:15:48
Bell it was really it was fun so I
00:15:49
didn't have a lot of one-on-one time
00:15:51
with Lauren but it was a it was a pretty
00:15:54
small operation and we were all just in
00:15:56
this the little on the ninth floor of
00:15:57
the of the brill building
00:15:59
so yeah I mean I I knew him a little bit
00:16:02
and um again I didn't realize that what
00:16:04
I was witnessing was this Soul crushing
00:16:08
uh failure on his part how did he take
00:16:13
that failure if you could even remember
00:16:15
or all of you because I did a real I did
00:16:17
a variety show that lasted eight
00:16:19
episodes and kind of blew up the network
00:16:23
yeah so was this did you get a full
00:16:25
season or did you I don't long I no it
00:16:28
wasn't there were we were I think we did
00:16:31
like eight shows and then and this is
00:16:34
the thing that was really weird about it
00:16:36
you know Lauren had been used to working
00:16:37
live but the new show was taped on
00:16:41
Thursday to air on Friday so it brought
00:16:44
out all of Lauren's you know less genius
00:16:48
impulses I mean people always say that
00:16:51
Lauren always says that the show doesn't
00:16:53
go on because it's ready it goes on
00:16:54
because it's 11:30 and you know he he
00:16:57
needs that deadline needs the deadline
00:16:59
and that's when he gets into his kind of
00:17:01
superpower mode you know the meeting
00:17:03
between the dress rehearsal and air but
00:17:05
if you think about it so the new show we
00:17:07
would be taping and he would yell cut
00:17:10
and then theyd start a sketch over and
00:17:13
sometimes these tapings would last for
00:17:15
five hours and you know perfectionist
00:17:18
and you can't stop fixing yeah yeah yeah
00:17:21
and I remember the audience trying to
00:17:23
leave in droves and Tom gamble coming
00:17:25
out and going like you quitters you know
00:17:28
sure
00:17:29
so they're watching the same sketch over
00:17:31
and over again well it's like a sitcom
00:17:33
you know you're you're trying to get it
00:17:34
right when you're on a movie and it's a
00:17:35
big budget that happens where you just
00:17:37
do take after take someone's got to go
00:17:39
hey are we any good like can we just
00:17:41
move on like this is it the best we can
00:17:43
do and then they'd be up all night in
00:17:46
the editing room like splicing the takes
00:17:48
together so that it leeched all of the
00:17:52
you know the magic out of it I mean you
00:17:54
guys know because you've done it the
00:17:55
live the adrenaline of live really adds
00:17:58
something but imagine these comedy
00:18:00
sketches pieced together they had to add
00:18:02
laugh tracks right so it's all different
00:18:05
I I remember I remember knowing that it
00:18:07
wasn't going well and then I guess
00:18:09
Brandon K tarov said to Lauren after I
00:18:13
can't remember maybe eight shows like
00:18:16
why don't you just not make the rest of
00:18:17
them and instead and here's the novel
00:18:20
idea let's make best of the new show
00:18:22
hours Best
00:18:24
of oh after only eight episodes we're
00:18:27
going to do best of
00:18:29
finished
00:18:34
[Music]
00:18:35
out by the way I don't know we have what
00:18:38
time we have how did you end up writing
00:18:40
this book I'm just that's popped in my
00:18:43
head you know I I I I was only that was
00:18:46
my only time in television I I switched
00:18:50
J I switched to journalism after that
00:18:53
but I stayed you know I stayed friends
00:18:54
with a all those writers and a lot of
00:18:56
them including Steve Martin and Jack and
00:18:58
you know have written for me at the New
00:19:00
Yorker and other places I've worked so I
00:19:02
was always kind of in the you know I
00:19:04
would see run into Lauren every five
00:19:05
years and say hi I think our daughters
00:19:08
knew each other in school and but
00:19:11
um after the 40th anniversary I I just
00:19:15
well I was an empty nester I had this
00:19:17
crazy idea I was going to have a lot of
00:19:18
time and I just realized it it really
00:19:21
hit me how Lauren is like
00:19:23
single-handedly responsible for what
00:19:25
America thinks is funny you know across
00:19:27
so many generations
00:19:29
and I I thought he'd be a great subject
00:19:31
for a book so I I did a I I sold I sold
00:19:35
a book first I I did a proposal there
00:19:37
was a bidding war I chose random house
00:19:40
and then I went to see him in his office
00:19:43
and I said because I I know you know you
00:19:46
guys know Lauren he likes to be out of
00:19:48
the frame he likes to be behind the
00:19:50
curtain he's he's not a very public
00:19:52
facing guy so I said Lauren I I I just
00:19:56
sold signed a contract to write a book
00:19:58
about you in the show I don't need
00:20:00
anything from you you know I know your
00:20:03
people and I'm kind of around but if you
00:20:06
wanted to talk to me and participate in
00:20:08
it it'll be a better and a richer book
00:20:10
and you know your legacy deserves that
00:20:13
and at first he looked like he was gonna
00:20:15
have a heart attack you know he just was
00:20:17
like yeah and then you know he said he
00:20:20
think about it and we had a drink a
00:20:23
couple of days later and and he just
00:20:25
started telling those stories he just
00:20:27
started talking and uh so he he was in
00:20:31
um we didn't have any kind of agreement
00:20:33
you know it's he liked the fact that it
00:20:36
was my book it's not a vanity project
00:20:38
that he had any approval over or
00:20:40
anything but you know he's smart enough
00:20:41
to know that that's better to have like
00:20:43
a real work of Journalism about you and
00:20:45
not some silly you know sort of puff
00:20:48
book he had always told me I I would
00:20:50
never write a book because I couldn't
00:20:53
tell the truth so in terms of like
00:20:57
you're writing this better and like what
00:20:59
do I include you Susan what do what do I
00:21:02
not include is this unflattering to
00:21:04
Lauren who I have affection for and I
00:21:05
think it's seminal um and though so when
00:21:09
he was sharing with you it was stories
00:21:11
that you
00:21:12
felt were benign I mean the book's
00:21:15
coming out uh did he bury people what
00:21:18
did he say about me sorry oh Dana you
00:21:21
know what he said about you is it's a
00:21:23
[ __ ] show Pony I mean
00:21:25
you both of you um both of you are
00:21:29
really really up there in his
00:21:32
Pantheon no I think that he uh I think
00:21:36
one of his reservations in the beginning
00:21:38
and this was very smart of him he knows
00:21:40
that people have very selective memory
00:21:42
you know I I don't know that he read
00:21:44
deeply in those like the oral history by
00:21:47
Tom shells and Jim Miller but he
00:21:49
certainly knew that over the years
00:21:51
people had put out versions of things
00:21:53
that were wildly exaggerated you know
00:21:55
and he also know that comedians like to
00:21:58
kind of embellish a story to make it f
00:22:00
right that's a a human thing so I think
00:22:03
he he was a little worried about that
00:22:06
but he he uh you know you know he I
00:22:08
asked him lots of questions he told me
00:22:10
lots of stories
00:22:12
uh I'd say in the final two years of the
00:22:15
reporting what I was doing was I'd go
00:22:17
over there on a Friday night and I'd say
00:22:19
okay now what we're going to do is try
00:22:21
to do some like factchecking because a
00:22:23
lot of times I'd have three or four
00:22:24
different versions of an event yeah and
00:22:27
I wanted him to try to be a TI Breer
00:22:29
like what do you think actually happened
00:22:30
here and you know he was very honest a
00:22:32
lot of times he just said God I don't
00:22:34
know it was the 70s you but I but again
00:22:38
because I you know work at the New
00:22:39
Yorker and we're factchecking and
00:22:41
accuracy are important I worked really
00:22:43
hard to try to get get it the things and
00:22:48
there were definitely things um and I
00:22:51
brought all these things to him there
00:22:53
were definitely things that maybe stung
00:22:56
a little bit or that he would have
00:22:58
preferred not be in the book but he
00:23:00
never said like oh God don't put that in
00:23:02
the book you know he he he understood
00:23:04
that yeah um and I God I really respect
00:23:07
the H hell out of him for that you know
00:23:09
I mean he knew I was going to write a
00:23:10
real book and but the response among you
00:23:15
know his world and his publicists and
00:23:17
the people around him has been really
00:23:19
has been really positive people think
00:23:21
that I've really got him but you know I
00:23:23
I mean going into something like this
00:23:25
with a character as mysterious and
00:23:28
feared as Lauren is I I always knew that
00:23:31
there would be a contention of people
00:23:33
who said like oh God this is just a
00:23:35
[ __ ] and then there would be other
00:23:37
people who would say this is a hatchet
00:23:38
job you know right so I think I mean I'm
00:23:44
I really I I I'm in awe of Lauren and I
00:23:47
really admire him and I admire and like
00:23:49
him even more at the end of this process
00:23:51
than I did at the beginning I I think
00:23:53
what he's done is incredible but you
00:23:56
guys work there when people would be
00:23:58
bitching about this or that or you know
00:24:00
it's a tough place right uh do you uh do
00:24:04
did you talk to any cast that said
00:24:07
anything that or are any any
00:24:08
personalities just very different than
00:24:10
what you thought once you get them on
00:24:12
the
00:24:12
phone huh let's see or is everyone kind
00:24:16
of that's a that's such a good question
00:24:18
did you hang up with someone and go wow
00:24:19
I they were very one person who blew my
00:24:21
mind uh was Dan akroy because he talks
00:24:25
in these yeah sentences have you guys
00:24:28
ever
00:24:28
we did a live podcast with him at
00:24:31
David's house you know what I mean like
00:24:33
he talks in perfect
00:24:35
paragraphs and he's so I just would
00:24:38
never have thought that he you know he's
00:24:39
somebody who and and he's so uh
00:24:43
thoughtful and uses such interesting
00:24:46
words um let's see who you know you know
00:24:49
they didn't they didn't know what to do
00:24:50
with the lumber back in Canada 194 he
00:24:53
has a lot of the steel the steel
00:24:56
manufacturer at all
00:24:58
yeah he is like this and and he made it
00:25:02
comedy rhythms he did it as Cone Heads
00:25:04
he
00:25:05
did talking it long free free
00:25:08
Consciousness kind of speeches so it's
00:25:11
it's part of his well it makes you
00:25:13
realize that you know beldar conad and
00:25:16
Van arroy are very similar aren't they
00:25:20
very parental units I told someone are
00:25:24
you with your parental units tonight and
00:25:26
then I said after I've said this a
00:25:28
million times I go you know that's from
00:25:29
Coen heads they're like what is that
00:25:32
term I go I think so isn't it remember
00:25:34
he goes parental and no one knew that I
00:25:37
go oh that's so funny it just gets in
00:25:38
The Ether and people you had some good
00:25:41
quotes here from uh a lot of the Stars I
00:25:44
think some are funny some are just
00:25:45
straight ahead interesting and I like
00:25:48
Steve Martin says Dave Letterman is
00:25:50
genuinely
00:25:51
self-deprecating he genuinely doesn't
00:25:53
think he's any good those issues don't
00:25:55
come up for Lauren
00:25:58
so and I mean go ahead oh Jane curtain
00:26:02
saying he spent a lot of time talking
00:26:04
about where he's going to
00:26:07
eat is that very Oro tonight at 9 o'
00:26:12
Chevy will be there Chevy Chase no no no
00:26:14
Chevy Wilson uh one of the
00:26:17
Pauls um you'll find with Susan she's
00:26:21
that thing of like you know she wants to
00:26:23
please and yet she has has an Eagle
00:26:26
Eye uh and she sees what others don't
00:26:30
Bill hater is funny Bill hater yeah bill
00:26:34
has a great Lauren you have different
00:26:35
you just a very much very he says Dana
00:26:38
um if you start drowning he's not like
00:26:40
hey here's a life jacket he's like oh
00:26:42
that guy's drowning in my pool let's go
00:26:44
here and let's go hang with Alec
00:26:48
Baldwin well you know it is what one of
00:26:51
the things that is so interesting about
00:26:53
Lauren is that uh even though people
00:26:56
would early in the show as the show
00:26:58
started getting successful and Lauren
00:27:00
started getting richer with fancier
00:27:02
friends you know people would [ __ ] and
00:27:03
moan about that you know Belushi
00:27:05
referred to Lauren fancy friends as the
00:27:07
dead you know all those socialites and
00:27:10
everything but I think that it was kind
00:27:12
of interesting the way Lauren managed to
00:27:14
Parlay that into kind of a comic
00:27:16
character on the show you know um like
00:27:20
the the Lauren that you see in the
00:27:21
smiggles TV fun hous T fun give me back
00:27:25
my show you know and
00:27:28
back with my show
00:27:30
yeah you know he kind of I feel like he
00:27:34
almost you know the L posha like
00:27:38
producer character became a character on
00:27:41
the show as much as like church lady did
00:27:43
you know the aloof producer that just
00:27:45
stands there with a beer or something or
00:27:47
a glass of wine yeah yeah and I remember
00:27:50
you know I actually I mean I hope we
00:27:53
hear more of your Lauren data today but
00:27:56
I remember asking Alec Baldwin at one
00:27:58
point who do you think does the best
00:28:00
Lauren
00:28:01
impersonation and Alec just said
00:28:05
Lauren all right telling telling
00:28:09
right um it's that thing of like I never
00:28:15
met anyone who talked like that you know
00:28:17
but I do believe that that's what I'm
00:28:19
kind of curious about and yeah so you
00:28:21
you went on this journey and it's not so
00:28:24
much just like what makes Lauren tick
00:28:26
but it's sort of like where's the
00:28:28
where's the marshmallow inside this this
00:28:31
veneer you know because I think he wants
00:28:33
to be one of the guys and he I think he
00:28:36
is very observant and wonders what
00:28:39
people are thinking of him and gets
00:28:41
easily wounded in a way but he's also so
00:28:45
resilient I mean he's
00:28:47
trumping yeah in just that way to which
00:28:51
I we probably talked about just keeping
00:28:53
the show
00:28:54
consistent Now 50 years we have data now
00:28:58
a [ __ ] half century where did this
00:29:01
guy come from who is he will that be
00:29:04
answered when I buy the book I think
00:29:07
you're GNA get your $38 worth but no
00:29:10
everyone I talk to about Lauren it's the
00:29:12
same they're all kind of trying to
00:29:14
Unriddle him you know Conan Conan says
00:29:17
everybody thinks that Lauren has the
00:29:19
secret you know part of that is that he
00:29:22
isn't like unlike a lot of guys who got
00:29:25
rich and famous in the 80s you know
00:29:26
Barry Diller Michael milking or people
00:29:28
like that yeah he's never been like a
00:29:31
showoff workaholic you know he he's not
00:29:33
one of those people who says I get up at
00:29:35
4:00 a.m. and work out with a trainer
00:29:37
and then I you know he he he does seem
00:29:40
to know how to live you know he is a he
00:29:43
kind of invented work life balance you
00:29:45
know but yeah but then in terms of you
00:29:48
say the marshmallow inside I don't want
00:29:50
to be too psycho babbly or you know too
00:29:54
much an easy answer but go ahead a lot
00:29:57
really does does take you back to Lauren
00:30:01
suddenly losing his father when he's 14
00:30:03
years old he was
00:30:05
completely at Sea and his father
00:30:08
collapsed one night after having a big
00:30:11
argument with Lauren oh had a big fight
00:30:14
father collapses disappears into the
00:30:16
hospital Lauren never sees him again
00:30:19
this gives you some indication of wine
00:30:22
you know you never see Lauren having a
00:30:24
yelling match with anybody you know he's
00:30:26
very he keeps it very
00:30:28
low you know he I I think at one point I
00:30:31
I say in the book that he speaks in the
00:30:33
register of a man announcing a golf
00:30:35
tournament you
00:30:37
know but he I think that his whole world
00:30:41
got smashed when he was 14 you know his
00:30:44
then he had a bad year his mother
00:30:46
thought he was going to be a juvenile
00:30:47
delinquent to use the term juvie popular
00:30:50
in the a Juvia and he had to kind of
00:30:55
rebuild he had to put it all together I
00:30:57
think it gave him a kind of resilience
00:31:00
uh that a kind of resilience that helped
00:31:03
him throughout his whole career you know
00:31:06
just when I was starting the book I
00:31:08
interviewed Jud Appel for the New Yorker
00:31:10
radio hour and he said something that
00:31:13
really resonated with me when Jud was 14
00:31:16
his parents had a really bad divorce and
00:31:20
I think he you know they there were
00:31:21
financial problems his whole world kind
00:31:23
of fell apart and he told me that he
00:31:27
definitely because because of that like
00:31:29
that's why he kind of early in his life
00:31:31
abandoned his dreams of being a
00:31:33
performer and instead became a director
00:31:35
and producer because you know when
00:31:38
you're that guy you you've got the
00:31:39
clipboard you got the call sheet you're
00:31:41
making sure that
00:31:43
everything works you're making sure that
00:31:45
it's not going to be chaos you're taking
00:31:47
care of everything as opposed to you
00:31:50
know if you're a performer you're just
00:31:51
kind of looking you're doing stading
00:31:53
your own stuff and and I thought that
00:31:55
that reminded me so much of Lauren you
00:31:58
know CU he also was a performer early in
00:32:00
his life but you know he is he's
00:32:03
determined to not let anything fall
00:32:05
apart because his own world fell apart
00:32:08
when he was 14 that'll be $350 for
00:32:12
that I always thought it was people who
00:32:14
started out in comedy and just saw that
00:32:17
it wasn't going to happen for them and
00:32:18
then they became a writer writer or
00:32:20
director producer I did not realize when
00:32:23
I was on Satur Night Live that every
00:32:25
single writer essentially wanted to be
00:32:27
in front of the camera
00:32:28
you know I didn't realize that um I
00:32:32
didn't know that until I started
00:32:33
reporting this book so every you know
00:32:35
think about all the people who were just
00:32:37
writers melany Odenkirk you know yeah
00:32:40
those guys never got on stage Robert SM
00:32:42
they all want to be they all want to
00:32:44
trust me Conan I love that kind of
00:32:46
Lauren you know well do you think
00:32:47
Michael will be here he's visit it's not
00:32:50
very far from you know the bleachers to
00:32:53
where the cameras are you know he he has
00:32:56
so many say
00:32:58
it's a little short walk yeah that's
00:33:01
funny yeah but when you do Lauren you
00:33:04
get to kind of inhabit Lauren and I do
00:33:07
think because the show is magnificent
00:33:09
chaos that's also part of his his
00:33:12
methodology is he he'll be the calm when
00:33:15
was anybody
00:33:17
angry H well yeah there's definitely
00:33:20
some people who are angry um because you
00:33:23
know it's one of the things I would say
00:33:25
that maybe Lauren's biggest achievement
00:33:27
was just creating this kind of culture
00:33:30
with walls around it you know it's a
00:33:31
tribe and you're in it or you're out of
00:33:33
it you know it's like the Godfather kind
00:33:36
of and you know they're of people
00:33:40
noes
00:33:41
yeah who you know I mean I think that's
00:33:44
one of the reasons it was so painful for
00:33:46
Conan when he lost the Tonight Show and
00:33:49
went to TBS he was he was kind of you
00:33:52
know he had spent his whole career at
00:33:53
NBC and I I and and for a while he had
00:33:57
you know a little bit of a of a frosty
00:33:59
rupture with Lauren I think you know he
00:34:01
was off the g off the t-shirt list you
00:34:04
know stopped getting the Broadway video
00:34:06
you guys still get those the Broadway
00:34:08
video t-shirts I don't know if I still
00:34:10
do I think
00:34:11
so yeah I do yeah Lauren he wants to be
00:34:16
in the loop I I I he did not produce the
00:34:18
Conan Tonight Show right for some reason
00:34:20
that's right he he produced late night
00:34:23
for Conan and then when Conan went to LA
00:34:26
NBC I mean it was kind of a drama
00:34:29
NBC told Conan and his producer Jeff
00:34:32
Ross oh you don't need Lauren to be your
00:34:33
EP you know but I think that was a
00:34:35
misstep I think I think it probably
00:34:38
would have been a good yeah I think in
00:34:40
the end of the day and this there's been
00:34:42
even current things that I will mention
00:34:44
with bit different people is just show
00:34:46
that's important to Lauren and maybe
00:34:48
it's the how he reacts to other people
00:34:50
in his life you you show respect um you
00:34:53
know you want to you want to give Lauren
00:34:55
the chance to say I think should do it
00:34:58
without me you know if you started with
00:35:00
him and he gave you your break then you
00:35:03
do kind of have that that feeling but
00:35:06
but it's a hard back and forth to say
00:35:07
Lauren do you want to produce this movie
00:35:09
because now you're putting him on the
00:35:10
spot sometimes if he doesn't but if you
00:35:14
don't and it's success he's like why
00:35:16
wouldn't you bring that to me it's very
00:35:19
it's very touchy because you don't want
00:35:20
to go I want a new fa I want a favor
00:35:22
from you also this thing about networks
00:35:25
is tough because Al you know let's say I
00:35:27
did a show for Network like I've done
00:35:30
sitcoms and they're they're always
00:35:32
whining and dining you for a sitcom the
00:35:35
whole run and the second it's over let's
00:35:37
say you do a pilot or something or they
00:35:39
even just they cancel your show there's
00:35:42
always part of you that thinks
00:35:44
mistakenly but this network we were
00:35:46
friends like how could they do that's
00:35:48
the weirdest thing that you realize it's
00:35:51
all just for the moment things are going
00:35:52
good everything's great but don't get
00:35:54
too chummy because you're just a you
00:35:58
know a card on a on a you know board
00:36:02
where they say we don't need that
00:36:03
anymore we're putting this here they
00:36:04
don't think like that they don't go oh
00:36:06
someone's feeling is going to get hurt
00:36:07
they're just like this does better than
00:36:09
that that we got to put that there it's
00:36:11
very hard it's very rare they go hey I
00:36:13
mean they might say it but they're not
00:36:15
just saying hey just because we're all
00:36:17
buds we should keep this on forever yeah
00:36:20
I think that for Lauren it's these it's
00:36:22
a relationship business you know and he
00:36:24
really does like one one of his old
00:36:27
Canadian friends uh told me that even
00:36:30
from the very beginning you could tell
00:36:31
he likes rabbit's feet you know he likes
00:36:33
to have these familiar people around and
00:36:37
um I think you know one time he he was
00:36:39
kind of half joking but he compared
00:36:41
himself to said I'm like Prometheus you
00:36:44
know I brought I brought I'm the bringer
00:36:45
of fire to these young people you know
00:36:48
the people he hires and whose life he
00:36:49
changes and he is aware that um you know
00:36:53
he's very aware that that you want to
00:36:56
stay tight with the people who were
00:36:58
there for you at the beginning sure you
00:37:00
know it's why he kept Bernie I'm sure
00:37:02
I'm sure he was paying Bernie brilin 15%
00:37:05
you know up to the very end when when
00:37:07
was the last thing Bernie did for La you
00:37:09
know even when it went to 10% he's
00:37:11
probably still paying him 15 whatever
00:37:13
yeah yeah I by the way Prometheus for
00:37:15
all the kids listening is a
00:37:18
rapper Lil Prometheus Yeah Lil
00:37:25
Prometheus by the way I I have off the
00:37:28
off the grid here the new show is it
00:37:30
possible you would remember this I think
00:37:33
this is a dumb joke from the new show A
00:37:36
Whitney Brown and Louie were they both
00:37:38
on it possibly I don't think they were
00:37:41
weren't
00:37:42
they but on
00:37:45
camera no they weren't on it they
00:37:47
weren't on the new show no they weren't
00:37:50
they weren't okay because it's jok is
00:37:51
from something else it could have been
00:37:53
but W they they were weren they on
00:37:54
Dana's
00:37:55
show uh Louis K I hired as my head
00:37:59
writer um no Whitney Brown was not right
00:38:03
for it I remember a sketch with Louie
00:38:06
Anderson and Whitney Brown but what
00:38:08
Whitney Brown it could have been on uh
00:38:12
on a on a Bad episode of SNL on a
00:38:15
figment of my imagination might have
00:38:17
been in the 85 season I think that's
00:38:19
when a Whitney got hired here's the joke
00:38:21
yeah okay they're in Ro it's like a just
00:38:24
quick cutaway like on laughing they walk
00:38:26
out in Roman toga
00:38:28
one's ripped and one isn't and Whitney
00:38:32
goes no Whit yeah Whitney goes to Louis
00:38:35
that's ripped and says Ides and he goes
00:38:39
humanties that's and that was that's
00:38:42
right out of that isn't that a weird
00:38:45
that's that's toppo jio right there I
00:38:50
too pretty I'm lying but why would I
00:38:53
even think of this when you talking on
00:38:54
the new show but you know that reminds
00:38:57
me of um uh when Lauren directed his
00:39:01
show in college UC see Foles which was
00:39:04
very much like a Proto SNL thing there
00:39:07
was a Shakespeare uh T parody in it that
00:39:10
Lauren wrote This is actually one of the
00:39:13
the first funny joke that I've ever that
00:39:15
Lauren Michaels wrote to to my mind
00:39:17
there was a character in it named handen
00:39:20
bra get it okay got it instead of Fort
00:39:23
and bra yeah hand and bra you get it it
00:39:25
I like it I got it pretty good
00:39:27
good a good that's the beginning middle
00:39:31
end it's very economic the 50s
00:39:35
people listen I laughed harder at heaw I
00:39:38
don't know what you know I I don't any
00:39:39
reference I laughed at Don Mar Bernie
00:39:41
Burstein told me they take your heha
00:39:43
money in London you know because he was
00:39:46
producing Hew he didn't like yeah I
00:39:48
don't like fake art he just thought the
00:39:51
art scene was ridiculous you it's funny
00:39:53
when people say like you know Belushi
00:39:55
only made $400 a week on SNL and he made
00:39:57
grand for Animal House which is not bad
00:39:59
money especially when you're an unknown
00:40:01
they forget that they weren't a huge
00:40:03
star in the cover of Time Magazine did
00:40:06
did Belushi get on the cover of Tom I
00:40:07
heard Chevy did did Belushi Belushi was
00:40:10
on Newsweek oh news Chevy for Animal
00:40:13
House and Chevy was on New York Magazine
00:40:16
at the end of uh season one they called
00:40:18
him the air apparent to Johnny Carson
00:40:21
and that's basically what started all
00:40:24
kinds of splintering in that first cast
00:40:26
because yeah you know the idea wasn't
00:40:28
for one person to emerge as a star that
00:40:30
kind of screwed everything up right
00:40:31
immediate problems that's always been
00:40:33
there since then yeah yeah yeah yeah
00:40:36
yeah you know you were talking about the
00:40:38
the asking about the new show I just
00:40:40
remembered one funny little conflict
00:40:42
that happened there I remember uh gambl
00:40:44
and pross wrote A Sketch called time
00:40:48
truck it was a time traveling truck and
00:40:51
it was for a show Kevin Klein Kevin
00:40:55
Klein was hosting and the idea was Kevin
00:40:58
Klein was supposed to play uh Abe
00:41:00
Lincoln and some they were supposed to
00:41:02
go back in time to prevent uh Lincoln
00:41:05
from getting shot but Lauren thought
00:41:07
that it would be much funnier to have
00:41:10
his close personal friend Paul Simon
00:41:14
Lincoln just as a psych right the
00:41:16
writers are like Paul Simon not a comic
00:41:20
actor yeah and he's very quiet Paul yeah
00:41:23
anyway yeah frustration reason number
00:41:26
800 why the new
00:41:29
fly off the
00:41:30
shelves did we um did we talk about uh
00:41:34
just well obvious you mentioned Lauren
00:41:36
hacked life I that's the new phrase like
00:41:39
you go to buttermilk and you ski at you
00:41:42
know and then you're in St Barts and you
00:41:43
go to Wimbledon and Paul and I would
00:41:45
often go out and just buy socks you go
00:41:48
downtown so and he did Pace himself
00:41:52
that's part of the half century is he
00:41:54
does Pace himself he knows when it's
00:41:56
important for him to lock in and that's
00:41:59
the especially this Saturday that 30
00:42:01
minutes is where everything's made and
00:42:04
the whole show is based on ADD and
00:42:05
procrastination so at Lauren's core does
00:42:08
he have both those elements because I do
00:42:11
yeah well you know Jim Downey had a
00:42:13
really smart way of describing this he
00:42:15
said Lauren is a guy bad at term papers
00:42:19
great at tests you know so if you give
00:42:22
him an open-ended thing that he has to
00:42:24
sit down and Fiddle with He's just never
00:42:26
going to finish it but when there's a
00:42:28
deadline when there's an alarm Bell that
00:42:30
goes off that's you know I think someone
00:42:33
said the deadline is Lauren's cocaine
00:42:35
you know it's it's the thing that gets
00:42:37
him galvanized I can you imagine if that
00:42:40
show was taped you would never have that
00:42:44
moment you know at 10:30 where he's
00:42:46
saying you know but um yeah I think that
00:42:51
he uh he definitely he definitely has
00:42:55
said to me a bunch of different times
00:42:56
that he
00:42:58
he was always his whole life reluctant
00:43:01
to burn a bridge or to close a door you
00:43:03
know he always felt like if I do this
00:43:04
then I won't ever be able to do this I
00:43:06
mean he's he and he also told me a story
00:43:09
this kind of related he told me it's a
00:43:11
real memory of once his father taking
00:43:14
him to a diner when he was a little boy
00:43:17
and saying just order anything you want
00:43:19
off the menu so he ordered a hot dog and
00:43:21
a hamburger and a grilled cheese and
00:43:23
onion rings and french fries and you
00:43:25
know couldn't eat it all and then
00:43:27
his father said let this be a lesson to
00:43:29
you you know your eyes are bigger than
00:43:31
your stomach now I don't know how Lauren
00:43:33
converted that into a lesson about
00:43:35
comedy but he did and and I think that
00:43:38
if you think about that plate full of
00:43:40
junk food at the diner it's not unlike
00:43:42
what the show is like Saturday going
00:43:44
into you know they still have way more
00:43:47
than they can use sure and it's chopping
00:43:51
it down and you don't need everything
00:43:52
you don't you think you don't need
00:43:54
everything you think you need in life
00:43:55
also is a bigger way
00:43:57
it's true right right right right I want
00:43:59
to
00:44:00
go lunch with his dad yeah I need to
00:44:04
learn things that's a good one buy me a
00:44:07
hot dog uh yeah we both have Dad stuff I
00:44:10
mean do all comedians have Mom or Dad
00:44:13
stuff right I don't know well I thought
00:44:16
it was you know a lot of people talk
00:44:18
about these different rules Lauren has
00:44:21
about comedy these Laur isms and I think
00:44:24
all the comedy ones are interesting but
00:44:26
it was also really interesting for me to
00:44:28
hear how many of them were just about
00:44:30
like how to live your life you know so
00:44:31
many people talked about how Lauren
00:44:33
would say buy yourself an apartment that
00:44:36
you think you can't afford because you
00:44:39
know then you'll come home after a hard
00:44:41
day work and you'll go wow who lives
00:44:43
here you wow I live here you know and he
00:44:47
told me that he said by he said get yeah
00:44:50
it it matters where you live so if
00:44:52
you're torn get the nicer one he does
00:44:55
his Laur and a lot of it is is just good
00:44:57
oldfashioned wisdom yeah well well
00:45:01
crafted did we talk about the one that
00:45:02
was sort of took me by surprise you know
00:45:04
about the this generation or whatever
00:45:07
snowflakes or anxiety whatever you know
00:45:09
we were raised in the wilderness and we
00:45:11
got like
00:45:12
civilized they're raised civilized and
00:45:15
then we want them to go out into the
00:45:16
Wilderness which is sort of brilliant I
00:45:19
said that Howard stering go what what
00:45:21
does that mean go out but no he said he
00:45:24
said that to me too and I totally get it
00:45:27
I like yeah yeah but you know it was
00:45:29
also I spent so much time hanging out
00:45:32
there that it was really interesting for
00:45:34
me to see he's so patient kind of with
00:45:38
the Millennials and some of the
00:45:41
snowflakey you know sensibilities but
00:45:44
one day he said something that really
00:45:46
cracked me up this is in the
00:45:48
book we were wa we were walking in the
00:45:50
Theater District and we walked past the
00:45:52
Mean Girls Marquee and he had just got
00:45:55
tickets for friend Margaret Trudeau to
00:45:59
go and but he was really mad because one
00:46:01
of the leads had called in sick uh
00:46:04
because she had to take her dog to the
00:46:05
vet the dog had eaten glue or something
00:46:07
and he and he and he just said if it was
00:46:10
Patty LuPone the dog would be
00:46:15
dead just couldn't believe you know that
00:46:18
this person's pet was I Ru in the new
00:46:21
days there's just options you didn't
00:46:23
have like you can just not do things
00:46:26
anymore in the old days it's like no you
00:46:28
go no matter what you go work you go to
00:46:30
school you do this and now it's like if
00:46:32
you feel like it if unless you want to
00:46:34
call in a day you're not mentally
00:46:36
feeling like it it's like or you have
00:46:38
anxiety if I had the word anxiety back
00:46:40
then I would have used it all day I
00:46:42
think Lauren has a a classic
00:46:44
characteristic of somebody who is uh has
00:46:48
power in a meeting and that is if things
00:46:51
are going around the room and then
00:46:53
Lauren will sort of sum up something or
00:46:57
say something that's not exactly on
00:46:58
topic but related to the topic in very
00:47:01
few words you know and it's like I just
00:47:04
think I you know I don't know this is a
00:47:06
hack name one but I it just needs to
00:47:08
breathe or whatever you know make sure
00:47:10
that the audience knows you're actually
00:47:12
performing you know sort of you know
00:47:14
don't just do it to each other so that's
00:47:17
kind of one of his superpowers and
00:47:18
that's really important with the suits
00:47:21
and Universal and stuff I I had I was at
00:47:24
parties with the the suits and Lauren he
00:47:27
doesn't talk a lot but when he does it's
00:47:29
usually it's pretty hard or it's
00:47:32
interesting you know yeah no he has a
00:47:34
lot of things like that that can kind of
00:47:36
close off discussion like he'll say
00:47:38
it'll get there yeah you know or he'll
00:47:41
say it knows what it is stuff like that
00:47:44
yeah yeah really good good things yeah
00:47:48
all I'm saying you know he never really
00:47:50
says do this all I'm saying is like do
00:47:53
we really have to go there with that
00:47:55
right now you know
00:47:57
I thought it was also interesting that
00:47:59
even though you know in that meeting
00:48:02
between dress and air he really is like
00:48:04
a general you know and that's that's the
00:48:06
time at which he famously yelled at Bob
00:48:08
Odenkirk once Odenkirk if you talk again
00:48:11
I'll break your [ __ ] legs you know
00:48:13
but
00:48:14
mostly that's when he's most
00:48:16
confrontational because there's no time
00:48:18
left no time for any fun [ __ ] it's
00:48:21
like go go go right but but um even even
00:48:25
though he is you know that is his moment
00:48:27
he rarely forces somebody to change
00:48:30
something I mean writers are always
00:48:32
telling me true yes he'll give you the
00:48:34
note he'll say maybe this maybe that but
00:48:36
he isn't GNA say you have to change the
00:48:38
ending you know he he lets it belong to
00:48:41
the writers which is so unusual some you
00:48:44
know some of mine got dirty and he would
00:48:46
say to interrupt you he would say I
00:48:49
don't know if you need that yeah yeah
00:48:52
put it if you want but I don't know if
00:48:53
you need it and that's a good way of
00:48:55
saying oh you feel like it's a little
00:48:57
dirty it's kind of smart the way it is I
00:49:00
don't if you need that and you go yeah
00:49:02
okay like okay well if you say it I'm
00:49:05
obviously younger and just new on the
00:49:07
show I think I would take your gut
00:49:10
feeling over mine I know because I said
00:49:12
to Lauren just in the fall when I was
00:49:14
there I said you're like an AI like you
00:49:16
have downloaded the show in your brain
00:49:19
that's a good so Lauren's blink is the
00:49:21
best blink because he can't
00:49:23
even he's he's he's going back to you
00:49:26
know Danny did that in my early days
00:49:29
similar to a Chevy idea you know say so
00:49:32
he that's why his blink is really good
00:49:34
he kind of knows he can't even toly
00:49:37
describe what's wrong in a way but his
00:49:39
spider sense because he's yeah yeah yeah
00:49:41
he's downloaded the show but he might
00:49:44
say as David was just saying he might
00:49:46
say well do you think it's working you
00:49:48
know yeah that's how he would do it do
00:49:50
you think it's working but Dana this is
00:49:52
reminding me what David just said is the
00:49:54
story you told me about the time he
00:49:56
thought church lady got too dirty with
00:49:59
the football players yeah yeah and he
00:50:01
was he was really kind of right it was
00:50:04
just um you know it was Joe
00:50:08
Montana and Walter pyton and I'm doing a
00:50:12
church chat and so it was just became
00:50:14
vailan sexual inuendo like we're playing
00:50:17
football squeeze the between your legs
00:50:19
and let me you know it was just a lot of
00:50:21
that and Lauren was like you know does
00:50:25
it really it was like
00:50:27
you know and he didn't want church lady
00:50:28
for a while like the church I think she
00:50:31
needs a name you know and stuff like
00:50:33
that and he didn't really like the
00:50:34
superior dance he wanted to be more
00:50:36
grounded in reality but like he never
00:50:38
told me yay or nay but he the the mon
00:50:42
Joe Montana won um because maybe it was
00:50:46
low brow or something it was later in
00:50:48
the show but it killed so hard that the
00:50:51
Oldtimer sound man said I've been here
00:50:53
for 20 years I I never seen the needles
00:50:56
go that high so
00:50:58
I anyway you know that Superior dance
00:51:02
thing I mean I didn't know he didn't
00:51:03
like that cuz boy I think that's so
00:51:05
funny but uh well I I I think he wasn't
00:51:09
a fan of it but maybe he probably
00:51:11
accepted it as the as the character grew
00:51:14
got bigger yes she became a signature
00:51:17
because I know Conan told me that uh or
00:51:20
maybe Lauren told me maybe they both
00:51:21
told me um rare instance of everybody
00:51:24
agreeing that Lauren was always telling
00:51:27
Conan to get rid of that string dance
00:51:29
thing that he did you know where he
00:51:30
would touch his nipples and
00:51:32
go yeah Warr hated that you but Conan
00:51:36
stuck with it and it worked you know
00:51:38
there are people yeah you know people I
00:51:40
guess well that is the thing about
00:51:41
catchphrases Andor repetitive physical
00:51:44
things or signature Johnny Carson does
00:51:46
the golf swing I don't know if there's
00:51:48
something homey to your brain you know
00:51:50
oh Conan's doing that again you know we
00:51:52
all do it right right well Mark McKinny
00:51:54
told me that at the original at the IAL
00:51:56
read through of the Kids in the Hall uh
00:52:00
series the one thing that Lauren just
00:52:02
didn't like didn't understand was the
00:52:04
I'm crushing your head guy oh and and
00:52:08
that when Mark you know that sketch yeah
00:52:10
yeah with the camera set up so it looks
00:52:12
like you're yeah play that game as a
00:52:14
little kid first read it Lauren said
00:52:18
like oh so it's a funny voice thing you
00:52:21
know but he didn't it wasn't you can say
00:52:23
that better than me but um but then when
00:52:25
he saw it when he saw saw that it was a
00:52:27
visual you know like that then he then
00:52:29
he got it and he liked it so again you
00:52:32
have to have you really have to have a
00:52:34
sense of yourself I guess right because
00:52:36
a a more of a fading Violet kind of
00:52:39
performer would have just said okay
00:52:40
we'll cut that sketch sure right and
00:52:43
Lauren is he's he's open to if it works
00:52:46
it works I mean he just loves a laugh so
00:52:49
if you know that that makes him so high
00:52:52
yeah you know and and you see that how
00:52:54
he still just suffers if the show's
00:52:57
going a little flat you see it in his
00:52:58
body language his attitude if the show
00:53:01
is lifted it's just you know from across
00:53:03
the way your sketch destroys be like you
00:53:07
know and and that's like a really good
00:53:09
coach that never over Praises but when
00:53:13
he does it means a hell of a lot so
00:53:15
that's yeah so many people told me about
00:53:18
how they would come off stage and just
00:53:20
feeling like they really killed and you
00:53:22
know then in the Monday
00:53:24
meeting he wouldn't talk about that
00:53:26
would say you know like no Nora you were
00:53:30
breathtaking as the fourth waitress you
00:53:32
know that kind of
00:53:34
thing I thought Jan's exit was
00:53:37
breathtaking
00:53:44
[Music]
00:53:45
exit well Susan um Dana anything else
00:53:48
for this young lady who's uh WR a
00:53:50
written great book so now your book is
00:53:53
emerging yeah within this GI gigantic
00:53:57
SNL 50th yeah whatever you want
00:54:01
Extravaganza you know and I can't keep
00:54:03
track of all the documentaries people I
00:54:05
I don't you know were you in that one
00:54:06
you got watch the cowbell one is great
00:54:08
we got to watch that it's a I just went
00:54:10
to a little house they rented for me and
00:54:12
said well you talk about cowbell I okay
00:54:14
so I'm doing it and then they were
00:54:15
talking about it yeah I don't even
00:54:18
remember what I said but it's such an
00:54:22
extravaganza um and then your book's
00:54:24
coming out I guess that's a good thing
00:54:26
rather then if the book had come out
00:54:27
during just a regular year Well I it
00:54:30
took me so long to write it that only 10
00:54:32
years this wasn't part of the plan yeah
00:54:35
I thought come out years fell into right
00:54:37
now is good it really yeah it really
00:54:40
worked and I'd say I mean uh it it
00:54:44
definitely works and especially because
00:54:45
so much of the hoopla so much of the
00:54:47
other stuff you know it's like Snippets
00:54:49
of sketches and but my hope is that you
00:54:51
know people really don't know that much
00:54:54
about Lauren you know the the comedy
00:54:56
cogn Senti know that he's Obi-Wan Kenobi
00:54:59
and everything else but I think that the
00:55:01
greater world doesn't know how
00:55:04
complicated and fascinating and strange
00:55:07
and Brilliant he is and um I you know I
00:55:10
hope as you were saying Dan I hope I'm
00:55:12
kind of able to explain that a little
00:55:13
bit so the one thing people ask me today
00:55:17
about the show that I don't have an
00:55:18
answer for just a basic answer I guess
00:55:21
but how the numerologically the cast has
00:55:26
started to expand and then become an
00:55:28
expansionist cast so like 20 cast
00:55:31
members so people will ask me why they
00:55:34
have all those cast members and I go
00:55:37
well I guess a safety net or what did
00:55:39
did he did he ever talk about that I
00:55:40
think that's a really good question
00:55:42
because I know there was a time in the
00:55:43
90s when the when he was trying to do
00:55:46
the change over like between the you
00:55:48
know Hartman cast to the Sandler cast he
00:55:51
was hiring a lot of people I thought it
00:55:52
was maybe just to ease the you know
00:55:55
create a buffer um and then there was
00:55:57
like some big budget cut back and he had
00:55:59
to get rid of a bunch of them but yeah I
00:56:02
I don't know the answer to that unless
00:56:04
and I'm speculating here unless it's in
00:56:07
a diversity effort you know to just try
00:56:09
to get a more diverse cast but I don't
00:56:12
think it serves the show because I think
00:56:14
that there's so many people you're kind
00:56:15
of who's that one I remember for sure
00:56:17
you don't know for sure it's too hard
00:56:20
people it's very hard I talked to some
00:56:22
of the young cast members because if
00:56:24
you're not in it a lot and then you get
00:56:25
in there there and then you maybe flub a
00:56:29
line or don't totally score then you go
00:56:30
back again where I think I was part of
00:56:33
the last small cast and then when David
00:56:36
and Sandler and Farley all you know we
00:56:38
got some really great people to add to
00:56:40
us and some left but me and Phil and
00:56:43
John I think were just the three major
00:56:45
male sketch players so I was in four
00:56:47
things the first show or five things and
00:56:49
yeah I I have a lot of empathy for the
00:56:52
cast members that are they're in the
00:56:54
Dugout they're on the bench they're not
00:56:56
playing quit or do you stay and you go I
00:56:58
quit SNL I didn't get anything out of it
00:56:59
like it's so hard just sit there and rot
00:57:02
going am I going to ever score it really
00:57:03
takes one good sketch then you're on the
00:57:07
map what was yours David what was the
00:57:09
thing that made you feel like God it
00:57:10
took a long time I think it was one
00:57:12
where I played a receptionist was the
00:57:13
first time I got any any sort of and you
00:57:16
had a catchphrase did it at at it was in
00:57:19
dress the last sketch in the air it was
00:57:21
the first sketch and so oh that's that's
00:57:24
a good you are
00:57:27
you are so good just a dry bit based on
00:57:29
kind of Lauren going to see and and and
00:57:32
the assistance yeah yeah and all that
00:57:33
you know the thing the thing about the
00:57:35
huge cast that's even harder now Dana
00:57:39
and and when I was hanging around there
00:57:41
a few years back you know the cast would
00:57:45
also they would let you know I mean of
00:57:47
course it's thrilling for them when
00:57:49
Geniuses like you and you know Alec and
00:57:52
everybody come in to pay play these
00:57:54
cameos but during the first Trump
00:57:56
Administration you it's so many you know
00:57:59
you have all these stars coming in yeah
00:58:01
and that also squeezes Matt Damon and so
00:58:04
forth all great people doing great
00:58:06
Parts if you were in the cast you might
00:58:09
be pissed of course well I did ask and I
00:58:12
was I was sincere about it when they
00:58:14
asked me to do Biden I said does Mikey
00:58:16
still want to do it does anybody want to
00:58:19
do it and I you know and they said no
00:58:22
because Biden was sort of a thankless
00:58:24
task it was a difficult one and there
00:58:26
was the whole energy around should you
00:58:28
make fun of his mental acuity or not and
00:58:31
and threading that needle so I was
00:58:33
totally aware of that and um they're all
00:58:37
incredibly sweet they seem sweeter than
00:58:40
we were but they're very nice people but
00:58:43
we never we had Dan akroy come in and do
00:58:46
Bob Dole that was it once yeah yeah and
00:58:48
then it was all us playing it so I don't
00:58:51
know I I mean Lauren has his thing I
00:58:53
don't think he likes when people leave I
00:58:56
think when blushi and aoid left it kind
00:58:58
of left him flat-footed and so he he
00:59:01
liks a I get it he liks a bench that can
00:59:04
come in and you know so right 50 years
00:59:07
now a final question okay how much
00:59:10
longer since you've been inside this
00:59:12
Lauren
00:59:14
brain will he
00:59:16
go well I firmly believe I don't think
00:59:20
he's gonna just say over and out you
00:59:22
know he's never missed a show he's never
00:59:24
missed the show I think I think I think
00:59:27
they'd have to carry him out of there in
00:59:28
a Stretcher but I don't think that any
00:59:31
any of um I don't I don't buy any of the
00:59:34
replacement theories I don't think Tina
00:59:36
or Seth or I I can't see any of them
00:59:39
doing it um what I think is the likelier
00:59:42
idea and I I hope this doesn't sound too
00:59:44
McKenzie you know but the way I see it
00:59:48
Lauren is completely essential two days
00:59:50
of the week he has to be there during
00:59:52
read through because he really pays
00:59:54
attention to the room yeah and and then
00:59:56
he you know picks the show after that
00:59:58
with his depuy's help and then Saturday
01:00:01
when he's sitting there under the
01:00:02
bleachers um it's a good theory you know
01:00:05
and you know so I think he has this
01:00:07
great team of people who could do the
01:00:09
other stuff and if he came in you know
01:00:12
was wheeled in on Wednesday afternoon
01:00:15
and on Friday and on Saturday evening
01:00:17
stretcher well there's an element
01:00:19
there's a there's like a soft element of
01:00:21
that now you know I would want an answer
01:00:26
you know when Lauren gets here it's
01:00:27
four: Lauren knows how to Pace himself
01:00:30
and when to lock in so he's doing a soft
01:00:33
version of that you know yeah I think
01:00:35
that's right and and all those people
01:00:38
you know Doyle and and henard and
01:00:41
Higgins they really know him you know so
01:00:42
they can give a pretty good
01:00:44
approximation yeah when he'll come in
01:00:47
what he might say yeah but you know
01:00:49
there's no there's no one could do what
01:00:53
he does under the bleachers I mean when
01:00:55
I'm sitting there under the bleachers
01:00:56
with him and you guys I'm sure you've
01:00:58
done this right and he's I mean the
01:01:01
funniest one when we got I was there for
01:01:03
the Jonah Hill show and Maggie Rogers
01:01:06
who was then just starting out as a
01:01:08
singer comes out on stage at dress
01:01:11
wearing this big red calf tan and no
01:01:14
shoes and lawen just goes Barefoot
01:01:18
where's she from a place with roads you
01:01:21
know he was so
01:01:23
mad I know well the the funniest one is
01:01:27
just that he watched the dress show and
01:01:30
the chardonay should be more pale you
01:01:32
know stuff like that it's like but he
01:01:34
notices things you're not even aware but
01:01:36
yeah I think he's G to go a while um he
01:01:40
seems very you know he's very with it
01:01:43
and alert and and I've never seen him
01:01:45
sick you know he he's taking good care
01:01:47
of himself true you don't hear that I
01:01:49
never I never it doesn't look like even
01:01:51
I was there briefly it doesn't seem like
01:01:54
he's you know barely getting to this
01:01:57
50th it's like 50th then they got the
01:01:59
rest of the season after the Big Show
01:02:02
and then uh they start working on next
01:02:04
season I don't see I don't know when
01:02:05
this podcast airs but I I bet you Lauren
01:02:08
he is he's only human I mean he will be
01:02:11
kind of a little bit relieved when this
01:02:13
whole hoopla over because we can't
01:02:15
unless it was the mic drop the show ends
01:02:17
he knows that pretty soon okay we look
01:02:20
have 10 more [ __ ] shows to do well
01:02:23
one thing he did tell me when the wman
01:02:25
moov came out um you know that was sort
01:02:28
of the beginning of you know like his
01:02:31
anonymity being blown in a way I mean he
01:02:34
he told me he didn't see it I mean who
01:02:35
knows who knows if he did I said I saw I
01:02:37
saw it for you and you come off great I
01:02:39
so I said you don't have to see it but
01:02:41
he said uh he said I just feel like I've
01:02:44
lost control of my life you know it's
01:02:46
like he it it as as a 50th approach I
01:02:49
think he's really excited about the show
01:02:50
and he's excited about seeing everybody
01:02:52
you know he loves everybody but he he
01:02:55
does feel I mean even to some extent
01:02:56
with a book it's just like he's he's
01:02:59
kind of stepping out you know the wman
01:03:01
movie put him Center Stage this book
01:03:04
puts him Center Stage it's it's it's
01:03:06
it's a it's a shift for him right and in
01:03:09
the end of the day he he is the Lynch
01:03:11
pin he's bigger than any cast member as
01:03:13
far as the history of SNL he is sure you
01:03:16
know well he is as as I think I quote
01:03:19
some agent in the book saying that when
01:03:21
her she is clients going to audition for
01:03:24
Lauren she says you got to remember
01:03:25
remember he is the star of the show it's
01:03:28
Lauren yeah you know which is
01:03:32
interesting interesting but he loves
01:03:34
funny people and he yeah he really does
01:03:37
he does and and and he's funny he's a
01:03:39
funny person which a lot of people don't
01:03:40
extremely dry droll wit yeah that hits
01:03:44
you pretty hard sometimes um wow well uh
01:03:48
congratulations it's hard to write a
01:03:50
book and I I'm sure it's going to do
01:03:52
really well and um what was your advance
01:03:55
how much did you got so
01:03:58
far hello February
01:04:01
18th thank you so
01:04:03
much really fun you guys this flew by it
01:04:06
was easy we love talking about our old
01:04:08
boss call back anytime okay I can't wait
01:04:10
to read my chapter all right bye thanks
01:04:14
have a good day bye bye you too bye bye
01:04:17
this has been a presentation of Odyssey
01:04:20
please follow subscribe leave a like a
01:04:22
review all the stuff smash that button
01:04:24
whatever it is wherever you get your
01:04:26
podcast fly on the wall is executive
01:04:28
produced by Dana Carvey and David Spade
01:04:30
Jenna Weiss Burman of Odyssey and
01:04:32
Heather Santoro the show's lead producer
01:04:34
is Greg Holtzman

Badges

This episode stands out for the following:

  • 70
    Most iconic
  • 70
    Most iconic moment
  • 65
    Best concept / idea
  • 65
    Biggest cultural impact

Episode Highlights

  • The 50th Anniversary of SNL
    Susan Morrison's book dives deep into the legacy of Lauren Michaels and SNL.
    “It's a good time to have it out.”
    @ 00m 14s
    February 19, 2025
  • Behind the Scenes of SNL
    Insights from interviews reveal the chaotic yet creative environment of SNL's early days.
    “It made you realize how improbable the whole show was.”
    @ 10m 10s
    February 19, 2025
  • The Complexity of Lauren
    Exploring the layers of Lauren's personality and his impact on comedy.
    “I think I really admire him and I admire and like him even more at the end of this process.”
    @ 23m 47s
    February 19, 2025
  • Aykroyd's Surprising Eloquence
    Dan Aykroyd impresses with his articulate speech, surprising those who know him as a comedian.
    “He talks in perfect paragraphs.”
    @ 24m 21s
    February 19, 2025
  • Lauren's Comic Legacy
    Lauren's ability to turn his social experiences into comedic gold is explored.
    “He managed to parlay that into a comic character on the show.”
    @ 27m 12s
    February 19, 2025
  • The Power of Deadlines
    Lauren thrives under pressure, using deadlines to fuel his creativity and productivity.
    “The deadline is Lauren's cocaine.”
    @ 42m 30s
    February 19, 2025
  • Lauren's Reluctance to Burn Bridges
    Lauren has always been hesitant to close doors in his career, fearing missed opportunities.
    “He was always his whole life reluctant to burn a bridge.”
    @ 42m 58s
    February 19, 2025
  • Lessons from a Diner
    A childhood lesson about ambition and moderation shaped Lauren's approach to comedy.
    “Your eyes are bigger than your stomach.”
    @ 43m 29s
    February 19, 2025
  • The Weight of Fame
    He expressed feeling like he’s lost control of his life as fame grows.
    “I just feel like I’ve lost control of my life.”
    @ 01h 02m 44s
    February 19, 2025
  • Writing a Book
    Writing a book is no easy task, but it’s rewarding.
    “It’s hard to write a book.”
    @ 01h 03m 48s
    February 19, 2025

Episode Quotes

Key Moments

  • Creative Chaos10:10
  • SNL Legacy10:10
  • Fact-Checking Stories22:15
  • Admiration for Lauren23:47
  • Aykroyd's Insight24:21
  • Church Lady Controversy49:56
  • Fame Pressure1:02:46
  • Book Writing1:03:48

Words per Minute Over Time

Vibes Breakdown

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