Search Captions & Ask AI

Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)

November 07, 2024 / 27:15

This episode covers the murder of Ruthie May McCoy, the trials of John Hondras and Edward Turner, and the impact of the Candyman films on her legacy.

The episode discusses the 1990 trial where Hondras and Turner were acquitted of McCoy's murder, despite evidence suggesting their involvement. Steve Beira, a reporter, highlights the lack of attention the case received and the failures of the police in responding to McCoy's 911 calls.

Lisa Yan Lee from the National Public Housing Museum explains how McCoy's story is being preserved in a new exhibit, emphasizing the relevance of her experience in today's discussions about public housing and systemic issues.

The episode also examines how the Candyman films, particularly the 2021 remake, reflect and challenge societal issues related to race and violence, drawing parallels between McCoy's life and the narratives presented in the films.

Willie McCoy, Ruthie's brother, expresses his frustration with the justice system and reflects on the ongoing impact of his sister's murder, emphasizing the need to remember her name and the lessons learned from her story.

TLDR

Ruthie May McCoy's murder trial and legacy are explored, highlighting systemic failures and the impact of the Candyman films on her story.

Episode

27:15
00:00:00
[Music] in the spring of 1990 a judge and jury considered whether John hondras and
00:00:06
Edward Turner were guilty of killing Ruthie May McCoy their attorneys argued they were innocent but throughout the
00:00:14
investigation their names came up most frequently as suspects and when the time came for the prosecution's key witness
00:00:20
to take the stand he changed his story at the last minute now their Fates were up in the air we're talking a lot about
00:00:30
Ruthie may now but back then her murder got very little attention not a lot of folks came to the trial and it's thanks
00:00:38
mostly to the doggedness of Steve beira that we're talking about Ruthie May's case now and we aren't the only ones
00:00:45
turning our attention to Ruthie May a new Museum set to open later this year will highlight her story We Tell The
00:00:52
Good the Bad and the Ugly Lisa Yan Lee is the executive director of the national public housing Museum
00:01:00
they renovated a three-story public housing building in Chicago the museum will showcase how Apartments looked
00:01:07
decades ago the objects and artifacts that we have found that have we've saved and salvaged and that people have given
00:01:15
to us one object they salvaged from back then was a medicine cabinet Lee knows that there's no Story related to those
00:01:23
medicine cabinets that's more well known than Ruthie Mays for many people one of
00:01:28
the like most famous stories in public housing they'll hang a cabinet on the wall and then on each side of the
00:01:36
cabinet they'll put two different portrayals of life in public housing on one side this medicine cabinet tells the
00:01:44
story of really incredible health programs and medical care that was always available in public housing
00:01:54
complexes and then on the other there's the story of Ruthie McCoy which is also through about this medicine
00:02:03
cabinet to Lee the tragedy of Ruthie May's death holds lessons for how the country approaches public housing today
00:02:11
housing precarity being what it is today it's like one of the biggest issues facing all of us this history is
00:02:17
incredibly relevant and even as history reminds us of its failures Ruthie May's story still
00:02:24
shows us some of the valuable things that public housing can do for people she had a consistent place to stay after
00:02:30
her home flooded and was provided access to a psychiatric center where she received
00:02:35
care despite so many challenges Ruthie may use public housing to set a path toward a better life we're asking people
00:02:43
to take a moment and to care to look a little more deeply the medicine cabinet exhibit is called care to look it's a
00:02:51
capacious history history is big and never again will a single story be told as if it's the only one how big history
00:03:00
is Ruthie May's story manages to stay relevant for Generations I think I wrote a lot of
00:03:09
stories that really shed light on what poverty was like in Chicago in the 80s and 90s here's reporter Steve beera but
00:03:18
people don't pay attention to most of those stories but this one is kind of revived so that people do pay attention
00:03:24
to it more than three decades later he credits Candyman for generating attention around Ruthie May's Legacy but
00:03:31
plenty of real life events get mentioned in movies there's something deeper at play when we remember Ruthie May Ruthie
00:03:38
May's experience was concentrated poverty It's a combination uh deep poverty and racial
00:03:46
segregation what is her Legacy what has come of these public housing projects today and were her Killers ever brought
00:03:54
to Justice you never know what a jury is going to do I'm Doma Pongo from 48 hours this is Candyman the true
00:04:04
story behind the bathroom mirror murder episode 6 luthie May's reflection Ruthie May McCoy's Legacy
00:04:17
will forever be intertwined with the 1992 Candyman film I mean mainstream stories and meths have a lot of power
00:04:26
Lisa youngan Lee from the national public housing Museum believes the film and its sequels have kept Ruthie May
00:04:32
story alive but each one has also done something different I think the original Candyman contributed to inscribing some
00:04:43
terrible racialized stereotypes about these places and on the flip side I kind of feel like the remake of Candy Man
00:04:52
actually did something very different in 2021 fans of the franchise got to see Candyman in a new light it was the first
00:04:59
time a Candyman film was written and directed by people of color director Nia dasta used the Remake to challenge
00:05:06
stereotypes around public housing and historically black neighborhoods it'll take a minute and
00:05:13
the people will be studying over and talking about her film for years to come remember Robin means Coleman she's a
00:05:20
media professor at the University of Virginia she told me that this more recent film is part of a movement to use
00:05:27
horror to examine deeper issues Within American society especially about race so
00:05:34
inevitably that that real life horror is going to inform entertainment horror and
00:05:41
the social issues appear in lots of horror films but they're particularly acute in Black horror films the fourth
00:05:48
Candyman is set in 2019 decades after the original Helen the graduate student who investigated Candyman for her
00:05:56
research paper and died in a bonfire is referenced but is not the film's focus instead of a white protagonist the
00:06:04
central character is black he's an artist named Anthony McCoy the kind of connective tissue is like trauma it's
00:06:13
violence the Candyman is sort of violent Cabrini is violent the government is violent there structural violence that
00:06:23
sends people to where they are in these films a reference to the details of Ruthie 's murder is in the fourth film
00:06:31
too the main character Anthony starts researching Candyman and gets a tape recorder from the library as he becomes
00:06:38
more obsessed with Candyman there's a scene where Anthony is vigorously painting and listening to a recording of
00:06:44
two women from the original film as they retell the murder of a woman named Ruthie so Ruthie called 911 and she said
00:06:53
there's somebody coming through the walls and they didn't believe her they thought the lady was crazy right
00:07:00
so she called 911 again and they still didn't believe when they finally got there she
00:07:05
was [Music] dead by 2019 Cabrini Green and the Abbott homes where Ruthie May lived were
00:07:14
long gone in the movie and in real life the high-rise projects had been demolished many low-income residents of
00:07:24
the neighborhood were forced to leave their homes were replaced by new development and housing designed to
00:07:30
attract wealthier residents I should warn you if you haven't seen the movie yet there are
00:07:39
going to be some spoilers as we get into the differences between the fourth and the first Candyman I think that the
00:07:46
chief difference is now certainly there's the absence of Helen and a focus on black
00:07:53
communities black families black relationships extended families that's the other thing in the 92 movie you're
00:08:01
like where are these people's kin it's revealed that Anthony the painter was the baby that Helen the blonde grad
00:08:09
student from the first Candyman saved from the fire in the original film at the end of the 2021 film Anthony
00:08:18
becomes Candyman and this movie makes some big changes to the lore surrounding the
00:08:24
Candyman character's history the police gunned down the character anthy McCoy at the end of the most recent movie keep
00:08:32
in mind this film was released only a little more than a year after George Floyd's death and his murder was
00:08:39
weighing heavy on America at the time but in the movie Anthony gets his revenge once he's Candyman he kills the
00:08:48
officers who murdered him even though Anthony is turning into something he's an unwilling martyr to
00:08:59
the kind of black pain and Trauma that we see Coleman read me something the director Nia dasta once said so Nia says
00:09:08
I love this quote can I read this quote absolutely he says Candyman at the intersection of white violence in Black
00:09:16
pain is about unwilling Martyrs the character Anthony McCoy is an unwilling martyr in the 2021 film the
00:09:27
police kill him your original Candyman character Daniel robati was an unwilling martyr he was tortured and lynched by an
00:09:37
angry mob and in a way Ruthie May was an unwilling martyr too she's remembered for how she died remembered for how she
00:09:48
was let down when we talk about speaking names and saying names and reminding about Justice denied we do want to say
00:09:57
Ruthie May McCoy's name and keep saying her name because it isn't just about her
00:10:05
murder that's a core to how we know her but Ruthie May McCoy symbolizes all of the sort of failures
00:10:17
one of the reasons Ruthie May's story still resonates today is we're still Reckoning with these failures a lot of
00:10:22
us can relate to not feeling safe in our own homes worrying that when a call for
00:10:27
help is made no one will come [Music] in the 2021 movie a black woman summons Candyman for protection which is much
00:10:38
different from the original and that subtle change makes saying the name Candyman an act of
00:10:46
empowerment rather than victimization Coleman thinks that that idea Echoes the real life movement to keep the names of
00:10:54
victims of Injustice alive so in saying candyman's name in 199 2 doesn't get us Justice and this candy man you say his
00:11:05
name because we're asking for justice for Coleman Ruthie May is on a long list of names that she intends to
00:11:12
say out loud Ruthie May mcoy is a real life person her family are alive and out there back in 1990 Ruthie May's family
00:11:24
was still waiting for justice they were about to learn whether the two men accused of killing Ruthie May would be
00:11:30
found guilty her older brother Willie McCoy had watched the whole trial unfold finally after 3 years he was about to
00:11:38
find out what would happen to the two young men accused of her murder he wanted to make sure that the right
00:11:45
people got convicted Steve begira was there as the prosecutor ution and the defense made
00:12:00
their closing arguments I always feel it's pretty poignant to see these cases where there's an awful lot on the line
00:12:08
and there's there's so little interest but that is quite common in Chicago the family of the defendants and Ruthie
00:12:17
May's Brother Willie McCoy were there to watch John hondras had chosen a bench trial where judge Michael Getty decided
00:12:24
his fate while Edward Turner had chosen a jury both trials were taking place simultaneously Turner's attorney focused
00:12:34
his closing arguments on the circumstances of Turner's life and the choices available to him like the choice
00:12:40
not to call the police he argued that if Turner had called 911 police might have
00:12:45
thought he was a suspect or his neighbors could consider him a snitch putting his life in danger Steve said
00:12:53
the jury left the room and came back with the verdict in less than 4 hours Turner was sweating as he looked down at
00:13:01
the table Edward Turner told me that he was scared when the jury came back he said I would have went off if they told
00:13:07
me I was guilty I wouldn't have known how to take that garbage life in prison for something I didn't do the clerk read
00:13:14
the verdict on the charge of first-degree murder not guilty Steve remembered someone in the
00:13:22
court cheered to which the judge threatened jail time the clerk continued reading off three more verdicts not
00:13:31
guilty not guilty not guilty the jury decided Turner had not committed armed robbery or invaded
00:13:40
Ruthie May's home Beyond A Reasonable Doubt and even though Turner had admitted on the stand that he had taken
00:13:47
Ruthie May's TV the jury also found him not guilty of burglary he was free to go back in April 1990 Steve watched
00:14:01
Turner sit back in his chair and smile his ordeal was over Steve said Turner told him back then he didn't know who
00:14:10
killed McCoy and he didn't regret any of his actions on the night she was killed
00:14:16
not even his failure to call police after he saw McCoy's body if he had it to do over he said to me I would have
00:14:23
seen it and didn't seen it just like I did I wasn't going to jeopardize my family's life
00:14:30
Willie had spoken to family members of the accused Edward Turner's mother Altha repeated something to Willie that she'
00:14:37
said to Steve the fact that Edward Turner wouldn't call police when he saw Ruthie May lying in the apartment his
00:14:46
mother I think said he should have he should have called police but if he did he would have been suspect number
00:14:52
one um so she could understand how in the milu of the project that would be a a an understandable
00:15:02
response and Willie was okay with that explanation he said that he felt the defendants aren't the only ones that
00:15:11
should be on trial he said that the people who design these projects should be on trial will he showed his
00:15:18
understanding once again when he walked past Turner's family on his way out of the courthouse in the hallway outside
00:15:24
the courtroom Turner's mother is screaming my child's coming home and crying and Willie McCoy walked past the
00:15:34
relatives and he looked relieved not disappointed and he told me maybe he was innocent but even if he wasn't you can't
00:15:42
convict an individual on such little evidence Willie left and didn't return to hear the verdict in John hr's case he
00:15:53
wanted Justice for Ruthie may but he also wanted the right people convicted if anyone was got to be convicted Steve
00:16:00
wrote that in the closing arguments of H's case the prosecutor admitted Tim Brown had been a flawed witness but
00:16:07
argued the detectives had conducted an honorable investigation he said quote they didn't choose their Witnesses and
00:16:15
neither did we but the detectives wouldn't be the focus of Judge Michael Getty's frustration he was upset with
00:16:23
the responding officers the night Ruthie May died well this was a veteran judge he knew knew how police were supposed to
00:16:30
work so to him it was unconscionable that the officers didn't go into the apartment that night that they got that
00:16:40
call not just from Ruthie may but from two neighbors reporting gunshots that they could somehow leave without going
00:16:47
in and seeing what was up in that apartment judge Getty said quote this case was lost not by the State's
00:16:57
Attorneys this case was not even lost by the detectives who got the only evidence
00:17:03
that they got in a damaged and sanitized crime scene this case was lost by the Patrol Division of the Chicago Police
00:17:12
Department who stood by with a death ear to the multiple reports of gunshots being fired in
00:17:20
1109 they just couldn't be bothered with the hassle of entering a locked door so
00:17:26
they let them get away with it end quote he went on to say about John hondras this defendant may or may not be guilty
00:17:35
but the state has clearly failed to establish guilt Beyond a reasonable doubt this court must accordingly find
00:17:42
the defendant not guilty he's discharged and with that no one would be held accountable for Ruthie May's
00:17:54
murder hondras never spoke to Steve for a story back in the day and never never responded to our attempts to reach out
00:18:00
to him either but Steve did speak with hess's half brother who had attended the trial his half brother Darnell Dean told
00:18:09
me in the hallway I feel good about him getting out but there's no reason to celebrate he wanted the truth to come
00:18:15
out as to he did but everyone over there meeting in the projects knows who killed
00:18:21
that lady just ain't nobody at Liberty to say but it wasn't John Willie McCoy hadn't come back to hear the hress
00:18:29
ruling prosecutors had already told him that hress was going to walk as well Steve decided to call Willie and
00:18:36
tell him the prosecutor's prediction was correct his sister's killer or Killers whoever they were Got Away the first
00:18:44
thing McCoy did was lean on his religious faith I thought it was a travesty former
00:18:55
Chicago detective Anthony Manina thought it was a travesty that the two men he arrested for Ruthie May's murder were
00:19:01
acquitted judge Getty you know he gave a fair statement of what he believed and his statement was that it wasn't on the
00:19:09
the detectives and you know it was he claimed it was on the Patrol Division but an actuality I also add that to the
00:19:17
cha police in a phone call he reiterated that he believes the cha police not the
00:19:23
patrol officers are the ones at fault for not letting Patrol officers into Ruthie May's apartment sooner how could
00:19:30
you show up in an apartment with a wrong key and then say I'll be back tomorrow from his perspective the patrol officers
00:19:37
hands were tied even though police regularly break into private property he simply doesn't think the patrol officers
00:19:43
had enough cause in this situation they were on cha property and the cha did not
00:19:50
want to break down the door it's a CH property the cha would have to give the okay he said this might have been
00:19:57
handled differently if the police had permission to break in from a relative but that wasn't the
00:20:03
situation plus to Manina at least they ultimately arrested the right men he doesn't consider this a Cold Case a cold
00:20:12
case is a case that occurred where the offender was not caught and the case is still pending but cold in this
00:20:22
circumstance we believed we had the right guy so therefore it's it's already in the course so with that fact it's not
00:20:31
a cold case as far as I'm concerned again this is former detective mana's opinion hress and Turner were found not
00:20:37
guilty of killing Ruthie may still for Manina as far as we were concerned we cleared this case clearing a case means
00:20:47
that the officers met the criteria to consider the case solved once cops say a case has been cleared that means from
00:20:53
their perspective they don't have to reopen it [Music] as for Willie McCoy Ruthie May's brother
00:21:04
he dealt with the fact that the criminal justice system failed to catch his sister's killer his reaction wasn't
00:21:10
that's so unfair there was as often happens in these cases some meeting of the minds
00:21:18
between family and friends of the defendants and in this case uh the relative Willie Steve said that Willie
00:21:28
relied on his religious Faith he said God will take care of them eventually I believe that the killers
00:21:38
are free but they're not free in spirit they know what they did and it's always going to be in their mind they can boast
00:21:45
they can say oh man we beat it but that's just going to open a trapo for them they'll think they can get away
00:21:50
with something again but sooner or later the ax will fall as their conversation went on Willie did let some of his anger
00:21:58
seep out here's Steve again reading straight from his notes if that would have been a
00:22:02
white woman that called police like my sister did you know they would have gone in her apartment you know it this whole
00:22:10
system we're living in is corrupt he said he tries not to dwell on the injustices in it if you do you will
00:22:17
explode you will explode he said Steve didn't stay in touch with Willie and we tried different contact
00:22:26
information for him but never heard back from anyone one if he's alive he'd be in
00:22:30
his 90s according to Edward Turner's mother Altha her son would want to have a good
00:22:36
life he died in his 50s from cancer but John hondras was arrested again about a year after his acquittal in Ruthie May's
00:22:46
case in 1993 he was convicted of second deegree murder for a different [Music] killing Steve gir was the one who posed
00:23:00
the question what killed Ruthie May a bullet in the chest or life in the projects the
00:23:07
answer was both I do think that things are much better because habit homes no longer exists nor do the highrises at
00:23:19
Cabrini and Robert Taylor and Stateway everything was knocked down around the year 2000 now at Ruthie May's old
00:23:27
address was Resource Center for unemployed adults it's next to an empty field Steve has written a book and
00:23:36
retired from the Chicago reader for his book courtroom 302 Steve spent one year in a Cook County courtroom he said that
00:23:45
way back when he wrote his stories about Ruthie may his intention was never to write an indictment of all public
00:23:50
housing the concentration of deep poverty in my mind was the more important factor people can get along
00:23:58
just fine and highrises and with back-to-back medicine cabinets but because concentrated poverty leads
00:24:05
inevitably to more violence filling those high-rises with deeply poor is a recipe for disaster a disaster that the
00:24:13
buildings themselves then exacerbate and then the violence worsens physical and mental health and the residents are
00:24:21
caught in a downward spiral Deborah lassley Ruthie May's neighbor blames those circumstances for her friend's
00:24:28
death and when asked the question what killed Ruthie May McCoy she blamed the projects
00:24:34
and the people who used to run him so to me the people that work for the project
00:24:40
and because the project didn't get their together they didn't care cuz they wasn't living it the way whoever killed
00:24:47
Ruthie May entered her apartment can make any of us question whether something could be lurking behind our
00:24:53
own reflection Ruthie May's reflection is her Legacy and that we say her name all
00:25:01
these years later we retell again and again how she died and it's not that different from how the 2021 Candyman
00:25:10
explains the ghost's relevance in the 21st century but a story like that a pain like
00:25:18
that lasts forever that's Candyman in the same way the latest film helped to change the narrative maybe
00:25:31
this telling of a story does too the scariest part is that the film is fictional but not the
00:25:38
[Music] horror from 48 hours this is Candyman the true story behind the bathroom
00:25:53
mirror murder I'm your host and co-executive producer domati Pungo Judy igard is the executive producer of
00:26:02
48 Hours Jamie Benson is the senior producer for Paramount audio and Mora walls is the senior story editor
00:26:11
development by 48 Hours field producer Morgan KY recording assistance from Marlon polycarp and Alan pay special
00:26:19
thanks to Paramount podcast vice president Megan Marcus Candyman the true story behind
00:26:25
the bathroom mirror murder is produced by Sony music entertainment it was reported written and produced by Alex
00:26:31
Schuman our executive producers are Katherine St Louis and Jonathan hirs our associate producer is summer tamad theme
00:26:39
and original music composed by Cedric Wilson he sound designed and mixed the episodes we also use music from
00:26:47
APM fendle Fon is our fact Checker and our production manager is Tama balance kassi if you enjoyed this series please
00:26:57
take a moment to rate and review the show on Apple podcast or wherever you get your podcasts
00:27:04
[Music]

Badges

This episode stands out for the following:

  • 80
    Most shocking
  • 75
    Most heartbreaking
  • 75
    Best concept / idea
  • 75
    Most influential

Episode Highlights

  • The Impact of Candyman
    The 1992 Candyman film and its 2021 remake bring attention to Ruthie May's story and its implications.
    “The original Candyman contributed to inscribing some terrible racialized stereotypes.”
    @ 04m 38s
    November 07, 2024
  • Ruthie May's Legacy
    Ruthie May McCoy's story remains relevant, highlighting failures in public housing and justice.
    “Ruthie May symbolizes all of the sort of failures.”
    @ 10m 13s
    November 07, 2024
  • Justice Denied
    Despite the trial, Ruthie May's family faced the harsh reality of no accountability for her murder.
    “If that would have been a white woman... they would have gone in her apartment.”
    @ 22m 04s
    November 07, 2024
  • Ruthie May's Legacy
    Ruthie May's tragic story continues to resonate, reminding us of the impact of her life and death.
    “Ruthie May's reflection is her legacy.”
    @ 24m 55s
    November 07, 2024
  • The True Story Behind Candyman
    Exploring the real-life events that inspired the Candyman narrative, blending horror with reality.
    “The scariest part is that the film is fictional but not the horror.”
    @ 25m 34s
    November 07, 2024

Episode Quotes

  • Ruthie May McCoy symbolizes all of the sort of failures.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)
  • I thought it was a travesty.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)
  • If that would have been a white woman... they would have gone in her apartment.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)
  • Ruthie May's reflection is her legacy.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)
  • A story like that, a pain like that lasts forever.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)
  • The scariest part is that the film is fictional but not the horror.
    Ruthie Mae's Reflection | "Candyman" | "48 Hours" Podcast (Episode 6)

Key Moments

  • Key Witness Changes Story00:20
  • Museum Opening00:45
  • Ruthie's Tragic Death02:06
  • Legacy of Injustice10:20
  • Acquittal of Suspects17:50
  • Ruthie May's Impact24:55
  • Enduring Pain25:16
  • Fiction Meets Reality25:34

Words per Minute Over Time

Vibes Breakdown